Use this\nopportunity to brush up on your figure drawing skills in a relaxed\nenvironment. All s kills welcome.
Fall Open Studios will take place\non Wed\, Oct 3 &a mp\; 17 &\; Nov 7\, 6:30–8:30pm
Use t his\nopportunity to brush up on your figure drawing skills in a relaxed\ne nvironment. All skills welcome.
Fall Open Studios will take place\n on Wed\, Oct 3 &\; 17 &\; Nov 7\, 6:30–8:30pm
ONE WORLD ONE\nWEEK ON E FESTIVAL. Between September 27 and October 7\, nine captivating\nshort f ilms will screen more than 1000 times in over 300 cities on six\ncontinent s and will all be eligible for OSCAR nomination. And the judges of\nthese films are you\, the audience! On entry to the venue\, every audience\nmemb er will be given a ballot to vote for the best short films and actor at\nt he conclusion of the show. Votes will be tallied at MANHATTAN SHORT\nheadq uarters in NYC and the winners will be announced at ManhattanShort.com\non Monday October 8 at 10am.
The nine MANHATTAN SHORT finalists hail\ nfrom eight countries with films from Austria\, Canada\, Germany\, Hungary \,\nKosovo\, New Zealand\, the USA\, and two films from the United Kingdom . These\nfinal nine short films represent the best shorts from among 1565\ nsubmissions from 73 countries received by MANHATTAN SHORT in 2018\, a\nte stimony to the enduring vibrancy and creativity of short films. This\nyear 's finalists bring together an extraordinary range of film genres\nincludi ng intimate dramas\; fast-paced animation\; spine-tingling tales\; a\nWorl d War 11 epic\; a film shot entirely underwater and a dark comedy as\npart of the MANHATTAN SHORT 2018 program.
The Final 9 are: Baghead\n(Un ited Kingdom)\, Fire in Cardboard City (New Zealand)\, Home Shopper (USA)\ ,\nHer (Kosovo) Two Strangers Who Meet Five Times (United Kingdom)\, Someo ne\n(Germany)\, Chuchotage (Hungary)\, Fauve (Canada)\, Lacrimosa (Austria ).
\nRunning time 2 hours 20 minutes. Best for audiences 15 and over .
\nONE W ORLD ONE\nWEEK ONE FESTIVAL. Between September 27 and October 7\, nine cap tivating\nshort films will screen more than 1000 times in over 300 cities on six\ncontinents and will all be eligible for OSCAR nomination. And the judges of\nthese films are you\, the audience! On entry to the venue\, eve ry audience\nmember will be given a ballot to vote for the best short film s and actor at\nthe conclusion of the show. Votes will be tallied at MANHA TTAN SHORT\nheadquarters in NYC and the winners will be announced at Manha ttanShort.com\non Monday October 8 at 10am.
The nine MANHATTAN SHOR T finalists hail\nfrom eight countries with films from Austria\, Canada\, Germany\, Hungary\,\nKosovo\, New Zealand\, the USA\, and two films from t he United Kingdom. These\nfinal nine short films represent the best shorts from among 1565\nsubmissions from 73 countries received by MANHATTAN SHOR T in 2018\, a\ntestimony to the enduring vibrancy and creativity of short films. This\nyear's finalists bring together an extraordinary range of fil m genres\nincluding intimate dramas\; fast-paced animation\; spine-tinglin g tales\; a\nWorld War 11 epic\; a film shot entirely underwater and a dar k comedy as\npart of the MANHATTAN SHORT 2018 program.
The Final 9 are: Baghead\n(United Kingdom)\, Fire in Cardboard City (New Zealand)\, Ho me Shopper (USA)\,\nHer (Kosovo) Two Strangers Who Meet Five Times (United Kingdom)\, Someone\n(Germany)\, Chuchotage (Hungary)\, Fauve (Canada)\, L acrimosa (Austria).
\nRunning time 2 hours 20 minutes. Best for audi ences 15 and over.
\nONE WORLD. ONE\nWEEK. ONE FESTIVAL. Between September 27 and October 7\, nine captivating\nshort films will screen more than 1000 times in over 300 cities on six\ncontine nts and will all be eligible for OSCAR nomination. And the judges of\nthes e films are you\, the audience! On entry to the venue\, every audience\nme mber will be given a ballot to vote for the best short films and actor at\ nthe conclusion of the show. Votes will be tallied at MANHATTAN SHORT\nhea dquarters in NYC and the winners will be announced at ManhattanShort.com\n on Monday October 8 at 10am.
