This is an\nabsolu te beginner wet felting class. Learn the basics of wet felting with\nan in troduction to needle felted embellishments from self-taught fiber\nartist\ , Alissa McGonigal. Use heat\, moisture and agitation on wool fibers\nto c reate a felted landscape. While drying\, you will be introduced to\nneedle felting embellishment ideas and tips. Landscape photos will be\navailable for you to use as inspiration but you are highly encouraged to\nbring you r own photo of a special landscape of your own.\n<\;br>\;<\;br>\;< br /> Class open to Middle School ages and above.
\nT
his is an\nabsolute beginner wet felting class. Learn the basics of wet fe
lting with\nan introduction to needle felted embellishments from self-taug
ht fiber\nartist\, Alissa McGonigal. Use heat\, moisture and agitation on
wool fibers\nto create a felted landscape. While drying\, you will be intr
oduced to\nneedle felting embellishment ideas and tips. Landscape photos w
ill be\navailable for you to use as inspiration but you are highly encoura
ged to\nbring your own photo of a special landscape of your own.\n<\;br&
gt\;<\;br>\;
Class open to Middle School ages and above.
Use this\nopportun ity to brush up on your figure drawing skills in a relaxed\nenvironment. A ll skill levels are welcome. The Oct 30th includes assistance\nby Bob Dix on various figure drawing techniques.
U se this\nopportunity to brush up on your figure drawing skills in a relaxe d\nenvironment. All skill levels are welcome. The Oct 30th includes assist ance\nby Bob Dix on various figure drawing techniques.
It all took off\nfor K eb’ Mo’ in 1994 with the self-titled release under his newly\ncoined K eb’ Mo’ moniker\, and over the years\, he has proven that he is a\nmus ical force that defies typical genre labels. Album after album\, 14 in\nto tal\, garnered him 4 GRAMMY awards and a producer/engineer/artist GRAMMY\n Certificate for his track on the 2001 Country Album of the Year\, Hank\nWi lliams Tribute — Timeless. He has received 11 GRAMMY nominations\, in\nt otal\, including Country Song of the Year for “I Hope\,” co-written wi th\nThe Dixie Chicks\, and three alone for his 2014 self-produced release\ ,\nBLUESAmericana including Americana Album of the Year. Keb’ has also b een\nawarded 11 Blues Foundation Awards and 6 BMI Awards for his work in T V\n&\; Film.
Over the past two decades\, Keb’ has cultivated a \nreputation as a modern master of American roots music through the\nunder stated excellence of his live and studio performances. Artists who\nhave r ecorded his songs include B.B. King\, Buddy Guy\, the Dixie Chicks\, Joe\n Cocker\, Robert Palmer\, Tom Jones\, Melissa Manchester\, Solomon Burke an d the\nZac Brown Band to name a few. The list of artist collaborations com prises a\nwho’s who in the music industry and includes Bonnie Raitt\, Ta j Mahal\,\nVince Gill\, Amy Grant\, Jackson Browne\, Natalie Cole\, Lyle L ovett\, India\nArie\, James Cotton\, Bobby Rush\, Timothy B. Schmit\, Marc us Miller and many\nmore. His guitar playing has garnered him two invites to Eric Clapton’s\nacclaimed Crossroads Festival and has inspired leadin g instrument makers\,\nGibson Brands\, to issue the Keb’ Mo’ Signature Bluesmaster and\nBluesmaster Royale acoustic guitars and Martin Guitars t o issue the HD-28KM\nKeb’ Mo’ Limited Edition Signature model.
It al l took off\nfor Keb’ Mo’ in 1994 with the self-titled release under hi s newly\ncoined Keb’ Mo’ moniker\, and over the years\, he has proven that he is a\nmusical force that defies typical genre labels. Album after album\, 14 in\ntotal\, garnered him 4 GRAMMY awards and a producer/enginee r/artist GRAMMY\nCertificate for his track on the 2001 Country Album of th e Year\, Hank\nWilliams Tribute — Timeless. He has received 11 GRAMMY no minations\, in\ntotal\, including Country Song of the Year for “I Hope\, ” co-written with\nThe Dixie Chicks\, and three alone for his 2014 self- produced release\,\nBLUESAmericana including Americana Album of the Year. Keb’ has also been\nawarded 11 Blues Foundation Awards and 6 BMI Awards for his work in TV\n&\; Film.
