BEGIN:VCALENDAR
VERSION:2.0
PRODID:dev.svmoa.org
BEGIN:VEVENT
UID:67474c7b7bb68
DTSTART:20200803T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELLED! YOUTH CLASS: The Emotional Landscape
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><h3>Youth Class has\n
 BEEN CANCELLED!</h3> <div> </div> <div>Students entering 6th-8th grades\n
 will investigate landscape photography and be encouraged to capture an\nim
 age that embodies the experience of seeing with an informed eye.</div>\n </div> <div>On the first day\, (Aug 3\, 9am–12pm) a visit to\nHills
 ide Grain in Bellevue will offer an opportunity to photograph\, via a\nsma
 rt phone\, fields of grain and the stone mill that produces flour. On the\
 nsecond day\, (Aug\, 1–4pm) students will be given a tour of the SVMoA
 ’s\nexhibition\, <em>From The Colour of its Bloom: The Camas Prairie</em> and\nparticipate in a positive critique of their images.</div> <div>\n<strong>This workshop takes place on Mon\, Aug 3 from 9am–12pm at the
 \nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–4pm at The\nMus
 eum.</strong></h4> <hr /> <p><strong>Supplies students need to\nbring:</p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>\n<li>Hat</li> 
 <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoes</li> </ul> <em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Water Bottle</li> &lt;
 li&gt;Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:</h5> </div> Barbi Reed has photographed the world around\nher since she was 8. With
  assignments in Tibet\, Africa\, Haiti and\nelsewhere\, her images have a
 ppeared in numerous national and international\npublications\, books and 
 on gallery walls. “A great photograph is one that\nfully expresses what 
 one feels…” —Ansel Adams</div> <h5>About the\nlocation:</h5> <p>Hill
 side Grain blends modern science and old-world stone\nmilling to produce f
 lour from grains grown adjacent to the mill. Our\npractices in the field i
 nclude improving soil health\, crop diversity\, water\nconservation\, whil
 e in the mill we work to produce healthy\, high quality\,\nunadulterated\,
  fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transportation to each w
 orkshop site needs to be arranged\nindependently.</h4> </div> </div> </div> </div> \, <div> <div> <div> <div><p> <img /></div>\n<br /></p><h5>Part of the BIG IDEA project <em>Fro
 m The Colour of Its\nBloom: Camas Prairie.</em></h5> </div> </div> </div> 
 </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><h3>
 Youth Class has\nBEEN CANCELLED!</h3> <div> </div> <div>Students entering
  6th-8th grades\nwill investigate landscape photography and be encouraged 
 to capture an\nimage that embodies the experience of seeing with an inform
 ed eye.</div>\n<div> </div> <div>On the first day\, (Aug 3\, 9am–12pm) 
 a visit to\nHillside Grain in Bellevue will offer an opportunity to photog
 raph\, via a\nsmart phone\, fields of grain and the stone mill that produc
 es flour. On the\nsecond day\, (Aug\, 1–4pm) students will be given a to
 ur of the SVMoA’s\nexhibition\, <em>From The Colour of its Bloom: The Ca
 mas Prairie</em> and\nparticipate in a positive critique of their images.&lt;
 /div&gt; <div>\n<h4><strong>This workshop takes place on Mon\, Aug 3 from 9a
 m–12pm at the\nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–
 4pm at The\nMuseum.</strong></h4> <hr /> <p><strong>Supplies students need
  to\nbring:</strong></p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>
 \n<li>Hat</li> <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoe
 s</li> </ul> <div><em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Wate
 r Bottle</li> <li>Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:
 </h5> </div> <div>Barbi Reed has photographed the world around\nher since 
 she was 8. With assignments in Tibet\, Africa\, Haiti and\nelsewhere\, he
 r images have appeared in numerous national and international\npublicatio
 ns\, books and on gallery walls. “A great photograph is one that\nfully 
 expresses what one feels…” —Ansel Adams</div> <h5>About the\nlocatio
 n:</h5> <p>Hillside Grain blends modern science and old-world stone\nmilli
 ng to produce flour from grains grown adjacent to the mill. Our\npractices
  in the field include improving soil health\, crop diversity\, water\ncons
 ervation\, while in the mill we work to produce healthy\, high quality\,\n
 unadulterated\, fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transport
 ation to each workshop site needs to be arranged\nindependently.</h4>  </div> </div> </div> \, <div> <div> <div> <div><p><div n n> <img ti /></div>\n<br /></p><h5>Part of the BIG IDEA 
 project <em>From The Colour of Its\nBloom: Camas Prairie.</em></h5> </div>
  </div> </div> </div>
CATEGORIES:Youth &amp; Families,Teens
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd1f9c
DTSTART:20200803T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELLED! YOUTH CLASS: The Emotional Landscape
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><h3>Youth Class has\n
 BEEN CANCELLED!</h3> <div> </div> <div>Students entering 6th-8th grades\n
 will investigate landscape photography and be encouraged to capture an\nim
 age that embodies the experience of seeing with an informed eye.</div>\n </div> <div>On the first day\, (Aug 3\, 9am–12pm) a visit to\nHills
 ide Grain in Bellevue will offer an opportunity to photograph\, via a\nsma
 rt phone\, fields of grain and the stone mill that produces flour. On the\
