Join SVMoA’s\nCu rator of Visual Arts\, Courtney Gilbert\, for a conversation with Pat Boas \nabout her installation project for Deeds Not Words. Boas will\n discuss research she did on the push for suffrage in Idaho\, where women\n gained the right to vote in 1896\, and how it informed her artwork.
\n< h5>About the ArtistBased in Portland\, Oregon\, Pat Boas\ninvesti gates language and the act of reading in lyrically abstract works\nthat of ten allude to words and type. She often finds source material for\nher wor k in historical or contemporary events and texts\, and recent work\ninclud es a series of paintings inspired by the monograms of historical\nwomen wh o have worked for change. SVMoA invited Boas to create a new body\nof work for this exhibition with a focus on the history of the early push\nfor wo men’s suffrage in Idaho and across the American West. Following a\nresid ency at SVMoA’s Hailey House and research at the Idaho State\nArchives i n Boise\, Boas produced an installation for the exhibition that\nincludes new paintings\, artist-designed wallpaper and a poster (or\n“broadside ”) featuring a speech given by the well-known suffragist\nAbigail Scott Duniway in Boise in 1889\, which visitors may take with\nthem.
The installation at SVMoA includes five paintings that Boas\ncalls “Sentinel s\,” a reference to the Silent Sentinels\, a group of\nwomen the suffrag ist Alice Paul organized to protest outside the White\nHouse starting in J anuary 1917. Despite facing harassment and arrest\, the\nSilent Sentinels maintained their presence in Washington\, D.C.\, until June\n1919\, when C ongress passed the 19th Amendment to the U.S. Constitution.
\nBoas a nd Gilbert will discuss the research she did for the project\, her\nproces s\, and the connections between her paintings\, the wallpaper she\ndesigne d and the broadside featuring Abigail Scott Duniway’s speech. Boas\nwill also address the installation within the larger context of her\ninterest in the connection between language and visual form\, and the ways\nthat wo rds and direct action work together to promote change.
\n
Part of SVMoA’ s BIG IDEA project Deeds Not Words: Women\nWorking for Change.
J oin SVMoA’s\nCurator of Visual Arts\, Courtney Gilbert\, for a conversat ion with Pat Boas\nabout her installation project for Deeds Not Words< /em>. Boas will\ndiscuss research she did on the push for suffrage in Idah o\, where women\ngained the right to vote in 1896\, and how it informed he r artwork.
\nAbout the Artist
Based in Portland\, Oregon\, Pat Boas\ninvestigates language and the act of reading in lyrically abstra ct works\nthat often allude to words and type. She often finds source mate rial for\nher work in historical or contemporary events and texts\, and re cent work\nincludes a series of paintings inspired by the monograms of his torical\nwomen who have worked for change. SVMoA invited Boas to create a new body\nof work for this exhibition with a focus on the history of the e arly push\nfor women’s suffrage in Idaho and across the American West. F ollowing a\nresidency at SVMoA’s Hailey House and research at the Idaho State\nArchives in Boise\, Boas produced an installation for the exhibitio n that\nincludes new paintings\, artist-designed wallpaper and a poster (o r\n“broadside”) featuring a speech given by the well-known suffragist\ nAbigail Scott Duniway in Boise in 1889\, which visitors may take with\nth em.
The installation at SVMoA includes five paintings that Boas\nca lls “Sentinels\,” a reference to the Silent Sentinels\, a group of\nwo men the suffragist Alice Paul organized to protest outside the White\nHous e starting in January 1917. Despite facing harassment and arrest\, the\nSi lent Sentinels maintained their presence in Washington\, D.C.\, until June \n1919\, when Congress passed the 19th Amendment to the U.S. Constitution.
\nBoas and Gilbert will discuss the research she did for the projec t\, her\nprocess\, and the connections between her paintings\, the wallpap er she\ndesigned and the broadside featuring Abigail Scott Duniway’s spe ech. Boas\nwill also address the installation within the larger context of her\ninterest in the connection between language and visual form\, and th e ways\nthat words and direct action work together to promote change.
\n
P art of SVMoA’s BIG IDEA project Deeds Not Words: Women\nWorking for Change.
Join SVMoA’s\nCu rator of Visual Arts\, Courtney Gilbert\, for a conversation with Pat Boas \nabout her installation project for Deeds Not Words. Boas will\n discuss research she did on the push for suffrage in Idaho\, where women\n gained the right to vote in 1896\, and how it informed her artwork.
