JULIA brings to\nl ife the legendary cookbook author and television superstar who changed the \nway Americans think about food\, television\, and even women. Using\nnev er-before-seen archival footage\, personal photos\, first-person\nnarrativ es\, and cutting-edge\, mouth-watering food cinematography\, the film\ntra ces Julia Child's 12-year struggle to create and publish the\nrevolutionar y Mastering the Art of French Cooking (1961)\, which\nhas sold mo re than 2.5 million copies to date\, and her rapid ascent to\nbecome the c ountry’s most unlikely television star. It’s the empowering\nstory of a woman who found her purpose—and her fame—at 50\, and took\nAmerica a long on the whole delicious journey.
\n
J ULIA brings to\nlife the legendary cookbook author and television supersta r who changed the\nway Americans think about food\, television\, and even women. Using\nnever-before-seen archival footage\, personal photos\, first -person\nnarratives\, and cutting-edge\, mouth-watering food cinematograph y\, the film\ntraces Julia Child's 12-year struggle to create and publish the\nrevolutionary Mastering the Art of French Cooking (1961)\, w hich\nhas sold more than 2.5 million copies to date\, and her rapid ascent to\nbecome the country’s most unlikely television star. It’s the empo wering\nstory of a woman who found her purpose—and her fame—at 50\, an d took\nAmerica along on the whole delicious journey.
\n
JULIA brings to\nl ife the legendary cookbook author and television superstar who changed the \nway Americans think about food\, television\, and even women. Using\nnev er-before-seen archival footage\, personal photos\, first-person\nnarrativ es\, and cutting-edge\, mouth-watering food cinematography\, the film\ntra ces Julia Child's 12-year struggle to create and publish the\nrevolutionar y Mastering the Art of French Cooking (1961)\, which\nhas sold mo re than 2.5 million copies to date\, and her rapid ascent to\nbecome the c ountry’s most unlikely television star. It’s the empowering\nstory of a woman who found her purpose—and her fame—at 50\, and took\nAmerica a long on the whole delicious journey.
\n
J ULIA brings to\nlife the legendary cookbook author and television supersta r who changed the\nway Americans think about food\, television\, and even women. Using\nnever-before-seen archival footage\, personal photos\, first -person\nnarratives\, and cutting-edge\, mouth-watering food cinematograph y\, the film\ntraces Julia Child's 12-year struggle to create and publish the\nrevolutionary Mastering the Art of French Cooking (1961)\, w hich\nhas sold more than 2.5 million copies to date\, and her rapid ascent to\nbecome the country’s most unlikely television star. It’s the empo wering\nstory of a woman who found her purpose—and her fame—at 50\, an d took\nAmerica along on the whole delicious journey.
\n
Fo ur contemporary artists\, two ceramists and two fiber\nartists\, explore t he Japanese notion of wabi sabi and ideas around\nimperfection\, impermane nce\, repair and transformation. Often defined as\nflawed beauty\, the wab i sabi aesthetic connotes asymmetry\, economy and the\nforces of nature an d time.
Four contemporary artists\, two ceramists and two fiber\nar tists\, explore the Japanese notion of wabi sabi and ideas around\nimperfe ction\, impermanence\, repair and transformation. Often defined as\nflawed beauty\, the wabi sabi aesthetic connotes asymmetry\, economy and the\nfo rces of nature and time.
Fo ur contemporary artists\, two ceramists and two fiber\nartists\, explore t he Japanese notion of wabi sabi and ideas around\nimperfection\, impermane nce\, repair and transformation. Often defined as\nflawed beauty\, the wab i sabi aesthetic connotes asymmetry\, economy and the\nforces of nature an d time.
Four contemporary artists\, two ceramists and two fiber\nar tists\, explore the Japanese notion of wabi sabi and ideas around\nimperfe ction\, impermanence\, repair and transformation. Often defined as\nflawed beauty\, the wabi sabi aesthetic connotes asymmetry\, economy and the\nfo rces of nature and time.
