Join The\nCenter’s J
unior Patrons Circle for a free exhibition tour of our current\nexhibit\,
At the Table: Kitchen as Home. At 7:15pm\, Curator of Visual Arts\,\nDr. C
ourtney Gilbert\, will give a short guided tour through the exhibit to\nst
art the night off. Enjoy complimentary cocktails courtesy of our sponsor\n
Party Animal Vodka and Hotel Ketchum. At the Table examines the\n
central role of the kitchen in shaping our memories\, our families and our
\nsocial lives. Part of a larger BIG IDEA project\, the exhibition explore
s\nthe many ways the kitchen defines our memories of home. Stick around to
\ndiscuss the art and enjoy your own cocktail creations thanks to Party\nA
nimal Vodka. Part of The Center’s BIG IDEA project At the Table:\nKi
tchen as Home\, Dec 21\, 2018–Mar 1\, 2019. Attendees\n
must be 21+ and over Sponsored by Party Animal\nVodk
a
Join
The\nCenter’s Junior Patrons Circle for a free exhibition tour of our cu
rrent\nexhibit\, At the Table: Kitchen as Home. At 7:15pm\, Curator of Vis
ual Arts\,\nDr. Courtney Gilbert\, will give a short guided tour through t
he exhibit to\nstart the night off. Enjoy complimentary cocktails courtesy
of our sponsor\nParty Animal Vodka and Hotel Ketchum. At the Table examines the\ncentral role of the kitchen in shaping our memories\, our
families and our\nsocial lives. Part of a larger BIG IDEA project\, the e
xhibition explores\nthe many ways the kitchen defines our memories of home
. Stick around to\ndiscuss the art and enjoy your own cocktail creations t
hanks to Party\nAnimal Vodka. Part of The Center’s BIG IDEA project
At the Table:\nKitchen as Home\, Dec 21\, 2018–Mar 1\, 2019. Attendees\nmust be 21+ and over Sponsored by P
arty Animal\nVodka
Join The\nCenter’s J
unior Patrons Circle for a free exhibition tour of our current\nexhibit\,
At the Table: Kitchen as Home. At 7:15pm\, Curator of Visual Arts\,\nDr. C
ourtney Gilbert\, will give a short guided tour through the exhibit to\nst
art the night off. Enjoy complimentary cocktails courtesy of our sponsor\n
Party Animal Vodka and Hotel Ketchum. At the Table examines the\n
central role of the kitchen in shaping our memories\, our families and our
\nsocial lives. Part of a larger BIG IDEA project\, the exhibition explore
s\nthe many ways the kitchen defines our memories of home. Stick around to
\ndiscuss the art and enjoy your own cocktail creations thanks to Party\nA
nimal Vodka. Part of The Center’s BIG IDEA project At the Table:\nKi
tchen as Home\, Dec 21\, 2018–Mar 1\, 2019. Attendees\n
must be 21+ and over Sponsored by Party Animal\nVodk
a
Join
The\nCenter’s Junior Patrons Circle for a free exhibition tour of our cu
rrent\nexhibit\, At the Table: Kitchen as Home. At 7:15pm\, Curator of Vis
ual Arts\,\nDr. Courtney Gilbert\, will give a short guided tour through t
he exhibit to\nstart the night off. Enjoy complimentary cocktails courtesy
of our sponsor\nParty Animal Vodka and Hotel Ketchum. At the Table examines the\ncentral role of the kitchen in shaping our memories\, our
families and our\nsocial lives. Part of a larger BIG IDEA project\, the e
xhibition explores\nthe many ways the kitchen defines our memories of home
. Stick around to\ndiscuss the art and enjoy your own cocktail creations t
hanks to Party\nAnimal Vodka. Part of The Center’s BIG IDEA project
At the Table:\nKitchen as Home\, Dec 21\, 2018–Mar 1\, 2019. Attendees\nmust be 21+ and over Sponsored by P
arty Animal\nVodka
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Us e this opportunity to brush up on your figure drawing\nskills in a fun and relaxed environment. All skills welcome!