The nine MANHATTAN SHORT finalists hai l\nfrom eight countries with films from Austria\, Canada\, Germany\, Hunga ry\,\nKosovo\, New Zealand\, the USA\, and two films from the United Kingd om. These\nfinal nine short films represent the best shorts from among 156 5\nsubmissions from 73 countries received by MANHATTAN SHORT in 2018\, a\n testimony to the enduring vibrancy and creativity of short films. This\nye ar's finalists bring together an extraordinary range of film genres\ninclu ding intimate dramas\; fast-paced animation\; spine-tingling tales\; a\nWo rld War 11 epic\; a film shot entirely underwater and a dark comedy as\npa rt of the MANHATTAN SHORT 2018 program.
The Final 9 are: Baghead\n( United Kingdom)\, Fire in Cardboard City (New Zealand)\, Home Shopper (USA )\,\nHer (Kosovo) Two Strangers Who Meet Five Times (United Kingdom)\, Som eone\n(Germany)\, Chuchotage (Hungary)\, Fauve (Canada)\, Lacrimosa (Austr ia).
\nRunning time 2 hours 20 minutes. Best for audiences 15 and ov er.
\nONE W ORLD. ONE\nWEEK. ONE FESTIVAL. Between September 27 and October 7\, nine c aptivating\nshort films will screen more than 1000 times in over 300 citie s on six\ncontinents and will all be eligible for OSCAR nomination. And th e judges of\nthese films are you\, the audience! On entry to the venue\, e very audience\nmember will be given a ballot to vote for the best short fi lms and actor at\nthe conclusion of the show. Votes will be tallied at MAN HATTAN SHORT\nheadquarters in NYC and the winners will be announced at Man hattanShort.com\non Monday October 8 at 10am.
The nine MANHATTAN SH ORT finalists hail\nfrom eight countries with films from Austria\, Canada\ , Germany\, Hungary\,\nKosovo\, New Zealand\, the USA\, and two films from the United Kingdom. These\nfinal nine short films represent the best shor ts from among 1565\nsubmissions from 73 countries received by MANHATTAN SH ORT in 2018\, a\ntestimony to the enduring vibrancy and creativity of shor t films. This\nyear's finalists bring together an extraordinary range of f ilm genres\nincluding intimate dramas\; fast-paced animation\; spine-tingl ing tales\; a\nWorld War 11 epic\; a film shot entirely underwater and a d ark comedy as\npart of the MANHATTAN SHORT 2018 program.
The Final 9 are: Baghead\n(United Kingdom)\, Fire in Cardboard City (New Zealand)\, Home Shopper (USA)\,\nHer (Kosovo) Two Strangers Who Meet Five Times (Unit ed Kingdom)\, Someone\n(Germany)\, Chuchotage (Hungary)\, Fauve (Canada)\, Lacrimosa (Austria).
\nRunning time 2 hours 20 minutes. Best for au diences 15 and over.
\nEnjoy a glass of\nwine as you tour the exhibition with The Center’s curators and gallery\nguid es. Participating artists Deborah Aschheim and Paul Shambroom will\nspeak at 6pm. We the People investigates the role of civic participation\nwithin American democracy\, from the simple act of voting to running for\noffice \, from voicing dissent to flying the flag. How are each of these\nactions expressions of patriotism? How do they help ensure the vitality of\nthe d emocratic process? Part of The Center’s BIG IDEA project We the\nPeo ple: Protest and Patriotism\, Sep 28–Dec 14\, 2018.
Enjoy a glass of\nwine as you tour the exhibition with The Center’s curators and gallery\nguides. Participating artists Deborah Aschheim and Paul Shamb room will\nspeak at 6pm. We the People investigates the role of civic part icipation\nwithin American democracy\, from the simple act of voting to ru nning for\noffice\, from voicing dissent to flying the flag. How are each of these\nactions expressions of patriotism? How do they help ensure the v itality of\nthe democratic process? Part of The Center’s BIG IDEA projec t We the\nPeople: Protest and Patriotism\, Sep 28–Dec 14\, 2018 .
