Join us for\nrefresh ments as we celebrate the opening of The Unreliable\nNarrator . The Unreliable Narrator considers the\npower of the narrat or who may not be trustworthy: a storyteller who\nmisleads\, or perhaps mi sunderstands the events unfolding in the course of a\nstory\, or asks the reader to construct their own narrative structure as\nthey read a book\, w atch a play or film\, or look at a work of art. How do we\nknow when we ca n believe the story we’re being told? \nPhotographer Holly Andr es\, who created a new body of work at The\nCenter\, Hailey\, for The Unreliable Narrator\, will speak about her\nwork at 6pm. Spe cial thanks to Jennifer E. Wilson for underwriting\nHolly Andres’s visua l arts residency and project. Part of The Center’s\nBIG IDEA project The Unreliable Narrator\, Sep 1–Nov 24\,\n2017.
Joi n us for\nrefreshments as we celebrate the opening of The Unreliable\n Narrator. The Unreliable Narrator considers the\npo wer of the narrator who may not be trustworthy: a storyteller who\nmislead s\, or perhaps misunderstands the events unfolding in the course of a\nsto ry\, or asks the reader to construct their own narrative structure as\nthe y read a book\, watch a play or film\, or look at a work of art. How do we \nknow when we can believe the story we’re being told? \nPhotog rapher Holly Andres\, who created a new body of work at The\nCenter\, Hail ey\, for The Unreliable Narrator\, will speak about her\nwork at 6pm. Special thanks to Jennifer E. Wilson for underwriting\nHolly Andres’s visual arts residency and project. Part of The Center’s\nBIG IDEA project The Unreliable Narrator\, Sep 1–Nov 24\,\n2017.
The first\nlecture\, o n Sep 14\, will focus on the art and architecture of the Aztecs\,\nwho flo urished in what is now Central Mexico from approximately 1350 to\n1521. Us ing the broader context of the Aztecs' complex and sophisticated\nsociety as a framework\, the talk will highlight key examples of Aztec\nsculpture\ , illustrated codices and urban planning\, including Tenochtitlan\,\nthe c apital of the Aztec Empire (now Mexico City).
The second\nlecture\, on Sep 21\, will begin with the arrival of the Spanish in\nTenochtitlan i n 1521\, and the impact their conquest had on art and\narchitecture throug hout the remainder of the sixteenth century. How did\nnative artists incor porate European styles\, imagery and materials into\ntheir work? How did t hey resist their Spanish Colonial rulers?
The f irst\nlecture\, on Sep 14\, will focus on the art and architecture of the Aztecs\,\nwho flourished in what is now Central Mexico from approximately 1350 to\n1521. Using the broader context of the Aztecs' complex and sophis ticated\nsociety as a framework\, the talk will highlight key examples of Aztec\nsculpture\, illustrated codices and urban planning\, including Teno chtitlan\,\nthe capital of the Aztec Empire (now Mexico City).
The second\nlecture\, on Sep 21\, will begin with the arrival of the Spanish i n\nTenochtitlan in 1521\, and the impact their conquest had on art and\nar chitecture throughout the remainder of the sixteenth century. How did\nnat ive artists incorporate European styles\, imagery and materials into\nthei r work? How did they resist their Spanish Colonial rulers?
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nph otographs\, students will learn indirect painting techniques such as\nunde rpainting\, glazing\, stenciling\, washing and scumbling. Each student is\ nencouraged to develop his or her personal style and be open to new\ndisco veries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, meditative\naspect s of the natural world\; fascinated by the shapes of plants\, leaves\,\npo ds\, branches and twigs and the play of light and shade on their surfaces. \nThese patterns generate visual and meditative interest. Reflections and\ nshadows offer a chance to stop and observe complex patterns in nature. Th is\ncomplexity can increase the meditative state by holding one’s attent ion\nand focus longer. My paintings investigate the different levels of re ality\nwe can observe in the natural world.
This class take place\n Monday-Friday\, Sep 18-22\, from 9am-1pm.
