Use this\nopportun ity to brush up on your figure-drawing skills in a relaxed\nenvironment. A ll skill levels are welcome!
U se this\nopportunity to brush up on your figure-drawing skills in a relaxe d\nenvironment. All skill levels are welcome!
The documentary\,\ nFive Seasons: The Gardens of Piet Oudolf\, immerses viewers in Oudolf’s \nwork and takes us inside his creative process\, from his beautifully\nab stract sketches\, to theories on beauty\, to the ecological implications o f\nhis ideas. Intimate discussions take place through all fours seasons in \nPiet’s own gardens at Hummelo\, and on visits to his signature public\ nworks in New York\, Chicago\, and the Netherlands\, as well as to the\nfa r-flung locations that inspire his genius\, including desert wildflowers\n in West Texas and post-industrial forests in Pennsylvania. As a narrative\ nthread\, the film also follows Oudolf as he designs and installs a major new\ngarden at Hauser &\; Wirth Somerset\, a gallery and arts center in \nSouthwest England\, a garden he considers his best work yet. Piet Oudolf has\nradically redefined what gardens can be.
What better place th an a\ngarden to invite a person to see the divine in nature? Piet Oudolf ’s\napproach to gardens and nature gives visitors to his creations a sen se of\nthemselves in a landscape and as well as a connection to nature tha t is\nmagnified by the plants and surroundings that Oudolf designs.
Part\nof the BIG IDEA project The Bottomlessness of a Pond:\nTransce ndentalism\, Nature and Spirit.Part of a Sun Valley Museum of A rt BIG IDEA\nproject
T he documentary\,\nFive Seasons: The Gardens of Piet Oudolf\, immerses view ers in Oudolf’s\nwork and takes us inside his creative process\, from hi s beautifully\nabstract sketches\, to theories on beauty\, to the ecologic al implications of\nhis ideas. Intimate discussions take place through all fours seasons in\nPiet’s own gardens at Hummelo\, and on visits to his signature public\nworks in New York\, Chicago\, and the Netherlands\, as w ell as to the\nfar-flung locations that inspire his genius\, including des ert wildflowers\nin West Texas and post-industrial forests in Pennsylvania . As a narrative\nthread\, the film also follows Oudolf as he designs and installs a major new\ngarden at Hauser &\; Wirth Somerset\, a gallery a nd arts center in\nSouthwest England\, a garden he considers his best work yet. Piet Oudolf has\nradically redefined what gardens can be.
Wha t better place than a\ngarden to invite a person to see the divine in natu re? Piet Oudolf’s\napproach to gardens and nature gives visitors to his creations a sense of\nthemselves in a landscape and as well as a connectio n to nature that is\nmagnified by the plants and surroundings that Oudolf designs.
Part\nof the BIG IDEA project The Bottomlessness of a Pond:\nTranscendentalism\, Nature and Spirit.
Part of a Sun Val ley Museum of Art BIG IDEA\nproject
Enjoy a glass of\n wine as you tour the exhibition with SVMoA’s curators. The mid-19th\ncen tury in the United States saw the emergence of a group of progressive\nthi nkers who advocated for a new understanding of the relationship between\nt he individual\, the divine and the natural world. Ralph Waldo Emerson\,\nH enry David Thoreau and Margaret Fuller\, among others\, came together in a \nshared belief in humanitarian causes and religious purpose.
\nTran scendentalism\, as their theological and philosophical ideas became\nknown \, embraced elements of Unitarianism and advocated for a personal\nknowled ge of God based in a rejection of materialism in favor of a\nspiritual exp erience of nature. In the U.S.\, Transcendentalism’s ideals\nfound their most famous embodiment in Thoreau’s retreat to Walden Pond\n(then belie ved to be bottomless)\, where he spent a year living in a small\,\nspare c abin\, focusing on the spiritual rewards of a life lived in harmony\nwith nature. This BIG IDEA project offers the notion that\nTranscendentalism’ s retreat from the material in favor of a spiritual or\ndivine encounter w ith the natural is an idea that continues to be\nrelevant—and one that i s perhaps more useful now than ever before.
\nPart of Sun Va lley Museum of Art's BIG IDEA project The\nBottomlessness of a Pond: T ranscendentalism\, Nature and Spirit.
\nPart of a Sun Vall ey Museum of Art BIG IDEA\nproject
E njoy a glass of\nwine as you tour the exhibition with SVMoA’s curators. The mid-19th\ncentury in the United States saw the emergence of a group of progressive\nthinkers who advocated for a new understanding of the relati onship between\nthe individual\, the divine and the natural world. Ralph W aldo Emerson\,\nHenry David Thoreau and Margaret Fuller\, among others\, c ame together in a\nshared belief in humanitarian causes and religious purp ose.