2019 Winter Open Studios will take place on Wed\, Jan 23\,\nFeb 13 &\ ; Mar 6\, 6–8pm (note new time for 2019!)
\nUse this opportunity to brush up on your figure drawing\nsk ills in a fun and relaxed environment. All skills welcome!
2019 Winter Open Studios will take place on Wed\, Jan 2 3\,\nFeb 13 &\; Mar 6\, 6–8pm (note new time for 2019!)
\nCarl Oelerich\, an\nam ateur photographer\, works as a skycap at Salt Lake City Airport\, and for \nthe last 15 years has gone to Cuba to document the disappearing way of l ife\nof Cuba’s tobacco farmers. He’s forged friendships and captured t he\ndignity and sacrifice of these campesinos through his surprisingly int imate\npictures.
Whether it’s Modesto\, the 101 year old philosop hical\ntobacco farmer with a wicked twinkle in his eye and handlebar musta che that\nwould give Yosemite Sam a run for his money\; Giovanni the sweet and\ncharismatic farmer/salsa dancer and devoted practitioner of Santeria \; or\nLazara photographed by Carl since she was two\, who now enters her young\nadult life in the valley with a passion for physics\, Campesino int roduces\nyou to a way of life and captivating cast of characters that you won’t\nsoon forget.
Director/Producer Mia Tate will be at the\nscreening and will speak afterwards about the film. Carl Oelerich\, the\nphotographer who inspired the film\, will be on hand too\, and will b e able\nto speak about his passion for Cuba and the people of Viñales wit h whom he\nhas created a special bond.
This film will have two\nscreening times: 4:30pm and 7pm on March 7.
Carl Oelerich\, an\namateur photographer\, works as a skycap at Salt Lake City Airport\, and for\nthe last 15 years has gone to Cuba to document the disa ppearing way of life\nof Cuba’s tobacco farmers. He’s forged friendshi ps and captured the\ndignity and sacrifice of these campesinos through his surprisingly intimate\npictures.
Whether it’s Modesto\, the 101 year old philosophical\ntobacco farmer with a wicked twinkle in his eye an d handlebar mustache that\nwould give Yosemite Sam a run for his money\; G iovanni the sweet and\ncharismatic farmer/salsa dancer and devoted practit ioner of Santeria\; or\nLazara photographed by Carl since she was two\, wh o now enters her young\nadult life in the valley with a passion for physic s\, Campesino introduces\nyou to a way of life and captivating cast of cha racters that you won’t\nsoon forget.
Director/Producer Mi a Tate will be at the\nscreening and will speak afterwards about the film. Carl Oelerich\, the\nphotographer who inspired the film\, will be on hand too\, and will be able\nto speak about his passion for Cuba and the peopl e of Viñales with whom he\nhas created a special bond.
Th is film will have two\nscreening times: 4:30pm and 7pm on March 7.
Carl Oelerich\, an\nam ateur photographer\, works as a skycap at Salt Lake City Airport\, and for \nthe last 15 years has gone to Cuba to document the disappearing way of l ife\nof Cuba’s tobacco farmers. He’s forged friendships and captured t he\ndignity and sacrifice of these campesinos through his surprisingly int imate\npictures.
Whether it’s Modesto\, the 101 year old philosop hical\ntobacco farmer with a wicked twinkle in his eye and handlebar musta che that\nwould give Yosemite Sam a run for his money\; Giovanni the sweet and\ncharismatic farmer/salsa dancer and devoted practitioner of Santeria \; or\nLazara photographed by Carl since she was two\, who now enters her young\nadult life in the valley with a passion for physics\, Campesino int roduces\nyou to a way of life and captivating cast of characters that you won’t\nsoon forget.
Director/Producer Mia Tate will be at the\nscreening and will speak afterwards about the film. Carl Oelerich\, the\nphotographer who inspired the film\, will be on hand too\, and will b e able\nto speak about his passion for Cuba and the people of Viñales wit h whom he\nhas created a special bond.