\n< h5>About the ArtistBased in Portland\, Oregon\, Pat Boas\ninvesti gates language and the act of reading in lyrically abstract works\nthat of ten allude to words and type. She often finds source material for\nher wor k in historical or contemporary events and texts\, and recent work\ninclud es a series of paintings inspired by the monograms of historical\nwomen wh o have worked for change. SVMoA invited Boas to create a new body\nof work for this exhibition with a focus on the history of the early push\nfor wo men’s suffrage in Idaho and across the American West. Following a\nresid ency at SVMoA’s Hailey House and research at the Idaho State\nArchives i n Boise\, Boas produced an installation for the exhibition that\nincludes new paintings\, artist-designed wallpaper and a poster (or\n“broadside ”) featuring a speech given by the well-known suffragist\nAbigail Scott Duniway in Boise in 1889\, which visitors may take with\nthem.
The installation at SVMoA includes five paintings that Boas\ncalls “Sentinel s\,” a reference to the Silent Sentinels\, a group of\nwomen the suffrag ist Alice Paul organized to protest outside the White\nHouse starting in J anuary 1917. Despite facing harassment and arrest\, the\nSilent Sentinels maintained their presence in Washington\, D.C.\, until June\n1919\, when C ongress passed the 19th Amendment to the U.S. Constitution.
\nBoas a nd Gilbert will discuss the research she did for the project\, her\nproces s\, and the connections between her paintings\, the wallpaper she\ndesigne d and the broadside featuring Abigail Scott Duniway’s speech. Boas\nwill also address the installation within the larger context of her\ninterest in the connection between language and visual form\, and the ways\nthat wo rds and direct action work together to promote change.
\n
Part of SVMoA’ s BIG IDEA project Deeds Not Words: Women\nWorking for Change.
J oin SVMoA’s\nCurator of Visual Arts\, Courtney Gilbert\, for a conversat ion with Pat Boas\nabout her installation project for Deeds Not Words< /em>. Boas will\ndiscuss research she did on the push for suffrage in Idah o\, where women\ngained the right to vote in 1896\, and how it informed he r artwork.
\nAbout the Artist
Based in Portland\, Oregon\, Pat Boas\ninvestigates language and the act of reading in lyrically abstra ct works\nthat often allude to words and type. She often finds source mate rial for\nher work in historical or contemporary events and texts\, and re cent work\nincludes a series of paintings inspired by the monograms of his torical\nwomen who have worked for change. SVMoA invited Boas to create a new body\nof work for this exhibition with a focus on the history of the e arly push\nfor women’s suffrage in Idaho and across the American West. F ollowing a\nresidency at SVMoA’s Hailey House and research at the Idaho State\nArchives in Boise\, Boas produced an installation for the exhibitio n that\nincludes new paintings\, artist-designed wallpaper and a poster (o r\n“broadside”) featuring a speech given by the well-known suffragist\ nAbigail Scott Duniway in Boise in 1889\, which visitors may take with\nth em.
The installation at SVMoA includes five paintings that Boas\nca lls “Sentinels\,” a reference to the Silent Sentinels\, a group of\nwo men the suffragist Alice Paul organized to protest outside the White\nHous e starting in January 1917. Despite facing harassment and arrest\, the\nSi lent Sentinels maintained their presence in Washington\, D.C.\, until June \n1919\, when Congress passed the 19th Amendment to the U.S. Constitution.
\nBoas and Gilbert will discuss the research she did for the projec t\, her\nprocess\, and the connections between her paintings\, the wallpap er she\ndesigned and the broadside featuring Abigail Scott Duniway’s spe ech. Boas\nwill also address the installation within the larger context of her\ninterest in the connection between language and visual form\, and th e ways\nthat words and direct action work together to promote change.
\n
P art of SVMoA’s BIG IDEA project Deeds Not Words: Women\nWorking for Change.
