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Spend a morning at the Centennial Marsh\, Camas Prairie. This area is\njust South of Hill City and is known for its blooming Camas Lilies and\nCentennial Marsh wildlife refuge.
Alexi is an employee of\nSun Valley Museum of Art with a passion for landscape\nphotography. Originally from Wash ington State\,\nAlexi has traveled all over the Pacific Northwest photogra phing all the\nbeauty the area has to offer.
Cancellation reimbursemen t deadline: May 23\,\n2020.
Spend a morning a t the Centennial Marsh\, Camas Prairie. This area is\njust South of Hill C ity and is known for its blooming Camas Lilies and\nCentennial Marsh wildl ife refuge.
Alexi is an employee of\nSun Valley Museum of Art with a passion for landscape\nphotography. Orig inally from Washington State\,\nAlexi has traveled all over the Pacific No rthwest photographing all the\nbeauty the area has to offer.
Cancellat ion reimbursement deadline: May 23\,\n2020.
On the second Thursday of the\nmonth from 10–11am\, bring your young artist to Sun Valley Museum of Art\nfor an introduction to art through looking activities and art\nmaking.< /span>
We start in The Museum with a\nstory and a song\, then move the classroo m to make art and end in our Art\nLab for some play time.
Plan to have messy fun\ntogether! New and different activities each\nmonth.
The winter/spring Look\, Play\,\nCreate! sessions are scheduled for Th
u\, Jan 9\, Feb 13\, Apr 9 &\; May 14\,\n2020 at The Museum in Ketchum
from 10-11am.
On the second Thursd ay of the\nmonth from 10–11am\, bring your young artist to Sun Valley Mu seum of Art\nfor an introduction to art through looking activities and art \nmaking.
We start in The Museum with a\nstory and a song\, then move the classroom to make art and end in our Art\nLab for some play time.
Plan to have messy fun\ntogether! New and different activities e
ach\nmonth.
The winter/spring Look\, Play\,\nCreate! sessions are scheduled for Thu\, Jan 9\, Feb 13\, Apr 9 &\; May 14\,\n2020 at The M useum in Ketchum from 10-11am.
\nIn one of the\nhig hest adrenaline\, most unlikely success stories you’ll ever see\, Meow\n Wolf: Origin Story takes us through the meteoric rise of a penniless\,\nan archic art collective as it attracts the support of George R.R. Martin\n(G ame of Thrones) and morphs into a multi-million dollar corporation in\njus t a few short years.
With the opening of its instantly successful\n exhibition\, House of Eternal Return\, the group sets its sights on new\ne xhibits around the world. How does a team of ragtag millennial artists\nbe come one of the most compelling new startups of this generation\, and what \nwill they do next?
Origin Story follows the seven eclectic foundi ng\nmembers and hundreds of volunteers as they struggle with fracture\, lo ss\,\nsuccess\, and failure over a decade – while constantly redefining\ nthemselves and what art can really be. The film is an artistic explosion in\nand of itself\, throwing down a kaleidoscope of color\, sound\, and mu sic that\nbrings this crazy\, highly inspiring ride to life.
The ar tists\ninvolved in Meow Wolf bridge play\, hard work and the question of f inancial\nviability in creating their work. Their communal approach to the ir projects\nand installations can bring a sense of play and interaction\, but also\nreveal the push and pull of multiple creative visions and work styles. Can\nwork and play co-exist?
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I n one of the\nhighest adrenaline\, most unlikely success stories you’ll ever see\, Meow\nWolf: Origin Story takes us through the meteoric rise of a penniless\,\nanarchic art collective as it attracts the support of Georg e R.R. Martin\n(Game of Thrones) and morphs into a multi-million dollar co rporation in\njust a few short years.
With the opening of its insta ntly successful\nexhibition\, House of Eternal Return\, the group sets its sights on new\nexhibits around the world. How does a team of ragtag mille nnial artists\nbecome one of the most compelling new startups of this gene ration\, and what\nwill they do next?
Origin Story follows the seve n eclectic founding\nmembers and hundreds of volunteers as they struggle w ith fracture\, loss\,\nsuccess\, and failure over a decade – while const antly redefining\nthemselves and what art can really be. The film is an ar tistic explosion in\nand of itself\, throwing down a kaleidoscope of color \, sound\, and music that\nbrings this crazy\, highly inspiring ride to li fe.
The artists\ninvolved in Meow Wolf bridge play\, hard work and the question of financial\nviability in creating their work. Their communa l approach to their projects\nand installations can bring a sense of play and interaction\, but also\nreveal the push and pull of multiple creative visions and work styles. Can\nwork and play co-exist?