This film will be s creened\ntwice: 4:30pm and 7pm on March 7.
Carl Oelerich\, an\namateur photographer\, works as a skycap at Salt Lake City Airport\, and for\nthe last 15 years has gone to Cuba to document the disa ppearing way of life\nof Cuba’s tobacco farmers. He’s forged friendshi ps and captured the\ndignity and sacrifice of these campesinos through his surprisingly intimate\npictures.
Whether it’s Modesto\, the 101 year old philosophical\ntobacco farmer with a wicked twinkle in his eye an d handlebar mustache that\nwould give Yosemite Sam a run for his money\; G iovanni the sweet and\ncharismatic farmer/salsa dancer and devoted practit ioner of Santeria\; or\nLazara photographed by Carl since she was two\, wh o now enters her young\nadult life in the valley with a passion for physic s\, Campesino introduces\nyou to a way of life and captivating cast of cha racters that you won’t\nsoon forget.
Director/Producer Mi a Tate will be at the\nscreening and will speak afterwards about the film. Carl Oelerich\, the\nphotographer who inspired the film\, will be on hand too\, and will be able\nto speak about his passion for Cuba and the peopl e of Viñales with whom he\nhas created a special bond.
Th is film will be screened\ntwice: 4:30pm and 7pm on March 7.
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Join us for\nrefreshme nts as we celebrate the opening of Unraveling: Reimagining the\nColoni zation in the Americas. The history of colonization in the\nAmericas has traditionally been taught as a straightforward story of\nEuropean conq uest of indigenous cultures and expansion across territories\nalready sett led by native peoples for millennia. What does this linear\nhistory omit? What are the possibilities for reimagining or reinterpreting\ncolonial his tory from the indigenous point of view? This project revisits\nAmerican hi story\, offering alternative perspectives and narratives based\nboth in fa ct and in fiction\, including some rooted in the Wood River\nValley. Part of the BIG IDEA project Unraveling: Reimagining the\nColonization in t he Americas\, Mar 8-May 22\, 2019. \n
Join us for\nrefreshments as we celebrate the opening of Unraveling: Reimag ining the\nColonization in the Americas. The history of colonization in the\nAmericas has traditionally been taught as a straightforward story of\nEuropean conquest of indigenous cultures and expansion across territor ies\nalready settled by native peoples for millennia. What does this linea r\nhistory omit? What are the possibilities for reimagining or reinterpret ing\ncolonial history from the indigenous point of view? This project revi sits\nAmerican history\, offering alternative perspectives and narratives based\nboth in fact and in fiction\, including some rooted in the Wood Riv er\nValley. Part of the BIG IDEA project Unraveling: Reimagining the\n Colonization in the Americas\, Mar 8-May 22\, 2019. \n
Both\nGrammy-nominated artists\, pianist Alfredo Rodríguez and percussionist\nPedrito Martinez are best known for their individual work\, but began\nworking together on Alfredo’s 2012 album Invasion Parade. Since that\ninitial recording sess ion\, these Cuban jazz musicians have occasionally\nperformed together as a duo\, leaving audiences mesmerized by their fearless\nand virtuosic play ing. Each artist brings a different approach to the\ncollaboration. A prot égé of Quincy Jones\, Alfredo was schooled in the\nrigorous classical co nservatories of Havana. His artistry is informed as\nmuch by Bach and Stra vinsky as it is by his Afro Cuban and jazz roots.\nPedrito’s musical tra ining came from the streets of the Cayo Hueso\nneighborhood of Old Havana. He has performed with Sting\, Paul Simon and\nWynton Marsalis. Together t hese two master musicians will take the audience\nto a level of jazz the l ikes of which has never been seen in Sun\nValley.