Jan Vermeer lived\ nin the Golden Age of the Dutch 17th century. In the 20 years of his\npai nting career\, he produced only about 40 paintings\, but at least 8 of\nth em are now considered to be masterworks of universal importance\,\nand Girl with the Pearl Earring is often called the Dutch Mona\nLisa. Vermeer worked with a limited range of subjects to create simple\,\npowerf ul\, peaceful compositions filled with brilliant light and beautiful\nvibr ant colors in stunning detail. Artist and architect Jim Caldwell will\ntel l us about 21 of Vermeer’s best paintings\, with 64 beautiful\nimages.
Born in New York in 1942\, Jim\nCaldwell has spent most of his life in the San Francisco Bay Area. He\ngraduated f rom Williams College in 1964 as an art major and spent the\nnext year in Paris studying printing and etching at the Ecole des Beaux\nArts. In 1969 he received his Master of Architecture degree from the Yale\nSchool of A rchitecture. Jim has had over 45 one-man shows and his paintings\nare repr esented in more than 450 collections world-wide.
\n
J an Vermeer lived\nin the Golden Age of the Dutch 17th century. In the 20 years of his\npainting career\, he produced only about 40 paintings\, but at least 8 of\nthem are now considered to be masterworks of universal impo rtance\,\nand Girl with the Pearl Earring is often called the D utch Mona\nLisa. Vermeer worked with a limited range of subjects to create simple\,\npowerful\, peaceful compositions filled with brilliant light an d beautiful\nvibrant colors in stunning detail. Artist and architect Jim C aldwell will\ntell us about 21 of Vermeer’s best paintings\, with 64 bea utiful\nimages.
Born in New York in 194 2\, Jim\nCaldwell has spent most of his life in the San Francisco Bay Area . He\ngraduated from Williams College in 1964 as an art major and spent the\nnext year in Paris studying printing and etching at the Ecole des Bea ux\nArts. In 1969 he received his Master of Architecture degree from the Yale\nSchool of Architecture. Jim has had over 45 one-man shows and his pa intings\nare represented in more than 450 collections world-wide.
Jan Vermeer lived\ nin the Golden Age of the Dutch 17th century. In the 20 years of his\npai nting career\, he produced only about 40 paintings\, but at least 8 of\nth em are now considered to be masterworks of universal importance\,\nand Girl with the Pearl Earring is often called the Dutch Mona\nLisa. Vermeer worked with a limited range of subjects to create simple\,\npowerf ul\, peaceful compositions filled with brilliant light and beautiful\nvibr ant colors in stunning detail. Artist and architect Jim Caldwell will\ntel l us about 21 of Vermeer’s best paintings\, with 64 beautiful\nimages.
Born in New York in 1942\, Jim\nCaldwell has spent most of his life in the San Francisco Bay Area. He\ngraduated f rom Williams College in 1964 as an art major and spent the\nnext year in Paris studying printing and etching at the Ecole des Beaux\nArts. In 1969 he received his Master of Architecture degree from the Yale\nSchool of A rchitecture. Jim has had over 45 one-man shows and his paintings\nare repr esented in more than 450 collections world-wide.
\n
J an Vermeer lived\nin the Golden Age of the Dutch 17th century. In the 20 years of his\npainting career\, he produced only about 40 paintings\, but at least 8 of\nthem are now considered to be masterworks of universal impo rtance\,\nand Girl with the Pearl Earring is often called the D utch Mona\nLisa. Vermeer worked with a limited range of subjects to create simple\,\npowerful\, peaceful compositions filled with brilliant light an d beautiful\nvibrant colors in stunning detail. Artist and architect Jim C aldwell will\ntell us about 21 of Vermeer’s best paintings\, with 64 bea utiful\nimages.
Born in New York in 194 2\, Jim\nCaldwell has spent most of his life in the San Francisco Bay Area . He\ngraduated from Williams College in 1964 as an art major and spent the\nnext year in Paris studying printing and etching at the Ecole des Bea ux\nArts. In 1969 he received his Master of Architecture degree from the Yale\nSchool of Architecture. Jim has had over 45 one-man shows and his pa intings\nare represented in more than 450 collections world-wide.
John Singer\nSarge nt is considered by many to be art history’s most skillful and\nsuccessf ul portraitist. He was born in Florence to American expatriates in\n1856. As a young man\, his fame and reputation quickly grew upon his\nextraordin ary skill as a portraitist\, but he was also supremely talented as\na land scape painter\, a watercolorist\, and a muralist. Some say that his\nbes t portrait is the one he did of Amelie Gautreau (Madame X)\, which he\npai nted when he was only 27. It was a succès de scandale in the\n18 84 Paris Salon because it was so daring in its décolletage\, its unusual\ nprofile\, and one other feature you will have to join us to discover.
