BEGIN:VCALENDAR
VERSION:2.0
PRODID:dev.svmoa.org
BEGIN:VEVENT
UID:6749452894a8d
DTSTART:20190403T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:SOLD OUT! CRAFT SERIES ONE NIGHT WORKSHOPS: Plaited Basket Weaving 
 with Sally Metcalf
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>This class will\nexplo
 re techniques of plaiting. Hands-on instruction will provide students\nwit
 h an introduction to the traditions and skills of basket weaving by\nusing
  a combination of colored poster board and a variety of papers\, waxed\nli
 nen and colored wire. No previous basket weaving experience is necessary\,
 \njust your enthusiasm to learn.</p> <p>Sally has been a contemporary bask
 et\nartist for over 25 years. She has exhibited her work nationally and ha
 s\nbaskets featured in several basketry books and in the Lloyd Cotten\nCon
 temporary American Basketry Collection at the Racine Art Museum in\nRacine
 \, Wisconsin.</p> <p>This workshop takes place from 6-9pm.</p>\n<p><em>2019-2020 One Night Workshops are generously supported by\nHeather Ho
 rton.</strong></em></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>This 
 class will\nexplore techniques of plaiting. Hands-on instruction will prov
 ide students\nwith an introduction to the traditions and skills of basket 
 weaving by\nusing a combination of colored poster board and a variety of p
 apers\, waxed\nlinen and colored wire. No previous basket weaving experien
 ce is necessary\,\njust your enthusiasm to learn.</p> <p>Sally has been a 
 contemporary basket\nartist for over 25 years. She has exhibited her work 
 nationally and has\nbaskets featured in several basketry books and in the 
 Lloyd Cotten\nContemporary American Basketry Collection at the Racine Art 
 Museum in\nRacine\, Wisconsin.</p> <p>This workshop takes place from 6-9pm
 .</p>\n<p><em><strong>2019-2020 One Night Workshops are generously support
 ed by\nHeather Horton.</strong></em></p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cc9e6
DTSTART:20190404T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:CREATIVE JUMP-IN: Wood River Writing Workshops with Sarah Sentilles
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Do you have a\nstory t
 o tell? Join us for monthly generative writing workshops. Class\nsessions 
 are designed to build your writer’s toolbox and revitalize your\ncreativ
 e practice. Participants will engage in writing exercises\, discuss\ncraft
 \, and share new work. We’ll also clear out whatever stops us from\nputt
 ing writing at the center of our lives. The focus of the workshop is\ncrea
 ting new writing rather than critiquing manuscripts\, so all writers in\na
 ll genres are welcome – from published writer to grocery list writer\,\n
 from novice to advanced\, from novelist to memoirist\, and everything in\n
 between.</p> <p>Sarah Sentilles is a writer\, critical theorist\, scholar 
 of\nreligion\, activist\, writing coach\, and author of many books\, inclu
 ding\n<em>Draw Your Weapons</em> (Random House 2017). She earned a bachelo
 r’s\ndegree at Yale and master’s and doctoral degrees at Harvard\, and
  she\ntaught undergraduate and graduate students for more than a decade. S
 he\nlives in Hailey\, Idaho.</p> <p>The Wood River Writing Workshops will 
 take\nplace: Weds\, Sep 26\, Oct 24 &amp;amp\; Nov 28\, 2018\; and Jan 30\, Fe
 b\, 27 &amp;amp\;\nApril 3\, 2019\, from 6-8pm.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Do yo
 u have a\nstory to tell? Join us for monthly generative writing workshops.
  Class\nsessions are designed to build your writer’s toolbox and revital
 ize your\ncreative practice. Participants will engage in writing exercises
 \, discuss\ncraft\, and share new work. We’ll also clear out whatever st
 ops us from\nputting writing at the center of our lives. The focus of the 
 workshop is\ncreating new writing rather than critiquing manuscripts\, so 
 all writers in\nall genres are welcome – from published writer to grocer
 y list writer\,\nfrom novice to advanced\, from novelist to memoirist\, an
 d everything in\nbetween.</p> <p>Sarah Sentilles is a writer\, critical th
 eorist\, scholar of\nreligion\, activist\, writing coach\, and author of m
 any books\, including\n<em>Draw Your Weapons</em> (Random House 2017). She
  earned a bachelor’s\ndegree at Yale and master’s and doctoral degrees
  at Harvard\, and she\ntaught undergraduate and graduate students for more
  than a decade. She\nlives in Hailey\, Idaho.</p> <p>The Wood River Writin
 g Workshops will take\nplace: Weds\, Sep 26\, Oct 24 &amp;amp\; Nov 28\, 2018\
 ; and Jan 30\, Feb\, 27 &amp;amp\;\nApril 3\, 2019\, from 6-8pm.</p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528ccad3
DTSTART:20190407T080000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Sun Va
 lley Opera\nHouse</a>
SUMMARY:2019 The Second City
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Second City\nhas b
 een laughing at love and its infinite scroll of side effects for\ndecades.