 nsecond day\, (Aug\, 1–4pm) students will be given a tour of the SVMoA
 ’s\nexhibition\, <em>From The Colour of its Bloom: The Camas Prairie</em> and\nparticipate in a positive critique of their images.</div> <div>\n<strong>This workshop takes place on Mon\, Aug 3 from 9am–12pm at the
 \nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–4pm at The\nMus
 eum.</strong></h4> <hr /> <p><strong>Supplies students need to\nbring:</p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>\n<li>Hat</li> 
 <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoes</li> </ul> <em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Water Bottle</li> &lt;
 li&gt;Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:</h5> </div> Barbi Reed has photographed the world around\nher since she was 8. With
  assignments in Tibet\, Africa\, Haiti and\nelsewhere\, her images have a
 ppeared in numerous national and international\npublications\, books and 
 on gallery walls. “A great photograph is one that\nfully expresses what 
 one feels…” —Ansel Adams</div> <h5>About the\nlocation:</h5> <p>Hill
 side Grain blends modern science and old-world stone\nmilling to produce f
 lour from grains grown adjacent to the mill. Our\npractices in the field i
 nclude improving soil health\, crop diversity\, water\nconservation\, whil
 e in the mill we work to produce healthy\, high quality\,\nunadulterated\,
  fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transportation to each w
 orkshop site needs to be arranged\nindependently.</h4> </div> </div> </div> </div> \, <div> <div> <div> <div><p> <img /></div>\n<br /></p><h5>Part of the BIG IDEA project <em>Fro
 m The Colour of Its\nBloom: Camas Prairie.</em></h5> </div> </div> </div> 
 </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><h3>
 Youth Class has\nBEEN CANCELLED!</h3> <div> </div> <div>Students entering
  6th-8th grades\nwill investigate landscape photography and be encouraged 
 to capture an\nimage that embodies the experience of seeing with an inform
 ed eye.</div>\n<div> </div> <div>On the first day\, (Aug 3\, 9am–12pm) 
 a visit to\nHillside Grain in Bellevue will offer an opportunity to photog
 raph\, via a\nsmart phone\, fields of grain and the stone mill that produc
 es flour. On the\nsecond day\, (Aug\, 1–4pm) students will be given a to
 ur of the SVMoA’s\nexhibition\, <em>From The Colour of its Bloom: The Ca
 mas Prairie</em> and\nparticipate in a positive critique of their images.&lt;
 /div&gt; <div>\n<h4><strong>This workshop takes place on Mon\, Aug 3 from 9a
 m–12pm at the\nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–
 4pm at The\nMuseum.</strong></h4> <hr /> <p><strong>Supplies students need
  to\nbring:</strong></p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>
 \n<li>Hat</li> <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoe
 s</li> </ul> <div><em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Wate
 r Bottle</li> <li>Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:
 </h5> </div> <div>Barbi Reed has photographed the world around\nher since 
 she was 8. With assignments in Tibet\, Africa\, Haiti and\nelsewhere\, he
 r images have appeared in numerous national and international\npublicatio
 ns\, books and on gallery walls. “A great photograph is one that\nfully 
 expresses what one feels…” —Ansel Adams</div> <h5>About the\nlocatio
 n:</h5> <p>Hillside Grain blends modern science and old-world stone\nmilli
 ng to produce flour from grains grown adjacent to the mill. Our\npractices
  in the field include improving soil health\, crop diversity\, water\ncons
 ervation\, while in the mill we work to produce healthy\, high quality\,\n
 unadulterated\, fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transport
 ation to each workshop site needs to be arranged\nindependently.</h4>  </div> </div> </div> \, <div> <div> <div> <div><p><div n n> <img ti /></div>\n<br /></p><h5>Part of the BIG IDEA 
 project <em>From The Colour of Its\nBloom: Camas Prairie.</em></h5> </div>
  </div> </div> </div>
CATEGORIES:Youth &amp; Families,Teens
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd20d7
DTSTART:20200804T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELED! YOUTH CLASS: The Emotional Landscape
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><h3>Youth Class has\n
 BEEN CANCELLED!</h3> <div> </div> <div>Students entering 6th-8th grades\n
 will investigate landscape photography and be encouraged to capture an\nim
 age that embodies the experience of seeing with an informed eye.</div>\n </div> <div>On the first day\, (Aug 3\, 9am–12pm) a visit to\nHills
 ide Grain in Bellevue will offer an opportunity to photograph\, via a\nsma
 rt phone\, fields of grain and the stone mill that produces flour. On the\
 nsecond day\, (Aug\, 1–4pm) students will be given a tour of the SVMoA
 ’s\nexhibition\, <em>From The Colour of its Bloom: The Camas Prairie</em> and\nparticipate in a positive critique of their images.</div> <div>\n<strong>This workshop takes place on Mon\, Aug 3 from 9am–12pm at the
 \nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–4pm at The\nMus
 eum.</strong></h4> <hr /> <p><strong>Supplies students need to\nbring:</p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>\n<li>Hat</li> 
 <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoes</li> </ul> <em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Water Bottle</li> &lt;