\nTranscendentalism\, as their theological and philosophical id eas became\nknown\, embraced elements of Unitarianism and advocated for a personal\nknowledge of God based in a rejection of materialism in favor of a\nspiritual experience of nature. In the U.S.\, Transcendentalism’s id eals\nfound their most famous embodiment in Thoreau’s retreat to Walden Pond\n(then believed to be bottomless)\, where he spent a year living in a small\,\nspare cabin\, focusing on the spiritual rewards of a life lived in harmony\nwith nature. This BIG IDEA project offers the notion that\nTra nscendentalism’s retreat from the material in favor of a spiritual or\nd ivine encounter with the natural is an idea that continues to be\nrelevant —and one that is perhaps more useful now than ever before.
\n< h5>Part of Sun Valley Museum of Art's BIG IDEA project The\nBottomless ness of a Pond: Transcendentalism\, Nature and Spirit.\n
< /div>
P art of a Sun Valley Museum of Art BIG IDEA\nproject
The documentary\,\ nFive Seasons: The Gardens of Piet Oudolf\, immerses viewers in Oudolf’s \nwork and takes us inside his creative process\, from his beautifully\nab stract sketches\, to theories on beauty\, to the ecological implications o f\nhis ideas. Intimate discussions take place through all fours seasons in \nPiet’s own gardens at Hummelo\, and on visits to his signature public\ nworks in New York\, Chicago\, and the Netherlands\, as well as to the\nfa r-flung locations that inspire his genius\, including desert wildflowers\n in West Texas and post-industrial forests in Pennsylvania. As a narrative\ nthread\, the film also follows Oudolf as he designs and installs a major new\ngarden at Hauser &\; Wirth Somerset\, a gallery and arts center in \nSouthwest England\, a garden he considers his best work yet. Piet Oudolf has\nradically redefined what gardens can be.
What better place th an a\ngarden to invite a person to see the divine in nature? Piet Oudolf ’s\napproach to gardens and nature gives visitors to his creations a sen se of\nthemselves in a landscape and as well as a connection to nature tha t is\nmagnified by the plants and surroundings that Oudolf designs.
Part\nof the BIG IDEA project The Bottomlessness of a Pond:\nTransce ndentalism\, Nature and Spirit.Part of a Sun Valley Museum of A rt BIG IDEA\nproject
T he documentary\,\nFive Seasons: The Gardens of Piet Oudolf\, immerses view ers in Oudolf’s\nwork and takes us inside his creative process\, from hi s beautifully\nabstract sketches\, to theories on beauty\, to the ecologic al implications of\nhis ideas. Intimate discussions take place through all fours seasons in\nPiet’s own gardens at Hummelo\, and on visits to his signature public\nworks in New York\, Chicago\, and the Netherlands\, as w ell as to the\nfar-flung locations that inspire his genius\, including des ert wildflowers\nin West Texas and post-industrial forests in Pennsylvania . As a narrative\nthread\, the film also follows Oudolf as he designs and installs a major new\ngarden at Hauser &\; Wirth Somerset\, a gallery a nd arts center in\nSouthwest England\, a garden he considers his best work yet. Piet Oudolf has\nradically redefined what gardens can be.
Wha t better place than a\ngarden to invite a person to see the divine in natu re? Piet Oudolf’s\napproach to gardens and nature gives visitors to his creations a sense of\nthemselves in a landscape and as well as a connectio n to nature that is\nmagnified by the plants and surroundings that Oudolf designs.
Part\nof the BIG IDEA project The Bottomlessness of a Pond:\nTranscendentalism\, Nature and Spirit.
Part of a Sun Val ley Museum of Art BIG IDEA\nproject
Discover how the\n combined power of art making and interacting with nature can increase your \nwell-being and serve as an act of self-care. Using her background in art \ntherapy\, Jordyn Dooley will facilitate therapeutic art making using nat ural\nmaterials. Individuals will have the opportunity to reconnect with t he\nearth through mindful techniques\, increasing their well-being and\nco nnection to others.
*Snacks\, coffee\, and tea provided.\nParti cipants will be responsible for their own lunch.
This\nworksh op will take place Sat\, Mar 7\, from 10am-2pm at the Sawtooth\nBotancial Gardens.
Part of the BIG IDEA project\nThe Bottomlessn ess of a Pond: Transcendentalism\, Nature and\nSpirit.