Over the past two decades\, Keb’ has cultivated a\nreputation as a modern master of American roots music t hrough the\nunderstated excellence of his live and studio performances. Ar tists who\nhave recorded his songs include B.B. King\, Buddy Guy\, the Dix ie Chicks\, Joe\nCocker\, Robert Palmer\, Tom Jones\, Melissa Manchester\, Solomon Burke and the\nZac Brown Band to name a few. The list of artist c ollaborations comprises a\nwho’s who in the music industry and includes Bonnie Raitt\, Taj Mahal\,\nVince Gill\, Amy Grant\, Jackson Browne\, Nata lie Cole\, Lyle Lovett\, India\nArie\, James Cotton\, Bobby Rush\, Timothy B. Schmit\, Marcus Miller and many\nmore. His guitar playing has garnered him two invites to Eric Clapton’s\nacclaimed Crossroads Festival and ha s inspired leading instrument makers\,\nGibson Brands\, to issue the Keb ’ Mo’ Signature Bluesmaster and\nBluesmaster Royale acoustic guitars a nd Martin Guitars to issue the HD-28KM\nKeb’ Mo’ Limited Edition Signa ture model.
Stepping out of\nt he Frame: Museum-Based Art Therapy Program furthers the Sun Valley Center\ nfor the Art’s mission to enrich the community by creating a program\nde dicated to facilitating therapeutic experiences for those encountering\nco gnitive and sensori-motor changes connected with aging. Each week\npartici pants will explore the Center’s Big Idea Project\, Marketplaces:\nFrom O pen Air to Online through therapeutic art experiences both within and\nout side of the museum. The experiences will expose participants to and\nengag e them with visual artworks and visual arts directives that are\nspecifica lly designed to promote individual\, social\, and educational goals\nfor t ransformation.
S tepping out of\nthe Frame: Museum-Based Art Therapy Program furthers the S un Valley Center\nfor the Art’s mission to enrich the community by creat ing a program\ndedicated to facilitating therapeutic experiences for those encountering\ncognitive and sensori-motor changes connected with aging. E ach week\nparticipants will explore the Center’s Big Idea Project\, Mark etplaces:\nFrom Open Air to Online through therapeutic art experiences bot h within and\noutside of the museum. The experiences will expose participa nts to and\nengage them with visual artworks and visual arts directives th at are\nspecifically designed to promote individual\, social\, and educati onal goals\nfor transformation.
Our community has\ na unique drive to start new businesses that grow and thrive on a local an d\nglobal scale. What does this rural town offer that pushes startups to d ream\nbig? What are the benefits and challenges of being situated here? Jo in\npanelists from Sun Valley startups and our moderator from Ketchum\nInn ovation Center for this conversation.
O ur community has\na unique drive to start new businesses that grow and thr ive on a local and\nglobal scale. What does this rural town offer that pus hes startups to dream\nbig? What are the benefits and challenges of being situated here? Join\npanelists from Sun Valley startups and our moderator from Ketchum\nInnovation Center for this conversation.
Stepping out of\nt he Frame: Museum-Based Art Therapy Program furthers the Sun Valley Center\ nfor the Art’s mission to enrich the community by creating a program\nde dicated to facilitating therapeutic experiences for those encountering\nco gnitive and sensori-motor changes connected with aging. Each week\npartici pants will explore the Center’s Big Idea Project\, Marketplaces:\nFrom O pen Air to Online through therapeutic art experiences both within and\nout side of the museum. The experiences will expose participants to and\nengag e them with visual artworks and visual arts directives that are\nspecifica lly designed to promote individual\, social\, and educational goals\nfor t ransformation.
