BEGIN:VCALENDAR
VERSION:2.0
PRODID:dev.svmoa.org
BEGIN:VEVENT
UID:6749d05995b18
DTSTART:20181102T043000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FILM: The Other Side of Everything (4:30pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>A locked door\ninside 
 a Belgrade\, Serbia apartment has kept one family separated from\ntheir pa
 st for over 70 years. As the filmmaker begins an intimate\nconversation wi
 th her mother\, the political fault line running through\ntheir home revea
 ls a house and a country haunted by history. The chronicle\nof a family in
  Serbia turns into a searing portrait of an activist in times\nof great tu
 rmoil\, questioning the responsibility of each generation to\nfight for th
 eir future.</p> <p>FROM THE DIRECTOR Mila Turajlic<br /> I want\nto speak 
 of my country from a very personal angle\, and from a very precise\npoint 
 of departure - the place where I live. The more I stare at the locked\ndoo
 rs that I have been faced with all my life\, the more I realize how much\n
 about Serbia can be understood by talking about divided spaces.</p> <p>The
 \nplot of the film grows like a spiral: A personal investigation into divi
 ded\nspace (unfolds) a family chronicle (which becomes) an account of turb
 ulent\ntimes (that ends up portraying) a story of a country.</p> <p>While 
 the\nstory unfolds inside the apartment\, the view from the windows lets
  us\nenter a Serbia rarely ever seen in the media. I have been filming fro
 m the\nwindows for the past 10 years\, creating an archive of dramatic and
  intimate\nmoments taking place on the streets below.</p> <p>What is the s
 tory behind\na locked door and an apartment full of history? That an indiv
 idual is\npowerless before the forces of politics\, or that she is defined
  by the\nchoices she makes in those situations?</p> <p>Running time 1 hour
  and 44\nminutes.</p> <p>Part of The Center's BIG IDEA project <em>We the 
 People:\nProtest &amp;amp\; Patriotism</em></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>A loc
 ked door\ninside a Belgrade\, Serbia apartment has kept one family separat
 ed from\ntheir past for over 70 years. As the filmmaker begins an intimate
 \nconversation with her mother\, the political fault line running through\
 ntheir home reveals a house and a country haunted by history. The chronicl
 e\nof a family in Serbia turns into a searing portrait of an activist in t
 imes\nof great turmoil\, questioning the responsibility of each generation
  to\nfight for their future.</p> <p>FROM THE DIRECTOR Mila Turajlic<br /> 
 I want\nto speak of my country from a very personal angle\, and from a ver
 y precise\npoint of departure - the place where I live. The more I stare a
 t the locked\ndoors that I have been faced with all my life\, the more I r
 ealize how much\nabout Serbia can be understood by talking about divided s
 paces.</p> <p>The\nplot of the film grows like a spiral: A personal invest
 igation into divided\nspace (unfolds) a family chronicle (which becomes) a
 n account of turbulent\ntimes (that ends up portraying) a story of a count
 ry.</p> <p>While the\nstory unfolds inside the apartment\, the view from t
 he windows lets us\nenter a Serbia rarely ever seen in the media. I have
  been filming from the\nwindows for the past 10 years\, creating an archiv
 e of dramatic and intimate\nmoments taking place on the streets below.</p>
  <p>What is the story behind\na locked door and an apartment full of histo
 ry? That an individual is\npowerless before the forces of politics\, or th
 at she is defined by the\nchoices she makes in those situations?</p> <p>Ru
 nning time 1 hour and 44\nminutes.</p> <p>Part of The Center's BIG IDEA pr
 oject <em>We the People:\nProtest &amp;amp\; Patriotism</em></p> </div> </div>
  </div> </div>
CATEGORIES:Film
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c678b
DTSTART:20181102T053000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:FREE EVENING EXHIBITION TOUR: We the People: Protest and Patriotism
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Enjoy a glass of\nwine
  as you tour the exhibition with The Center’s curators and gallery\nguid
 es. <em>We the People</em> investigates the role of civic participation\nw
 ithin American democracy\, from the simple act of voting to running for\no
 ffice\, from voicing dissent to flying the flag. How are each of these\nac
 tions expressions of patriotism? How do they help ensure the vitality of\n
 the democratic process? Part of The Center’s BIG IDEA project <em>We the
 \nPeople: Protest and Patriotism</em>\, Sep 28–Dec 14\, 2018.</p> </div>
 \n</div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Enjoy
  a glass of\nwine as you tour the exhibition with The Center’s curators 
 and gallery\nguides. <em>We the People</em> investigates the role of civic