Cancellation reimbursemen t\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nphotographs\, students will learn indirect painting techniq ues such as\nunderpainting\, glazing\, stenciling\, washing and scumbling. Each student is\nencouraged to develop his or her personal style and be o pen to new\ndiscoveries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, m editative\naspects of the natural world\; fascinated by the shapes of plan ts\, leaves\,\npods\, branches and twigs and the play of light and shade o n their surfaces.\nThese patterns generate visual and meditative interest. Reflections and\nshadows offer a chance to stop and observe complex patte rns in nature. This\ncomplexity can increase the meditative state by holdi ng one’s attention\nand focus longer. My paintings investigate the diffe rent levels of reality\nwe can observe in the natural world.
This c lass take place\nMonday-Friday\, Sep 18-22\, from 9am-1pm.
Cancella tion reimbursement\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nph otographs\, students will learn indirect painting techniques such as\nunde rpainting\, glazing\, stenciling\, washing and scumbling. Each student is\ nencouraged to develop his or her personal style and be open to new\ndisco veries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, meditative\naspect s of the natural world\; fascinated by the shapes of plants\, leaves\,\npo ds\, branches and twigs and the play of light and shade on their surfaces. \nThese patterns generate visual and meditative interest. Reflections and\ nshadows offer a chance to stop and observe complex patterns in nature. Th is\ncomplexity can increase the meditative state by holding one’s attent ion\nand focus longer. My paintings investigate the different levels of re ality\nwe can observe in the natural world.
This class take place\n Monday-Friday\, Sep 18-22\, from 9am-1pm.
Cancellation reimbursemen t\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nphotographs\, students will learn indirect painting techniq ues such as\nunderpainting\, glazing\, stenciling\, washing and scumbling. Each student is\nencouraged to develop his or her personal style and be o pen to new\ndiscoveries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, m editative\naspects of the natural world\; fascinated by the shapes of plan ts\, leaves\,\npods\, branches and twigs and the play of light and shade o n their surfaces.\nThese patterns generate visual and meditative interest. Reflections and\nshadows offer a chance to stop and observe complex patte rns in nature. This\ncomplexity can increase the meditative state by holdi ng one’s attention\nand focus longer. My paintings investigate the diffe rent levels of reality\nwe can observe in the natural world.
This c lass take place\nMonday-Friday\, Sep 18-22\, from 9am-1pm.
Cancella tion reimbursement\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nph otographs\, students will learn indirect painting techniques such as\nunde rpainting\, glazing\, stenciling\, washing and scumbling. Each student is\ nencouraged to develop his or her personal style and be open to new\ndisco veries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, meditative\naspect s of the natural world\; fascinated by the shapes of plants\, leaves\,\npo ds\, branches and twigs and the play of light and shade on their surfaces. \nThese patterns generate visual and meditative interest. Reflections and\ nshadows offer a chance to stop and observe complex patterns in nature. Th is\ncomplexity can increase the meditative state by holding one’s attent ion\nand focus longer. My paintings investigate the different levels of re ality\nwe can observe in the natural world.
This class take place\n Monday-Friday\, Sep 18-22\, from 9am-1pm.
Cancellation reimbursemen t\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nphotographs\, students will learn indirect painting techniq ues such as\nunderpainting\, glazing\, stenciling\, washing and scumbling. Each student is\nencouraged to develop his or her personal style and be o pen to new\ndiscoveries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, m editative\naspects of the natural world\; fascinated by the shapes of plan ts\, leaves\,\npods\, branches and twigs and the play of light and shade o n their surfaces.\nThese patterns generate visual and meditative interest. Reflections and\nshadows offer a chance to stop and observe complex patte rns in nature. This\ncomplexity can increase the meditative state by holdi ng one’s attention\nand focus longer. My paintings investigate the diffe rent levels of reality\nwe can observe in the natural world.
This c lass take place\nMonday-Friday\, Sep 18-22\, from 9am-1pm.
Cancella tion reimbursement\ndeadline: Fri\, Sept 1
The second\nlecture\, on Sept 21\, will begin with the arrival of the Spanish in\nTenochtitlan i n 1521\, and the impact their conquest of the Mexico had on\nart and archi tecture throughout the remainder of the sixteenth century. How\ndid native artists incorporate European styles\, imagery and materials into\ntheir w ork? How did they resist their Spanish Colonial rulers?
