Leather is a\nlivi ng material that with care and repair can last forever. Create your own\nb ag and accessories in a no-waste class with cowboy boot maker Morgan\nBuck ert. Build your own accessories that will last a lifetime out of\nHorween American-tanned leather seconds. This leather with small blemishes\nhas be en rejected by larger companies but can be manipulated to create the\nhigh est quality products that you will be proud to carry.
\nAge and ability: 18 yrs and older\, beginners welcome!\n
Morgan Buckert builds\ncustom cowboy boots with bespoke patterns\, traditional construction\ntechniques \, and vintage machinery in Hailey\, Idaho. She is 7th generation\nof a Te xan ranch family and the influence of cowboy culture is evident in\nall he r work. Hailing from Goliad\, Texas\, Morgan has degrees from The\nUnivers ity of Texas at Austin and The University of New Mexico. Morgan\nstudied f ootwear at Penland School of Crafts and apprenticed with a master\nbootmak er in Idaho. Idaho Commission on the Arts has awarded her with three\ngran ts\, and she participated in the Traditional Arts Apprenticeship\nProgram.
L eather is a\nliving material that with care and repair can last forever. C reate your own\nbag and accessories in a no-waste class with cowboy boot m aker Morgan\nBuckert. Build your own accessories that will last a lifetime out of\nHorween American-tanned leather seconds. This leather with small blemishes\nhas been rejected by larger companies but can be manipulated to create the\nhighest quality products that you will be proud to carry.
\nAge and ability: 18 yrs and older\, beginners welcome!\n< /strong>
Morgan Bucke rt builds\ncustom cowboy boots with bespoke patterns\, traditional constru ction\ntechniques\, and vintage machinery in Hailey\, Idaho. She is 7th ge neration\nof a Texan ranch family and the influence of cowboy culture is e vident in\nall her work. Hailing from Goliad\, Texas\, Morgan has degrees from The\nUniversity of Texas at Austin and The University of New Mexico. Morgan\nstudied footwear at Penland School of Crafts and apprenticed with a master\nbootmaker in Idaho. Idaho Commission on the Arts has awarded her with three\ngrants\, and she participated in the Traditional Arts Apprent iceship\nProgram.
Photography is\nof ten referred to as painting with light. Like practitioners of any\nartisti c discipline\, photographers should be adept at using all the tools\nin th eir artistic toolboxes\, always ready to capture light artistically.\nLoca l photographer Stacie Brew will walk you through the basics of how to\ntak e great photos with your iPhone. Stacie will share her favorite apps for\n color correction\, cropping and other image adjustments and will show you\ nhow to share your images on social media. Bring an iPhone with up-to-date \ncurrent operating system and functioning camera.
Please\n note: this class is for iPhone and Apple devices only.
\nAge and ability: 16 and older\, beginners welcome!
P hotography is\noften referred to as painting with light. Like practitioner s of any\nartistic discipline\, photographers should be adept at using all the tools\nin their artistic toolboxes\, always ready to capture light ar tistically.\nLocal photographer Stacie Brew will walk you through the basi cs of how to\ntake great photos with your iPhone. Stacie will share her fa vorite apps for\ncolor correction\, cropping and other image adjustments a nd will show you\nhow to share your images on social media. Bring an iPhon e with up-to-date\ncurrent operating system and functioning camera.
Please\nnote: this class is for iPhone and Apple devices only.
\nAge and ability: 16 and older\, beginners welcome!
This morning\nwork shop is designed to introduce drawing concepts such as line\, shading\nand perspective. A series of drawing exercises will give students\nconfidence to create more freely. In the second half of the workshop\,\nstudents wil l respond to a variety of prompts as they create whimsical\ndoodles. Guide d by SVMoA education staff members.
T his morning\nworkshop is designed to introduce drawing concepts such as li ne\, shading\nand perspective. A series of drawing exercises will give stu dents\nconfidence to create more freely. In the second half of the worksho p\,\nstudents will respond to a variety of prompts as they create whimsica l\ndoodles. Guided by SVMoA education staff members.
Join us for\nrefre shments as we celebrate the opening of Untrammeled. Artist Laura\nMcPhee w ill be present.
Featuring artwork by four nationally known\nartists including two new commissioned projects\, Untrammeled considers the\nway our understanding of the idea of wilderness has evolved since the 1964\nWi lderness Act. Working in photography\, painting\, installation and\nsculpt ure\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nt o different aspects of the human relationship to the wild\, including the\ nhuman-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness while still enjoyin g it\nas a resource that is both recreational and spiritual?