\n
This event is\nco-presented with the Sawtooth Bot anical Garden.
D iscover how the\ncombined power of art making and interacting with nature can increase your\nwell-being and serve as an act of self-care. Using her background in art\ntherapy\, Jordyn Dooley will facilitate therapeutic art making using natural\nmaterials. Individuals will have the opportunity to reconnect with the\nearth through mindful techniques\, increasing their w ell-being and\nconnection to others.
*Snacks\, coffee\, and tea provided.\nParticipants will be responsible for their own lunch.
This\nworkshop will take place Sat\, Mar 7\, from 10am-2pm at the Saw tooth\nBotancial Gardens.
Part of the BIG IDEA project\nThe Bottomlessness of a Pond: Transcendentalism\, Nature and\nSpirit.
This event is\nco-presented with the Sawtooth Botanical Garden.
Carlene Carter\nha s been releasing music for almost four decades. The daughter of June\nCart er Cash and country star Carl Smith\, stepdaughter of Johnny Cash\, and\ng randdaughter of \"Mother\" Maybelle Carter\, she is the embodiment of the\ nCarter Family in the 21st century. Carlene started her career singing wit h\nThe Carter Family at 17. With the 1978 release of her self-titled debut \nalbum\, she established herself on the edgier end of the country music\n spectrum\, having recorded it in England with Graham Parker’s band The\n Rumour. When Maybelle Carter died later that fall\, Chet Flippo wrote in\n Rolling Stone that she “lived to see her granddaughter Carlene merge\nNa shville with contemporary rock and roll.”
C arlene Carter\nhas been releasing music for almost four decades. The daugh ter of June\nCarter Cash and country star Carl Smith\, stepdaughter of Joh nny Cash\, and\ngranddaughter of \"Mother\" Maybelle Carter\, she is the e mbodiment of the\nCarter Family in the 21st century. Carlene started her c areer singing with\nThe Carter Family at 17. With the 1978 release of her self-titled debut\nalbum\, she established herself on the edgier end of th e country music\nspectrum\, having recorded it in England with Graham Park er’s band The\nRumour. When Maybelle Carter died later that fall\, Chet Flippo wrote in\nRolling Stone that she “lived to see her granddaughter Carlene merge\nNashville with contemporary rock and roll.”
Stepping out of\nt he Frame: Museum-Based Art Therapy Program furthers the Sun Valley Museum\ nof Art's mission to enrich the community by creating a program dedicated to\nfacilitating therapeutic experiences for those encountering cognitive and\nsensorimotor issues connected with aging. Each week\, participants wi ll\nexplore SVMoA's BIG IDEA project through therapeutic art experiences. The\nexperiences will expose participants to and engage them with visual\n artworks and visual arts directives that are specifically designed to\npro mote individual\, social\, and educational goals for transformation.
\n“S tepping Out\nof the Frame” winter/spring sessions will take place Tuesda ys\, Jan 21\,\n28\; Feb 4\, 11\, 18 &\; 25\; Mar 3 &\; 10\; Apr 7\, 14\, 21 &\; 28\; May 5\n&\; 12 from 2:00-3:30pm at The Museum\, Ketc hum.
About\nthe
Program
Art therapy is an integrative practice that\nenric
hes the lives of individuals\, families and communities through active\nar
t-making. Activities are facilitated by a professional art therapist and\n
are designed to improve cognitive and sensorimotor functions\, foster\nsel
f-esteem and self-awareness\, cultivate emotional resilience\, promote\nin
sight\, enhance social skills\, and reduce and resolve internal and\nexter
nal conflicts. Museum-based art therapy is a collaboration between art\nth
erapy and art education\, in which the museum (in this case\, Sun Valley\n
Museum of Art) operates as a space for participants to experience\ninclusi
vity\, community\, and opportunities for learning and exploration. At\nthe
same time\, art therapy catalyzes participants’ healing\,\ntransformati
on and expression through their experiences at the museum.
Now in its second season\, SVMoA's art therapy program has expanded its\nscope to include adults experiencing differences in their memories as well\nas tho se facing issues with their sensorimotor capabilities as a result of\nagin g\, neurodegenerative disease\, stroke and heart attack. Extensive\nresear ch on the benefits of art therapy has been done with these\npopulations\, specifically in museum settings. Following the lead of many\nlarger metrop olitan museums\, SVMoA is proud to implement its own art\ntherapy program and share the innovative practice’s many benefits with\nmembers of the W ood River Valley community.