This\nfirst lecture\, on Sept 14\, will focus on the art and architecture of the\nAzt ec\, who flourished in what\, is now Central Mexico from approximately\n13 50 to 1521. Using the broader context of the Aztec’s complex and\nsophis ticated society as a framework\, the talk will highlight key examples\nof Aztec sculpture\, illustrated codices and urban planning\, including\nTeno chtitlan\, the capital of the Aztec Empire and now known as Mexico\nCity.< /p>
The s econd\nlecture\, on Sept 21\, will begin with the arrival of the Spanish i n\nTenochtitlan in 1521\, and the impact their conquest of the Mexico had on\nart and architecture throughout the remainder of the sixteenth century . How\ndid native artists incorporate European styles\, imagery and materi als into\ntheir work? How did they resist their Spanish Colonial rulers?
This\nfirst lecture\, on Sept 14\, will focus on the art and archite cture of the\nAztec\, who flourished in what\, is now Central Mexico from approximately\n1350 to 1521. Using the broader context of the Aztec’s co mplex and\nsophisticated society as a framework\, the talk will highlight key examples\nof Aztec sculpture\, illustrated codices and urban planning\ , including\nTenochtitlan\, the capital of the Aztec Empire and now known as Mexico\nCity.
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nph otographs\, students will learn indirect painting techniques such as\nunde rpainting\, glazing\, stenciling\, washing and scumbling. Each student is\ nencouraged to develop his or her personal style and be open to new\ndisco veries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, meditative\naspect s of the natural world\; fascinated by the shapes of plants\, leaves\,\npo ds\, branches and twigs and the play of light and shade on their surfaces. \nThese patterns generate visual and meditative interest. Reflections and\ nshadows offer a chance to stop and observe complex patterns in nature. Th is\ncomplexity can increase the meditative state by holding one’s attent ion\nand focus longer. My paintings investigate the different levels of re ality\nwe can observe in the natural world.
This class take place\n Monday-Friday\, Sep 18-22\, from 9am-1pm.
Cancellation reimbursemen t\ndeadline: Fri\, Sept 1
This week-long\nstudio workshop offers students a chance to explore the varied qualities of\nthe oil painting medium with respected painter Connie Borup. Working from\nphotographs\, students will learn indirect painting techniq ues such as\nunderpainting\, glazing\, stenciling\, washing and scumbling. Each student is\nencouraged to develop his or her personal style and be o pen to new\ndiscoveries.
Connie’s recent art work has been taking a closer\,\nmore intimate look at nature. She is drawn to the quiet\, m editative\naspects of the natural world\; fascinated by the shapes of plan ts\, leaves\,\npods\, branches and twigs and the play of light and shade o n their surfaces.\nThese patterns generate visual and meditative interest. Reflections and\nshadows offer a chance to stop and observe complex patte rns in nature. This\ncomplexity can increase the meditative state by holdi ng one’s attention\nand focus longer. My paintings investigate the diffe rent levels of reality\nwe can observe in the natural world.
This c lass take place\nMonday-Friday\, Sep 18-22\, from 9am-1pm.
Cancella tion reimbursement\ndeadline: Fri\, Sept 1
Learn how to use\nyour flash off camera. Participants of this workshop will learn to how to\neff ectively control the Quality of Light\, Direction of Light\, and Color\nLi ght from their small strobes. You’ll learn how to use soft boxes\,\numbr ellas\, grids\, snoots\, reflectors\, color gels and bounce techniques.\nY ou’ll learn how to select which techniques are best suited to a\nparticu lar subject and scene. David will also discuss grip equipment for\nproper rigging\, packing and preparing for location assignments.