  In the world-famous comedy company’s latest laughter-inducing\nundertak
 ing\, IT’S NOT YOU\, IT’S ME\, THE SECOND CITY takes shots at\nheartbr
 eak\, missed connections and the mire of human relationships. Your\nfriend
 s\, your parents\, even your blind date will find something achingly\nfami
 liar to laugh at\, thanks to comedy’s newest generation of writers and\n
 performers...who all fit squarely into the “it’s complicated”\ncateg
 ory!</p> <p>Since opening its doors 1959\, The Second City has grown to\nb
 ecome the world’s premier comedy club\, theater and school of\nimprovisa
 tion\, entertaining 1 million theatergoers a year around the globe.\nAlumn
 i of The Second City’s resident stages\, touring companies\, and\ntheatr
 ical divisions across Chicago and Toronto include some of the biggest\nnam
 es in entertainment\, including Tina Fey\, Stephen Colbert\, Steve Carell\
 ,\nGilda Radner\, Bill Murray and more.</p> <p><strong>Thanks to The Secon
 d\nCity sponsors:</strong></p> <p><a><img />             </a>
 <a><img /></a>            <a><img wi /></a></p> <p><strong>For hotel discounts\nthe w
 eekend of The Second City\, click the logos for Hotel Ketchum or the\nTama
 rack Lodge.</strong></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The S
 econd City\nhas been laughing at love and its infinite scroll of side effe
 cts for\ndecades. In the world-famous comedy company’s latest laughter-i
 nducing\nundertaking\, IT’S NOT YOU\, IT’S ME\, THE SECOND CITY takes 
 shots at\nheartbreak\, missed connections and the mire of human relationsh
 ips. Your\nfriends\, your parents\, even your blind date will find somethi
 ng achingly\nfamiliar to laugh at\, thanks to comedy’s newest generation
  of writers and\nperformers...who all fit squarely into the “it’s comp
 licated”\ncategory!</p> <p>Since opening its doors 1959\, The Second Cit
 y has grown to\nbecome the world’s premier comedy club\, theater and sch
 ool of\nimprovisation\, entertaining 1 million theatergoers a year around 
 the globe.\nAlumni of The Second City’s resident stages\, touring compan
 ies\, and\ntheatrical divisions across Chicago and Toronto include some of
  the biggest\nnames in entertainment\, including Tina Fey\, Stephen Colber
 t\, Steve Carell\,\nGilda Radner\, Bill Murray and more.</p> <p><strong>Th
 anks to The Second\nCity sponsors:</strong></p> <p><a><img />    
          </a><a><img /></a>            &lt;
 a\nhref=\"https://gc.synxis.com/rez.aspx?Hotel=95064&amp;amp\;Chain=22379&amp;amp\
 ;promo=2NDC\"&gt;<img /></a></p> <p><strong>For hote
 l discounts\nthe weekend of The Second City\, click the logos for Hotel Ke
 tchum or the\nTamarack Lodge.</strong></p> </div> </div> </div> </div>
CATEGORIES:Music &amp; Performances
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cd579
DTSTART:20190408T070000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Sun Va
 lley Opera\nHouse</a>
SUMMARY:2019 The Second City
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Second City\nhas b
 een laughing at love and its infinite scroll of side effects for\ndecades.
  In the world-famous comedy company’s latest laughter-inducing\nundertak
 ing\, IT’S NOT YOU\, IT’S ME\, THE SECOND CITY takes shots at\nheartbr
 eak\, missed connections and the mire of human relationships. Your\nfriend
 s\, your parents\, even your blind date will find something achingly\nfami
 liar to laugh at\, thanks to comedy’s newest generation of writers and\n
 performers...who all fit squarely into the “it’s complicated”\ncateg
 ory!</p> <p>Since opening its doors 1959\, The Second City has grown to\nb
 ecome the world’s premier comedy club\, theater and school of\nimprovisa
 tion\, entertaining 1 million theatergoers a year around the globe.\nAlumn
 i of The Second City’s resident stages\, touring companies\, and\ntheatr
 ical divisions across Chicago and Toronto include some of the biggest\nnam
 es in entertainment\, including Tina Fey\, Stephen Colbert\, Steve Carell\
 ,\nGilda Radner\, Bill Murray and more.</p> <p><strong>Thanks to The Secon
 d\nCity sponsors:</strong></p> <p><a><img />             </a>
 <a><img /></a>            <a><img wi /></a></p> <p><strong>For hotel discounts\nthe w
 eekend of The Second City\, click the logos for Hotel Ketchum or the\nTama
 rack Lodge.</strong></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The S
 econd City\nhas been laughing at love and its infinite scroll of side effe
 cts for\ndecades. In the world-famous comedy company’s latest laughter-i
 nducing\nundertaking\, IT’S NOT YOU\, IT’S ME\, THE SECOND CITY takes 
 shots at\nheartbreak\, missed connections and the mire of human relationsh
 ips. Your\nfriends\, your parents\, even your blind date will find somethi
 ng achingly\nfamiliar to laugh at\, thanks to comedy’s newest generation
  of writers and\nperformers...who all fit squarely into the “it’s comp
 licated”\ncategory!</p> <p>Since opening its doors 1959\, The Second Cit
 y has grown to\nbecome the world’s premier comedy club\, theater and sch
 ool of\nimprovisation\, entertaining 1 million theatergoers a year around 
 the globe.\nAlumni of The Second City’s resident stages\, touring compan
 ies\, and\ntheatrical divisions across Chicago and Toronto include some of
  the biggest\nnames in entertainment\, including Tina Fey\, Stephen Colber