  participation\nwithin American democracy\, from the simple act of voting 
 to running for\noffice\, from voicing dissent to flying the flag. How are 
 each of these\nactions expressions of patriotism? How do they help ensure 
 the vitality of\nthe democratic process? Part of The Center’s BIG IDEA p
 roject <em>We the\nPeople: Protest and Patriotism</em>\, Sep 28–Dec 14\,
  2018.</p> </div>\n</div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6846
DTSTART:20181102T070000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FILM: The Other Side of Everything (7pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>A locked door\ninside 
 a Belgrade\, Serbia apartment has kept one family separated from\ntheir pa
 st for over 70 years. As the filmmaker begins an intimate\nconversation wi
 th her mother\, the political fault line running through\ntheir home revea
 ls a house and a country haunted by history. The chronicle\nof a family in
  Serbia turns into a searing portrait of an activist in times\nof great tu
 rmoil\, questioning the responsibility of each generation to\nfight for th
 eir future.</p> <p>FROM THE DIRECTOR Mila Turajlic<br /> I want\nto speak 
 of my country from a very personal angle\, and from a very precise\npoint 
 of departure - the place where I live. The more I stare at the locked\ndoo
 rs that I have been faced with all my life\, the more I realize how much\n
 about Serbia can be understood by talking about divided spaces.</p> <p>The
 \nplot of the film grows like a spiral: A personal investigation into divi
 ded\nspace (unfolds) a family chronicle (which becomes) an account of turb
 ulent\ntimes (that ends up portraying) a story of a country.</p> <p>While 
 the\nstory unfolds inside the apartment\, the view from the windows lets
  us\nenter a Serbia rarely ever seen in the media. I have been filming fro
 m the\nwindows for the past 10 years\, creating an archive of dramatic and
  intimate\nmoments taking place on the streets below.</p> <p>What is the s
 tory behind\na locked door and an apartment full of history? That an indiv
 idual is\npowerless before the forces of politics\, or that she is defined
  by the\nchoices she makes in those situations?</p> <p>Running time 1 hour
  and 44\nminutes.</p> <p>Part of The Center's BIG IDEA project <em>We the 
 People:\nProtest &amp;amp\; Patriotism</em></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>A loc
 ked door\ninside a Belgrade\, Serbia apartment has kept one family separat
 ed from\ntheir past for over 70 years. As the filmmaker begins an intimate
 \nconversation with her mother\, the political fault line running through\
 ntheir home reveals a house and a country haunted by history. The chronicl
 e\nof a family in Serbia turns into a searing portrait of an activist in t
 imes\nof great turmoil\, questioning the responsibility of each generation
  to\nfight for their future.</p> <p>FROM THE DIRECTOR Mila Turajlic<br /> 
 I want\nto speak of my country from a very personal angle\, and from a ver
 y precise\npoint of departure - the place where I live. The more I stare a
 t the locked\ndoors that I have been faced with all my life\, the more I r
 ealize how much\nabout Serbia can be understood by talking about divided s
 paces.</p> <p>The\nplot of the film grows like a spiral: A personal invest
 igation into divided\nspace (unfolds) a family chronicle (which becomes) a
 n account of turbulent\ntimes (that ends up portraying) a story of a count
 ry.</p> <p>While the\nstory unfolds inside the apartment\, the view from t
 he windows lets us\nenter a Serbia rarely ever seen in the media. I have
  been filming from the\nwindows for the past 10 years\, creating an archiv
 e of dramatic and intimate\nmoments taking place on the streets below.</p>
  <p>What is the story behind\na locked door and an apartment full of histo
 ry? That an individual is\npowerless before the forces of politics\, or th
 at she is defined by the\nchoices she makes in those situations?</p> <p>Ru
 nning time 1 hour and 44\nminutes.</p> <p>Part of The Center's BIG IDEA pr
 oject <em>We the People:\nProtest &amp;amp\; Patriotism</em></p> </div> </div>
  </div> </div>
CATEGORIES:Film
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c68d5
DTSTART:20181103T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:CRAFT SERIES ONE NIGHT WORKSHOPS: The Magic of Monoprint without a 
 Press with Amy Nack
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Explore the deep\ndark
  secrets of fine art printmaking without a press from a seasoned\nprintmak
 er. We’ll use Speedball‘s Gel Printing plate\, cotton rag\nprintmaking
  papers from The Netherlands\, Asian mulberry paper and Akua\nIntaglio ink
 s to employ a treasure trove of techniques for pulling a\nportfolio of hig
 hly developed multi-layered prints. Learn to enhance your\nprints by incor