In additi on to contributions from Center members we\nwould like to acknowledge the generosity of this seasons sponsors Scott\nMiley Roofing / Scott Miley and Jane Rosen and our housing sponsor\, Wood\nRiver Inn. Also thanks to Joyc e Friedman whose gift supporting the in\nschool residencies what made in m emory of Norman Friedman and Robin Leavitt\nand Terry Friedlander for gene rously underwriting tickets for Blaine County\nstudents.
PERFORMING ARTS SERIES PACKAGES (Includes\nall 6 performances):
Adult Regular\nSeating—$193.54
Adult
Premium\nSeating—$339.34
Student Regular\nSeatin
g—$98.77
Student Premium Seating—\n$171.67
*Prices listed include taxes or applicable ticket\nfees
CRITICS SERIES (Includes all 6 performances):
If you\nlove the Wi
nter Performing Arts Series consider becoming an CRITICS CIRCLE\nSupporter
! Through the purchase of a Critics Circle package for the Winter\nPerform
ing Arts series you help to underwrite the cost of the entire\nseries.
Tickets are $500 per person ($189.50 is a tax deductible\ndonation)\, p
er series and includes:
Premium seating at the\nperforming
arts series
Luncheon in April 2019 with\nEditors an
d Critics Circle Series ticket holders
The\nknowled
ge that you are helping sustain these events for the entire\ncommunity
Call The Center at 208-726-9491 to purchase\nPERFORMING ARTS SERIES or CRITICS SERIES (available to MEMBERS ONLY.\nTickets available to the general public Fri\, Sep 21\, 10am.
Both\ nGrammy-nominated artists\, pianist Alfredo Rodríguez and percussionist\n Pedrito Martinez are best known for their individual work\, but began\nwor king together on Alfredo’s 2012 album Invasion Parade. Since that\niniti al recording session\, these Cuban jazz musicians have occasionally\nperfo rmed together as a duo\, leaving audiences mesmerized by their fearless\na nd virtuosic playing. Each artist brings a different approach to the\ncoll aboration. A protégé of Quincy Jones\, Alfredo was schooled in the\nrigo rous classical conservatories of Havana. His artistry is informed as\nmuch by Bach and Stravinsky as it is by his Afro Cuban and jazz roots.\nPedrit o’s musical training came from the streets of the Cayo Hueso\nneighborho od of Old Havana. He has performed with Sting\, Paul Simon and\nWynton Mar salis. Together these two master musicians will take the audience\nto a le vel of jazz the likes of which has never been seen in Sun\nValley.
In addition to contributions from Center members we\nwould like to acknowledge the generosity of this seasons sponsors Scott\nMiley Roofing / Scott Miley and Jane Rosen and our housing sponsor\, Wood\nRiver Inn. Al so thanks to Joyce Friedman whose gift supporting the in\nschool residenci es what made in memory of Norman Friedman and Robin Leavitt\nand Terry Fri edlander for generously underwriting tickets for Blaine County\nstudents.< /strong>
PERFORMING ARTS SERIES PACKAGES (Includes\nall 6 p erformances):
Adult Regular\nSeating—$193.54
Adult Premium\nSeating—$339.34
Studen
t Regular\nSeating—$98.77
Student Premium Seating
—\n$171.67
*Prices listed include taxes or applicable tic
ket\nfees
CRITICS SERIES (Includes all 6 performances):
If
you\nlove the Winter Performing Arts Series consider becoming an CRITICS
CIRCLE\nSupporter! Through the purchase of a Critics Circle package for th
e Winter\nPerforming Arts series you help to underwrite the cost of the en
tire\nseries.
Tickets are $500 per person ($189.50 is a tax deductib
le\ndonation)\, per series and includes:
Premium seating at
the\nperforming arts series
Luncheon in April 2019
with\nEditors and Critics Circle Series ticket holders
The\nknowledge that you are helping sustain these events for the enti
re\ncommunity
Call The Center at 208-726-9491 to purchase\ nPERFORMING ARTS SERIES or CRITICS SERIES (available to MEMBERS ONLY.\nTic kets available to the general public Fri\, Sep 21\, 10am.