About the\nInstructor\,
Jordyn Dooley
Art Therapist &\;\nEnrichment Educa
tor\, Art-P\, LPC-intern\, Sun Valley Museum\nof Art
Jordyn first came to the Wood River Valley following\nher grad uation from the University of Florida with a B.A. in English. Her\nexperie nces in the valley assisted her in realizing her combined passion\nfor the arts and working in human services\, ultimately leading her to\npursue he r M.S. in Art Therapy at Florida State University. She recently\nreturned to the Wood River Valley after having completed her M.S. in Art\nTherapy a nd receiving her registered art therapist’s provisional license.\nShe is excited to use her experiences working with diverse populations\,\nknowle dge of the developmental and cognitive processes\, and art’s\ninherent t herapeutic and educational capabilities to support students’\nlearning a nd personal growths through the arts at SVMoA.
S tepping out of\nthe Frame: Museum-Based Art Therapy Program furthers the S un Valley Museum\nof Art's mission to enrich the community by creating a p rogram dedicated to\nfacilitating therapeutic experiences for those encoun tering cognitive and\nsensorimotor issues connected with aging. Each week\ , participants will\nexplore SVMoA's BIG IDEA project through therapeutic art experiences. The\nexperiences will expose participants to and engage t hem with visual\nartworks and visual arts directives that are specifically designed to\npromote individual\, social\, and educational goals for tran sformation.
\n“Stepping Out\nof the Frame” winter/spring sessions will take place Tuesdays\, Jan 21\,\n28\; Feb 4\, 11\, 18 &\; 25\; Mar 3 &am p\; 10\; Apr 7\, 14\, 21 &\; 28\; May 5\n&\; 12 from 2:00-3:30pm at The Museum\, Ketchum.
<
strong>About\nthe Program
Art therapy is an integrative pra
ctice that\nenriches the lives of individuals\, families and communities t
hrough active\nart-making. Activities are facilitated by a professional ar
t therapist and\nare designed to improve cognitive and sensorimotor functi
ons\, foster\nself-esteem and self-awareness\, cultivate emotional resilie
nce\, promote\ninsight\, enhance social skills\, and reduce and resolve in
ternal and\nexternal conflicts. Museum-based art therapy is a collaboratio
n between art\ntherapy and art education\, in which the museum (in this ca
se\, Sun Valley\nMuseum of Art) operates as a space for participants to ex
perience\ninclusivity\, community\, and opportunities for learning and exp
loration. At\nthe same time\, art therapy catalyzes participants’ healin
g\,\ntransformation and expression through their experiences at the museum
.
Now in its second season\, SVMoA's art therapy program has expan ded its\nscope to include adults experiencing differences in their memorie s as well\nas those facing issues with their sensorimotor capabilities as a result of\naging\, neurodegenerative disease\, stroke and heart attack. Extensive\nresearch on the benefits of art therapy has been done with thes e\npopulations\, specifically in museum settings. Following the lead of ma ny\nlarger metropolitan museums\, SVMoA is proud to implement its own art\ ntherapy program and share the innovative practice’s many benefits with\ nmembers of the Wood River Valley community.
About t
he\nInstructor\, Jordyn Dooley
Art Therapist &\;\
nEnrichment Educator\, Art-P\, LPC-intern\, Sun Valley Mu
seum\nof Art
Jordyn first came to the Wood River Valley fo llowing\nher graduation from the University of Florida with a B.A. in Engl ish. Her\nexperiences in the valley assisted her in realizing her combined passion\nfor the arts and working in human services\, ultimately leading her to\npursue her M.S. in Art Therapy at Florida State University. She re cently\nreturned to the Wood River Valley after having completed her M.S. in Art\nTherapy and receiving her registered art therapist’s provisional license.\nShe is excited to use her experiences working with diverse popu lations\,\nknowledge of the developmental and cognitive processes\, and ar t’s\ninherent therapeutic and educational capabilities to support studen ts’\nlearning and personal growths through the arts at SVMoA.
John Carreyrou is\ na two-time Pulitzer Prize–winning investigative reporter at the Wall\nS treet Journal. In his New York Times bestselling book Bad Blood\, John\nCa rreyrou shares the full inside story of the breathtaking rise and\nshockin g collapse of the one-time multi-billion-dollar Silicon Valley\ncompany th at rose to fame with the promise of blood-testing technology that\nnever e xisted.
Part of the BIG IDEA project Marketplaces: From Open\nAir to Online.
Generously supported by Jane P.\nWatkins.