 t\, Steve Carell\,\nGilda Radner\, Bill Murray and more.</p> <p><strong>Th
 anks to The Second\nCity sponsors:</strong></p> <p><a><img />    
          </a><a><img /></a>            &lt;
 a\nhref=\"https://gc.synxis.com/rez.aspx?Hotel=95064&amp;amp\;Chain=22379&amp;amp\
 ;promo=2NDC\"&gt;<img /></a></p> <p><strong>For hote
 l discounts\nthe weekend of The Second City\, click the logos for Hotel Ke
 tchum or the\nTamarack Lodge.</strong></p> </div> </div> </div> </div>
CATEGORIES:Music &amp; Performances
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cdf5b
DTSTART:20190411T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:FREE FAMILY PROGRAM: Look\, Play and Create! (for families with kid
 s ages 1–5)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center’s\nnew Lo
 ok\, Play and Create program introduces younger children (age 1–5)\nto a
 rt through a series of “looking” activities and age-appropriate\n“me
 ssy fun” art projects. Look\, Play and Create classes will be held\n10
 –11 a.m. on the second Thursday of each month\, starting in\nmid-Februar
 y. Please check The Center’s website for project themes and\nclass updat
 es beyond those listed below:</p> <p>Project Themes</p> <ul>\n<li>Feb 14 
 – Water Color Valentines</li> <li>Mar 14 – Salt\nPainting</li> <li>Apr
  11 – Collage</li> <li>May 9 – Sponge\nPainting</li> <li>Jun 13 – Mu
 ral Painting</li> <li>Jul 11 – Patriotic\nPainting</li> <li>Aug 8 – Pr
 int Making and Stamping</li> <li>Sep 12 –\nFall Trees</li> </ul> </div> 
 </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter’s\nnew Look\, Play and Create program introduces younger children 
 (age 1–5)\nto art through a series of “looking” activities and age-a
 ppropriate\n“messy fun” art projects. Look\, Play and Create classes w
 ill be held\n10–11 a.m. on the second Thursday of each month\, starting 
 in\nmid-February. Please check The Center’s website for project themes a
 nd\nclass updates beyond those listed below:</p> <p>Project Themes</p> <ul>\n<li>Feb 14 – Water Color Valentines</li> <li>Mar 14 – Salt\nPaintin
 g</li> <li>Apr 11 – Collage</li> <li>May 9 – Sponge\nPainting</li> <li>Jun 13 – Mural Painting</li> <li>Jul 11 – Patriotic\nPainting</li> Aug 8 – Print Making and Stamping</li> <li>Sep 12 –\nFall Trees</li>
  </ul> </div> </div> </div> </div>
CATEGORIES:Adult Classes,Youth &amp; Families
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528ce040
DTSTART:20190411T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:FREE FAMILY PROGRAM: Look\, Play and Create! (for families with kid
 s ages 1–5)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center’s\nnew Lo
 ok\, Play and Create program introduces younger children (age 1–5)\nto a
 rt through a series of “looking” activities and age-appropriate\n“me
 ssy fun” art projects. Look\, Play and Create classes will be held\n10
 –11 a.m. on the second Thursday of each month\, starting in\nmid-Februar
 y. Please check The Center’s website for project themes and\nclass updat
 es beyond those listed below:</p> <p>Project Themes</p> <ul>\n<li>Feb 14 
 – Water Color Valentines</li> <li>Mar 14 – Salt\nPainting</li> <li>Apr
  11 – Collage</li> <li>May 9 – Sponge\nPainting</li> <li>Jun 13 – Mu
 ral Painting</li> <li>Jul 11 – Patriotic\nPainting</li> <li>Aug 8 – Pr
 int Making and Stamping</li> <li>Sep 12 –\nFall Trees</li> </ul> </div> 
 </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter’s\nnew Look\, Play and Create program introduces younger children 
 (age 1–5)\nto art through a series of “looking” activities and age-a
 ppropriate\n“messy fun” art projects. Look\, Play and Create classes w
 ill be held\n10–11 a.m. on the second Thursday of each month\, starting 
 in\nmid-February. Please check The Center’s website for project themes a
 nd\nclass updates beyond those listed below:</p> <p>Project Themes</p> <ul>\n<li>Feb 14 – Water Color Valentines</li> <li>Mar 14 – Salt\nPaintin
 g</li> <li>Apr 11 – Collage</li> <li>May 9 – Sponge\nPainting</li> <li>Jun 13 – Mural Painting</li> <li>Jul 11 – Patriotic\nPainting</li> Aug 8 – Print Making and Stamping</li> <li>Sep 12 –\nFall Trees</li>
  </ul> </div> </div> </div> </div>
CATEGORIES:Adult Classes,Youth &amp; Families
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528ce0c2
DTSTART:20190414T000000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Libert
 y Theatre</a>
SUMMARY:COMPANY OF FOOLS: Workshop Intensives: Migration Theory
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>As part of\nCompany of
  Fools commitment to the craft of theatre\, we are proud to\npresent the f
 irst in a series of skill building workshops for performers\,\nartists\, t
 heatre practitioners\, actors\, and those with a passion for live\ntheatre
 . Company of Fools Intensives will bring experts and trainers from\nacross
  the country to the Valley to provide affordable workshops and\ntrainings 
 for local artists. The first in the Intensives series is\n<strong>Migratio
 n Theory</strong>\, a physical art company that creates\nlive-art experien
 ces that are organically devised. This methodology\nexplores the space bet
 ween artistic disciplines in order to create work\nthat is kinetic\, intim
 ate\, participatory\, and heartfelt.</p> <p>This 10\nhour workshop over th