In one of the\nhig hest adrenaline\, most unlikely success stories you’ll ever see\, Meow\n Wolf: Origin Story takes us through the meteoric rise of a penniless\,\nan archic art collective as it attracts the support of George R.R. Martin\n(G ame of Thrones) and morphs into a multi-million dollar corporation in\njus t a few short years.
With the opening of its instantly successful\n exhibition\, House of Eternal Return\, the group sets its sights on new\ne xhibits around the world. How does a team of ragtag millennial artists\nbe come one of the most compelling new startups of this generation\, and what \nwill they do next?
Origin Story follows the seven eclectic foundi ng\nmembers and hundreds of volunteers as they struggle with fracture\, lo ss\,\nsuccess\, and failure over a decade – while constantly redefining\ nthemselves and what art can really be. The film is an artistic explosion in\nand of itself\, throwing down a kaleidoscope of color\, sound\, and mu sic that\nbrings this crazy\, highly inspiring ride to life.
The ar tists\ninvolved in Meow Wolf bridge play\, hard work and the question of f inancial\nviability in creating their work. Their communal approach to the ir projects\nand installations can bring a sense of play and interaction\, but also\nreveal the push and pull of multiple creative visions and work styles. Can\nwork and play co-exist?
\n
I n one of the\nhighest adrenaline\, most unlikely success stories you’ll ever see\, Meow\nWolf: Origin Story takes us through the meteoric rise of a penniless\,\nanarchic art collective as it attracts the support of Georg e R.R. Martin\n(Game of Thrones) and morphs into a multi-million dollar co rporation in\njust a few short years.
With the opening of its insta ntly successful\nexhibition\, House of Eternal Return\, the group sets its sights on new\nexhibits around the world. How does a team of ragtag mille nnial artists\nbecome one of the most compelling new startups of this gene ration\, and what\nwill they do next?
Origin Story follows the seve n eclectic founding\nmembers and hundreds of volunteers as they struggle w ith fracture\, loss\,\nsuccess\, and failure over a decade – while const antly redefining\nthemselves and what art can really be. The film is an ar tistic explosion in\nand of itself\, throwing down a kaleidoscope of color \, sound\, and music that\nbrings this crazy\, highly inspiring ride to li fe.
The artists\ninvolved in Meow Wolf bridge play\, hard work and the question of financial\nviability in creating their work. Their communa l approach to their projects\nand installations can bring a sense of play and interaction\, but also\nreveal the push and pull of multiple creative visions and work styles. Can\nwork and play co-exist?
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\nUtilize design\nan d creative problem solving while making unique and repurposed books!\nUsin g a variety of basic binding techniques\, you will learn how to alter\nexi sting books to make journals\, sketchbooks\, and photo albums. No previous \nbookmaking experience necessary.
Rachael grew up with a mother who quilted and uses sew ing\nas a metaphor to connecting to community and the landscape around us. She\nhas a MFA with an interest in fiber and paper sculptures.
U tilize design\nand creative problem solving while making unique and repurp osed books!\nUsing a variety of basic binding techniques\, you will learn how to alter\nexisting books to make journals\, sketchbooks\, and photo al bums. No previous\nbookmaking experience necessary.
Rachael Mayer is a fiber artist based out of Boise\, ID . With a BA in\nAnthropology &\; Ethnic Studies and an MFA in Studio Ar t\, Rachael bridges\nher two areas of study by making work about communiti es\, social networks\,\nand systems. She moved frequently as a child and y oung adult and uses her\nexperiences traveling across the country with her family to contextualize\nsocial constructions within landscape and topogr aphy. She has interned at\nArrowmont School of Arts &\; Crafts\, she ha s exhibited her work across\nthe United States\, and has been published in the Surface Design\nJournal.
Rachael grew up with a mother who qui lted and uses sewing\nas a metaphor to connecting to community and the lan dscape around us. She\nhas a MFA with an interest in fiber and paper sculp tures.
It's been nearly\n a dozen years since David Wax and Suz Slezak played their first show\ntoge ther\, and 7 years since they were here in the Wood River Valley playing\n the Sun Valley Opera House as well as at 5 of our local schools!
\nI t's been nearly\na dozen years since David Wax and Suz Slezak played their first show\ntogether\, and 7 years since they were here in the Wood River Valley playing\nthe Sun Valley Opera House as well as at 5 of our local s chools!