The\nmorn ings will be devoted to lectures\, demonstrations and critiques\; the\nrem ainder of the day will be spent practicing lighting techniques on campus\n and on location in and around the valley. By week's end\, participants wil l\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tej ada is\none of Colorado's most highly regarded location corporate\nphotogr aphers…He’s recognized for his dramatic and innovative\nphotographic l ighting techniques and graphic style. David has specialized\nin location w ork for corporate annual reports for 33 years and has traveled\naround the world on assignment for clients such as: Fluor Engineering\,\nNewmont Min ing\, Barrick Gold\, Washington Group\, CH2M Hill\, Anadarko Energy\,\nChe vron Energy and many others. David’s work has been featured in Photo\nDi strict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nS mall Strobes Big Results workshops at Santa Fe Photographic Workshops\, GP P\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila \,\nSaudi Arabia\, London\, and Switzerland.
This class\nhas been cancelled. We apologize for any\ninconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will lea rn to how to\neffectively control the Quality of Light\, Direction of Ligh t\, and Color\nLight from their small strobes. You’ll learn how to use s oft boxes\,\numbrellas\, grids\, snoots\, reflectors\, color gels and boun ce techniques.\nYou’ll learn how to select which techniques are best sui ted to a\nparticular subject and scene. David will also discuss grip equip ment for\nproper rigging\, packing and preparing for location assignments.
The\nmornings will be devoted to lectures\, demonstrations and cri tiques\; the\nremainder of the day will be spent practicing lighting techn iques on campus\nand on location in and around the valley. By week's end\, participants will\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tejada is\none of Colorado's most highly regarded location c orporate\nphotographers…He’s recognized for his dramatic and innovativ e\nphotographic lighting techniques and graphic style. David has specializ ed\nin location work for corporate annual reports for 33 years and has tra veled\naround the world on assignment for clients such as: Fluor Engineeri ng\,\nNewmont Mining\, Barrick Gold\, Washington Group\, CH2M Hill\, Anada rko Energy\,\nChevron Energy and many others. David’s work has been feat ured in Photo\nDistrict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nSmall Strobes Big Results workshops at Santa Fe Photograph ic Workshops\, GPP\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila\,\nSaudi Arabia\, London\, and Switzerland.
< strong>This class\nhas been cancelled. We apologize for any\n inconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will learn to how to\neff ectively control the Quality of Light\, Direction of Light\, and Color\nLi ght from their small strobes. You’ll learn how to use soft boxes\,\numbr ellas\, grids\, snoots\, reflectors\, color gels and bounce techniques.\nY ou’ll learn how to select which techniques are best suited to a\nparticu lar subject and scene. David will also discuss grip equipment for\nproper rigging\, packing and preparing for location assignments.
The\nmorn ings will be devoted to lectures\, demonstrations and critiques\; the\nrem ainder of the day will be spent practicing lighting techniques on campus\n and on location in and around the valley. By week's end\, participants wil l\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tej ada is\none of Colorado's most highly regarded location corporate\nphotogr aphers…He’s recognized for his dramatic and innovative\nphotographic l ighting techniques and graphic style. David has specialized\nin location w ork for corporate annual reports for 33 years and has traveled\naround the world on assignment for clients such as: Fluor Engineering\,\nNewmont Min ing\, Barrick Gold\, Washington Group\, CH2M Hill\, Anadarko Energy\,\nChe vron Energy and many others. David’s work has been featured in Photo\nDi strict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nS mall Strobes Big Results workshops at Santa Fe Photographic Workshops\, GP P\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila \,\nSaudi Arabia\, London\, and Switzerland.
This class\nhas been cancelled. We apologize for any\ninconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will lea rn to how to\neffectively control the Quality of Light\, Direction of Ligh t\, and Color\nLight from their small strobes. You’ll learn how to use s oft boxes\,\numbrellas\, grids\, snoots\, reflectors\, color gels and boun ce techniques.\nYou’ll learn how to select which techniques are best sui ted to a\nparticular subject and scene. David will also discuss grip equip ment for\nproper rigging\, packing and preparing for location assignments.