 ree consecutive days will provide actors\, dancers\,\nstudents\, artists\,
  and non-artists with an understanding of Migration\nTheory practices and 
 methods as a vehicle for discovering the art-maker\nwithin themselves. Thi
 s workshop (includes the 3 sessions)\, and the\naffordable price of only $
 50\, is made possible by a generous gift from Tim\nMott.</p> <p><strong>Th
 is is a 10 hour workshop intensive occurs over three\nconsecutive days:</s></p> <p><strong>Friday\, April 12\,\n6:30-8:30pm</strong><br /> Saturday\, April 13\, 12-4pm</strong><br n /> <strong>Sunday\, April 14
 \, 11am-3pm</strong></p> <p>Please make sure you\nwear comfortable clothes
  and shoes that you can move in as this workshop is\nfocused on kinetic mo
 vement!</p> <p>More about Migration Theory can be\nfound online at <a nhre>www.migration_theory.org</a>.</p>\n&lt;
 /div&gt; </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>As pa
 rt of\nCompany of Fools commitment to the craft of theatre\, we are proud 
 to\npresent the first in a series of skill building workshops for performe
 rs\,\nartists\, theatre practitioners\, actors\, and those with a passion 
 for live\ntheatre. Company of Fools Intensives will bring experts and trai
 ners from\nacross the country to the Valley to provide affordable workshop
 s and\ntrainings for local artists. The first in the Intensives series is\
 n<strong>Migration Theory</strong>\, a physical art company that creates\n
 live-art experiences that are organically devised. This methodology\nexplo
 res the space between artistic disciplines in order to create work\nthat i
 s kinetic\, intimate\, participatory\, and heartfelt.</p> <p>This 10\nhour
  workshop over three consecutive days will provide actors\, dancers\,\nstu
 dents\, artists\, and non-artists with an understanding of Migration\nTheo
 ry practices and methods as a vehicle for discovering the art-maker\nwithi
 n themselves. This workshop (includes the 3 sessions)\, and the\naffordabl
 e price of only $50\, is made possible by a generous gift from Tim\nMott.&lt;
 /p&gt; <p><strong>This is a 10 hour workshop intensive occurs over three\ncon
 secutive days:</strong></p> <p><strong>Friday\, April 12\,\n6:30-8:30pm</s><br /> <strong>Saturday\, April 13\, 12-4pm</strong><br n /> <strong>
 Sunday\, April 14\, 11am-3pm</strong></p> <p>Please make sure you\nwear co
 mfortable clothes and shoes that you can move in as this workshop is\nfocu
 sed on kinetic movement!</p> <p>More about Migration Theory can be\nfound 
 online at <a>www.migration_theor
 y.org</a>.</p>\n</div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528ce92e
DTSTART:20190414T030000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:FREE FAMILY DAY: How I Remember it…A Chance to Consider Another V
 ersion of a Story
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Join us at The\nCenter
  as we reflect on the colonial history of the Americas.  We will\nspend t
 he afternoon offering up alternative perspectives to stories based\nboth i
 n fact and in fiction.  And consider how one’s own perspective may\naff
 ect how the story is told. In conjunction with the BIG IDEA\n<em>Unravelin
 g: Reimagining the Colonization in the Americas\, </em>this\nspecial Famil
 y Day provides special opportunities for multiple generations\nto explore 
 art and create art together.   Part of The Center’s BIG IDEA\nproject 
 <em>Unraveling: Reimagining the Colonization in the Americas</em>\,\nMar 8
 –May 22\, 2019.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Join 
 us at The\nCenter as we reflect on the colonial history of the Americas. 
  We will\nspend the afternoon offering up alternative perspectives to stor
 ies based\nboth in fact and in fiction.  And consider how one’s own per
 spective may\naffect how the story is told. In conjunction with the BIG ID
 EA\n<em>Unraveling: Reimagining the Colonization in the Americas\, </em>th
 is\nspecial Family Day provides special opportunities for multiple generat
 ions\nto explore art and create art together.   Part of The Center’s B
 IG IDEA\nproject <em>Unraveling: Reimagining the Colonization in the Ameri
 cas</em>\,\nMar 8–May 22\, 2019.</p> </div> </div> </div> </div>
CATEGORIES:Youth &amp; Families
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cea06
DTSTART:20190414T080624Z
SEQUENCE:0
TRANSP:OPAQUE
SUMMARY:FREE Evening Exhibition Tour: The Unreliable Narrator
CLASS:PUBLIC
CATEGORIES:Exhibition Tours &amp; Events
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cea76
DTSTART:20190414T230000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Libert
 y Theatre</a>
SUMMARY:COMPANY OF FOOLS: Workshop Intensives: Migration Theory
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>As part of\nCompany of
  Fools commitment to the craft of theatre\, we are proud to\npresent the f
 irst in a series of skill building workshops for performers\,\nartists\, t
 heatre practitioners\, actors\, and those with a passion for live\ntheatre
 . Company of Fools Intensives will bring experts and trainers from\nacross
  the country to the Valley to provide affordable workshops and\ntrainings 
 for local artists. The first in the Intensives series is\n<strong>Migratio
 n Theory</strong>\, a physical art company that creates\nlive-art experien