 li&gt;Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:</h5> </div> Barbi Reed has photographed the world around\nher since she was 8. With
  assignments in Tibet\, Africa\, Haiti and\nelsewhere\, her images have a
 ppeared in numerous national and international\npublications\, books and 
 on gallery walls. “A great photograph is one that\nfully expresses what 
 one feels…” —Ansel Adams</div> <h5>About the\nlocation:</h5> <p>Hill
 side Grain blends modern science and old-world stone\nmilling to produce f
 lour from grains grown adjacent to the mill. Our\npractices in the field i
 nclude improving soil health\, crop diversity\, water\nconservation\, whil
 e in the mill we work to produce healthy\, high quality\,\nunadulterated\,
  fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transportation to each w
 orkshop site needs to be arranged\nindependently.</h4> </div> </div> </div> </div> \, <div> <div> <div> <div><p> <img /></div>\n<br /></p><h5>Part of the BIG IDEA project <em>Fro
 m The Colour of Its\nBloom: Camas Prairie.</em></h5> </div> </div> </div> 
 </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><h3>
 Youth Class has\nBEEN CANCELLED!</h3> <div> </div> <div>Students entering
  6th-8th grades\nwill investigate landscape photography and be encouraged 
 to capture an\nimage that embodies the experience of seeing with an inform
 ed eye.</div>\n<div> </div> <div>On the first day\, (Aug 3\, 9am–12pm) 
 a visit to\nHillside Grain in Bellevue will offer an opportunity to photog
 raph\, via a\nsmart phone\, fields of grain and the stone mill that produc
 es flour. On the\nsecond day\, (Aug\, 1–4pm) students will be given a to
 ur of the SVMoA’s\nexhibition\, <em>From The Colour of its Bloom: The Ca
 mas Prairie</em> and\nparticipate in a positive critique of their images.&lt;
 /div&gt; <div>\n<h4><strong>This workshop takes place on Mon\, Aug 3 from 9a
 m–12pm at the\nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–
 4pm at The\nMuseum.</strong></h4> <hr /> <p><strong>Supplies students need
  to\nbring:</strong></p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>
 \n<li>Hat</li> <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoe
 s</li> </ul> <div><em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Wate
 r Bottle</li> <li>Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:
 </h5> </div> <div>Barbi Reed has photographed the world around\nher since 
 she was 8. With assignments in Tibet\, Africa\, Haiti and\nelsewhere\, he
 r images have appeared in numerous national and international\npublicatio
 ns\, books and on gallery walls. “A great photograph is one that\nfully 
 expresses what one feels…” —Ansel Adams</div> <h5>About the\nlocatio
 n:</h5> <p>Hillside Grain blends modern science and old-world stone\nmilli
 ng to produce flour from grains grown adjacent to the mill. Our\npractices
  in the field include improving soil health\, crop diversity\, water\ncons
 ervation\, while in the mill we work to produce healthy\, high quality\,\n
 unadulterated\, fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transport
 ation to each workshop site needs to be arranged\nindependently.</h4>  </div> </div> </div> \, <div> <div> <div> <div><p><div n n> <img ti /></div>\n<br /></p><h5>Part of the BIG IDEA 
 project <em>From The Colour of Its\nBloom: Camas Prairie.</em></h5> </div>
  </div> </div> </div>
CATEGORIES:Youth &amp; Families,Teens
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd21b7
DTSTART:20200804T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELED! YOUTH CLASS: The Emotional Landscape
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><h3>Youth Class has\n
 BEEN CANCELLED!</h3> <div> </div> <div>Students entering 6th-8th grades\n
 will investigate landscape photography and be encouraged to capture an\nim
 age that embodies the experience of seeing with an informed eye.</div>\n </div> <div>On the first day\, (Aug 3\, 9am–12pm) a visit to\nHills
 ide Grain in Bellevue will offer an opportunity to photograph\, via a\nsma
 rt phone\, fields of grain and the stone mill that produces flour. On the\
 nsecond day\, (Aug\, 1–4pm) students will be given a tour of the SVMoA
 ’s\nexhibition\, <em>From The Colour of its Bloom: The Camas Prairie</em> and\nparticipate in a positive critique of their images.</div> <div>\n<strong>This workshop takes place on Mon\, Aug 3 from 9am–12pm at the
 \nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–4pm at The\nMus
 eum.</strong></h4> <hr /> <p><strong>Supplies students need to\nbring:</p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>\n<li>Hat</li> 
 <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoes</li> </ul> <em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Water Bottle</li> &lt;
 li&gt;Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:</h5> </div> Barbi Reed has photographed the world around\nher since she was 8. With
  assignments in Tibet\, Africa\, Haiti and\nelsewhere\, her images have a
 ppeared in numerous national and international\npublications\, books and 
 on gallery walls. “A great photograph is one that\nfully expresses what 
 one feels…” —Ansel Adams</div> <h5>About the\nlocation:</h5> <p>Hill
 side Grain blends modern science and old-world stone\nmilling to produce f
 lour from grains grown adjacent to the mill. Our\npractices in the field i
 nclude improving soil health\, crop diversity\, water\nconservation\, whil
 e in the mill we work to produce healthy\, high quality\,\nunadulterated\,
  fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transportation to each w
 orkshop site needs to be arranged\nindependently.</h4> </div> </div> </div> </div> \, <div> <div> <div> <div><p> <img /></div>\n<br /></p><h5>Part of the BIG IDEA project <em>Fro
 m The Colour of Its\nBloom: Camas Prairie.</em></h5> </div> </div> </div> 
 </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><h3>
 Youth Class has\nBEEN CANCELLED!</h3> <div> </div> <div>Students entering
  6th-8th grades\nwill investigate landscape photography and be encouraged 
 to capture an\nimage that embodies the experience of seeing with an inform
 ed eye.</div>\n<div> </div> <div>On the first day\, (Aug 3\, 9am–12pm) 
 a visit to\nHillside Grain in Bellevue will offer an opportunity to photog
 raph\, via a\nsmart phone\, fields of grain and the stone mill that produc
 es flour. On the\nsecond day\, (Aug\, 1–4pm) students will be given a to
 ur of the SVMoA’s\nexhibition\, <em>From The Colour of its Bloom: The Ca
 mas Prairie</em> and\nparticipate in a positive critique of their images.&lt;
 /div&gt; <div>\n<h4><strong>This workshop takes place on Mon\, Aug 3 from 9a
 m–12pm at the\nHillside Grain in Bellevue\, &amp;amp\; Tue\, Aug 4 from 1–
 4pm at The\nMuseum.</strong></h4> <hr /> <p><strong>Supplies students need
  to\nbring:</strong></p> </div> <div> <div><em>Day One</em></div> <ul> <li>Smart\nPhone</li> <li>Face Mask</li> <li>Snack</li> <li>Water Bottle</li>
 \n<li>Hat</li> <li>Sun Screen</li> <li>Bug Spray</li> <li>Closed-toe\nShoe
 s</li> </ul> <div><em>Day Two</em></div> <ul> <li>Face Mask</li>\n<li>Wate
 r Bottle</li> <li>Smart Phone</li> </ul> <hr /> <h5>About the\ninstructor:
 </h5> </div> <div>Barbi Reed has photographed the world around\nher since 
 she was 8. With assignments in Tibet\, Africa\, Haiti and\nelsewhere\, he
 r images have appeared in numerous national and international\npublicatio
 ns\, books and on gallery walls. “A great photograph is one that\nfully 
 expresses what one feels…” —Ansel Adams</div> <h5>About the\nlocatio
 n:</h5> <p>Hillside Grain blends modern science and old-world stone\nmilli
 ng to produce flour from grains grown adjacent to the mill. Our\npractices
  in the field include improving soil health\, crop diversity\, water\ncons
 ervation\, while in the mill we work to produce healthy\, high quality\,\n
 unadulterated\, fresh flour. (171 Pero Road\, Bellevue)</p>\n<h4>Transport
 ation to each workshop site needs to be arranged\nindependently.</h4>  </div> </div> </div> \, <div> <div> <div> <div><p><div n n> <img ti /></div>\n<br /></p><h5>Part of the BIG IDEA 
 project <em>From The Colour of Its\nBloom: Camas Prairie.</em></h5> </div>
  </div> </div> </div>
CATEGORIES:Youth &amp; Families,Teens
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd22c3
DTSTART:20200806T033000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:(SESSION 2) FAMILY PROGRAM: Afternoon Art 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Families will\nmak
 e art\, explore The Museum’s Art Lab and view the exhibition together.\n
 Designed for families with kids who are 5 and older. Afternoon Art session
 s\nwill be offered July 29\, August 5 &amp;amp\; 12. Projects will change on a
 \nweekly basis.</p> <h4>Aug 5th ART LAB THEME:<strong> Collage</strong></h4>\n<hr /> <h4>FREE\, PRE-REGISTRATION IS REQUIRED</h4> <p><strong>Sessio
 n 1\ntakes place from 2:30-3:20pm—one family should sign up for one slot
 \ntogether.<br /> Session 2 takes place from 3:30-4:20pm—one family shou
 ld\nsign up for one slot together</strong>.</p> <p>Due to limited space in
  our\nclassroom and we can only accommodate a family of up to 4 people per
 \nreservation (ticket). If your family group is larger than 4 people\, ple
 ase\nreserve additional slots as necessary.</p> <ul> <li>Register for 50 m
 in of\nart making and viewing the exhibition</li> <li>All people in group 
 must\nwear a mask and gloves (available at The Museum)</li> <li>All people
  in\ngroup must be over 5 years of age</li> </ul> </div> </div> </div> 
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>F
 amilies will\nmake art\, explore The Museum’s Art Lab and view the exhib
 ition together.\nDesigned for families with kids who are 5 and older. Afte
 rnoon Art sessions\nwill be offered July 29\, August 5 &amp;amp\; 12. Projects
  will change on a\nweekly basis.</p> <h4>Aug 5th ART LAB THEME:<strong> C
 ollage</strong></h4>\n<hr /> <h4>FREE\, PRE-REGISTRATION IS REQUIRED</h4> 
 <p><strong>Session 1\ntakes place from 2:30-3:20pm—one family should sig
 n up for one slot\ntogether.<br /> Session 2 takes place from 3:30-4:20pm
 —one family should\nsign up for one slot together</strong>.</p> <p>Due t
 o limited space in our\nclassroom and we can only accommodate a family of 
 up to 4 people per\nreservation (ticket). If your family group is larger t
 han 4 people\, please\nreserve additional slots as necessary.</p> <ul> <li>Register for 50 min of\nart making and viewing the exhibition</li> <li>Al
 l people in group must\nwear a mask and gloves (available at The Museum)</li> <li>All people in\ngroup must be over 5 years of age</li> </ul> </div>
  </div> </div> </div>
CATEGORIES:Youth &amp; Families
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd234e
DTSTART:20200807T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Intro to Encaustic Monotype Printmaking
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Encaustic\nmonotyp
 e uses a heated palette with an application of pigmented wax on the\npalet