At the beginning\nof t he 14th century\, the Italian city of Siena was governed by a group of\nni ne wealthy merchants known as the Nove (Nine). While not a democratic or\n participatory form of governance\, this oligarchy gave Siena a period of\n stability and prosperity that encouraged the production of remarkable work s\nof art\, some of which had explicit political import. In the Palazzo\nP ubblico\, the walls of the Nove’s meeting room were painted with\nextens ive murals by Ambrogio Lorenzetti\, Allegory of Good and Bad\nGovernme nt\, which pictorially provided moral lessons in governing and\nembod ied the new civic humanism of the era. The ideas about government that\nLo renzetti conveyed in his murals still resonate today.
Elaine\nFrenc h received a bachelor’s degree in art history from Wellesley\nCollege a nd a master’s degree in art history from San Jose State\nUniversity\, wh ere she wrote her master’s thesis on a\n13th-century Sienese manuscript illuminator. She also holds a\nPh.D. from Stanford University i n education psychology.
Part of The\nCenter’s BIG IDEA project We the People: Protest and Patriotism\,\nSep 28–Dec 14\, 2018.
At th e beginning\nof the 14th century\, the Italian city of Siena was governed by a group of\nnine wealthy merchants known as the Nove (Nine). While not a democratic or\nparticipatory form of governance\, this oligarchy gave Si ena a period of\nstability and prosperity that encouraged the production o f remarkable works\nof art\, some of which had explicit political import. In the Palazzo\nPubblico\, the walls of the Nove’s meeting room were pai nted with\nextensive murals by Ambrogio Lorenzetti\, Allegory of Good and Bad\nGovernment\, which pictorially provided moral lessons in gov erning and\nembodied the new civic humanism of the era. The ideas about go vernment that\nLorenzetti conveyed in his murals still resonate today.
Elaine\nFrench received a bachelor’s degree in art history from Well esley\nCollege and a master’s degree in art history from San Jose State \nUniversity\, where she wrote her master’s thesis on a\n13th -century Sienese manuscript illuminator. She also holds a\nPh.D. from Stan ford University in education psychology.
Part of The\nCenter’s BI G IDEA project We the People: Protest and Patriotism\,\nSep 28– Dec 14\, 2018.
Do you have a\nstory t o tell? Join us for monthly generative writing workshops. Class\nsessions are designed to build your writer’s toolbox and revitalize your\ncreativ e practice. Participants will engage in writing exercises\, discuss\ncraft \, and share new work. We’ll also clear out whatever stops us from\nputt ing writing at the center of our lives. The focus of the workshop is\ncrea ting new writing rather than critiquing manuscripts\, so all writers in\na ll genres are welcome – from published writer to grocery list writer\,\n from novice to advanced\, from novelist to memoirist\, and everything in\n between.
Sarah Sentilles is a writer\, critical theorist\, scholar of\nreligion\, activist\, writing coach\, and author of many books\, inclu ding\nDraw Your Weapons (Random House 2017). She earned a bachelo r’s\ndegree at Yale and master’s and doctoral degrees at Harvard\, and she\ntaught undergraduate and graduate students for more than a decade. S he\nlives in Hailey\, Idaho.
The Wood River Writing Workshops will take\nplace: Weds\, Sep 26\, Oct 24 &\; Nov 28\, 2018\; and Jan 30\, Fe b\, 27 &\;\nApril 3\, 2019\, from 6-8pm.
Do yo u have a\nstory to tell? Join us for monthly generative writing workshops. Class\nsessions are designed to build your writer’s toolbox and revital ize your\ncreative practice. Participants will engage in writing exercises \, discuss\ncraft\, and share new work. We’ll also clear out whatever st ops us from\nputting writing at the center of our lives. The focus of the workshop is\ncreating new writing rather than critiquing manuscripts\, so all writers in\nall genres are welcome – from published writer to grocer y list writer\,\nfrom novice to advanced\, from novelist to memoirist\, an d everything in\nbetween.
Sarah Sentilles is a writer\, critical th eorist\, scholar of\nreligion\, activist\, writing coach\, and author of m any books\, including\nDraw Your Weapons (Random House 2017). She earned a bachelor’s\ndegree at Yale and master’s and doctoral degrees at Harvard\, and she\ntaught undergraduate and graduate students for more than a decade. She\nlives in Hailey\, Idaho.