 ces that are organically devised. This methodology\nexplores the space bet
 ween artistic disciplines in order to create work\nthat is kinetic\, intim
 ate\, participatory\, and heartfelt.</p> <p>This 10\nhour workshop over th
 ree consecutive days will provide actors\, dancers\,\nstudents\, artists\,
  and non-artists with an understanding of Migration\nTheory practices and 
 methods as a vehicle for discovering the art-maker\nwithin themselves. Thi
 s workshop (includes the 3 sessions)\, and the\naffordable price of only $
 50\, is made possible by a generous gift from Tim\nMott.</p> <p><strong>Th
 is is a 10 hour workshop intensive occurs over three\nconsecutive days:</s></p> <p><strong>Friday\, April 12\,\n6:30-8:30pm</strong><br /> Saturday\, April 13\, 12-4pm</strong><br n /> <strong>Sunday\, April 14
 \, 11am-3pm</strong></p> <p>Please make sure you\nwear comfortable clothes
  and shoes that you can move in as this workshop is\nfocused on kinetic mo
 vement!</p> <p>More about Migration Theory can be\nfound online at <a nhre>www.migration_theory.org</a>.</p>\n&lt;
 /div&gt; </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>As pa
 rt of\nCompany of Fools commitment to the craft of theatre\, we are proud 
 to\npresent the first in a series of skill building workshops for performe
 rs\,\nartists\, theatre practitioners\, actors\, and those with a passion 
 for live\ntheatre. Company of Fools Intensives will bring experts and trai
 ners from\nacross the country to the Valley to provide affordable workshop
 s and\ntrainings for local artists. The first in the Intensives series is\
 n<strong>Migration Theory</strong>\, a physical art company that creates\n
 live-art experiences that are organically devised. This methodology\nexplo
 res the space between artistic disciplines in order to create work\nthat i
 s kinetic\, intimate\, participatory\, and heartfelt.</p> <p>This 10\nhour
  workshop over three consecutive days will provide actors\, dancers\,\nstu
 dents\, artists\, and non-artists with an understanding of Migration\nTheo
 ry practices and methods as a vehicle for discovering the art-maker\nwithi
 n themselves. This workshop (includes the 3 sessions)\, and the\naffordabl
 e price of only $50\, is made possible by a generous gift from Tim\nMott.&lt;
 /p&gt; <p><strong>This is a 10 hour workshop intensive occurs over three\ncon
 secutive days:</strong></p> <p><strong>Friday\, April 12\,\n6:30-8:30pm</s><br /> <strong>Saturday\, April 13\, 12-4pm</strong><br n /> <strong>
 Sunday\, April 14\, 11am-3pm</strong></p> <p>Please make sure you\nwear co
 mfortable clothes and shoes that you can move in as this workshop is\nfocu
 sed on kinetic movement!</p> <p>More about Migration Theory can be\nfound 
 online at <a>www.migration_theor
 y.org</a>.</p>\n</div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf286
DTSTART:20190417T053000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:ART HISTORY LECTURE:  The World Turned Upside Down with Dr. Courtne
 y Gilbert
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>At the beginning\nof t
 he 17th century\, an indigenous Andean man\, don Felipe Guaman Poma de\nAy
 ala\, wrote a nearly 1200-page letter addressed to King Philip III of\nSpa
 in. The first part of the letter gave the king a history of Andean\ncultur
 e and traditions before the Spanish conquest\, providing vital\nhistorical
  and ethnographic information. The letter then outlined the\nhistory of th
 e conquest and the effects of Spanish colonial rule on the\nAndean world\,
  which Guaman Poma believed had been turned upside down by the\nunjust pra
 ctices of Spanish administrators. The end of the letter proposed\na new\, 
 better form of government that would incorporate pre-conquest Andean\npoli
 tical and economic structures. In addition to his written text\, Guaman\nP
 oma included 398 full page line drawings in the letter. This lecture will\
 nfocus on these fascinating drawings\, which provide an intriguing glimpse
 \ninto life in the Viceroyalty of Peru and also illuminate Guaman Poma’s
 \nsynthesis of European visual techniques with indigenous Andean systems o
 f\nsymbolism and spatial concepts.</p> <p>Courtney Gilbert holds Ph.D. and
 \nMaster’s degrees in art history from the University of Chicago and a\n
 Bachelor’s degree from Dartmouth College. Most recently she worked at th
 e\nBlanton Museum of Art at the University of Texas at Austin\, where she\
 ncoordinated the planning for a major exhibition of Latin American abstrac
 t\nart. Prior to joining The Center\, she also taught Art History at Colum
 bia\nCollege Chicago\, and Texas State University.</p> </div> </div> </div>\n</div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>At th
 e beginning\nof the 17th century\, an indigenous Andean man\, don Felipe G
 uaman Poma de\nAyala\, wrote a nearly 1200-page letter addressed to King P
 hilip III of\nSpain. The first part of the letter gave the king a history 
 of Andean\nculture and traditions before the Spanish conquest\, providing 
 vital\nhistorical and ethnographic information. The letter then outlined t
 he\nhistory of the conquest and the effects of Spanish colonial rule on th
 e\nAndean world\, which Guaman Poma believed had been turned upside down b
 y the\nunjust practices of Spanish administrators. The end of the letter p