J oin us for\nrefreshments as we celebrate the opening of Untrammeled. Artis t Laura\nMcPhee will be present.
Featuring artwork by four national ly known\nartists including two new commissioned projects\, Untrammeled co nsiders the\nway our understanding of the idea of wilderness has evolved s ince the 1964\nWilderness Act. Working in photography\, painting\, install ation and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Mari e Watt respond\nto different aspects of the human relationship to the wild \, including the\nhuman-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness wh ile still enjoying it\nas a resource that is both recreational and spiritu al?
Put away your\nsma rt phone and get out your sketch book. In this class\, you will develop\ny our ability to see and explore the importance of drawing. We will start\ne ach day with a slide show of inspirational drawings and end with a review\ nof everyone’s work. We will explore graded tones\, line\, negative spac e\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 and older\, beginn ers\nwelcome!
Jim Caldwell has a BA in art from Williams College. He studied p rinting\nand etching at the École des Beaux Arts in Paris. He has a MA in \narchitecture from Yale. He has been an active painter for more than 35\n years and has accumulated an impressive body of work. Jim has had more tha n\n45 solo exhibitions and his paintings are represented in more than 450\ ncollections around the world. He has taught painting and drawing for over \n20 years\, first at Stanford\, then Filoli and now the Pacific Art Leagu e. He\nrecently published his second volume of paintings\, The Golden Coast\,\nLandscapes at the Edge of the Continent.
P ut away your\nsmart phone and get out your sketch book. In this class\, yo u will develop\nyour ability to see and explore the importance of drawing. We will start\neach day with a slide show of inspirational drawings and e nd with a review\nof everyone’s work. We will explore graded tones\, lin e\, negative space\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 a nd older\, beginners\nwelcome!
Jim Caldwell has a BA in art from Williams Coll ege. He studied printing\nand etching at the École des Beaux Arts in Pari s. He has a MA in\narchitecture from Yale. He has been an active painter f or more than 35\nyears and has accumulated an impressive body of work. Jim has had more than\n45 solo exhibitions and his paintings are represented in more than 450\ncollections around the world. He has taught painting and drawing for over\n20 years\, first at Stanford\, then Filoli and now the Pacific Art League. He\nrecently published his second volume of paintings\ , The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
Put away your\nsma rt phone and get out your sketch book. In this class\, you will develop\ny our ability to see and explore the importance of drawing. We will start\ne ach day with a slide show of inspirational drawings and end with a review\ nof everyone’s work. We will explore graded tones\, line\, negative spac e\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 and older\, beginn ers\nwelcome!
Jim Caldwell has a BA in art from Williams College. He studied p rinting\nand etching at the École des Beaux Arts in Paris. He has a MA in \narchitecture from Yale. He has been an active painter for more than 35\n years and has accumulated an impressive body of work. Jim has had more tha n\n45 solo exhibitions and his paintings are represented in more than 450\ ncollections around the world. He has taught painting and drawing for over \n20 years\, first at Stanford\, then Filoli and now the Pacific Art Leagu e. He\nrecently published his second volume of paintings\, The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
P ut away your\nsmart phone and get out your sketch book. In this class\, yo u will develop\nyour ability to see and explore the importance of drawing. We will start\neach day with a slide show of inspirational drawings and e nd with a review\nof everyone’s work. We will explore graded tones\, lin e\, negative space\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 a nd older\, beginners\nwelcome!
Jim Caldwell has a BA in art from Williams Coll ege. He studied printing\nand etching at the École des Beaux Arts in Pari s. He has a MA in\narchitecture from Yale. He has been an active painter f or more than 35\nyears and has accumulated an impressive body of work. Jim has had more than\n45 solo exhibitions and his paintings are represented in more than 450\ncollections around the world. He has taught painting and drawing for over\n20 years\, first at Stanford\, then Filoli and now the Pacific Art League. He\nrecently published his second volume of paintings\ , The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
Put away your\nsma rt phone and get out your sketch book. In this class\, you will develop\ny our ability to see and explore the importance of drawing. We will start\ne ach day with a slide show of inspirational drawings and end with a review\ nof everyone’s work. We will explore graded tones\, line\, negative spac e\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 and older\, beginn ers\nwelcome!