Hilma af\nKl int was an abstract artist before the term existed\, a visionary\,\ntrailb lazing figure who\, inspired by spiritualism\, modern science\, and the\nr iches of the natural world around her\, began in 1906 to reel out a series \nof huge\, colorful\, sensual\, strange works without precedent in painti ng.\nThe subject of a recent smash retrospective at the Guggenheim Museum\ , af\nKlint was for years an all-but-forgotten figure in art historical\nd iscourse\, before her long-delayed rediscovery. Director Halina Dryschka's \ndazzling\, course correcting documentary describes not only the life and \ncraft of af Klint\, but also the process of her mischaracterization and\ nerasure by both a patriarchal narrative of artistic progress and\ncapital istic determination of artistic value.
To see this\nfilm from home\, it is available via YouTube\, Amazon Prime or Google Play. A\n fee for viewing may apply.
This film screening\n takes place at the Magic Lantern Cinemas\, Ketchum at 4pm.
Part of SVMoA
’s BIG IDEA project
Deeds Not Words:\nWomen Working for Change<
/em>.
Hilma af\nKlint was an abstract artist before the term existed\, a vi sionary\,\ntrailblazing figure who\, inspired by spiritualism\, modern sci ence\, and the\nriches of the natural world around her\, began in 1906 to reel out a series\nof huge\, colorful\, sensual\, strange works without pr ecedent in painting.\nThe subject of a recent smash retrospective at the G uggenheim Museum\, af\nKlint was for years an all-but-forgotten figure in art historical\ndiscourse\, before her long-delayed rediscovery. Director Halina Dryschka's\ndazzling\, course correcting documentary describes not only the life and\ncraft of af Klint\, but also the process of her mischar acterization and\nerasure by both a patriarchal narrative of artistic prog ress and\ncapitalistic determination of artistic value.
T o see this\nfilm from home\, it is available via YouTube\, Amazon Prime or Google Play. A\nfee for viewing may apply.
This film screening\ntakes place at the Magic Lantern Cinemas\, Ketchum at 4pm .
< h5>Part of SVMoA’s BIG IDEA project
Deeds Not Words:\nWomen Wor king for Change.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 4:30–5:20PM.
\n< strong>FREE\, pre-registration required. Each session is limited\nto 8 participants.
Walk-in\nvisit ors are always welcome\, but if you’d like to learn more about the\nexhi bition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamili es and small groups. Please contact The Museum to schedule your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA project was\nmade po ssible\, in part\, through generous support from The Ford Family\nFoundati on and Jeri L. Wolfson.
< /p>
Part of the BIG IDEA project\nDeeds Not Words: Women Working fo r Change.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Coinciding with the centennial of women’s suffrage in the United\nStates\, Deeds Not Words celebrates ways—both seen and unse en—that women\nhave worked for social change. Artwork by five contempora ry artists and an\nearly 20th-century architect illuminate the work women have done in pursuit\nof suffrage\, dress reform\, civil rights and econom ic equality.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 4:30–5 :20PM.
\nFREE\, pre-registration required. Each sessi on is limited\nto 8 participants.
Walk-in\nvisitors are always welcome\, but if you’d like to learn mor e about the\nexhibition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamilies and small groups. Please contact The Museum to schedul e your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA pro ject was\nmade possible\, in part\, through generous support from The Ford Family\nFoundation and Jeri L. Wolfson.
Part of the BIG IDEA project\nDeeds Not Words: Women Working for Change.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 4:30–5:20PM.
\n< strong>FREE\, pre-registration required. Each session is limited\nto 8 participants.
Walk-in\nvisit ors are always welcome\, but if you’d like to learn more about the\nexhi bition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamili es and small groups. Please contact The Museum to schedule your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA project was\nmade po ssible\, in part\, through generous support from The Ford Family\nFoundati on and Jeri L. Wolfson.
< /p>
Part of the BIG IDEA project\nDeeds Not Words: Women Working fo r Change.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Coinciding with the centennial of women’s suffrage in the United\nStates\, Deeds Not Words celebrates ways—both seen and unse en—that women\nhave worked for social change. Artwork by five contempora ry artists and an\nearly 20th-century architect illuminate the work women have done in pursuit\nof suffrage\, dress reform\, civil rights and econom ic equality.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 4:30–5 :20PM.
\nFREE\, pre-registration required. Each sessi on is limited\nto 8 participants.
Walk-in\nvisitors are always welcome\, but if you’d like to learn mor e about the\nexhibition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamilies and small groups. Please contact The Museum to schedul e your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA pro ject was\nmade possible\, in part\, through generous support from The Ford Family\nFoundation and Jeri L. Wolfson.