The\nmornings will be devoted to lectures\, demonstrations and cri tiques\; the\nremainder of the day will be spent practicing lighting techn iques on campus\nand on location in and around the valley. By week's end\, participants will\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tejada is\none of Colorado's most highly regarded location c orporate\nphotographers…He’s recognized for his dramatic and innovativ e\nphotographic lighting techniques and graphic style. David has specializ ed\nin location work for corporate annual reports for 33 years and has tra veled\naround the world on assignment for clients such as: Fluor Engineeri ng\,\nNewmont Mining\, Barrick Gold\, Washington Group\, CH2M Hill\, Anada rko Energy\,\nChevron Energy and many others. David’s work has been feat ured in Photo\nDistrict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nSmall Strobes Big Results workshops at Santa Fe Photograph ic Workshops\, GPP\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila\,\nSaudi Arabia\, London\, and Switzerland.
< strong>This class\nhas been cancelled. We apologize for any\n inconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will learn to how to\neff ectively control the Quality of Light\, Direction of Light\, and Color\nLi ght from their small strobes. You’ll learn how to use soft boxes\,\numbr ellas\, grids\, snoots\, reflectors\, color gels and bounce techniques.\nY ou’ll learn how to select which techniques are best suited to a\nparticu lar subject and scene. David will also discuss grip equipment for\nproper rigging\, packing and preparing for location assignments.
The\nmorn ings will be devoted to lectures\, demonstrations and critiques\; the\nrem ainder of the day will be spent practicing lighting techniques on campus\n and on location in and around the valley. By week's end\, participants wil l\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tej ada is\none of Colorado's most highly regarded location corporate\nphotogr aphers…He’s recognized for his dramatic and innovative\nphotographic l ighting techniques and graphic style. David has specialized\nin location w ork for corporate annual reports for 33 years and has traveled\naround the world on assignment for clients such as: Fluor Engineering\,\nNewmont Min ing\, Barrick Gold\, Washington Group\, CH2M Hill\, Anadarko Energy\,\nChe vron Energy and many others. David’s work has been featured in Photo\nDi strict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nS mall Strobes Big Results workshops at Santa Fe Photographic Workshops\, GP P\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila \,\nSaudi Arabia\, London\, and Switzerland.
This class\nhas been cancelled. We apologize for any\ninconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will lea rn to how to\neffectively control the Quality of Light\, Direction of Ligh t\, and Color\nLight from their small strobes. You’ll learn how to use s oft boxes\,\numbrellas\, grids\, snoots\, reflectors\, color gels and boun ce techniques.\nYou’ll learn how to select which techniques are best sui ted to a\nparticular subject and scene. David will also discuss grip equip ment for\nproper rigging\, packing and preparing for location assignments.
The\nmornings will be devoted to lectures\, demonstrations and cri tiques\; the\nremainder of the day will be spent practicing lighting techn iques on campus\nand on location in and around the valley. By week's end\, participants will\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tejada is\none of Colorado's most highly regarded location c orporate\nphotographers…He’s recognized for his dramatic and innovativ e\nphotographic lighting techniques and graphic style. David has specializ ed\nin location work for corporate annual reports for 33 years and has tra veled\naround the world on assignment for clients such as: Fluor Engineeri ng\,\nNewmont Mining\, Barrick Gold\, Washington Group\, CH2M Hill\, Anada rko Energy\,\nChevron Energy and many others. David’s work has been feat ured in Photo\nDistrict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nSmall Strobes Big Results workshops at Santa Fe Photograph ic Workshops\, GPP\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila\,\nSaudi Arabia\, London\, and Switzerland.
< strong>This class\nhas been cancelled. We apologize for any\n inconvenience.
Enjoy a glass of\nwine as you tour the exhibition with The Center’s curators and gallery\nguid es. The Unreliable Narrator considers the power of the\nnarrato r who may not be trustworthy: a storyteller who misleads\, or perhaps\nmis understands the events unfolding in the course of a story\, or asks the\nr eader to construct their own narrative structure as they read a book\,\nwa tch a play or film\, or look at a work of art. How do we know when we can\ nbelieve the story we’re being told? Part of The Center’s BIG IDEA\n project The Unreliable Narrator\, Sep 1–Nov 24\, 2017. Visual A rts\nResidency for The Unreliable Narrator is generously sponsore d by\nJennifer E. Wilson.