Jim Caldwell has a BA in art from Williams College. He studied p rinting\nand etching at the École des Beaux Arts in Paris. He has a MA in \narchitecture from Yale. He has been an active painter for more than 35\n years and has accumulated an impressive body of work. Jim has had more tha n\n45 solo exhibitions and his paintings are represented in more than 450\ ncollections around the world. He has taught painting and drawing for over \n20 years\, first at Stanford\, then Filoli and now the Pacific Art Leagu e. He\nrecently published his second volume of paintings\, The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
P ut away your\nsmart phone and get out your sketch book. In this class\, yo u will develop\nyour ability to see and explore the importance of drawing. We will start\neach day with a slide show of inspirational drawings and e nd with a review\nof everyone’s work. We will explore graded tones\, lin e\, negative space\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 a nd older\, beginners\nwelcome!
Jim Caldwell has a BA in art from Williams Coll ege. He studied printing\nand etching at the École des Beaux Arts in Pari s. He has a MA in\narchitecture from Yale. He has been an active painter f or more than 35\nyears and has accumulated an impressive body of work. Jim has had more than\n45 solo exhibitions and his paintings are represented in more than 450\ncollections around the world. He has taught painting and drawing for over\n20 years\, first at Stanford\, then Filoli and now the Pacific Art League. He\nrecently published his second volume of paintings\ , The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
Put away your\nsma rt phone and get out your sketch book. In this class\, you will develop\ny our ability to see and explore the importance of drawing. We will start\ne ach day with a slide show of inspirational drawings and end with a review\ nof everyone’s work. We will explore graded tones\, line\, negative spac e\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 and older\, beginn ers\nwelcome!
Jim Caldwell has a BA in art from Williams College. He studied p rinting\nand etching at the École des Beaux Arts in Paris. He has a MA in \narchitecture from Yale. He has been an active painter for more than 35\n years and has accumulated an impressive body of work. Jim has had more tha n\n45 solo exhibitions and his paintings are represented in more than 450\ ncollections around the world. He has taught painting and drawing for over \n20 years\, first at Stanford\, then Filoli and now the Pacific Art Leagu e. He\nrecently published his second volume of paintings\, The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
P ut away your\nsmart phone and get out your sketch book. In this class\, yo u will develop\nyour ability to see and explore the importance of drawing. We will start\neach day with a slide show of inspirational drawings and e nd with a review\nof everyone’s work. We will explore graded tones\, lin e\, negative space\,\nperspective\, and shadowing. You will come away with more confidence to draw\nand release your creativity.
Age 18 a nd older\, beginners\nwelcome!
Jim Caldwell has a BA in art from Williams Coll ege. He studied printing\nand etching at the École des Beaux Arts in Pari s. He has a MA in\narchitecture from Yale. He has been an active painter f or more than 35\nyears and has accumulated an impressive body of work. Jim has had more than\n45 solo exhibitions and his paintings are represented in more than 450\ncollections around the world. He has taught painting and drawing for over\n20 years\, first at Stanford\, then Filoli and now the Pacific Art League. He\nrecently published his second volume of paintings\ , The Golden Coast\,\nLandscapes at the Edge of the Continent.
\n
Join printmaker\nC hristie Tirado for a family-friendly printmaking workshop. Participants\nw ill make a portrait of a person who has been essential in their lives\ndur ing the pandemic—a friend\, a family member or someone else from the\nco mmunity. Each participant will make at least 2 impressions of their\nprint —one to take with them\, one for inclusion in SVMoA’s spring 2022\nexh ibition exploring the Mexican Graphic Tradition. Tirado will lead the\nwor kshop in Spanish and English\, guiding participants as they work with\nSty rofoam plates to make their prints.
Únase con nosotros para un taller de\ngrabado p ara familias. La artista y grabadora Christie Tirado enseñará la\nclase en español e inglés. Participantes harán un grabado que representa\nuna persona quien ha sido esencial en su vida durante la pandemia. Cada\npart icipante hará dos copias de su grabado\, y el Museo de Arte de Sun\nValle y incluirá una copia en su exposición en la primavera de 2022 que\nexami na la tradición gráfica en México.