 roposed\na new\, better form of government that would incorporate pre-conq
 uest Andean\npolitical and economic structures. In addition to his written
  text\, Guaman\nPoma included 398 full page line drawings in the letter. T
 his lecture will\nfocus on these fascinating drawings\, which provide an i
 ntriguing glimpse\ninto life in the Viceroyalty of Peru and also illuminat
 e Guaman Poma’s\nsynthesis of European visual techniques with indigenous
  Andean systems of\nsymbolism and spatial concepts.</p> <p>Courtney Gilber
 t holds Ph.D. and\nMaster’s degrees in art history from the University o
 f Chicago and a\nBachelor’s degree from Dartmouth College. Most recently
  she worked at the\nBlanton Museum of Art at the University of Texas at Au
 stin\, where she\ncoordinated the planning for a major exhibition of Latin
  American abstract\nart. Prior to joining The Center\, she also taught Art
  History at Columbia\nCollege Chicago\, and Texas State University.</p> </div> </div> </div>\n</div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf399
DTSTART:20190418T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nHailey</a>
SUMMARY:2019 SPRING OPEN STUDIO: Figure Drawing
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Use this\nopportunity 
 to brush up on your figure drawing skills in a fun and relaxed\nenvironmen
 t. All skills welcome! 2019 Spring Open Studios will take place\non Wed\, 
 Apr 17\, May 8 &amp;amp\; May 22\, 6–8pm (<em>note new time for\n2019!</em>
 )</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Use t
 his\nopportunity to brush up on your figure drawing skills in a fun and re
 laxed\nenvironment. All skills welcome! 2019 Spring Open Studios will take
  place\non Wed\, Apr 17\, May 8 &amp;amp\; May 22\, 6–8pm (<em>note new tim
 e for\n2019!</em>)</p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf42c
DTSTART:20190419T043000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FREE FILM: Dakota 38 (4:30pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center's\n2018–2
 019 Film Series comes to a close Thursday\, April 18\, with Dakota 38\n<em>—</em> an award-winning documentary film from director Silas Hagerty\nt
 hat remembers the 38 Dakota men who were killed Dec. 26\, 1862\, in the\nl
 argest mass execution in U.S. history. The film is part of The Center’s\
 ncurrent BIG IDEA project\, <em>Unraveling: Reimagining the Colonization i
 n\nthe Americas.</em></p> <p>In the spring of 2005\, Jim Miller\, a Native
 \nspiritual leader and Vietnam War veteran\, found himself in a dream ridi
 ng\non horseback across the Great Plains of South Dakota. Just before he a
 woke\,\nhe arrived at a riverbank in Minnesota and saw 38 of his Dakota an
 cestors\nhanged. At the time\, Jim knew nothing of the execution\, which w
 as ordered\nby Abraham Lincoln and took place on Dec. 26\, 1862. “When y
 ou have\ndreams\, you know when they come from the creator\,” said Mille
 r. “As any\nrecovered alcoholic\, I made believe that I didn’t get it.
  I tried to put\nit out of my mind\, yet it’s one of those dreams that b
 others you night\nand day.”<br />  <br /> Four years later\, embracing 
 the message of the\ndream\, Jim and a group of riders retrace the 330-mile
  route of his dream on\nhorseback from Lower Brule\, South Dakota\, to Man
 kato\, Minnesota\, to arrive\nat the hanging site on the anniversary of th
 e execution. “We can’t\nblame the <em>wasichus</em> anymore\,” said 
 Miller. “We’re doing it to\nourselves. We’re selling drugs. We’re 
 killing our own people. That’s\nwhat this ride is about\, is healing.”
 <br />  <br /> <em>Dakota 38</em>\nis the story of their journey — the 
 blizzards they endure\, the Native and\nnon-Native communities that house 
 and feed them along the way\, and the dark\nhistory they are beginning to 
 wipe away.</p> <p>“We are honored to be\nscreening this film\, and it’
 s being offered to the community free of\ncharge in alignment with the wis
 hes of Silas Hagerty\, the filmmaker\,”\nsaid Kristine Bretall\, The Cen
 ter’s Director of Performing Arts. “The\nmission of this film is heali
 ng\, and Silas asks that it be screened as a\ngift in line with Native hea
 ling practices. We will accept donations to\ncover the cost of the screeni
 ng\, but all are welcome and we do not want an\nadmission fee to deter any
 one from seeing this powerful film. I’d like to\nthank the Magic Lantern
  for helping us fulfill this request.”</p>\n<p><strong>Part of The Cente
 r’s BIG IDEA project <em>Unraveling:\nReimagining Colonization of the Am
 ericas</em>.</strong></p> <p>Running time\n1 hour 58 minutes.</p> </div> &lt;
 /div&gt; </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter's\n2018–2019 Film Series comes to a close Thursday\, April 18\, wi
 th Dakota 38\n<em>—</em> an award-winning documentary film from director
  Silas Hagerty\nthat remembers the 38 Dakota men who were killed Dec. 26\,
  1862\, in the\nlargest mass execution in U.S. history. The film is part o
 f The Center’s\ncurrent BIG IDEA project\, <em>Unraveling: Reimagining t
 he Colonization in\nthe Americas.</em></p> <p>In the spring of 2005\, Jim 
 Miller\, a Native\nspiritual leader and Vietnam War veteran\, found himsel
 f in a dream riding\non horseback across the Great Plains of South Dakota.