\nStudents can bring their own smooth/flat rocks\nif th ey’d like but the instructor will also supply plenty to choose from!\nAn y inspirational imagery\, and pack a lunch and a water\nbottle.
Students can bring their own smooth/ flat rocks\nif they’d like but the instructor will also supply plenty to choose from!\nAny inspirational imagery\, and pack a lunch and a water\nb ottle.
Join MK Guth in\nc elebrating the beauty and histories of the spring Camas Prairie by\npainti ng flags that will hang outside The Museum in Ketchum as part of the\nexhi bition.
Using the purples\, greens\, blues and yellows of the\nprai
rie\, the community is invited to paint flags\, which can be illustrative\
nor abstract and embrace the colors\, mood and atmosphere that the prairie
\nrepresents.
Open to ages 8 and up.
Masks required.
MK Guth engages\nr ituals of social interaction. Her artwork brings people together in\ncultu ral conversations. Sculptures combine books\, objects and written\ninstruc tions for different kinds of events that involve the preparation and\nshar ing of food and drink. SVMoA commissioned Guth to create a new artwork\nan d an interactive public art project that responds to the camas lily and\ni ts history.
J oin MK Guth in\ncelebrating the beauty and histories of the spring Camas P rairie by\npainting flags that will hang outside The Museum in Ketchum as part of the\nexhibition.
Using the purples\, greens\, blues and yel
lows of the\nprairie\, the community is invited to paint flags\, which can
be illustrative\nor abstract and embrace the colors\, mood and atmosphere
that the prairie\nrepresents.
Open to ages 8 and up.
Masks
required.
M K Guth engages\nrituals of social interaction. Her artwork brings people t ogether in\ncultural conversations. Sculptures combine books\, objects and written\ninstructions for different kinds of events that involve the prep aration and\nsharing of food and drink. SVMoA commissioned Guth to create a new artwork\nand an interactive public art project that responds to the camas lily and\nits history.
Basket making is a meditation as well as\nan art form. Basketry is one of the oldest known crafts\, dating back more\nthan ten thousand ye ars.
In this class you will learn and use\nthe twining techni que to make either a 2” diameter plate or a little\nround box\, just the right size for a ring. A lid can be made out of class.\nThe material we u se will be 4 and 7 ply waxed linen\, in multitude of\nbeautiful colors. On e of the joys of crafting with this material is\nwatching its transformati on from natural substance to an art\npiece.
This cla ss takes place Tue–Thu\, June 30\,\nJuly 1 &\; 2\, from 10am–3pm.
Medium: Fiber\n
Age and ability: 16 yrs. and older\, beginners\nwelcome
A master in fine arts\, Sally has been\ndrawn to ba sketry for its quiet contemplative quality as well as a myriad\nof colors and patterns\, and organic shapes. She has won numerous awards for\nher wo rk\, as well as having her baskets published in six books on basketry.\nSh e gets enormous joy from teaching others this craft. She got interested\n in basketry over 25 years ago while observing bird nests and twisted bark\ nfrom fallen trees\, possibly the same way early basket makers were\ninflu enced.
For additional questions regarding this workshop\, please\nemail Jeanne Knott\, Visual Arts Class Assistant at jknott@svmoa.org.
Basket making is a meditation as well as\nan ar t form. Basketry is one of the oldest known crafts\, dating back more\ntha n ten thousand years.
In this class you will learn and use\nt he twining technique to make either a 2” diameter plate or a little\nrou nd box\, just the right size for a ring. A lid can be made out of class.\n The material we use will be 4 and 7 ply waxed linen\, in multitude of\nbea utiful colors. One of the joys of crafting with this material is\nwatching its transformation from natural substance to an art\npiece.
This class takes place Tue–Thu\, June 30\,\nJuly 1 &\; 2\, f rom 10am–3pm.
Medium: Fiber\n
Age and ability: 16 yrs. and older\, beginner s\nwelcome
A master in fine arts\, Sally has been\ndrawn to basketry for its quiet contemplative quality as well as a m yriad\nof colors and patterns\, and organic shapes. She has won numerous a wards for\nher work\, as well as having her baskets published in six books on basketry.\nShe gets enormous joy from teaching others this craft. She got interested\nin basketry over 25 years ago while observing bird nests and twisted bark\nfrom fallen trees\, possibly the same way early basket m akers were\ninfluenced.
For additional questions regarding this workshop\, pleas e\nemail Jeanne Knott\, Visual Arts Class Assistant at jknott@svmoa.org.