The Center’s\nnew Lo ok\, Play and Create program introduces younger children (age 1–5)\nto a rt through a series of “looking” activities and age-appropriate\n“me ssy fun” art projects. Look\, Play and Create classes will be held\n10 –11 a.m. on the second Thursday of each month\, starting in\nmid-Februar y. Please check The Center’s website for project themes and\nclass updat es beyond those listed below:
Project Themes
- \n
- Feb 14 – Water Color Valentines
- Mar 14 – Salt\nPainting
- Apr 11 – Collage
- May 9 – Sponge\nPainting
- Jun 13 – Mu ral Painting
- Jul 11 – Patriotic\nPainting
- Aug 8 – Pr int Making and Stamping
- Sep 12 –\nFall Trees
The C enter’s\nnew Look\, Play and Create program introduces younger children (age 1–5)\nto art through a series of “looking” activities and age-a ppropriate\n“messy fun” art projects. Look\, Play and Create classes w ill be held\n10–11 a.m. on the second Thursday of each month\, starting in\nmid-February. Please check The Center’s website for project themes a nd\nclass updates beyond those listed below:
Project Themes
- \n
- Feb 14 – Water Color Valentines
- Mar 14 – Salt\nPaintin g
- Apr 11 – Collage
- May 9 – Sponge\nPainting
- Jun 13 – Mural Painting
- Jul 11 – Patriotic\nPainting Aug 8 – Print Making and Stamping
- Sep 12 –\nFall Trees
The Center’s\nnew Lo ok\, Play and Create program introduces younger children (age 1–5)\nto a rt through a series of “looking” activities and age-appropriate\n“me ssy fun” art projects. Look\, Play and Create classes will be held\n10 –11 a.m. on the second Thursday of each month\, starting in\nmid-Februar y. Please check The Center’s website for project themes and\nclass updat es beyond those listed below:
Project Themes
- \n
- Feb 14 – Water Color Valentines
- Mar 14 – Salt\nPainting
- Apr 11 – Collage
- May 9 – Sponge\nPainting
- Jun 13 – Mu ral Painting
- Jul 11 – Patriotic\nPainting
- Aug 8 – Pr int Making and Stamping
- Sep 12 –\nFall Trees
The C enter’s\nnew Look\, Play and Create program introduces younger children (age 1–5)\nto art through a series of “looking” activities and age-a ppropriate\n“messy fun” art projects. Look\, Play and Create classes w ill be held\n10–11 a.m. on the second Thursday of each month\, starting in\nmid-February. Please check The Center’s website for project themes a nd\nclass updates beyond those listed below:
Project Themes
- \n
- Feb 14 – Water Color Valentines
- Mar 14 – Salt\nPaintin g
- Apr 11 – Collage
- May 9 – Sponge\nPainting
- Jun 13 – Mural Painting
- Jul 11 – Patriotic\nPainting Aug 8 – Print Making and Stamping
- Sep 12 –\nFall Trees
David Grann is a\nwrit er for the New Yorker and bestselling author of The Lost City of Z and\nKi llers of the Flower Moon. Grann’s latest book\, Killers of the Flower\nM oon: The Osage Murders and the Birth of the FBI\, is a true crime tale tha t\nunravels one of the most sinister crimes and racial injustices in Ameri can\nhistory. With more than 30 weeks on The New York Times nonfiction\nbe stseller list\, it was a finalist for the National Book Award. Known for\n his compelling and irresistible stories\, Grann has been called “The man \nHollywood can’t stop reading\,” with four of his New Yorker articles \nadapted for the screen\, as well as The Lost City of Z in 2017 and Kille rs\nof The Flower Moon now in production. Before joining The New Yorker in \n2003\, Grann was a senior editor at The New Republic and the executive\n editor of The Hill. His work has appeared in the New York Times Magazine\, \nThe Atlantic\, and The Washington Post. This lecture has been generously \nsponsored by an anonymous gift and American Capital Advisory. Part of Th e\nCenter’s BIG IDEA project Unraveling: Reimagining the Colonizatio n in\nthe Americas\, Mar 8–May 22\, 2019.