J ohn Carreyrou is\na two-time Pulitzer Prize–winning investigative report er at the Wall\nStreet Journal. In his New York Times bestselling book Bad Blood\, John\nCarreyrou shares the full inside story of the breathtaking rise and\nshocking collapse of the one-time multi-billion-dollar Silicon V alley\ncompany that rose to fame with the promise of blood-testing technol ogy that\nnever existed.
Part of the BIG IDEA project Marketplaces: From Open\nAir to Onl ine.
Generously supporte d by Jane P.\nWatkins.
Join the\nFo ols for A Night of Improvisational Comedy. Students from our most recent\n \"Intensive\" Improv Comedy with Andrew Beck\, will be showing off their n ew\nimprov comedy skills\, including various “comedy sports” games tha t will\nbe put on full display at a performance for the pubic this one nig ht only!\nDon't miss it!
Company of Fools' public performanc e of Improv\nComedy with Andrew Beck is the culmination of a three day int roductory\nworkshop to group and team improvisational comedy covering spon taneity\,\ngroup focus\, ensemble building\, narrative skills\, and how to identify and\nexploit patterns and connections between ideas that help cr eate brilliant\nand hilarious improv comedy. Participants will learn basic and intermediary\nimprov comedy skills\, including various “comedy spor ts” games that will\nbe put on full display at a performance for the com munity!
< span>Join the\nFools for A Night of Improvisational Comedy. Students from our most recent\n\"Intensive\" Improv Comedy with Andrew Beck\, will be sh owing off their new\nimprov comedy skills\, including various “comedy sp orts” games that will\nbe put on full display at a performance for the p ubic this one night only!\nDon't miss it!
Company of Fools' public performance of Improv\nComedy with Andrew Beck is the culmination o f a three day introductory\nworkshop to group and team improvisational com edy covering spontaneity\,\ngroup focus\, ensemble building\, narrative sk ills\, and how to identify and\nexploit patterns and connections between i deas that help create brilliant\nand hilarious improv comedy. Participants will learn basic and intermediary\nimprov comedy skills\, including vario us “comedy sports” games that will\nbe put on full display at a perfor mance for the community!
This is event\nha s been cancelled—we apologize for the inconvenience.
\nTi cket holders please contact the box office at 208-726-9491 to\narrange eit her a refund\, credit or donation of your ticket\npurchase.
< p>SVMoA’s top priority is the health and\nwell-being of this com munity\, especially those who are the most\nvulnerable. It is important t o act collectively to slow the spread of\nCOVID-19 so\, in response\, we h ave opted to cancel public gatherings\n(concerts\, openings\, classes) org anized through Sun Valley Museum of Art\nand Company of Fools through May 1\, 2020.One of the\nbest live acts to come out of Ireland in recent years\, the multi-award\nwinning We Banjo 3 combine sup ergroup credentials with a breath-taking\ncommand of the emotive power of fiddle\, guitar\, mandolin and banjo. Any\nsingle member of this group cou ld a electrify a venue with a solo\nperformance\, but together with their passionate lead vocalist who sounds\nlike a young Springsteen adopted by t he Chieftains\, the result is truly\nunforgettable. These two sets of brot hers write and perform with emotion\,\nwith incalculable brio and inventiv eness\, with power and subtlety and\nintelligence.
Every performer\nin th e Winter Performing Arts Series will be performing in local schools as\na part of Sun Valley Museum of Art's ongoing commitment to arts\neducation.< /h5>
The Professional Artist Residencies are supported by\nJoyce B. Fri edman in memory of Norman Friedman\, Robin Leavitt and Terry\nFriedlander\ , Lloyd Construction\, Inc.\, Jane Rosen and Scott\nMiley—S cott Miley Roofing\, Kay Tenney and Bozo Cardozo\, Bex Wilkinson and\nthe Marshall Frankel Foundation\, and in part by public funding for the arts\n through the National Endowment for the Arts\, WESTAF\, the Idaho Commissio n\non the Arts and the Idaho Legislature.
This is event\nhas been cancelled—we apologize for the inconvenience.\n
Ticket holders please contact the box office at 208-726-949 1 to\narrange either a refund\, credit or donation of your ticket\npurchas e.
SVMoA’s top priority is the health and\nwell- being of this community\, especially those who are the most\nvulnerable. It is important to act collectively to slow the spread of\nCOVID-19 so\, i n response\, we have opted to cancel public gatherings\n(concerts\, openin gs\, classes) organized through Sun Valley Museum of Art\nand Company of F ools through May 1\, 2020.