 te’s metal surface to create instant results. It is an intuitive\nproces
 s that is quick\, unpredictable and spontaneous! Printing with\npigmented 
 waxes offers an opportunity to investigate a wide variety of\nideas and me
 thods to inspire and expand the artist’s visual\nlanguage. </p> <div> &lt;
 div&gt;Many techniques will be presented throughout the\nworkshop to create e
 ncaustic prints utilizing variables of heat\, wax paper\nand pressure to p
 roduce a multitude of interesting effects. Adding to this\,\na variety of 
 mark making ideas will be demonstrated using different media\,\nsuch as gr
 aphite and inks for students to further enhance their work.\nParticipants 
 can expect to create numerous prints as they explore and\ndiscover the end
 less possibilities of printing with heated wax.</div>\n<h4>This class take
 s place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><span><span><span><span>Medium:\nPrintmaking</span></span></span></span></strong></p>\n<p><strong><span><span><span>Age and ability: adults\, beg
 inner to\nintermediate</span></span></span></strong></p> <hr /> <h5>About 
 the\nInstructor:</h5> <p><span><span><span>Nancy Vorm relocated to the Was
 atch\nFront from her native state of Indiana in 2001. Her work is a contin
 ual\nexploration of materials\, layers\, textures and color utilizing vari
 ous\nmedia such as\, inks\, pigments\, paper and wax. In addition to her r
 egular\nstudio practice\, Nancy Vorm has participated in numerous juried s
 hows in\nUtah\, California\, New York and Taiwan\; as well as\, teaching t
 he encaustic\ntechnique. Vorm currently works full time as a studio artist
  at Bogue\nFoundry in Salt Lake City. She is represented by Phillips Galle
 ry in Salt\nLake City.</span></span></span></p> <hr />\n<h5><span><span><s pan><span>Cancellation reimbursement </span>deadline:\nJuly 23\, 2020</span></span></h5> <p>For additional questions\nregarding this workshop
 \, please email  Jeanne Knott\, Visual Arts Class\nAssistant at <a>jknott@svmoa.org.</a> </p> </div>\n</div> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>E
 ncaustic\nmonotype uses a heated palette with an application of pigmented 
 wax on the\npalette’s metal surface to create instant results. It is an 
 intuitive\nprocess that is quick\, unpredictable and spontaneous! Printing
  with\npigmented waxes offers an opportunity to investigate a wide variety
  of\nideas and methods to inspire and expand the artist’s visual\nlangua
 ge. </p> <div> <div>Many techniques will be presented throughout the\nwor
 kshop to create encaustic prints utilizing variables of heat\, wax paper\n
 and pressure to produce a multitude of interesting effects. Adding to this
 \,\na variety of mark making ideas will be demonstrated using different me
 dia\,\nsuch as graphite and inks for students to further enhance their wor
 k.\nParticipants can expect to create numerous prints as they explore and\
 ndiscover the endless possibilities of printing with heated wax.</div>\nThis class takes place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><strong><span><span><span><span>Medium:\nPrintmaking</span></s></span></span></strong></p>\n<p><strong><span><span><span>Age and abil
 ity: adults\, beginner to\nintermediate</span></span></span></strong></p> 
 <hr /> <h5>About the\nInstructor:</h5> <p><span><span><span>Nancy Vorm rel
 ocated to the Wasatch\nFront from her native state of Indiana in 2001. Her
  work is a continual\nexploration of materials\, layers\, textures and col
 or utilizing various\nmedia such as\, inks\, pigments\, paper and wax. In 
 addition to her regular\nstudio practice\, Nancy Vorm has participated in 
 numerous juried shows in\nUtah\, California\, New York and Taiwan\; as wel
 l as\, teaching the encaustic\ntechnique. Vorm currently works full time a
 s a studio artist at Bogue\nFoundry in Salt Lake City. She is represented 
 by Phillips Gallery in Salt\nLake City.</span></span></span></p> <hr />\n&lt;
 h5&gt;<span><span><span><span>Cancellation reimbursement </span>deadline:\nJu
 ly 23\, 2020</span></span></span></h5> <p>For additional questions\nregard
 ing this workshop\, please email  Jeanne Knott\, Visual Arts Class\nAssis
 tant at <a>jknott@svmoa.org.</a>
  </p> </div>\n</div> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd23fc
DTSTART:20200808T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Intro to Encaustic Monotype Printmaking
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Encaustic\nmonotyp
 e uses a heated palette with an application of pigmented wax on the\npalet
 te’s metal surface to create instant results. It is an intuitive\nproces
 s that is quick\, unpredictable and spontaneous! Printing with\npigmented 
 waxes offers an opportunity to investigate a wide variety of\nideas and me
 thods to inspire and expand the artist’s visual\nlanguage. </p> <div> &lt;
 div&gt;Many techniques will be presented throughout the\nworkshop to create e
 ncaustic prints utilizing variables of heat\, wax paper\nand pressure to p
 roduce a multitude of interesting effects. Adding to this\,\na variety of 
 mark making ideas will be demonstrated using different media\,\nsuch as gr
 aphite and inks for students to further enhance their work.\nParticipants 
 can expect to create numerous prints as they explore and\ndiscover the end
 less possibilities of printing with heated wax.</div>\n<h4>This class take