Enjoy a glass of\nwine as you tour the exhibition with The Center’s curators and gallery\nguides. The Unreliable Narrator considers the powe r of the\nnarrator who may not be trustworthy: a storyteller who misleads\ , or perhaps\nmisunderstands the events unfolding in the course of a story \, or asks the\nreader to construct their own narrative structure as they read a book\,\nwatch a play or film\, or look at a work of art. How do we know when we can\nbelieve the story we’re being told? Part of The Cent er’s BIG IDEA\nproject The Unreliable Narrator\, Sep 1–Nov 24 \, 2017. Visual Arts\nResidency for The Unreliable Narrator is ge nerously sponsored by\nJennifer E. Wilson.
After years of\nnegoti ation\, the Russian director Vitaly Mansky was invited by the North\nKorea n government to make a film about one girl and her family in the year\nshe prepares to join the Children's Union\, on the 'Day of the Shining Star'\ n(Kim Jong-Il's birthday).
\"My father says that Korea is the most\ nbeautiful country...\" says eight-year-old Zin-mi. And so it might seem a s\nMansky films her in joyous\, patriotic school pageants and in dance cla ss\,\nor with her parents\, eating delicious food in their picturesque\nap artment.
But the government handlers supervising the production\ndi d not realize that Mansky kept filming even after they had shouted \"Cut.\ "\nUnder the Sun is the jaw-dropping result\, a \"surreal and\nsi nister... real-life version of The Truman Show.\"\n—The Hollywood Reporter
Part of\nThe Center's BIG IDEA project The Unreliable\nNarrator.
Run ning time 1 hour 46 minutes.
After years of\nnegotiation\, the Russian director Vitaly Mansky was invited by the North\nKorean government to make a film about one girl and her family in the year\nshe prepares to join the Children's Union\, on the 'Day of t he Shining Star'\n(Kim Jong-Il's birthday).
\"My father says that K orea is the most\nbeautiful country...\" says eight-year-old Zin-mi. And s o it might seem as\nMansky films her in joyous\, patriotic school pageants and in dance class\,\nor with her parents\, eating delicious food in thei r picturesque\napartment.
But the government handlers supervising t he production\ndid not realize that Mansky kept filming even after they ha d shouted \"Cut.\"\nUnder the Sun is the jaw-dropping result\, a \"surreal and\nsinister... real-life version of The Truman Show.\ "\n—The Hollywood Reporter
Part of\nThe Center's BIG IDEA project The Unreliable\nNarrator.
Running time 1 hour 46 minutes.
Learn how to use\nyour flash off camera. Participants of this workshop will learn to how to\neff ectively control the Quality of Light\, Direction of Light\, and Color\nLi ght from their small strobes. You’ll learn how to use soft boxes\,\numbr ellas\, grids\, snoots\, reflectors\, color gels and bounce techniques.\nY ou’ll learn how to select which techniques are best suited to a\nparticu lar subject and scene. David will also discuss grip equipment for\nproper rigging\, packing and preparing for location assignments.
The\nmorn ings will be devoted to lectures\, demonstrations and critiques\; the\nrem ainder of the day will be spent practicing lighting techniques on campus\n and on location in and around the valley. By week's end\, participants wil l\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tej ada is\none of Colorado's most highly regarded location corporate\nphotogr aphers…He’s recognized for his dramatic and innovative\nphotographic l ighting techniques and graphic style. David has specialized\nin location w ork for corporate annual reports for 33 years and has traveled\naround the world on assignment for clients such as: Fluor Engineering\,\nNewmont Min ing\, Barrick Gold\, Washington Group\, CH2M Hill\, Anadarko Energy\,\nChe vron Energy and many others. David’s work has been featured in Photo\nDi strict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nS mall Strobes Big Results workshops at Santa Fe Photographic Workshops\, GP P\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila \,\nSaudi Arabia\, London\, and Switzerland.
This class\nhas been cancelled. We apologize for any\ninconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will lea rn to how to\neffectively control the Quality of Light\, Direction of Ligh t\, and Color\nLight from their small strobes. You’ll learn how to use s oft boxes\,\numbrellas\, grids\, snoots\, reflectors\, color gels and boun ce techniques.\nYou’ll learn how to select which techniques are best sui ted to a\nparticular subject and scene. David will also discuss grip equip ment for\nproper rigging\, packing and preparing for location assignments.