 porating hand printed papers\, pochoir and frottage using the\nchine coll
 é process.</p> <p>Amy Nack is founder of Wingtip Press\nPrintmaking Studi
 o located in Boise\, Idaho. She teaches printmaking in her\nstudio and as 
 a teaching artist for the Idaho Commission on the Arts and\nIdaho Parents 
 Unlimited. Nack received her BFA in Printmaking and BA in Art\nHistoryfrom
  Boise State University in 2008 after a three-decade career in\npaper and 
 graphics marketing. She is actively engaged with the community\nand is a f
 requent recipient of Boise City Department of Arts and History\nGrants art
 s providing community wide printmaking experiences and\nexhibitions.</p> &lt;
 p&gt;Workshop is held from 6-9pm.</p> <p><em><strong>2018\nOne Night Workshop
 s are generously supported by Heather\nHorton.</strong></em></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Explo
 re the deep\ndark secrets of fine art printmaking without a press from a s
 easoned\nprintmaker. We’ll use Speedball‘s Gel Printing plate\, cotton
  rag\nprintmaking papers from The Netherlands\, Asian mulberry paper and A
 kua\nIntaglio inks to employ a treasure trove of techniques for pulling a\
 nportfolio of highly developed multi-layered prints. Learn to enhance your
 \nprints by incorporating hand printed papers\, pochoir and frottage using
  the\nchine collé process.</p> <p>Amy Nack is founder of Wingtip Press\nP
 rintmaking Studio located in Boise\, Idaho. She teaches printmaking in her
 \nstudio and as a teaching artist for the Idaho Commission on the Arts and
 \nIdaho Parents Unlimited. Nack received her BFA in Printmaking and BA in 
 Art\nHistoryfrom Boise State University in 2008 after a three-decade caree
 r in\npaper and graphics marketing. She is actively engaged with the commu
 nity\nand is a frequent recipient of Boise City Department of Arts and His
 tory\nGrants arts providing community wide printmaking experiences and\nex
 hibitions.</p> <p>Workshop is held from 6-9pm.</p> <p><em><strong>2018\nOn
 e Night Workshops are generously supported by Heather\nHorton.</strong></p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c694e
DTSTART:20181104T030000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:FREE FAMILY DAY: It’s as American as Apple Pie!
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Participating in\nthe 
 democratic process can take a wide range of actions\, from voting to\nrunn
 ing for office\, attending city council meetings\, or being an advocate\nf
 or change.</p> <p>Join the Sun Valley Center for the Arts on November 3rd\
 nto celebrate the USA. This is an opportunity for families to express\npat
 riotism through the creative process while having fun with your family\nan
 d community. This special free family event will include: hands on\nactivi
 ties\, a sing a long\, tie dying and a chance to look and talk about\nart.
 </p> <p>Family Day events provide special opportunities for multiple\ngene
 rations to explore art and ideas together\, building confidence in\nself-e
 xpression through art making.</p> <p>Part of The Center’s BIG IDEA\nproj
 ect <em>We the People: Protest and Patriotism</em>\, Sep 28–Dec 14\,\n20
 18.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Parti
 cipating in\nthe democratic process can take a wide range of actions\, fro
 m voting to\nrunning for office\, attending city council meetings\, or bei
 ng an advocate\nfor change.</p> <p>Join the Sun Valley Center for the Arts
  on November 3rd\nto celebrate the USA. This is an opportunity for familie
 s to express\npatriotism through the creative process while having fun wit
 h your family\nand community. This special free family event will include:
  hands on\nactivities\, a sing a long\, tie dying and a chance to look and
  talk about\nart.</p> <p>Family Day events provide special opportunities f
 or multiple\ngenerations to explore art and ideas together\, building conf
 idence in\nself-expression through art making.</p> <p>Part of The Center
 ’s BIG IDEA\nproject <em>We the People: Protest and Patriotism</em>\, Se
 p 28–Dec 14\,\n2018.</p> </div> </div> </div> </div>
CATEGORIES:Youth &amp; Families
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c69ba
DTSTART:20181108T083000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:FALL OPEN STUDIO: Figure Drawing
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Use this\nopportunity 
 to brush up on your figure drawing skills in a relaxed\nenvironment. All s
 kills welcome.</p> <p>Fall Open Studios will take place\non Wed\, Oct 3 &amp;a
 mp\; 17 &amp;amp\; Nov 7\, 6:30–8:30pm</p> </div> </div> </div>\n</div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Use t
 his\nopportunity to brush up on your figure drawing skills in a relaxed\ne
 nvironment. All skills welcome.</p> <p>Fall Open Studios will take place\n