 s place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><span><span><span><span>Medium:\nPrintmaking</span></span></span></span></strong></p>\n<p><strong><span><span><span>Age and ability: adults\, beg
 inner to\nintermediate</span></span></span></strong></p> <hr /> <h5>About 
 the\nInstructor:</h5> <p><span><span><span>Nancy Vorm relocated to the Was
 atch\nFront from her native state of Indiana in 2001. Her work is a contin
 ual\nexploration of materials\, layers\, textures and color utilizing vari
 ous\nmedia such as\, inks\, pigments\, paper and wax. In addition to her r
 egular\nstudio practice\, Nancy Vorm has participated in numerous juried s
 hows in\nUtah\, California\, New York and Taiwan\; as well as\, teaching t
 he encaustic\ntechnique. Vorm currently works full time as a studio artist
  at Bogue\nFoundry in Salt Lake City. She is represented by Phillips Galle
 ry in Salt\nLake City.</span></span></span></p> <hr />\n<h5><span><span><s pan><span>Cancellation reimbursement </span>deadline:\nJuly 23\, 2020</span></span></h5> <p>For additional questions\nregarding this workshop
 \, please email  Jeanne Knott\, Visual Arts Class\nAssistant at <a>jknott@svmoa.org.</a> </p> </div>\n</div> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>E
 ncaustic\nmonotype uses a heated palette with an application of pigmented 
 wax on the\npalette’s metal surface to create instant results. It is an 
 intuitive\nprocess that is quick\, unpredictable and spontaneous! Printing
  with\npigmented waxes offers an opportunity to investigate a wide variety
  of\nideas and methods to inspire and expand the artist’s visual\nlangua
 ge. </p> <div> <div>Many techniques will be presented throughout the\nwor
 kshop to create encaustic prints utilizing variables of heat\, wax paper\n
 and pressure to produce a multitude of interesting effects. Adding to this
 \,\na variety of mark making ideas will be demonstrated using different me
 dia\,\nsuch as graphite and inks for students to further enhance their wor
 k.\nParticipants can expect to create numerous prints as they explore and\
 ndiscover the endless possibilities of printing with heated wax.</div>\nThis class takes place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><strong><span><span><span><span>Medium:\nPrintmaking</span></s></span></span></strong></p>\n<p><strong><span><span><span>Age and abil
 ity: adults\, beginner to\nintermediate</span></span></span></strong></p> 
 <hr /> <h5>About the\nInstructor:</h5> <p><span><span><span>Nancy Vorm rel
 ocated to the Wasatch\nFront from her native state of Indiana in 2001. Her
  work is a continual\nexploration of materials\, layers\, textures and col
 or utilizing various\nmedia such as\, inks\, pigments\, paper and wax. In 
 addition to her regular\nstudio practice\, Nancy Vorm has participated in 
 numerous juried shows in\nUtah\, California\, New York and Taiwan\; as wel
 l as\, teaching the encaustic\ntechnique. Vorm currently works full time a
 s a studio artist at Bogue\nFoundry in Salt Lake City. She is represented 
 by Phillips Gallery in Salt\nLake City.</span></span></span></p> <hr />\n&lt;
 h5&gt;<span><span><span><span>Cancellation reimbursement </span>deadline:\nJu
 ly 23\, 2020</span></span></span></h5> <p>For additional questions\nregard
 ing this workshop\, please email  Jeanne Knott\, Visual Arts Class\nAssis
 tant at <a>jknott@svmoa.org.</a>
  </p> </div>\n</div> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd24a8
DTSTART:20200809T210000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Intro to Encaustic Monotype Printmaking
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Encaustic\nmonotyp
 e uses a heated palette with an application of pigmented wax on the\npalet
 te’s metal surface to create instant results. It is an intuitive\nproces
 s that is quick\, unpredictable and spontaneous! Printing with\npigmented 
 waxes offers an opportunity to investigate a wide variety of\nideas and me
 thods to inspire and expand the artist’s visual\nlanguage. </p> <div> &lt;
 div&gt;Many techniques will be presented throughout the\nworkshop to create e
 ncaustic prints utilizing variables of heat\, wax paper\nand pressure to p
 roduce a multitude of interesting effects. Adding to this\,\na variety of 
 mark making ideas will be demonstrated using different media\,\nsuch as gr
 aphite and inks for students to further enhance their work.\nParticipants 
 can expect to create numerous prints as they explore and\ndiscover the end
 less possibilities of printing with heated wax.</div>\n<h4>This class take
 s place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><span><span><span><span>Medium:\nPrintmaking</span></span></span></span></strong></p>\n<p><strong><span><span><span>Age and ability: adults\, beg
 inner to\nintermediate</span></span></span></strong></p> <hr /> <h5>About 
 the\nInstructor:</h5> <p><span><span><span>Nancy Vorm relocated to the Was
 atch\nFront from her native state of Indiana in 2001. Her work is a contin
 ual\nexploration of materials\, layers\, textures and color utilizing vari
 ous\nmedia such as\, inks\, pigments\, paper and wax. In addition to her r
 egular\nstudio practice\, Nancy Vorm has participated in numerous juried s
 hows in\nUtah\, California\, New York and Taiwan\; as well as\, teaching t
 he encaustic\ntechnique. Vorm currently works full time as a studio artist
  at Bogue\nFoundry in Salt Lake City. She is represented by Phillips Galle