J oin printmaker\nChristie Tirado for a family-friendly printmaking workshop . Participants\nwill make a portrait of a person who has been essential in their lives\nduring the pandemic—a friend\, a family member or someone else from the\ncommunity. Each participant will make at least 2 impression s of their\nprint—one to take with them\, one for inclusion in SVMoA’s spring 2022\nexhibition exploring the Mexican Graphic Tradition. Tirado w ill lead the\nworkshop in Spanish and English\, guiding participants as th ey work with\nStyrofoam plates to make their prints.
Únase con nosotros para un tall er de\ngrabado para familias. La artista y grabadora Christie Tirado ense ñará la\nclase en español e inglés. Participantes harán un grabado qu e representa\nuna persona quien ha sido esencial en su vida durante la pan demia. Cada\nparticipante hará dos copias de su grabado\, y el Museo de A rte de Sun\nValley incluirá una copia en su exposición en la primavera d e 2022 que\nexamina la tradición gráfica en México.
Join printmaker\nC hristie Tirado for a family-friendly printmaking workshop. Participants\nw ill make a portrait of a person who has been essential in their lives\ndur ing the pandemic—a friend\, a family member or someone else from the\nco mmunity. Each participant will make at least 2 impressions of their\nprint —one to take with them\, one for inclusion in SVMoA’s spring 2022\nexh ibition exploring the Mexican Graphic Tradition. Tirado will lead the\nwor kshop in Spanish and English\, guiding participants as they work with\nSty rofoam plates to make their prints.
Únase con nosotros para un taller de\ngrabado p ara familias. La artista y grabadora Christie Tirado enseñará la\nclase en español e inglés. Participantes harán un grabado que representa\nuna persona quien ha sido esencial en su vida durante la pandemia. Cada\npart icipante hará dos copias de su grabado\, y el Museo de Arte de Sun\nValle y incluirá una copia en su exposición en la primavera de 2022 que\nexami na la tradición gráfica en México.
J oin printmaker\nChristie Tirado for a family-friendly printmaking workshop . Participants\nwill make a portrait of a person who has been essential in their lives\nduring the pandemic—a friend\, a family member or someone else from the\ncommunity. Each participant will make at least 2 impression s of their\nprint—one to take with them\, one for inclusion in SVMoA’s spring 2022\nexhibition exploring the Mexican Graphic Tradition. Tirado w ill lead the\nworkshop in Spanish and English\, guiding participants as th ey work with\nStyrofoam plates to make their prints.
Únase con nosotros para un tall er de\ngrabado para familias. La artista y grabadora Christie Tirado ense ñará la\nclase en español e inglés. Participantes harán un grabado qu e representa\nuna persona quien ha sido esencial en su vida durante la pan demia. Cada\nparticipante hará dos copias de su grabado\, y el Museo de A rte de Sun\nValley incluirá una copia en su exposición en la primavera d e 2022 que\nexamina la tradición gráfica en México.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.\nArt ist Laura McPhee will join the tour to discuss her installation\nwork.
Featuring artwork by four nationally known artists\nincluding two new commissioned projects\, Untrammeled considers the\nway o ur understanding of the idea of wilderness has evolved since the 1964\nWil derness Act. Working in photography\, painting\, installation and\nsculptu re\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\, including the\n human-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness while still enjoying it\nas a resource that is both recreational and spiritual?
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.\nArtist Laura McPhee will join the tour to discuss her instal lation\nwork.
Featuring artwork by four nationally known a rtists\nincluding two new commissioned projects\, Untrammeled con siders the\nway our understanding of the idea of wilderness has evolved si nce the 1964\nWilderness Act. Working in photography\, painting\, installa tion and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\ , including the\nhuman-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness whi le still enjoying it\nas a resource that is both recreational and spiritua l?
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.\nArt ist Laura McPhee will join the tour to discuss her installation\nwork.
Featuring artwork by four nationally known artists\nincluding two new commissioned projects\, Untrammeled considers the\nway o ur understanding of the idea of wilderness has evolved since the 1964\nWil derness Act. Working in photography\, painting\, installation and\nsculptu re\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\, including the\n human-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness while still enjoying it\nas a resource that is both recreational and spiritual?
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.\nArtist Laura McPhee will join the tour to discuss her instal lation\nwork.
Featuring artwork by four nationally known a rtists\nincluding two new commissioned projects\, Untrammeled con siders the\nway our understanding of the idea of wilderness has evolved si nce the 1964\nWilderness Act. Working in photography\, painting\, installa tion and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\ , including the\nhuman-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness whi le still enjoying it\nas a resource that is both recreational and spiritua l?