David Grann is a\nwriter for the New Yorker and bestselling author of The Lost City of Z and\nKillers of the Flower Moon. Grann’s latest book\, Killers of the Flower\nMoon: The Osage Murders and the Birth of the FBI\, is a tr ue crime tale that\nunravels one of the most sinister crimes and racial in justices in American\nhistory. With more than 30 weeks on The New York Tim es nonfiction\nbestseller list\, it was a finalist for the National Book A ward. Known for\nhis compelling and irresistible stories\, Grann has been called “The man\nHollywood can’t stop reading\,” with four of his Ne w Yorker articles\nadapted for the screen\, as well as The Lost City of Z in 2017 and Killers\nof The Flower Moon now in production. Before joining The New Yorker in\n2003\, Grann was a senior editor at The New Republic an d the executive\neditor of The Hill. His work has appeared in the New York Times Magazine\,\nThe Atlantic\, and The Washington Post. This lecture ha s been generously\nsponsored by an anonymous gift and American Capital Adv isory. Part of The\nCenter’s BIG IDEA project Unraveling: Reimaginin g the Colonization in\nthe Americas\, Mar 8–May 22\, 2019.
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
The Center’s\nspring 2019 BIG IDEA project Unraveling considers alternative histories of\nthe colonization of the Americas. Join The Center’s curator\, Courtney\nGilb ert\, for a conversation with Gay Bawa Odmark about the aftermath of\ncolo nialism in another part of the globe—India. Born in the city of\nLahore (in what is now Pakistan)\, Odmark lived through India’s 1947\nPartition (into India and Pakistan)\, experiencing firsthand the upheaval\ncreated by the British colonial administration’s decisions as they\nwithdrew fro m the region following nearly a century of colonial rule.\nOdmark will sha re stories of her memories of her childhood in Lahore\, the\nviolence of P artition\, and her family’s experiences fleeing Lahore\, first\nfor Engl and before settling in Kolkata\, where she spent the remainder of\nher you th. The talk will include photographs from Odmark’s family albums\nas we ll as images of artwork Odmark has made in response to her memories of\nhe r life in India. Part of The Center's BIG IDEA project Unraveling:\nRe imagining Colonization in the Americas\, Mar 8–May 22\, 2019.
\nThe C enter’s\nspring 2019 BIG IDEA project Unraveling considers alternative h istories of\nthe colonization of the Americas. Join The Center’s curator \, Courtney\nGilbert\, for a conversation with Gay Bawa Odmark about the a ftermath of\ncolonialism in another part of the globe—India. Born in the city of\nLahore (in what is now Pakistan)\, Odmark lived through India’ s 1947\nPartition (into India and Pakistan)\, experiencing firsthand the u pheaval\ncreated by the British colonial administration’s decisions as t hey\nwithdrew from the region following nearly a century of colonial rule. \nOdmark will share stories of her memories of her childhood in Lahore\, t he\nviolence of Partition\, and her family’s experiences fleeing Lahore\ , first\nfor England before settling in Kolkata\, where she spent the rema inder of\nher youth. The talk will include photographs from Odmark’s fam ily albums\nas well as images of artwork Odmark has made in response to he r memories of\nher life in India. Part of The Center's BIG IDEA project Unraveling:\nReimagining Colonization in the Americas\, Mar 8–May 22\, 2019.
\nA work of\nresurrected living history\, Dawson City: Frozen Time is transportive in a\nmanner few films—non-fiction or otherwise—achieve. Director Bill\nMorrison us es clips from hundreds of highly combustible nitrate\nsilent-movie reels t hat were unearthed in the Yukon River outpost of Dawson\nCity in 1978\, as well as archival photos and on-screen text\, to present a\nghostly histor y lesson about northern Canada’s turn-of-the-century gold\nrush\, and of Dawson City itself.