The Wood River Writin g Workshops will take\nplace: Weds\, Sep 26\, Oct 24 &\; Nov 28\, 2018\ ; and Jan 30\, Feb\, 27 &\;\nApril 3\, 2019\, from 6-8pm.
This hands-on\,\nuser- friendly process is a simple and elegant introduction to etching\nwithout the chemicals and acids of traditional etching. We will transfer\nimages f rom photos or drawings onto plexiglass with a stylus and then print\nwith oil- based ink. The result is an edition of hand-pulled\, original\netchin gs!
Laurel Macdonald is a Linocut printmaker. She has been\nteachin g high school and adult workshops for over 25 years. Her work can be\nfoun d at Dahmen's Barn in Uniontown\, WA.\, Black Cypress Restaurant in\nPullm an\, WA.\, Gritman Hospital in Moscow\, Idaho\, Blooms Flowers in Boise\,\ nand Smith and Coelho Realty in Eagle\, Idaho. You can also find her work\ nonline at Artfinder.com.
Class is held from 6-9pm.
\n2018 One Night Workshops are generously supported by Heather\nHorton.
This hands-on\,\nuser-friendly process is a simple and elegant introduction to etching\nwithout the chemicals and acids of traditional etching. We will t ransfer\nimages from photos or drawings onto plexiglass with a stylus and then print\nwith oil- based ink. The result is an edition of hand-pulled\, original\netchings!
Laurel Macdonald is a Linocut printmaker. She has been\nteaching high school and adult workshops for over 25 years. Her work can be\nfound at Dahmen's Barn in Uniontown\, WA.\, Black Cypress Res taurant in\nPullman\, WA.\, Gritman Hospital in Moscow\, Idaho\, Blooms Fl owers in Boise\,\nand Smith and Coelho Realty in Eagle\, Idaho. You can al so find her work\nonline at Artfinder.com.
Class is held from 6-9pm .
\n2018 One Night Workshops are generously supported by Hea ther\nHorton.
Using both\nconvention al and unconventional model making materials\, participants will\nexplore spatial creativity while learning basic architectural principles\nand mode l making techniques. No prior expertise is required. During class\ntime Je nnifer will demonstrate procedures and techniques for creating\nmodels to scale. Each student will develop and build their own model to\ntake home.< /p>
Jennifer Cosgrove is a licensed architect who has lived\nin Ketchum for seven years. Jennifer's approach to architecture and design\nis multi -faceted\, and characterized by a love of working at different\nscales. Sh e has extensive experience in architecture\, landscape\narchitecture\, urb an design\, product design\, and furniture design. With an\nundergraduate degree in studio art\, Jen enjoys playful experimentation with\ncolor\, pa ttern\, and materiality. Her design process relies heavily on\nhand-built models\, as well as sketching\, drafting\, diagramming\,\nphotography\, an d 3D modeling. As a teacher\, Jen strives to introduce all\nthese skill se ts to her students so that they have a strong arsenal of\ntechniques for r epresentation and discovery.
This is a 2-day\nworkshop that will ta ke place Sat &\; Sun\, Oct 27 &\; 28\, 10am-4pm\ndaily.
Teen Workshops are generously sponsored by Joyce\nB. Friedman.
Using both\nconventional and unconventional model making materials\, participan ts will\nexplore spatial creativity while learning basic architectural pri nciples\nand model making techniques. No prior expertise is required. Duri ng class\ntime Jennifer will demonstrate procedures and techniques for cre ating\nmodels to scale. Each student will develop and build their own mode l to\ntake home.
Jennifer Cosgrove is a licensed architect who has lived\nin Ketchum for seven years. Jennifer's approach to architecture and design\nis multi-faceted\, and characterized by a love of working at diff erent\nscales. She has extensive experience in architecture\, landscape\na rchitecture\, urban design\, product design\, and furniture design. With a n\nundergraduate degree in studio art\, Jen enjoys playful experimentation with\ncolor\, pattern\, and materiality. Her design process relies heavil y on\nhand-built models\, as well as sketching\, drafting\, diagramming\,\ nphotography\, and 3D modeling. As a teacher\, Jen strives to introduce al l\nthese skill sets to her students so that they have a strong arsenal of\ ntechniques for representation and discovery.
This is a 2-day\nwork shop that will take place Sat &\; Sun\, Oct 27 &\; 28\, 10am-4pm\nda ily.