The\nmornings will be devoted to lectures\, demonstrations and cri tiques\; the\nremainder of the day will be spent practicing lighting techn iques on campus\nand on location in and around the valley. By week's end\, participants will\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tejada is\none of Colorado's most highly regarded location c orporate\nphotographers…He’s recognized for his dramatic and innovativ e\nphotographic lighting techniques and graphic style. David has specializ ed\nin location work for corporate annual reports for 33 years and has tra veled\naround the world on assignment for clients such as: Fluor Engineeri ng\,\nNewmont Mining\, Barrick Gold\, Washington Group\, CH2M Hill\, Anada rko Energy\,\nChevron Energy and many others. David’s work has been feat ured in Photo\nDistrict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nSmall Strobes Big Results workshops at Santa Fe Photograph ic Workshops\, GPP\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila\,\nSaudi Arabia\, London\, and Switzerland.
< strong>This class\nhas been cancelled. We apologize for any\n inconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will learn to how to\neff ectively control the Quality of Light\, Direction of Light\, and Color\nLi ght from their small strobes. You’ll learn how to use soft boxes\,\numbr ellas\, grids\, snoots\, reflectors\, color gels and bounce techniques.\nY ou’ll learn how to select which techniques are best suited to a\nparticu lar subject and scene. David will also discuss grip equipment for\nproper rigging\, packing and preparing for location assignments.
The\nmorn ings will be devoted to lectures\, demonstrations and critiques\; the\nrem ainder of the day will be spent practicing lighting techniques on campus\n and on location in and around the valley. By week's end\, participants wil l\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tej ada is\none of Colorado's most highly regarded location corporate\nphotogr aphers…He’s recognized for his dramatic and innovative\nphotographic l ighting techniques and graphic style. David has specialized\nin location w ork for corporate annual reports for 33 years and has traveled\naround the world on assignment for clients such as: Fluor Engineering\,\nNewmont Min ing\, Barrick Gold\, Washington Group\, CH2M Hill\, Anadarko Energy\,\nChe vron Energy and many others. David’s work has been featured in Photo\nDi strict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nS mall Strobes Big Results workshops at Santa Fe Photographic Workshops\, GP P\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila \,\nSaudi Arabia\, London\, and Switzerland.
This class\nhas been cancelled. We apologize for any\ninconvenience.
Learn how to use\nyour flash off camera. Participants of this workshop will lea rn to how to\neffectively control the Quality of Light\, Direction of Ligh t\, and Color\nLight from their small strobes. You’ll learn how to use s oft boxes\,\numbrellas\, grids\, snoots\, reflectors\, color gels and boun ce techniques.\nYou’ll learn how to select which techniques are best sui ted to a\nparticular subject and scene. David will also discuss grip equip ment for\nproper rigging\, packing and preparing for location assignments.
The\nmornings will be devoted to lectures\, demonstrations and cri tiques\; the\nremainder of the day will be spent practicing lighting techn iques on campus\nand on location in and around the valley. By week's end\, participants will\nhave gained confidence in their lighting skills and a strong foundation for\ndeveloping their own lighting techniques and style.
David Tejada is\none of Colorado's most highly regarded location c orporate\nphotographers…He’s recognized for his dramatic and innovativ e\nphotographic lighting techniques and graphic style. David has specializ ed\nin location work for corporate annual reports for 33 years and has tra veled\naround the world on assignment for clients such as: Fluor Engineeri ng\,\nNewmont Mining\, Barrick Gold\, Washington Group\, CH2M Hill\, Anada rko Energy\,\nChevron Energy and many others. David’s work has been feat ured in Photo\nDistrict News\, Nikon’s Learn and Explore Web Site\, and has taught his\nSmall Strobes Big Results workshops at Santa Fe Photograph ic Workshops\, GPP\n(UAE)\, Maine Media Workshops and over 60 workshops in Austria\, Manila\,\nSaudi Arabia\, London\, and Switzerland.
< strong>This class\nhas been cancelled. We apologize for any\n inconvenience.