 on Wed\, Oct 3 &amp;amp\; 17 &amp;amp\; Nov 7\, 6:30–8:30pm</p> </div> </div> </div>\n</div>
CATEGORIES:Adult Classes
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6a0c
DTSTART:20181109T090000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:SPECIAL EVENT: FREE JPC After Hours Exhibition Tour: We the People:
  Protest and Patriotism
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center's\nJunior P
 atron Circle hosts a free exhibition tour of our current exhibit\,\nWe the
  People: Protest and Patriotism to follow midterm elections. Enjoy a\ncomp
 limentary signature cocktail compliments of Hotel Ketchum pop-up bar as\nD
 irector of Education and Humanities Katelyn Foley leads you through the\ne
 xhibit. The exhibition investigates the role of civic participation within
 \nAmerican democracy\, from the simple act of voting to running for office
 \,\nfrom voicing dissent to flying the flag. Stick around to discuss the a
 rt\nand enjoy another cocktail from Hotel Ketchum (<em>available for\npurc
 hase</em>). Part of The Center’s BIG IDEA project <em>We the People:\nPr
 otest and Patriotism</em>\, Sep 28–Dec 14\, 2018. <em>Attendees must be\
 n21+ and over please</em> Sponsored by Hotel Ketchum <a><img /></a>  </p> </div> </div>
  </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter's\nJunior Patron Circle hosts a free exhibition tour of our current 
 exhibit\,\nWe the People: Protest and Patriotism to follow midterm electio
 ns. Enjoy a\ncomplimentary signature cocktail compliments of Hotel Ketchum
  pop-up bar as\nDirector of Education and Humanities Katelyn Foley leads y
 ou through the\nexhibit. The exhibition investigates the role of civic par
 ticipation within\nAmerican democracy\, from the simple act of voting to r
 unning for office\,\nfrom voicing dissent to flying the flag. Stick around
  to discuss the art\nand enjoy another cocktail from Hotel Ketchum (<em>av
 ailable for\npurchase</em>). Part of The Center’s BIG IDEA project <em>W
 e the People:\nProtest and Patriotism</em>\, Sep 28–Dec 14\, 2018. <em>A
 ttendees must be\n21+ and over please</em> Sponsored by Hotel Ketchum <a n><img /></a>  &lt;
 /p&gt; </div> </div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events,SVMoA Contemporaries
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6a7d
DTSTART:20181109T090000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:SPECIAL EVENT: FREE JPC After Hours Exhibition Tour: We the People:
  Protest and Patriotism
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center's\nJunior P
 atron Circle hosts a free exhibition tour of our current exhibit\,\nWe the
  People: Protest and Patriotism to follow midterm elections. Enjoy a\ncomp
 limentary signature cocktail compliments of Hotel Ketchum pop-up bar as\nD
 irector of Education and Humanities Katelyn Foley leads you through the\ne
 xhibit. The exhibition investigates the role of civic participation within
 \nAmerican democracy\, from the simple act of voting to running for office
 \,\nfrom voicing dissent to flying the flag. Stick around to discuss the a
 rt\nand enjoy another cocktail from Hotel Ketchum (<em>available for\npurc
 hase</em>). Part of The Center’s BIG IDEA project <em>We the People:\nPr
 otest and Patriotism</em>\, Sep 28–Dec 14\, 2018. <em>Attendees must be\
 n21+ and over please</em> Sponsored by Hotel Ketchum <a><img /></a>  </p> </div> </div>
  </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter's\nJunior Patron Circle hosts a free exhibition tour of our current 
 exhibit\,\nWe the People: Protest and Patriotism to follow midterm electio
 ns. Enjoy a\ncomplimentary signature cocktail compliments of Hotel Ketchum
  pop-up bar as\nDirector of Education and Humanities Katelyn Foley leads y
 ou through the\nexhibit. The exhibition investigates the role of civic par
 ticipation within\nAmerican democracy\, from the simple act of voting to r
 unning for office\,\nfrom voicing dissent to flying the flag. Stick around
  to discuss the art\nand enjoy another cocktail from Hotel Ketchum (<em>av
 ailable for\npurchase</em>). Part of The Center’s BIG IDEA project <em>W
 e the People:\nProtest and Patriotism</em>\, Sep 28–Dec 14\, 2018. <em>A
 ttendees must be\n21+ and over please</em> Sponsored by Hotel Ketchum <a n><img /></a>  &lt;
 /p&gt; </div> </div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events,SVMoA Contemporaries
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6adf
DTSTART:20181115T080000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:SOLD OUT! CRAFT SERIES ONE NIGHT WORKSHOPS: Relief Printmaking: A C
 lassic with Marne Elmore
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The oldest form\nof pr
 intmaking\, relief printing\, involves the translation of ink from a\nrais
 ed printing surface to paper. Simple\, yet infinite. Let this class\nserve