 ry in Salt\nLake City.</span></span></span></p> <hr />\n<h5><span><span><s pan><span>Cancellation reimbursement </span>deadline:\nJuly 23\, 2020</span></span></h5> <p>For additional questions\nregarding this workshop
 \, please email  Jeanne Knott\, Visual Arts Class\nAssistant at <a>jknott@svmoa.org.</a> </p> </div>\n</div> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>E
 ncaustic\nmonotype uses a heated palette with an application of pigmented 
 wax on the\npalette’s metal surface to create instant results. It is an 
 intuitive\nprocess that is quick\, unpredictable and spontaneous! Printing
  with\npigmented waxes offers an opportunity to investigate a wide variety
  of\nideas and methods to inspire and expand the artist’s visual\nlangua
 ge. </p> <div> <div>Many techniques will be presented throughout the\nwor
 kshop to create encaustic prints utilizing variables of heat\, wax paper\n
 and pressure to produce a multitude of interesting effects. Adding to this
 \,\na variety of mark making ideas will be demonstrated using different me
 dia\,\nsuch as graphite and inks for students to further enhance their wor
 k.\nParticipants can expect to create numerous prints as they explore and\
 ndiscover the endless possibilities of printing with heated wax.</div>\nThis class takes place Fri–Sun\, Aug 7–9\, from 9am–4pm daily.</h4>\n<div> <p><strong><span><span><span><span>Medium:\nPrintmaking</span></s></span></span></strong></p>\n<p><strong><span><span><span>Age and abil
 ity: adults\, beginner to\nintermediate</span></span></span></strong></p> 
 <hr /> <h5>About the\nInstructor:</h5> <p><span><span><span>Nancy Vorm rel
 ocated to the Wasatch\nFront from her native state of Indiana in 2001. Her
  work is a continual\nexploration of materials\, layers\, textures and col
 or utilizing various\nmedia such as\, inks\, pigments\, paper and wax. In 
 addition to her regular\nstudio practice\, Nancy Vorm has participated in 
 numerous juried shows in\nUtah\, California\, New York and Taiwan\; as wel
 l as\, teaching the encaustic\ntechnique. Vorm currently works full time a
 s a studio artist at Bogue\nFoundry in Salt Lake City. She is represented 
 by Phillips Gallery in Salt\nLake City.</span></span></span></p> <hr />\n&lt;
 h5&gt;<span><span><span><span>Cancellation reimbursement </span>deadline:\nJu
 ly 23\, 2020</span></span></span></h5> <p>For additional questions\nregard
 ing this workshop\, please email  Jeanne Knott\, Visual Arts Class\nAssis
 tant at <a>jknott@svmoa.org.</a>
  </p> </div>\n</div> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2546
DTSTART:20200813T033000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:(SESSION 2) FAMILY PROGRAM: Afternoon Art 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Families will\nmak
 e art\, explore The Museum’s Art Lab and view the exhibition together.\n
 Designed for families with kids who are age 5 to 12. Afternoon Art session
 s\nwill be offered July 29\, August 5 &amp;amp\; 12. Projects will change on a
 \nweekly basis.</p> <h4>Aug 12th ART LAB THEME:<strong> Mesh screen\npain
 ting</strong> <strong> </strong></h4> <hr /> <h4>FREE\,\nPRE-REGISTRATIO
 N IS REQUIRED</h4> <p><strong>Session 1 takes place from\n2:30-3:20pm—on
 e family should sign up for one slot together.<br />\nSession 2 takes plac
 e from 3:30-4:20pm—one family should sign up for one\nslot together.</p> <p>Due to limited space in our classroom and we\ncan only accomm
 odate a family of up to 4 people per reservation (ticket).\nIf your family
  group is larger than 4 people\, please reserve additional\nslots as neces
 sary.</p> <ul> <li>Register for 50 min of art making and\nviewing the exhi
 bition</li> <li>All people in group must wear a mask and\ngloves (availabl
 e at The Museum)</li> <li>All people in group must be over\n5 years of age
 </li> </ul> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>F
 amilies will\nmake art\, explore The Museum’s Art Lab and view the exhib
 ition together.\nDesigned for families with kids who are age 5 to 12. Afte
 rnoon Art sessions\nwill be offered July 29\, August 5 &amp;amp\; 12. Projects
  will change on a\nweekly basis.</p> <h4>Aug 12th ART LAB THEME:<strong> 
 Mesh screen\npainting</strong> <strong> </strong></h4> <hr /> <h4>FREE\,
 \nPRE-REGISTRATION IS REQUIRED</h4> <p><strong>Session 1 takes place from\
 n2:30-3:20pm—one family should sign up for one slot together.<br />\nSes
 sion 2 takes place from 3:30-4:20pm—one family should sign up for one\ns
 lot together</strong>.</p> <p>Due to limited space in our classroom and we
 \ncan only accommodate a family of up to 4 people per reservation (ticket)
 .\nIf your family group is larger than 4 people\, please reserve additiona
 l\nslots as necessary.</p> <ul> <li>Register for 50 min of art making and\
 nviewing the exhibition</li> <li>All people in group must wear a mask and\
 ngloves (available at The Museum)</li> <li>All people in group must be ove
 r\n5 years of age</li> </ul> </div> </div> </div> </div>
CATEGORIES:Youth &amp; Families
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd25c8
DTSTART:20200814T070000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>River 
 Run Lodge</a>
SUMMARY:(CANCELLED) 2020 SUMMER CONCERT SERIES: Gregory Alan Isakov
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><h4><span>Gregory\nAl
 an Isakov's</span> concert has been cancelled.</h4> <p><span>Due to the\nu
 ncertainty around Covid-19 and in prioritizing the safety of our community