One of the\nbest live ac ts to come out of Ireland in recent years\, the multi-award\nwinning We Ba njo 3 combine supergroup credentials with a breath-taking\ncommand of the emotive power of fiddle\, guitar\, mandolin and banjo. Any\nsingle member of this group could a electrify a venue with a solo\nperformance\, but tog ether with their passionate lead vocalist who sounds\nlike a young Springs teen adopted by the Chieftains\, the result is truly\nunforgettable. These two sets of brothers write and perform with emotion\,\nwith incalculable brio and inventiveness\, with power and subtlety and\nintelligence.
Every performer\nin the Winter Performing Arts Series will be performing in loc al schools as\na part of Sun Valley Museum of Art's ongoing commitment to arts\neducation.
The Professional Artist Residencies are supported by\nJoyce B. Friedman in memory of Norman Friedman\, Robin Leavitt and Te rry\nFriedlander\, Lloyd Construction\, Inc.\, Jane Rosen and Scott\nMiley—Scott Miley Roofing\, Kay Tenney and Bozo Cardozo\, Bex Wi lkinson and\nthe Marshall Frankel Foundation\, and in part by public fundi ng for the arts\nthrough the National Endowment for the Arts\, WESTAF\, th e Idaho Commission\non the Arts and the Idaho Legislature.
This is event\nha s been cancelled—we apologize for the inconvenience.
\nTi cket holders please contact the box office at 208–726–9491\nto arrange either a refund\, credit or donation of\nyour tick et purchase.
SVMoA’s top priority\nis the health and well-being of this community\, especially those who are\nthe m ost vulnerable. It is important to act collectively to slow the\nspread o f COVID-19 so\, in response\, we have opted to cancel public\ngatherings ( concerts\, openings\, classes) organized through Sun Valley\nMuseum of Art and Company of Fools through May 1\, 2020.
\n
One of the best live acts to come out of Ireland in recent years\, the\nmulti-aw ard winning We Banjo 3 combine supergroup credentials with a\nbreath-takin g command of the emotive power of fiddle\, guitar\, mandolin and\nbanjo. A ny single member of this group could a electrify a venue with a\nsolo perf ormance\, but together with their passionate lead vocalist who\nsounds lik e a young Springsteen adopted by the Chieftains\, the result is\ntruly unf orgettable. These two sets of brothers write and perform with\nemotion\, w ith incalculable brio and inventiveness\, with power and subtlety\nand int elligence.
Every performer in the Winter Performing Arts Series will\nbe performing in local schools as a part of Sun Valley M useum of Art's\nongoing commitment to arts education.
The Professi onal Artist\nResidencies are supported by Joyce B. Friedman in memory of N orman\nFriedman\, Robin Leavitt and Terry Friedlander\, Lloyd Constr uction\,\nInc.\, Jane Rosen and Scott Miley—Scott Miley Roofing\, Kay Tenney\nand Bozo Cardozo\, Bex Wilkinson and the Marshall Frankel Fou ndation\, and in\npart by public funding for the arts through the National Endowment for the\nArts\, WESTAF\, the Idaho Commission on the Arts and t he Idaho\nLegislature.
This is event\nhas been cancelled—we apologize for the inconvenience.\n
Ticket holders please contact the box office at 208–726 –9491\nto arrange either a refund\, credit or don ation of\nyour ticket purchase.
SVMoA’s t op priority\nis the health and well-being of this community\, especially t hose who are\nthe most vulnerable. It is important to act collectively to slow the\nspread of COVID-19 so\, in response\, we have opted to cancel p ublic\ngatherings (concerts\, openings\, classes) organized through Sun Va lley\nMuseum of Art and Company of Fools through May 1\, 2020.
\n
One of the best live acts to come out of Ireland in recent ye ars\, the\nmulti-award winning We Banjo 3 combine supergroup credentials w ith a\nbreath-taking command of the emotive power of fiddle\, guitar\, man dolin and\nbanjo. Any single member of this group could a electrify a venu e with a\nsolo performance\, but together with their passionate lead vocal ist who\nsounds like a young Springsteen adopted by the Chieftains\, the r esult is\ntruly unforgettable. These two sets of brothers write and perfor m with\nemotion\, with incalculable brio and inventiveness\, with power an d subtlety\nand intelligence.
Every performer in the Winter Performing Arts Series will\nbe performing in local schools as a p art of Sun Valley Museum of Art's\nongoing commitment to arts education.