From the fires that frequently\nburned it to t he ground\, to the indigenous populations that were pushed\naside by settl ers\, to the Hollywood and business luminaries that once lived\nthere (inc luding Donald’s Trump’s grandfather\, who began his fortune\nwith a br othel)\, it’s an awe-inspiring sweeping study. Morrison further\nconjure s a sense of the past—and of life’s impermanence—through\nexpert mon tages of long-forgotten silent dramas and comedies. Set to Alex\nSomers’ gorgeous\, melancholy score\, those faded\, corrupted\nblack-and-white im ages feel like echoes from a distant era\, here lovingly\nresurrected so t hat they might live again.
Part of The Center’s\nBIG IDEA project Unraveling: Reimagining the Colonization in the\nAmericas\, Mar 8–May 22\, 2019.
Running time 2 hours.
\nA wor k of\nresurrected living history\, Dawson City: Frozen Time is transport ive in a\nmanner few films—non-fiction or otherwise—achieve. Director Bill\nMorrison uses clips from hundreds of highly combustible nitrate\nsil ent-movie reels that were unearthed in the Yukon River outpost of Dawson\n City in 1978\, as well as archival photos and on-screen text\, to present a\nghostly history lesson about northern Canada’s turn-of-the-century go ld\nrush\, and of Dawson City itself.
From the fires that frequentl y\nburned it to the ground\, to the indigenous populations that were pushe d\naside by settlers\, to the Hollywood and business luminaries that once lived\nthere (including Donald’s Trump’s grandfather\, who began his f ortune\nwith a brothel)\, it’s an awe-inspiring sweeping study. Morrison further\nconjures a sense of the past—and of life’s impermanence—th rough\nexpert montages of long-forgotten silent dramas and comedies. Set t o Alex\nSomers’ gorgeous\, melancholy score\, those faded\, corrupted\nb lack-and-white images feel like echoes from a distant era\, here lovingly\ nresurrected so that they might live again.
Part of The Center’s\ nBIG IDEA project Unraveling: Reimagining the Colonization in the\nAme ricas\, Mar 8–May 22\, 2019.
Running time 2 hours.
\nEnjoy a glass of\nwine as you tour the exhibition with The Center’s curators. The history\nof colonization in the Americas has traditionally been taught as a\nstraightf orward story of European conquest of indigenous cultures and\nexpansion ac ross territories already settled by native peoples for\nmillennia. What do es this linear history omit? What are the possibilities\nfor reimagining o r reinterpreting colonial history from the indigenous\npoint of view? This project revisits American history\, offering alternative\nperspectives an d narratives based both in fact and in fiction\, including\nsome rooted in the Wood River Valley. Part of The Center’s BIG IDEA\nproject Unrav eling: Reimagining the Colonization in the Americas\,\nMar 8–May 22 \, 2019.
Enjoy a glass of\nwine as you tour the exhibition with The Center’s curators. The history\nof colonization in the Americas has traditionally been taugh t as a\nstraightforward story of European conquest of indigenous cultures and\nexpansion across territories already settled by native peoples for\nm illennia. What does this linear history omit? What are the possibilities\n for reimagining or reinterpreting colonial history from the indigenous\npo int of view? This project revisits American history\, offering alternative \nperspectives and narratives based both in fact and in fiction\, includin g\nsome rooted in the Wood River Valley. Part of The Center’s BIG IDEA\n project Unraveling: Reimagining the Colonization in the Americas\ ,\nMar 8–May 22\, 2019.
A work of\nresurrected living history\, Dawson City: Frozen Time is transportive in a\nmanner fe w films—non-fiction or otherwise—achieve. Director Bill\nMorrison uses clips from hundreds of highly combustible nitrate\nsilent-movie reels tha t were unearthed in the Yukon River outpost of Dawson\nCity in 1978\, as w ell as archival photos and on-screen text\, to present a\nghostly history lesson about northern Canada’s turn-of-the-century gold\nrush\, and of D awson City itself.