  Just before he awoke\,\nhe arrived at a riverbank in Minnesota and saw 38
  of his Dakota ancestors\nhanged. At the time\, Jim knew nothing of the ex
 ecution\, which was ordered\nby Abraham Lincoln and took place on Dec. 26\
 , 1862. “When you have\ndreams\, you know when they come from the creato
 r\,” said Miller. “As any\nrecovered alcoholic\, I made believe that I
  didn’t get it. I tried to put\nit out of my mind\, yet it’s one of th
 ose dreams that bothers you night\nand day.”<br />  <br /> Four years l
 ater\, embracing the message of the\ndream\, Jim and a group of riders ret
 race the 330-mile route of his dream on\nhorseback from Lower Brule\, Sout
 h Dakota\, to Mankato\, Minnesota\, to arrive\nat the hanging site on the 
 anniversary of the execution. “We can’t\nblame the <em>wasichus</em> a
 nymore\,” said Miller. “We’re doing it to\nourselves. We’re sellin
 g drugs. We’re killing our own people. That’s\nwhat this ride is about
 \, is healing.”<br />  <br /> <em>Dakota 38</em>\nis the story of their
  journey — the blizzards they endure\, the Native and\nnon-Native commun
 ities that house and feed them along the way\, and the dark\nhistory they 
 are beginning to wipe away.</p> <p>“We are honored to be\nscreening this
  film\, and it’s being offered to the community free of\ncharge in align
 ment with the wishes of Silas Hagerty\, the filmmaker\,”\nsaid Kristine 
 Bretall\, The Center’s Director of Performing Arts. “The\nmission of t
 his film is healing\, and Silas asks that it be screened as a\ngift in lin
 e with Native healing practices. We will accept donations to\ncover the co
 st of the screening\, but all are welcome and we do not want an\nadmission
  fee to deter anyone from seeing this powerful film. I’d like to\nthank 
 the Magic Lantern for helping us fulfill this request.”</p>\n<p><strong>
 Part of The Center’s BIG IDEA project <em>Unraveling:\nReimagining Colon
 ization of the Americas</em>.</strong></p> <p>Running time\n1 hour 58 minu
 tes.</p> </div> </div> </div> </div>
CATEGORIES:Film
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf52a
DTSTART:20190419T053000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:FREE EVENING EXHIBITION TOUR: Unraveling: Reimagining the Colonizat
 ion of the Americas
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Enjoy a glass of\nwine
  as you tour the exhibition with The Center’s curators. The history\nof 
 colonization in the Americas has traditionally been taught as a\nstraightf
 orward story of European conquest of indigenous cultures and\nexpansion ac
 ross territories already settled by native peoples for\nmillennia. What do
 es this linear history omit? What are the possibilities\nfor reimagining o
 r reinterpreting colonial history from the indigenous\npoint of view? This
  project revisits American history\, offering alternative\nperspectives an
 d narratives based both in fact and in fiction\, including\nsome rooted in
  the Wood River Valley. Part of The Center’s BIG IDEA\nproject <em>Unrav
 eling: Reimagining the Colonization of the Americas</em>\,\nMar 8–May 22
 \, 2019.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Enjoy
  a glass of\nwine as you tour the exhibition with The Center’s curators.
  The history\nof colonization in the Americas has traditionally been taugh
 t as a\nstraightforward story of European conquest of indigenous cultures 
 and\nexpansion across territories already settled by native peoples for\nm
 illennia. What does this linear history omit? What are the possibilities\n
 for reimagining or reinterpreting colonial history from the indigenous\npo
 int of view? This project revisits American history\, offering alternative
 \nperspectives and narratives based both in fact and in fiction\, includin
 g\nsome rooted in the Wood River Valley. Part of The Center’s BIG IDEA\n
 project <em>Unraveling: Reimagining the Colonization of the Americas</em>\
 ,\nMar 8–May 22\, 2019.</p> </div> </div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf5d0
DTSTART:20190419T070000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Magic 
 Lantern\nCinemas</a>
SUMMARY:FREE FILM: Dakota 38 (7pm screening)
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>The Center's\n2018–2
 019 Film Series comes to a close Thursday\, April 18\, with\n<em>Dakota 38
 —</em>an award-winning documentary film from director Silas\nHagerty tha
 t remembers the 38 Dakota men who were killed Dec. 26\, 1862\, in\nthe lar
 gest mass execution in U.S. history. The film is part of The\nCenter’s c
 urrent BIG IDEA project\, <em>Unraveling: Reimagining the\nColonization in
  the Americas. </em></p> <p>In the spring of 2005\, Jim\nMiller\, a Nativ
 e spiritual leader and Vietnam War veteran\, found himself in\na dream rid
 ing on horseback across the Great Plains of South Dakota. Just\nbefore he 
 awoke\, he arrived at a riverbank in Minnesota and saw 38 of his\nDakota a
 ncestors hanged. At the time\, Jim knew nothing of the execution\,\nwhich 
 was ordered by Abraham Lincoln and took place on Dec. 26\, 1862.\n“When 
 you have dreams\, you know when they come from the creator\,” said\nMill
 er. “As any recovered alcoholic\, I made believe that I didn’t get\nit
 . I tried to put it out of my mind\, yet it’s one of those dreams that\n
 bothers you night and day.”<br />  <br /> Four years later\, embracing\
 nthe message of the dream\, Jim and a group of riders retrace the 330-mile
 \nroute of his dream on horseback from Lower Brule\, South Dakota\, to Man
 kato\,\nMinnesota\, to arrive at the hanging site on the anniversary of th
 e\nexecution. “We can’t blame the <em>wasichus</em> anymore\,” said\
 nMiller. “We’re doing it to ourselves. We’re selling drugs. We’re\
 nkilling our own people. That’s what this ride is about\, is healing.”