The Professional Artist\nResidencies are supported by Joyce B. Frie dman in memory of Norman\nFriedman\, Robin Leavitt and Terry Friedlander\, Lloyd Construction\,\nInc.\, Jane Rosen and Scott Miley—Sc ott Miley Roofing\, Kay Tenney\nand Bozo Cardozo\, Bex Wilkinson and the M arshall Frankel Foundation\, and in\npart by public funding for the arts t hrough the National Endowment for the\nArts\, WESTAF\, the Idaho Commissio n on the Arts and the Idaho\nLegislature.
This is event\nha s been cancelled—we apologize for the inconvenience.
\nSV MoA’s top priority is the health and well-being of this\ncommunity\, esp ecially those who are the most vulnerable. It is important\nto act collec tively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrou gh Sun Valley Museum of Art and Company of Fools May 1\,\n2020.
Join us for participating artist Tucker\nNichols’s talk abo ut the role of play\, experimentation and interactivity\nin his practice. Many of Nichols’s projects give museum visitors the\nopportunity to part icipate in them in some way\, from rearranging objects to\ncreate sculptur al installations to making images using colorful shapes on\nan overhead pr ojector. Based in Northern California\, Nichols’s work has\nbeen feature d at the Drawing Center in New York\, the San Francisco Museum\nof Modern Art\, the Denver Art Museum\, Den Frie Museum in Copenhagen\, and\nthe Asi an Art Museum in San Francisco. A show of his sculpture\, Almost\nEverythi ng On The Table\, was recently on view at the Aldrich Contemporary\nArt Mu seum.
His drawings have been published in McSweeney’s\, The\nThin g Quarterly\, The New Yorker and the Op-Ed pages of The New York Times.\nH e is co-author of the books\, Crabtree (with Jon Nichols) and This Bridge\ nWill Not Be Gray (with Dave Eggers).
Part of Sun Valley\nM useum of Art's BIG IDEA project Free Play.
\n
Gener ously supported by Jeanne Meyers.
Part of a Sun Valley Museum of Art BIG IDEA\nproject
This is event\nhas been cancelled—we apologize for the inconvenience.\n
SVMoA’s top priority is the health and well-being of this \ncommunity\, especially those who are the most vulnerable. It is importa nt\nto act collectively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrough Sun Valley Museum of Art and Company of Fools May 1\,\ n2020.
Join us for participating artist Tucker\nNic hols’s talk about the role of play\, experimentation and interactivity\n in his practice. Many of Nichols’s projects give museum visitors the\nop portunity to participate in them in some way\, from rearranging objects to \ncreate sculptural installations to making images using colorful shapes o n\nan overhead projector. Based in Northern California\, Nichols’s work has\nbeen featured at the Drawing Center in New York\, the San Francisco M useum\nof Modern Art\, the Denver Art Museum\, Den Frie Museum in Copenhag en\, and\nthe Asian Art Museum in San Francisco. A show of his sculpture\, Almost\nEverything On The Table\, was recently on view at the Aldrich Con temporary\nArt Museum.
His drawings have been published in McSweene y’s\, The\nThing Quarterly\, The New Yorker and the Op-Ed pages of The N ew York Times.\nHe is co-author of the books\, Crabtree (with Jon Nichols) and This Bridge\nWill Not Be Gray (with Dave Eggers).
Part of Sun Valley\nMuseum of Art's BIG IDEA project Free Play.
\n
Generously supported by Jeanne Meyers.
Part of a Sun Vall ey Museum of Art BIG IDEA\nproject
This is event\nha s been cancelled—we apologize for the inconvenience.
\nSV MoA’s top priority is the health and well-being of this\ncommunity\, esp ecially those who are the most vulnerable. It is important\nto act collec tively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrou gh Sun Valley Museum of Art and Company of Fools May 1\,\n2020.
Join us for participating artist Tucker\nNichols’s talk abo ut the role of play\, experimentation and interactivity\nin his practice. Many of Nichols’s projects give museum visitors the\nopportunity to part icipate in them in some way\, from rearranging objects to\ncreate sculptur al installations to making images using colorful shapes on\nan overhead pr ojector. Based in Northern California\, Nichols’s work has\nbeen feature d at the Drawing Center in New York\, the San Francisco Museum\nof Modern Art\, the Denver Art Museum\, Den Frie Museum in Copenhagen\, and\nthe Asi an Art Museum in San Francisco. A show of his sculpture\, Almost\nEverythi ng On The Table\, was recently on view at the Aldrich Contemporary\nArt Mu seum.