From the fires that frequently\nburned it to the ground\, to the indigenous populations that were pushed\naside by settler s\, to the Hollywood and business luminaries that once lived\nthere (inclu ding Donald’s Trump’s grandfather\, who began his fortune\nwith a brot hel)\, it’s an awe-inspiring sweeping study. Morrison further\nconjures a sense of the past—and of life’s impermanence—through\nexpert monta ges of long-forgotten silent dramas and comedies. Set to Alex\nSomers’ g orgeous\, melancholy score\, those faded\, corrupted\nblack-and-white imag es feel like echoes from a distant era\, here lovingly\nresurrected so tha t they might live again.
Part of The\nCenter’s BIG IDEA p roject Unraveling: Reimagining Colonization in the\nAmericas\, Ma r 8–May 22\, 2019.
Running time 2\nhours.
A wor k of\nresurrected living history\, Dawson City: Frozen Time is transportiv e in a\nmanner few films—non-fiction or otherwise—achieve. Director Bi ll\nMorrison uses clips from hundreds of highly combustible nitrate\nsilen t-movie reels that were unearthed in the Yukon River outpost of Dawson\nCi ty in 1978\, as well as archival photos and on-screen text\, to present a\ nghostly history lesson about northern Canada’s turn-of-the-century gold \nrush\, and of Dawson City itself.
From the fires that frequently\ nburned it to the ground\, to the indigenous populations that were pushed\ naside by settlers\, to the Hollywood and business luminaries that once li ved\nthere (including Donald’s Trump’s grandfather\, who began his for tune\nwith a brothel)\, it’s an awe-inspiring sweeping study. Morrison f urther\nconjures a sense of the past—and of life’s impermanence—thro ugh\nexpert montages of long-forgotten silent dramas and comedies. Set to Alex\nSomers’ gorgeous\, melancholy score\, those faded\, corrupted\nbla ck-and-white images feel like echoes from a distant era\, here lovingly\nr esurrected so that they might live again.
Part of The\nCent er’s BIG IDEA project Unraveling: Reimagining Colonization in the\nA mericas\, Mar 8–May 22\, 2019.
Running time 2\nhour s.
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies
Designed for\nfamilies with kids who are 5–12 years of age\, Après Art! classes will be\noffe red Friday afternoons between Jan. 18 and March 22. Participants and\nthei r adult caregivers can drop in anytime between 3 and 5 p.m. to warm up\nwi th a mug of hot chocolate after a day on the slopes and make a winter art\ nproject to take home.
Project themes include:
- Jan 18\ n– Snowflake Printmaking
- Jan 25 – Snowman Drawing:\nExperimen ting with Shading
- Feb 1 – Watercolor Winterscape \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mixed Media\nSilhou ette: Memories of a Snowy Night
- Feb 22 – Cup of\nCreativity: Ex ploring Line\, Color and Shape with Tempera Paint
- Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnow y Skies
Desig ned for\nfamilies with kids who are 5–12 years of age\, Après Art! clas ses will be\noffered Friday afternoons between Jan. 18 and March 22. Parti cipants and\ntheir adult caregivers can drop in anytime between 3 and 5 p. m. to warm up\nwith a mug of hot chocolate after a day on the slopes and m ake a winter art\nproject to take home.
Project themes include:
- Jan 18\n– Snowflake Printmaking
- Jan 25 – Snowman Dr awing:\nExperimenting with Shading
- Feb 1 – Watercolor Wintersca pe \n
- Feb 8 – Painted Monochromatic Hearts
- Feb 15 – Mi xed Media\nSilhouette: Memories of a Snowy Night
- Feb 22 – Cup o f\nCreativity: Exploring Line\, Color and Shape with Tempera Paint Mar\n1 – Oil Pastel Snowflakes
- Mar 8 – Mixed Media Collage: Looking\nOut My Winter Window
- Mar 15 – Mitten Drawing
- Mar 22 –\nSnowy Skies