S tepping out of\nthe Frame: Museum-Based Art Therapy Program furthers the S un Valley Center\nfor the Art’s mission to enrich the community by creat ing a program\ndedicated to facilitating therapeutic experiences for those encountering\ncognitive and sensori-motor changes connected with aging. E ach week\nparticipants will explore the Center’s Big Idea Project\, Mark etplaces:\nFrom Open Air to Online through therapeutic art experiences bot h within and\noutside of the museum. The experiences will expose participa nts to and\nengage them with visual artworks and visual arts directives th at are\nspecifically designed to promote individual\, social\, and educati onal goals\nfor transformation.
Part of the BIG\nI
DEA Marketplaces: From Open Air to Online
<\;div>\;
\n<\;
/div>\;<\;div>\;In Italy’s tiny Tuscany region lies Monticchiello\
,\nwhose residents have a most unusual annual ritual: they stage a play ab
out\ntheir own lives\, starring themselves. Directors Jeff Malmberg and Ch
ris\nShellen’s Spettacolo (its title translated as “performance”) is
a\nmesmerizing account of that yearly project\, tracing not only the logi
stical\ntoil entailed by that endeavor (writing scripts\, building sets\,
casting and\nrehearsing)\, but also the tenuousness of the tradition itsel
f\, thanks to a\nyounger generation less interested than their elders in m
aintaining it.\nBorn from WWII trauma\, and functioning as a way to analyz
e and voice their\ncontemporary concerns and grievances\, the play operate
s as an inimitable\nform of “auto-drama.” That the current show’s fo
cus on economic\nanxieties is paralleled with a local-bank benefactor’s
scandalous\ncollapse only further underlines the intricate links here betw
een fiction\nand non-fiction.
<\;/div>\;<\;div>\;<\;br>\
;<\;/div>\;
P
art of the BIG\nIDEA Marketplaces: From Open Air to Online
<\;div&
gt\;
\n<\;/div>\;<\;div>\;In Italy’s tiny Tuscany region li
es Monticchiello\,\nwhose residents have a most unusual annual ritual: the
y stage a play about\ntheir own lives\, starring themselves. Directors Jef
f Malmberg and Chris\nShellen’s Spettacolo (its title translated as “p
erformance”) is a\nmesmerizing account of that yearly project\, tracing
not only the logistical\ntoil entailed by that endeavor (writing scripts\,
building sets\, casting and\nrehearsing)\, but also the tenuousness of th
e tradition itself\, thanks to a\nyounger generation less interested than
their elders in maintaining it.\nBorn from WWII trauma\, and functioning a
s a way to analyze and voice their\ncontemporary concerns and grievances\,
the play operates as an inimitable\nform of “auto-drama.” That the cu
rrent show’s focus on economic\nanxieties is paralleled with a local-ban
k benefactor’s scandalous\ncollapse only further underlines the intricat
e links here between fiction\nand non-fiction.
<\;/div>\;<\;di
v>\;<\;br>\;<\;/div>\;
This is a\ntwo-nig ht workshop\; the first class is clay building Oct. 29th\, and the\nsecond class is glazing Nov 12th. (class price covers both days) Join us as\nwe take a more holistic approach to the goods that surround our lives by\ncre ating it yourself and bypassing the retailer! In this workshop\, you will\ nlearn about clay\, slab construction\, and glazing\, and you’ll go home with\na ceramic keepsake you’d never find online.
T his is a\ntwo-night workshop\; the first class is clay building Oct. 29th\ , and the\nsecond class is glazing Nov 12th. (class price covers both days ) Join us as\nwe take a more holistic approach to the goods that surround our lives by\ncreating it yourself and bypassing the retailer! In this wor kshop\, you will\nlearn about clay\, slab construction\, and glazing\, and you’ll go home with\na ceramic keepsake you’d never find online.
Use this\nopportun ity to brush up on your figure drawing skills in a relaxed\nenvironment. A ll skill levels are welcome. The Oct 30th includes assistance\nby Bob Dix on various figure drawing techniques.
U se this\nopportunity to brush up on your figure drawing skills in a relaxe d\nenvironment. All skill levels are welcome. The Oct 30th includes assist ance\nby Bob Dix on various figure drawing techniques.