 <br n />  <br /> <em>Dakota 38</em> is the story of their journey — the\
 nblizzards they endure\, the Native and non-Native communities that house 
 and\nfeed them along the way\, and the dark history they are beginning to 
 wipe\naway.</p> <p>“We are honored to be screening this film\, and it’
 s being\noffered to the community free of charge in alignment with the wis
 hes of\nSilas Hagerty\, the filmmaker\,” said Kristine Bretall\, The Cen
 ter’s\nDirector of Performing Arts. “The mission of this film is heali
 ng\, and\nSilas asks that it be screened as a gift in line with Native hea
 ling\npractices. We will accept donations to cover the cost of the screeni
 ng\, but\nall are welcome and we do not want an admission fee to deter any
 one from\nseeing this powerful film. I’d like to thank the Magic Lantern
  for\nhelping us fulfill this request.”</p> <p> </p> <p><strong>Part of
  The\nCenter’s BIG IDEA project Unraveling: Reimagining the Colonization
  in the\nAmericas\, Mar 8–May 22\, 2019.</strong></p> <p>Running time 1 
 hour 58\nminutes.</p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>The C
 enter's\n2018–2019 Film Series comes to a close Thursday\, April 18\, wi
 th\n<em>Dakota 38—</em>an award-winning documentary film from director S
 ilas\nHagerty that remembers the 38 Dakota men who were killed Dec. 26\, 1
 862\, in\nthe largest mass execution in U.S. history. The film is part of 
 The\nCenter’s current BIG IDEA project\, <em>Unraveling: Reimagining the
 \nColonization in the Americas. </em></p> <p>In the spring of 2005\, Jim\
 nMiller\, a Native spiritual leader and Vietnam War veteran\, found himsel
 f in\na dream riding on horseback across the Great Plains of South Dakota.
  Just\nbefore he awoke\, he arrived at a riverbank in Minnesota and saw 38
  of his\nDakota ancestors hanged. At the time\, Jim knew nothing of the ex
 ecution\,\nwhich was ordered by Abraham Lincoln and took place on Dec. 26\
 , 1862.\n“When you have dreams\, you know when they come from the creato
 r\,” said\nMiller. “As any recovered alcoholic\, I made believe that I
  didn’t get\nit. I tried to put it out of my mind\, yet it’s one of th
 ose dreams that\nbothers you night and day.”<br />  <br /> Four years l
 ater\, embracing\nthe message of the dream\, Jim and a group of riders ret
 race the 330-mile\nroute of his dream on horseback from Lower Brule\, Sout
 h Dakota\, to Mankato\,\nMinnesota\, to arrive at the hanging site on the 
 anniversary of the\nexecution. “We can’t blame the <em>wasichus</em> a
 nymore\,” said\nMiller. “We’re doing it to ourselves. We’re sellin
 g drugs. We’re\nkilling our own people. That’s what this ride is about
 \, is healing.”<br n />  <br /> <em>Dakota 38</em> is the story of their
  journey — the\nblizzards they endure\, the Native and non-Native commun
 ities that house and\nfeed them along the way\, and the dark history they 
 are beginning to wipe\naway.</p> <p>“We are honored to be screening this
  film\, and it’s being\noffered to the community free of charge in align
 ment with the wishes of\nSilas Hagerty\, the filmmaker\,” said Kristine 
 Bretall\, The Center’s\nDirector of Performing Arts. “The mission of t
 his film is healing\, and\nSilas asks that it be screened as a gift in lin
 e with Native healing\npractices. We will accept donations to cover the co
 st of the screening\, but\nall are welcome and we do not want an admission
  fee to deter anyone from\nseeing this powerful film. I’d like to thank 
 the Magic Lantern for\nhelping us fulfill this request.”</p> <p> </p> &lt;
 p&gt;<strong>Part of The\nCenter’s BIG IDEA project Unraveling: Reimagining
  the Colonization in the\nAmericas\, Mar 8–May 22\, 2019.</strong></p> &lt;
 p&gt;Running time 1 hour 58\nminutes.</p> </div> </div> </div> </div>
CATEGORIES:Film
DTSTAMP:20241128T213800Z
END:VEVENT
BEGIN:VEVENT
UID:67494528cf6c6
DTSTART:20190426T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Ce
 nter\,\nKetchum</a>
SUMMARY:FREE LECTURE: This Land is Home by Leo Ariwite\, Ft Hall Tribal Cou
 rt Judge
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Leo Ariwite was\nborn 
 and raised in Salmon\, Idaho\, and is a Northern Shoshoni descended from\n
 the band of Sacajawea. His forebears\, including Chief Tendoy\, were force
 d\nto leave Salmon in 1907 and relocate to the Fort Hall Reservation. Ariw
 ite\,\na Tribal Court Judge of the Fort Hall Reservation\, will share stor
 ies of\nhis homeland and how this land and its people were impacted by\nco
 lonization.</p> <p><strong><em>Part of The Center’s BIG IDEA project\nUn
 raveling: Reimagining the Colonization in the Americas\, Mar 8–May 22\,\
 n2019.</em></strong></p> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>Leo A
 riwite was\nborn and raised in Salmon\, Idaho\, and is a Northern Shoshoni
  descended from\nthe band of Sacajawea. His forebears\, including Chief Te
 ndoy\, were forced\nto leave Salmon in 1907 and relocate to the Fort Hall 
 Reservation. Ariwite\,\na Tribal Court Judge of the Fort Hall Reservation\
 , will share stories of\nhis homeland and how this land and its people wer
 e impacted by\ncolonization.</p> <p><strong><em>Part of The Center’s BIG
  IDEA project\nUnraveling: Reimagining the Colonization in the Americas\, 
 Mar 8–May 22\,\n2019.</em></strong></p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241128T213800Z
END:VEVENT
END:VCALENDAR