Join us in\ncelebr ation of our 50th birthday at a concert for the community with\nPortland ’s incredible “little orchestra” Pink Martini\, featuring\nChina For bes. The concert will take place Thursday\, Aug. 26\, in the Sun\nValley P avilion and on the lawn.
Pink Martini is led by the dynamic and hyperenergetic\ nThomas Lauderdale. The group’s repertoire is inspired by music from\nar ound the world and crosses genres of classical\, jazz and old-fashioned\np op. With 12 musicians onstage and songs performed in 25 languages\, Pink\n Martini has crisscrossed the globe and has played with more than 70\norche stras.
Lauderdale’s co-conspirator in the band is his Harvard\ncl assmate China Forbes. A year after starting the band\, Lauderdale invited\ nForbes to join Pink Martini\, and they began penning songs together. Sinc e\nthen\, Forbes and Lauderdale have co-written many of Pink Martini’s m ost\nbeloved songs\, including “Sympathique\,” “Lilly\,” “Clemen tine\,”\nand “Let’s Never Stop Falling in Love.” Forbes’ origina l song\n“Hey Eugene” is the title track of Pink Martini’s third albu m\, and\nmany of her songs can also be heard on television and film.
< p>The\nconcert will be a special one\, starting with a look back at the Su n Valley\nCenter for the Arts’ 50 years and a look ahead to SVMoA’s ne xt 50.\nSVMoA will share memories and birthday cupcakes and asks everyone to come\ndressed for a party. In keeping with the CDC and state guidance t hat\noutdoor events can be held maskless\, SVMoA plans to sell all seats i n the\nPavilion and will not create pods on the lawn for this show. \n(on sale Tu
e\,\nApr 5\, 10am—MEMBERS ONLY!)
*Prices
listed\nbelow do not include taxes or fees.
(all three shows G
A seating)
$125\nmembers only
(Tier 3 Avetts + GA for River Run)\n $135 members only
(Tier 1 Avetts + GA for River Run)
$150 m
embers only
(Tier 2 Avetts + GA for River Run)
$210 members only<
/p>
(Tier 1 Avetts +
two EE for River Run)\n
$225 members only
(all three shows VIP seating)
$460\nmembers only
(all three shows GA seating)
$65\nmembers only
J oin us in\ncelebration of our 50th birthday at a concert for the community with\nPortland’s incredible “little orchestra” Pink Martini\, featu ring\nChina Forbes. The concert will take place Thursday\, Aug. 26\, in th e Sun\nValley Pavilion and on the lawn.
Pink Martini is led by the dynamic and hyperenergetic\nThomas Lauderdale. The group’s repertoire is inspired by music from\naround the world and crosses genres of classical\, jazz and o ld-fashioned\npop. With 12 musicians onstage and songs performed in 25 lan guages\, Pink\nMartini has crisscrossed the globe and has played with more than 70\norchestras.
Lauderdale’s co-conspirator in the band is his Harvard\nclassmate China Forbes. A year after starting the band\, Laud erdale invited\nForbes to join Pink Martini\, and they began penning songs together. Since\nthen\, Forbes and Lauderdale have co-written many of Pin k Martini’s most\nbeloved songs\, including “Sympathique\,” “Lilly \,” “Clementine\,”\nand “Let’s Never Stop Falling in Love.” Fo rbes’ original song\n“Hey Eugene” is the title track of Pink Martini ’s third album\, and\nmany of her songs can also be heard on television and film.
The\nconcert will be a special one\, starting with a look back at the Sun Valley\nCenter for the Arts’ 50 years and a look ahead to SVMoA’s next 50.\nSVMoA will share memories and birthday cupcakes and asks everyone to come\ndressed for a party. In keeping with the CDC and s tate guidance that\noutdoor events can be held maskless\, SVMoA plans to s ell all seats in the\nPavilion and will not create pods on the lawn for th is show.
(on sale Tue\,\nApr 5\, 10am—MEMBERS ONLY!)
*Prices listed\nbelow do not include taxes or fees.
(al
l three shows GA seating)
$125\nmembers only
(Tier 3 Avetts + GA f or River Run)\n$135 members only
(Tier 2 Avetts + GA for River Run)
$21
0 members only
(T
ier 1 Avetts + two EE for River Run)\n
$225 members only
(all three shows VIP s
eating)
$460\nmembers only
(all three shows GA seating)
$65\nm
embers only