  as a breath of fresh air in our modern world\, and step into the\nbeauty 
 of an old and traditional art medium. We will design an image on a\nprinti
 ng block\, carve into the block\, and print with ink on paper using the\np
 rinting press.</p> <p>Artist and printmaker Marne Elmore grew up in the\nW
 ood River Valley\, and currently lives and works in Boise\, where she enjo
 ys\nbiking\, reading\, cooking\, and of course\, making art\, in her spare
  time.</p>\n<p><em><strong>2018 One Night Workshops are generously support
 ed by Heather\nHorton.</strong></em></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The o
 ldest form\nof printmaking\, relief printing\, involves the translation of
  ink from a\nraised printing surface to paper. Simple\, yet infinite. Let 
 this class\nserve as a breath of fresh air in our modern world\, and step 
 into the\nbeauty of an old and traditional art medium. We will design an i
 mage on a\nprinting block\, carve into the block\, and print with ink on p
 aper using the\nprinting press.</p> <p>Artist and printmaker Marne Elmore 
 grew up in the\nWood River Valley\, and currently lives and works in Boise
 \, where she enjoys\nbiking\, reading\, cooking\, and of course\, making a
 rt\, in her spare time.</p>\n<p><em><strong>2018 One Night Workshops are g
 enerously supported by Heather\nHorton.</strong></em></p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6b3f
DTSTART:20181116T093000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Sun Va
 lley Opera\nHouse</a>
SUMMARY:CONCERT: The War and Treaty
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Michael and Tanya\nTro
 tter took distinctly different paths to becoming The War and Treaty.\nAfte
 r winning a talent show when she was 13\, Tanya knew singing would be\nher
  life. Michael started writing later\, when he was serving in the US Army\
 nstationed in one of Saddam Hussein’s partially destroyed palaces. There
 \,\nhe had access to a piano that had emerged miraculously unscathed. A ca
 ptain\nheard him play and sing\, and he encouraged Michael to pursue music
 . When\nthat same captain was killed\, Michael sat down to write––real
 ly\nwrite––for the first time. Officers noticed the tribute and gave h
 im a\nnew charge: write and perform songs for the fallen. So whenever a br
 other\nor sister in arms died\, Michael spoke to buddies\, uncovered the s
 tory\, and\npenned a song for the memorial.</p> <p>Now\, as The War and Tr
 eaty\, Michael\nand Tanya deliver live shows and records that make the hai
 rs on the backs\nof necks stand up. Funky bass lines\, keys\, lap steel\, 
 acoustic strings\, and\nstripped-down percussion create a swampy Southern 
 soul bed for the\ncouple’s transcendent vocals.</p> <p>Part of The Cente
 r’s BIG IDEA\nproject <em>We the People: Protest and Patriotism</em>\, S
 ep 28–Dec 14\,\n2018.</p> <hr /> <h3>PERFORMING ARTS SERIES PACKAGES (In
 cludes all 6\nperformances):</h3> <p><strong>Adult Regular Seating—$193.
 54</strong><br n /> <strong>Adult Premium Seating—$339.34</strong><br /> 
 <strong>Student\nRegular Seating—$98.77</strong><br /> <strong>Student P
 remium Seating—\n$171.67</strong><br /> *Prices listed include taxes or 
 applicable ticket\nfees</p> <h3>CRITICS SERIES (Includes all 6 performance
 s):</h3> <p>If you\nlove the Winter Performing Arts Series consider becomi
 ng an CRITICS CIRCLE\nSupporter! Through the purchase of a Critics Circle 
 package for the Winter\nPerforming Arts series you help to underwrite the 
 cost of the entire\nseries.<br /> Tickets are $500 per person ($189.50 is 
 a tax deductible\ndonation)\, per series and includes:</p> <p><strong>Prem
 ium seating at the\nperforming arts series</strong><br /> <strong>Luncheon
  in April 2019 with\nEditors and Critics Circle Series ticket holders<br /> <strong>The\nknowledge that you are helping sustain these event
 s for the entire\ncommunity</strong></p> <p>Call The Center at 208-726-949
 1 to purchase\nPERFORMING ARTS SERIES or CRITICS SERIES (available to MEMB
 ERS ONLY.\nTickets available to the general public Fri\, Sep 21\, 10am.</p> </div>\n</div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Micha
 el and Tanya\nTrotter took distinctly different paths to becoming The War 
 and Treaty.\nAfter winning a talent show when she was 13\, Tanya knew sing
 ing would be\nher life. Michael started writing later\, when he was servin
 g in the US Army\nstationed in one of Saddam Hussein’s partially destroy
 ed palaces. There\,\nhe had access to a piano that had emerged miraculousl
 y unscathed. A captain\nheard him play and sing\, and he encouraged Michae
 l to pursue music. When\nthat same captain was killed\, Michael sat down t
 o write––really\nwrite––for the first time. Officers noticed the t
 ribute and gave him a\nnew charge: write and perform songs for the fallen.