Teen Workshops are generously sponsored by Joyce\n B. Friedman.
Using both\nconvention al and unconventional model making materials\, participants will\nexplore spatial creativity while learning basic architectural principles\nand mode l making techniques. No prior expertise is required. During class\ntime Je nnifer will demonstrate procedures and techniques for creating\nmodels to scale. Each student will develop and build their own model to\ntake home.< /p>
Jennifer Cosgrove is a licensed architect who has lived\nin Ketchum for seven years. Jennifer's approach to architecture and design\nis multi -faceted\, and characterized by a love of working at different\nscales. Sh e has extensive experience in architecture\, landscape\narchitecture\, urb an design\, product design\, and furniture design. With an\nundergraduate degree in studio art\, Jen enjoys playful experimentation with\ncolor\, pa ttern\, and materiality. Her design process relies heavily on\nhand-built models\, as well as sketching\, drafting\, diagramming\,\nphotography\, an d 3D modeling. As a teacher\, Jen strives to introduce all\nthese skill se ts to her students so that they have a strong arsenal of\ntechniques for r epresentation and discovery.
This is a 2-day\nworkshop that will ta ke place Sat &\; Sun\, Oct 27 &\; 28\, 10am-4pm\ndaily.
Teen Workshops are generously sponsored by Joyce\nB. Friedman.
Using both\nconventional and unconventional model making materials\, participan ts will\nexplore spatial creativity while learning basic architectural pri nciples\nand model making techniques. No prior expertise is required. Duri ng class\ntime Jennifer will demonstrate procedures and techniques for cre ating\nmodels to scale. Each student will develop and build their own mode l to\ntake home.
Jennifer Cosgrove is a licensed architect who has lived\nin Ketchum for seven years. Jennifer's approach to architecture and design\nis multi-faceted\, and characterized by a love of working at diff erent\nscales. She has extensive experience in architecture\, landscape\na rchitecture\, urban design\, product design\, and furniture design. With a n\nundergraduate degree in studio art\, Jen enjoys playful experimentation with\ncolor\, pattern\, and materiality. Her design process relies heavil y on\nhand-built models\, as well as sketching\, drafting\, diagramming\,\ nphotography\, and 3D modeling. As a teacher\, Jen strives to introduce al l\nthese skill sets to her students so that they have a strong arsenal of\ ntechniques for representation and discovery.
This is a 2-day\nwork shop that will take place Sat &\; Sun\, Oct 27 &\; 28\, 10am-4pm\nda ily.
Teen Workshops are generously sponsored by Joyce\n B. Friedman.
Join the Sun\nValley C enter and Hotel Ketchum at The Hangout for an introduction to\nwatercolor class with Jennie Kilcup. All attendees will walk away with some\ntips of the trade and a fully completed painting. This fun laid back water\ncolor class is hosted at Hotel Ketchum’s Bar called The Hangout. Free\nwine an d apps for all participating ticket holders.
Instructor\nJennie Kil cup is an Idaho native\, born and raised in Sun Valley\, and\ncurrently li ving in Boise. She started using watercolors at the age of 8 in\nbeginning watercolor classes\, and expanded her knowledge by self-taught\ntechnique s. Jennie’s medium of choice is watercolor on paper\, enhanced\nwith pen and ink etchings. Her subject matter consists primarily of\nNorthwest wil dlife and landscape scenery. Her palette is highly colorful\,\nbold and vi brant.
The Junior Patrons Circle (JPC) is a group\nof young adults dedicated to furthering the mission and goals of the Sun\nValley Ce nter for the Arts. The JPC seeks to involve the next generation in\nits pr ograms and develop future volunteer leaders for the arts in the\ncommunity .
Join the Sun\nValley Center and Hotel Ketchum at The Hangout for an introductio n to\nwatercolor class with Jennie Kilcup. All attendees will walk away wi th some\ntips of the trade and a fully completed painting. This fun laid b ack water\ncolor class is hosted at Hotel Ketchum’s Bar called The Hango ut. Free\nwine and apps for all participating ticket holders.
Instr uctor\nJennie Kilcup is an Idaho native\, born and raised in Sun Valley\, and\ncurrently living in Boise. She started using watercolors at the age o f 8 in\nbeginning watercolor classes\, and expanded her knowledge by self- taught\ntechniques. Jennie’s medium of choice is watercolor on paper\, e nhanced\nwith pen and ink etchings. Her subject matter consists primarily of\nNorthwest wildlife and landscape scenery. Her palette is highly colorf ul\,\nbold and vibrant.