\nArtist and architect Jim Caldwell will speak about John Singer\nSarge nt’s brilliant career\, and his infamous portrait of Madame X. This\n45- minute presentation includes over 50 breathtaking images of his\nportraits \, watercolors\, drawings and murals.
Born in New York in 1942\, Jim Caldwell has spent most of\nhis life in the San Francisco Bay Area. He graduated from Williams College\nin 1964 as an art major and spent the next year in Paris studying printing\nand etching at the Ecole des Beaux Arts. In 1969 he received his Master of\nArchitect ure degree from the Yale School of Architecture. Jim has had over\n45 one- man shows and his paintings are represented in more than 450\ncollections world-wide.
\n
J ohn Singer\nSargent is considered by many to be art history’s most skill ful and\nsuccessful portraitist. He was born in Florence to American expat riates in\n1856. As a young man\, his fame and reputation quickly grew upo n his\nextraordinary skill as a portraitist\, but he was also supremely ta lented as\na landscape painter\, a watercolorist\, and a muralist. Some say that his\nbest portrait is the one he did of Amelie Gautreau (Madame X )\, which he\npainted when he was only 27. It was a succès de scandal e in the\n1884 Paris Salon because it was so daring in its décolleta ge\, its unusual\nprofile\, and one other feature you will have to join us to discover.
\nArtist and architect Jim Caldwell will speak about J ohn Singer\nSargent’s brilliant career\, and his infamous portrait of Ma dame X. This\n45-minute presentation includes over 50 breathtaking images of his\nportraits\, watercolors\, drawings and murals.
Born in New York in 1942\, Jim Caldwell has spent most of \nhis life in the San Francisco Bay Area. He graduated from Williams Colle ge\nin 1964 as an art major and spent the next year in Paris studying prin ting\nand etching at the Ecole des Beaux Arts. In 1969 he received his Mas ter of\nArchitecture degree from the Yale School of Architecture. Jim has had over\n45 one-man shows and his paintings are represented in more than 450\ncollections world-wide.
\n
John Singer\nSarge nt is considered by many to be art history’s most skillful and\nsuccessf ul portraitist. He was born in Florence to American expatriates in\n1856. As a young man\, his fame and reputation quickly grew upon his\nextraordin ary skill as a portraitist\, but he was also supremely talented as\na land scape painter\, a watercolorist\, and a muralist. Some say that his\nbes t portrait is the one he did of Amelie Gautreau (Madame X)\, which he\npai nted when he was only 27. It was a succès de scandale in the\n18 84 Paris Salon because it was so daring in its décolletage\, its unusual\ nprofile\, and one other feature you will have to join us to discover.
\nArtist and architect Jim Caldwell will speak about John Singer\nSarge nt’s brilliant career\, and his infamous portrait of Madame X. This\n45- minute presentation includes over 50 breathtaking images of his\nportraits \, watercolors\, drawings and murals.
Born in New York in 1942\, Jim Caldwell has spent most of\nhis life in the San Francisco Bay Area. He graduated from Williams College\nin 1964 as an art major and spent the next year in Paris studying printing\nand etching at the Ecole des Beaux Arts. In 1969 he received his Master of\nArchitect ure degree from the Yale School of Architecture. Jim has had over\n45 one- man shows and his paintings are represented in more than 450\ncollections world-wide.
\n
J ohn Singer\nSargent is considered by many to be art history’s most skill ful and\nsuccessful portraitist. He was born in Florence to American expat riates in\n1856. As a young man\, his fame and reputation quickly grew upo n his\nextraordinary skill as a portraitist\, but he was also supremely ta lented as\na landscape painter\, a watercolorist\, and a muralist. Some say that his\nbest portrait is the one he did of Amelie Gautreau (Madame X )\, which he\npainted when he was only 27. It was a succès de scandal e in the\n1884 Paris Salon because it was so daring in its décolleta ge\, its unusual\nprofile\, and one other feature you will have to join us to discover.