  So whenever a brother\nor sister in arms died\, Michael spoke to buddies\
 , uncovered the story\, and\npenned a song for the memorial.</p> <p>Now\, 
 as The War and Treaty\, Michael\nand Tanya deliver live shows and records 
 that make the hairs on the backs\nof necks stand up. Funky bass lines\, ke
 ys\, lap steel\, acoustic strings\, and\nstripped-down percussion create a
  swampy Southern soul bed for the\ncouple’s transcendent vocals.</p> <p>
 Part of The Center’s BIG IDEA\nproject <em>We the People: Protest and Pa
 triotism</em>\, Sep 28–Dec 14\,\n2018.</p> <hr /> <h3>PERFORMING ARTS SE
 RIES PACKAGES (Includes all 6\nperformances):</h3> <p><strong>Adult Regula
 r Seating—$193.54</strong><br n /> <strong>Adult Premium Seating—$339.3
 4</strong><br /> <strong>Student\nRegular Seating—$98.77</strong><br /> 
 <strong>Student Premium Seating—\n$171.67</strong><br /> *Prices listed 
 include taxes or applicable ticket\nfees</p> <h3>CRITICS SERIES (Includes 
 all 6 performances):</h3> <p>If you\nlove the Winter Performing Arts Serie
 s consider becoming an CRITICS CIRCLE\nSupporter! Through the purchase of 
 a Critics Circle package for the Winter\nPerforming Arts series you help t
 o underwrite the cost of the entire\nseries.<br /> Tickets are $500 per pe
 rson ($189.50 is a tax deductible\ndonation)\, per series and includes:</p> <p><strong>Premium seating at the\nperforming arts series</strong><br />
  <strong>Luncheon in April 2019 with\nEditors and Critics Circle Series ti
 cket holders</strong><br /> <strong>The\nknowledge that you are helping su
 stain these events for the entire\ncommunity</strong></p> <p>Call The Cent
 er at 208-726-9491 to purchase\nPERFORMING ARTS SERIES or CRITICS SERIES (
 available to MEMBERS ONLY.\nTickets available to the general public Fri\, 
 Sep 21\, 10am.</p> </div>\n</div> </div> </div>
CATEGORIES:Music &amp; Performances
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6bd2
DTSTART:20181124T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:FREE GALLERY WALK \"Après Ski Giving Walk\": We the People: Protes
 t and Patriotism
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Start your\nGallery Wa
 lk at the Center! Locals and visitors alike take in\nthought-provoking exh
 ibitions\, enjoy wine\, mingle with friends\, and often\nmeet the artists.
  Note the special Thanksgiving event time (4-6pm)!\n<strong>Supporting The
  Hunger Coalition—please bring healthy\nnon-perishable goods to any SVGA
  gallery. </strong></p> </div> </div>\n</div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Start
  your\nGallery Walk at the Center! Locals and visitors alike take in\nthou
 ght-provoking exhibitions\, enjoy wine\, mingle with friends\, and often\n
 meet the artists. Note the special Thanksgiving event time (4-6pm)!\nSupporting The Hunger Coalition—please bring healthy\nnon-perishable 
 goods to any SVGA gallery. </strong></p> </div> </div>\n</div> </div>
CATEGORIES:Exhibition Tours &amp; Events
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6c27
DTSTART:20181129T080000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:SOLD OUT! CREATIVE JUMP-IN: Wood River Writing Workshops with Sarah
  Sentilles
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Do you have a\nstory t
 o tell? Join us for monthly generative writing workshops. Class\nsessions 
 are designed to build your writer’s toolbox and revitalize your\ncreativ
 e practice. Participants will engage in writing exercises\, discuss\ncraft
 \, and share new work. We’ll also clear out whatever stops us from\nputt
 ing writing at the center of our lives. The focus of the workshop is\ncrea
 ting new writing rather than critiquing manuscripts\, so all writers in\na
 ll genres are welcome – from published writer to grocery list writer\,\n
 from novice to advanced\, from novelist to memoirist\, and everything in\n
 between.</p> <p>Sarah Sentilles is a writer\, critical theorist\, scholar 
 of\nreligion\, activist\, writing coach\, and author of many books\, inclu
 ding\n<em>Draw Your Weapons</em> (Random House 2017). She earned a bachelo
 r’s\ndegree at Yale and master’s and doctoral degrees at Harvard\, and
  she\ntaught undergraduate and graduate students for more than a decade. S
 he\nlives in Hailey\, Idaho.</p> <p>The Wood River Writing Workshops will 
 take\nplace: Weds\, Sep 26\, Oct 24 &amp;amp\; Nov 28\, 2018\; and Jan 30\, Fe
 b\, 27 &amp;amp\;\nApril 3\, 2019\, from 6-8pm.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Do yo
 u have a\nstory to tell? Join us for monthly generative writing workshops.