The Junior Patrons Circle (JPC) is a group\nof young adults dedicated to furthering the mission and goals of t he Sun\nValley Center for the Arts. The JPC seeks to involve the next gene ration in\nits programs and develop future volunteer leaders for the arts in the\ncommunity.
Rhythm Future\nQuartet has a straightforward agenda: to keep the spirit of Gypsy jazz\nalive and expanding in today’s musical universe. The virtuosic foursome\,\nnamed for a Django Reinhardt tune\, offers up a newly minted sound\,\ninfluenced by the classic Hot Club of France\, yet is wholly contemporary.\nLed by v iolinist Jason Anick and guitarist Olli Soikkeli\, the quartet\nperforms d ynamic and lyrical arrangements of both Gypsy jazz standards and\noriginal compositions that draw upon diverse international rhythms and\nmusical id ioms. With Max O’Rourke on second guitar and Greg Loughman on\nbass\, Rh ythm Future is dedicated to expanding the boundaries of a vital\nmusical g enre.
Educational outreach activities are supported\, in\npart\, wi th funds provided by the Western States Arts Federation (WESTAF)\,\nthe Id aho Commission on the Arts\, and the National Endowment for the\nArts.
Adult Regular Seating—$193.54
Adult Premium Seating—$339.34
Student\nRegular Se
ating—$98.77
Student Premium Seating—\n$171.67<
/strong>
*Prices listed include taxes or applicable\nticket fees
If yo
u love the Winter Performing Arts Series consider becoming an\nCRITICS CIR
CLE Supporter! Through the purchase of a Critics Circle package\nfor the W
inter Performing Arts series you help to underwrite the cost of\nthe entir
e series.
Tickets are $500 per person ($189.50 is a tax\ndeductible
donation)\, per series and includes:
Premium\nseating at th
e performing arts series
Luncheon in\nApril 2019 wi
th Editors and Critics Circle Series ticket\nholders
The knowledge that you are helping sustain\nthese events for the entire
community
Call The\nCenter at 208-726-9491 to purc hase PERFORMING ARTS SERIES or CRITICS SERIES\n(available to MEMBERS ONLY. Tickets available to the general public Fri\,\nSep 21\, 10am.
Rhyth m Future\nQuartet has a straightforward agenda: to keep the spirit of Gyps y jazz\nalive and expanding in today’s musical universe. The virtuosic f oursome\,\nnamed for a Django Reinhardt tune\, offers up a newly minted so und\,\ninfluenced by the classic Hot Club of France\, yet is wholly contem porary.\nLed by violinist Jason Anick and guitarist Olli Soikkeli\, the qu artet\nperforms dynamic and lyrical arrangements of both Gypsy jazz standa rds and\noriginal compositions that draw upon diverse international rhythm s and\nmusical idioms. With Max O’Rourke on second guitar and Greg Lough man on\nbass\, Rhythm Future is dedicated to expanding the boundaries of a vital\nmusical genre.
Educational outreach activities are supporte d\, in\npart\, with funds provided by the Western States Arts Federation ( WESTAF)\,\nthe Idaho Commission on the Arts\, and the National Endowment f or the\nArts.
Adult Regular Seating—$193.54
Adult Premium Seating—$339.34
St
udent\nRegular Seating—$98.77
Student Premium Sea
ting—\n$171.67
*Prices listed include taxes or applic
able\nticket fees
If you love the Winter Performing Arts Series consider becomin
g an\nCRITICS CIRCLE Supporter! Through the purchase of a Critics Circle p
ackage\nfor the Winter Performing Arts series you help to underwrite the c
ost of\nthe entire series.
Tickets are $500 per person ($189.50 is a
tax\ndeductible donation)\, per series and includes:
Premi
um\nseating at the performing arts series
Luncheon
in\nApril 2019 with Editors and Critics Circle Series ticket\nholders
The knowledge that you are helping sustain\nthese event
s for the entire community
Call The\nCenter at 208 -726-9491 to purchase PERFORMING ARTS SERIES or CRITICS SERIES\n(available to MEMBERS ONLY. Tickets available to the general public Fri\,\nSep 21\, 10am.