\nArtist and architect Jim Caldwell will speak about J ohn Singer\nSargent’s brilliant career\, and his infamous portrait of Ma dame X. This\n45-minute presentation includes over 50 breathtaking images of his\nportraits\, watercolors\, drawings and murals.
Born in New York in 1942\, Jim Caldwell has spent most of \nhis life in the San Francisco Bay Area. He graduated from Williams Colle ge\nin 1964 as an art major and spent the next year in Paris studying prin ting\nand etching at the Ecole des Beaux Arts. In 1969 he received his Mas ter of\nArchitecture degree from the Yale School of Architecture. Jim has had over\n45 one-man shows and his paintings are represented in more than 450\ncollections world-wide.
\n
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
Four\ ncontemporary artists\, two ceramists and two fiber artists\, explore the\ nJapanese notion of wabi sabi and ideas around imperfection\, impermanence \,\nrepair and transformation. Often defined as flawed beauty\, the wabi s abi\naesthetic connotes asymmetry\, economy and the forces of nature and\n time.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Four\ncontemporary artists\, two ceramists and two fiber artis ts\, explore the\nJapanese notion of wabi sabi and ideas around imperfecti on\, impermanence\,\nrepair and transformation. Often defined as flawed be auty\, the wabi sabi\naesthetic connotes asymmetry\, economy and the force s of nature and\ntime.
Use this\nopportun ity to hone technical drawing skills in a relaxed environment while\ndrawi ng directly from the human figure. A model will hold a variety of\nposes t hroughout the 2-hour session. For all skill levels.
Bring\nyour own supplies\, drawing boards provided. 18 yrs and older\,\nbegin ners welcome!
\n
U se this\nopportunity to hone technical drawing skills in a relaxed environ ment while\ndrawing directly from the human figure. A model will hold a va riety of\nposes throughout the 2-hour session. For all skill levels.
< p>Bring\nyour own supplies\, drawing boards provided. 18 yrs a nd older\,\nbeginners welcome!\n
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
Four\ ncontemporary artists\, two ceramists and two fiber artists\, explore the\ nJapanese notion of wabi sabi and ideas around imperfection\, impermanence \,\nrepair and transformation. Often defined as flawed beauty\, the wabi s abi\naesthetic connotes asymmetry\, economy and the forces of nature and\n time.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Four\ncontemporary artists\, two ceramists and two fiber artis ts\, explore the\nJapanese notion of wabi sabi and ideas around imperfecti on\, impermanence\,\nrepair and transformation. Often defined as flawed be auty\, the wabi sabi\naesthetic connotes asymmetry\, economy and the force s of nature and\ntime.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
Four\ ncontemporary artists\, two ceramists and two fiber artists\, explore the\ nJapanese notion of wabi sabi and ideas around imperfection\, impermanence \,\nrepair and transformation. Often defined as flawed beauty\, the wabi s abi\naesthetic connotes asymmetry\, economy and the forces of nature and\n time.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Four\ncontemporary artists\, two ceramists and two fiber artis ts\, explore the\nJapanese notion of wabi sabi and ideas around imperfecti on\, impermanence\,\nrepair and transformation. Often defined as flawed be auty\, the wabi sabi\naesthetic connotes asymmetry\, economy and the force s of nature and\ntime.
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.
Four\ ncontemporary artists\, two ceramists and two fiber artists\, explore the\ nJapanese notion of wabi sabi and ideas around imperfection\, impermanence \,\nrepair and transformation. Often defined as flawed beauty\, the wabi s abi\naesthetic connotes asymmetry\, economy and the forces of nature and\n time.
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.
Four\ncontemporary artists\, two ceramists and two fiber artis ts\, explore the\nJapanese notion of wabi sabi and ideas around imperfecti on\, impermanence\,\nrepair and transformation. Often defined as flawed be auty\, the wabi sabi\naesthetic connotes asymmetry\, economy and the force s of nature and\ntime.
Thanks to Brett\nD ennen’s team and the staff at The Argyros\, we are able to offer a\nlive stream of Brett’s concert this Saturday night.
\nT hanks to Brett\nDennen’s team and the staff at The Argyros\, we are able to offer a\nlivestream of Brett’s concert this Saturday night.
\n