  Class\nsessions are designed to build your writer’s toolbox and revital
 ize your\ncreative practice. Participants will engage in writing exercises
 \, discuss\ncraft\, and share new work. We’ll also clear out whatever st
 ops us from\nputting writing at the center of our lives. The focus of the 
 workshop is\ncreating new writing rather than critiquing manuscripts\, so 
 all writers in\nall genres are welcome – from published writer to grocer
 y list writer\,\nfrom novice to advanced\, from novelist to memoirist\, an
 d everything in\nbetween.</p> <p>Sarah Sentilles is a writer\, critical th
 eorist\, scholar of\nreligion\, activist\, writing coach\, and author of m
 any books\, including\n<em>Draw Your Weapons</em> (Random House 2017). She
  earned a bachelor’s\ndegree at Yale and master’s and doctoral degrees
  at Harvard\, and she\ntaught undergraduate and graduate students for more
  than a decade. She\nlives in Hailey\, Idaho.</p> <p>The Wood River Writin
 g Workshops will take\nplace: Weds\, Sep 26\, Oct 24 &amp;amp\; Nov 28\, 2018\
 ; and Jan 30\, Feb\, 27 &amp;amp\;\nApril 3\, 2019\, from 6-8pm.</p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6c94
DTSTART:20181130T063000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FILM: Two Trains Runnin’ (4:30pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Two Trains\nRunnin’ 
 is a feature-length documentary directed by Sam Pollard\, narrated\nby Com
 mon\, and featuring the music of Gary Clark Jr. The film pays tribute\nto 
 a pioneering generation of musicians and cuts to the heart of our\npresent
  moment\, offering a crucial vantage from which to view the evolving\ndyna
 mics of race in America. In 2017 the documentary was honored with a\nGramm
 y nomination for Best Music Film. </p> <p>In June of 1964 hundreds of\nco
 llege students\, eager to join the civil rights movement\, traveled to\nMi
 ssissippi\, starting what would be known as Freedom Summer. That same\nmon
 th\, two groups of young men--made up of musicians\, college students and\
 nrecord collectors--also traveled to Mississippi. Though neither group was
 \naware of the other\, each had come on the same errand: to find an old bl
 ues\nsinger and coax him out of retirement. Thirty years before\, Son Hous
 e and\nSkip James had recorded some of the most memorable music of their e
 ra\, but\nnow they seemed lost to time.<br /> Finding them would not be ea
 sy. There\nwere few clues to their whereabouts. It was not even known for 
 certain if\nthey were still alive.  And Mississippi\, that summer\, was a
  tense and\nviolent place. With hundreds on their way to teach in freedom 
 schools and\nwork on voter registration\, the Ku Klux Klan and police forc
 e of many towns\nvowed that Freedom Summer would not succeed. Churches wer
 e bombed\, shotguns\nblasted into cars and homes. It was easy to mistake t
 he young men looking\nfor Son House and Skip James as activists. Finally\,
  on June 21\, 1964\, these\ntwo campaigns collided in memorable and tragic
  fashion.</p> <p>In telling\nthis remarkable story\, Two Trains Runnin' re
 visits an important moment when\nAmerica's cultural and political institut
 ions were dramatically\ntransformed. The movie is all the more pointed and
  relevant today\, in an\nera of renewed attention on police brutality and 
 voting rights. </p>\n<p>Running time 1 hour and 22 minutes.</p> <p>Part o
 f The Center's BIG IDEA\n<em>We the People: Protest &amp;amp\; Patriotism </em></p> </div> </div> </div>\n</div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Two T
 rains\nRunnin’ is a feature-length documentary directed by Sam Pollard\,
  narrated\nby Common\, and featuring the music of Gary Clark Jr. The film 
 pays tribute\nto a pioneering generation of musicians and cuts to the hear
 t of our\npresent moment\, offering a crucial vantage from which to view t
 he evolving\ndynamics of race in America. In 2017 the documentary was hono
 red with a\nGrammy nomination for Best Music Film. </p> <p>In June of 196
 4 hundreds of\ncollege students\, eager to join the civil rights movement\
 , traveled to\nMississippi\, starting what would be known as Freedom Summe
 r. That same\nmonth\, two groups of young men--made up of musicians\, coll
 ege students and\nrecord collectors--also traveled to Mississippi. Though 
 neither group was\naware of the other\, each had come on the same errand: 
 to find an old blues\nsinger and coax him out of retirement. Thirty years 
 before\, Son House and\nSkip James had recorded some of the most memorable
  music of their era\, but\nnow they seemed lost to time.<br /> Finding the
 m would not be easy. There\nwere few clues to their whereabouts. It was no
 t even known for certain if\nthey were still alive.  And Mississippi\, th
 at summer\, was a tense and\nviolent place. With hundreds on their way to 
 teach in freedom schools and\nwork on voter registration\, the Ku Klux Kla
 n and police force of many towns\nvowed that Freedom Summer would not succ
 eed. Churches were bombed\, shotguns\nblasted into cars and homes. It was 
 easy to mistake the young men looking\nfor Son House and Skip James as act
 ivists. Finally\, on June 21\, 1964\, these\ntwo campaigns collided in mem