Part of the BIG IDEA project\nDeeds Not Words: Women Working for Change.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 5:30–6:20PM.
\n< strong>FREE\, pre-registration required. Each session is limited\nto 8 participants.
Walk-in\nvisit ors are always welcome\, but if you’d like to learn more about the\nexhi bition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamili es and small groups. Please contact The Museum to schedule your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA project was\nmade po ssible\, in part\, through generous support from The Ford Family\nFoundati on and Jeri L. Wolfson.
< /p>
Part of the BIG IDEA project\nDeeds Not Words: Women Working fo r Change.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Coinciding with the centennial of women’s suffrage in the United\nStates\, Deeds Not Words celebrates ways—both seen and unse en—that women\nhave worked for social change. Artwork by five contempora ry artists and an\nearly 20th-century architect illuminate the work women have done in pursuit\nof suffrage\, dress reform\, civil rights and econom ic equality.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 5:30–6 :20PM.
\nFREE\, pre-registration required. Each sessi on is limited\nto 8 participants.
Walk-in\nvisitors are always welcome\, but if you’d like to learn mor e about the\nexhibition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamilies and small groups. Please contact The Museum to schedul e your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA pro ject was\nmade possible\, in part\, through generous support from The Ford Family\nFoundation and Jeri L. Wolfson.
Part of the BIG IDEA project\nDeeds Not Words: Women Working for Change.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 5:30–6:20PM.
\n< strong>FREE\, pre-registration required. Each session is limited\nto 8 participants.
Walk-in\nvisit ors are always welcome\, but if you’d like to learn more about the\nexhi bition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamili es and small groups. Please contact The Museum to schedule your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA project was\nmade po ssible\, in part\, through generous support from The Ford Family\nFoundati on and Jeri L. Wolfson.
< /p>
Part of the BIG IDEA project\nDeeds Not Words: Women Working fo r Change.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Coinciding with the centennial of women’s suffrage in the United\nStates\, Deeds Not Words celebrates ways—both seen and unse en—that women\nhave worked for social change. Artwork by five contempora ry artists and an\nearly 20th-century architect illuminate the work women have done in pursuit\nof suffrage\, dress reform\, civil rights and econom ic equality.
THIS\nEVENT TAKES PLACE THU\, JAN 14\, FROM 5:30–6 :20PM.
\nFREE\, pre-registration required. Each sessi on is limited\nto 8 participants.
Walk-in\nvisitors are always welcome\, but if you’d like to learn mor e about the\nexhibition\, SVMoA’s curatorial staff offer free exhibition tours to\nfamilies and small groups. Please contact The Museum to schedul e your\ntour.
Para arreglar visitas guiadas en español\, favor de llamar al\nMuseo.
The Deeds Not Words BIG IDEA pro ject was\nmade possible\, in part\, through generous support from The Ford Family\nFoundation and Jeri L. Wolfson.
Part of the BIG IDEA project\nDeeds Not Words: Women Working for Change.
This film screening takes\nplace at the Magic Lantern Cinemas\, Ketchum at 7pm.
Part of SVMoA’s BIG IDEA project
Deeds Not Words:\nWome
n Working for Change.
This film screening takes\nplace at the Magic Lantern Cinemas\ , Ketchum at 7pm.
Part of SVMoA’s BIG IDEA project
Deeds
Not Words:\nWomen Working for Change.
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explo re a variety of art forms\, including visual arts\, performing arts\,\nlit erary arts\, and film\, engaging students through creative problem\nsolvin g\, self-expression and confidence building.
While the Blaine County School District operates under\nPlan B\, which gives each student 2 days/week in school\, SVMoA will be\noffering after- school care and activities one day a week\, either Tuesday or\nWednesday\, from 2:30–6pm. Students whose last names begin with\nM–Z: Tue sdays\; Students whose last names begin with A–L:\nWednesdays.< /p>
What to bring:
A\nclean face coveri ng\, active shoes\, 2 or more snacks\, and a water\nbottle.
Smart Art Winter 2021 Session Dates\n(M–Z\, Tue
sdays):
Jan 19\, Jan 26\, Feb 2\, Feb 9\, Feb\n16 &\; Feb 23
at the Liberty Theatre from\n2:30–6pm
Stud ents whose last names begin with A–L:\nWednesday Sessions