His drawings have been published in McSweeney’s\, The\nThin g Quarterly\, The New Yorker and the Op-Ed pages of The New York Times.\nH e is co-author of the books\, Crabtree (with Jon Nichols) and This Bridge\ nWill Not Be Gray (with Dave Eggers).
Part of Sun Valley\nM useum of Art's BIG IDEA project Free Play.
\n
Gener ously supported by Jeanne Meyers.
Part of a Sun Valley Museum of Art BIG IDEA\nproject
This is event\nhas been cancelled—we apologize for the inconvenience.\n
SVMoA’s top priority is the health and well-being of this \ncommunity\, especially those who are the most vulnerable. It is importa nt\nto act collectively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrough Sun Valley Museum of Art and Company of Fools May 1\,\ n2020.
Join us for participating artist Tucker\nNic hols’s talk about the role of play\, experimentation and interactivity\n in his practice. Many of Nichols’s projects give museum visitors the\nop portunity to participate in them in some way\, from rearranging objects to \ncreate sculptural installations to making images using colorful shapes o n\nan overhead projector. Based in Northern California\, Nichols’s work has\nbeen featured at the Drawing Center in New York\, the San Francisco M useum\nof Modern Art\, the Denver Art Museum\, Den Frie Museum in Copenhag en\, and\nthe Asian Art Museum in San Francisco. A show of his sculpture\, Almost\nEverything On The Table\, was recently on view at the Aldrich Con temporary\nArt Museum.
His drawings have been published in McSweene y’s\, The\nThing Quarterly\, The New Yorker and the Op-Ed pages of The N ew York Times.\nHe is co-author of the books\, Crabtree (with Jon Nichols) and This Bridge\nWill Not Be Gray (with Dave Eggers).
Part of Sun Valley\nMuseum of Art's BIG IDEA project Free Play.
\n
Generously supported by Jeanne Meyers.
Part of a Sun Vall ey Museum of Art BIG IDEA\nproject
This is event\nha s been cancelled—we apologize for the inconvenience.
\nSV MoA’s top priority is the health and well-being of this\ncommunity\, esp ecially those who are the most vulnerable. It is important\nto act collec tively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrou gh Sun Valley Museum of Art and Company of Fools through May 1\,\n2020.
Start your Gallery Walk at Sun Valley Museum of\nArt a nd join us as we celebrate the opening of Free Play. Locals\nand visitors alike take in thought-provoking exhibitions\, enjoy wine\,\nmingl e with friends\, and often meet the artists.
Free Play\nco nsiders the relationship between design and creativity in social spaces\nd edicated to recreation and play. Inspired in part by artist Isamu Noguchi\ ,\nwho believed in the power of social spaces to unite art and play in ord er\nto build community\, the project will examine the way that artists\,\n architects and designers have worked to create artistically thoughtful\nsp aces for social interaction and engagement. The project will also look at\ nplay more broadly\, offering interactive opportunities that encourage\nin dividual and group play. We hope to unleash some creativity\,\ninvestigati ng and remembering that the unstructured\, unplugged nature of\nplay nurtu res experimentation and heightens our senses.
Part of the BIG IDEA project\nFree Play\, Mar 20–May 22\, 2020.
Generously\nsupported by Jeanne Meyers with additional support by The Dawson\nFamily.
This is event\nhas been cancelled—we apologize for the inconvenience.\n
SVMoA’s top priority is the health and well-being of this \ncommunity\, especially those who are the most vulnerable. It is importa nt\nto act collectively to slow the spread of COVID-19 so\, in response\, we have\nopted to cancel public gatherings (concerts\, openings\, classes) organized\nthrough Sun Valley Museum of Art and Company of Fools through May 1\,\n2020.
Start your Gallery Walk at Sun Valley Museum of\nArt and join us as we celebrate the opening of Free Play. Locals\nand visitors alike take in thought-provoking exhibitions\, en joy wine\,\nmingle with friends\, and often meet the artists.
F ree Play\nconsiders the relationship between design and creativity in social spaces\ndedicated to recreation and play. Inspired in part by arti st Isamu Noguchi\,\nwho believed in the power of social spaces to unite ar t and play in order\nto build community\, the project will examine the way that artists\,\narchitects and designers have worked to create artistical ly thoughtful\nspaces for social interaction and engagement. The project w ill also look at\nplay more broadly\, offering interactive opportunities t hat encourage\nindividual and group play. We hope to unleash some creativi ty\,\ninvestigating and remembering that the unstructured\, unplugged natu re of\nplay nurtures experimentation and heightens our senses.
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Part of the BIG IDEA project\nFree Play\, Mar 20–Ma y 22\, 2020.