 orable and tragic fashion.</p> <p>In telling\nthis remarkable story\, Two 
 Trains Runnin' revisits an important moment when\nAmerica's cultural and p
 olitical institutions were dramatically\ntransformed. The movie is all the
  more pointed and relevant today\, in an\nera of renewed attention on poli
 ce brutality and voting rights. </p>\n<p>Running time 1 hour and 22 minut
 es.</p> <p>Part of The Center's BIG IDEA\n<em>We the People: Protest &amp;amp\
 ; Patriotism </em></p> </div> </div> </div>\n</div>
CATEGORIES:Film
DTSTAMP:20241129T073153Z
END:VEVENT
BEGIN:VEVENT
UID:6749d059c6d1f
DTSTART:20181130T090000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FILM: Two Trains Runnin’ (7pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Two Trains\nRunnin’ 
 is a feature-length documentary directed by Sam Pollard\, narrated\nby Com
 mon\, and featuring the music of Gary Clark Jr. The film pays tribute\nto 
 a pioneering generation of musicians and cuts to the heart of our\npresent
  moment\, offering a crucial vantage from which to view the evolving\ndyna
 mics of race in America. In 2017 the documentary was honored with a\nGramm
 y nomination for Best Music Film. </p> <p>In June of 1964 hundreds of\nco
 llege students\, eager to join the civil rights movement\, traveled to\nMi
 ssissippi\, starting what would be known as Freedom Summer. That same\nmon
 th\, two groups of young men--made up of musicians\, college students and\
 nrecord collectors--also traveled to Mississippi. Though neither group was
 \naware of the other\, each had come on the same errand: to find an old bl
 ues\nsinger and coax him out of retirement. Thirty years before\, Son Hous
 e and\nSkip James had recorded some of the most memorable music of their e
 ra\, but\nnow they seemed lost to time.<br /> Finding them would not be ea
 sy. There\nwere few clues to their whereabouts. It was not even known for 
 certain if\nthey were still alive.  And Mississippi\, that summer\, was a
  tense and\nviolent place. With hundreds on their way to teach in freedom 
 schools and\nwork on voter registration\, the Ku Klux Klan and police forc
 e of many towns\nvowed that Freedom Summer would not succeed. Churches wer
 e bombed\, shotguns\nblasted into cars and homes. It was easy to mistake t
 he young men looking\nfor Son House and Skip James as activists. Finally\,
  on June 21\, 1964\, these\ntwo campaigns collided in memorable and tragic
  fashion.</p> <p>In telling\nthis remarkable story\, Two Trains Runnin' re
 visits an important moment when\nAmerica's cultural and political institut
 ions were dramatically\ntransformed. The movie is all the more pointed and
  relevant today\, in an\nera of renewed attention on police brutality and 
 voting rights. </p>\n<p>Running time 1 hour and 22 minutes.</p> <p>Part o
 f The Center's BIG IDEA\n<em>We the People: Protest &amp;amp\; Patriotism </em></p> </div> </div> </div>\n</div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Two T
 rains\nRunnin’ is a feature-length documentary directed by Sam Pollard\,
  narrated\nby Common\, and featuring the music of Gary Clark Jr. The film 
 pays tribute\nto a pioneering generation of musicians and cuts to the hear
 t of our\npresent moment\, offering a crucial vantage from which to view t
 he evolving\ndynamics of race in America. In 2017 the documentary was hono
 red with a\nGrammy nomination for Best Music Film. </p> <p>In June of 196
 4 hundreds of\ncollege students\, eager to join the civil rights movement\
 , traveled to\nMississippi\, starting what would be known as Freedom Summe
 r. That same\nmonth\, two groups of young men--made up of musicians\, coll
 ege students and\nrecord collectors--also traveled to Mississippi. Though 
 neither group was\naware of the other\, each had come on the same errand: 
 to find an old blues\nsinger and coax him out of retirement. Thirty years 
 before\, Son House and\nSkip James had recorded some of the most memorable
  music of their era\, but\nnow they seemed lost to time.<br /> Finding the
 m would not be easy. There\nwere few clues to their whereabouts. It was no
 t even known for certain if\nthey were still alive.  And Mississippi\, th
 at summer\, was a tense and\nviolent place. With hundreds on their way to 
 teach in freedom schools and\nwork on voter registration\, the Ku Klux Kla
 n and police force of many towns\nvowed that Freedom Summer would not succ
 eed. Churches were bombed\, shotguns\nblasted into cars and homes. It was 
 easy to mistake the young men looking\nfor Son House and Skip James as act
 ivists. Finally\, on June 21\, 1964\, these\ntwo campaigns collided in mem
 orable and tragic fashion.</p> <p>In telling\nthis remarkable story\, Two 
 Trains Runnin' revisits an important moment when\nAmerica's cultural and p
 olitical institutions were dramatically\ntransformed. The movie is all the
  more pointed and relevant today\, in an\nera of renewed attention on poli
 ce brutality and voting rights. </p>\n<p>Running time 1 hour and 22 minut
 es.</p> <p>Part of The Center's BIG IDEA\n<em>We the People: Protest &amp;amp\
 ; Patriotism </em></p> </div> </div> </div>\n</div>
CATEGORIES:Film
DTSTAMP:20241129T073153Z
END:VEVENT
END:VCALENDAR