 \nand concert attendees\, the hard decision has been made with Gregory Ala
 n\nIsakov’s team to cancel this summer's concert. We hope to bring Grego
 ry\nfor a concert in the future. For the first time in over 40 years\, Sun
 \nValley Museum of Art will not be gathering our community for outdoor liv
 e\nconcerts. While\nwe're<span> </span><span>devastated<span> </span></s>over the whole\nsituation\, we're strategizing how we can continue con
 necting you to live\nperformances\, so stay tuned!</span><span><span> </s></span><span>If\nyou'd be willing to help The Museum financially durin
 g this difficult time\,\nwe'd welcome a donation of any size as a vote of 
 solidarity in bringing\nback live performances stronger than ever. </span>
 </p> <h5><span>Thank you\nfor your understanding and support.</span></h5> 
 <hr /> <p>Finishing out the\nconcert series at River Run Lodge is the soul
 ful <strong>Gregory Alan\nIsakov</strong>. This talented singer-songwriter
  was born in Johannesburg\,\nSouth Africa\, and now calls Colorado home. I
 sakov has toured\ninternationally with his band and has performed with nat
 ional symphony\norchestras across the United States. In addition to owning
  his independent\nrecord label\, Suitcase Town Music\, he also manages a s
 mall farm in Boulder\nCounty that provides produce to over a dozen local r
 estaurants.</p> <hr />\n</div> </div> </div> </div> \, <div> <div> <div> <div><h4>Not a Sun Valley 
 Museum of Art member or want to\nlearn more?</h4> </div> </div> </div>  \, <div> <div> <div> <a>
 Join\, Renew or Learn More\nAbout Membership!</a> </div> </div> </div> \, 
 <div> <div> <div> <div><h2>2020 
 Summer Concert Series Sponsors</h2> <h5><span><span><span><span>The 2020 Summer Concert\nSeries is sponsored in part by
  Magleby Construction\, Lutz Rentals\, Clear\nCreek Disposal and Sun Valle
 y Resort.</span></span></span></span></h5>\n<p> </p> </div> </div> </div>
  </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><h4>
 <span>Gregory\nAlan Isakov's</span> concert has been cancelled.</h4> <p><s pan>Due to the\nuncertainty around Covid-19 and in prioritizing the safety
  of our community\nand concert attendees\, the hard decision has been made
  with Gregory Alan\nIsakov’s team to cancel this summer's concert. We ho
 pe to bring Gregory\nfor a concert in the future. For the first time in ov
 er 40 years\, Sun\nValley Museum of Art will not be gathering our communit
 y for outdoor live\nconcerts. While\nwe're<span> </span><span>devastated&lt;
 span&gt; </span></span>over the whole\nsituation\, we're strategizing how we
  can continue connecting you to live\nperformances\, so stay tuned!</span>
 <span><span> </span></span><span>If\nyou'd be willing to help The Museum 
 financially during this difficult time\,\nwe'd welcome a donation of any s
 ize as a vote of solidarity in bringing\nback live performances stronger t
 han ever. </span></p> <h5><span>Thank you\nfor your understanding and supp
 ort.</span></h5> <hr /> <p>Finishing out the\nconcert series at River Run 
 Lodge is the soulful <strong>Gregory Alan\nIsakov</strong>. This talented 
 singer-songwriter was born in Johannesburg\,\nSouth Africa\, and now calls
  Colorado home. Isakov has toured\ninternationally with his band and has p
 erformed with national symphony\norchestras across the United States. In a
 ddition to owning his independent\nrecord label\, Suitcase Town Music\, he
  also manages a small farm in Boulder\nCounty that provides produce to ove
 r a dozen local restaurants.</p> <hr />\n</div> </div> </div> </div> \,  <div> <div> <div><h4>
 Not a Sun Valley Museum of Art member or want to\nlearn more?</h4> </div> 
 </div> </div> </div> \, <div> <div> <div> <a>Join\, Renew or Learn More\nAbout Membership!</a> </div> 
 </div> </div> \, <div> <div> <div n> <div><h2>2020 Summer Concert Series Sponsors</h2> <h5><span><span><span><span>The 2020 Summer Concert\nSeries is spo
 nsored in part by Magleby Construction\, Lutz Rentals\, Clear\nCreek Dispo
 sal and Sun Valley Resort.</span></span></span></span></h5>\n<p> </p>  </div> </div> </div>
CATEGORIES:Music &amp; Performances
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd267c
DTSTART:20200820T060000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELLED: ADULT CLASS: A Thousand Words—Guided Writing About the
  Art You See 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Can you describe\n
 what you see? Art inspires\, captures\, escapes\, disrupts\, disturbs\,\nc
 onceals\, and reveals. It also helps us learn to look more carefully\,\nre
 minding us that what we think we see is not all there is. In this time of\
 nmis-seeing and misunderstanding\, careful looking is ethical and urgent\n
 work. Please join us for ninety minutes of generative writing exercises\nb
 ased on the current exhibition. Experiment with new ways to view art and\n
 play with language. Everyone is welcome\; the workshop is open to all\nlev
 els\, from beginner to advanced.</p> <p><strong>This class takes place\nWe
 d\, Aug 19\, from 6–7:30pm</strong></p> <p><strong>Medium: writing<br />
 \nAge and ability: 14yrs and older\, beginners welcome</strong></p> <hr />
 \n<h5>About the instructor: </h5> <p>Sarah Sentilles is a writer\, teache
 r\,\ncritical theorist\, scholar of religion\, and author of many books\, 
 including\n<em>Draw Your Weapons</em>\, which won the 2018 PEN Award for C
 reative\nNonfiction. Her writing has appeared in The New York Times\, The 
 New Yorker\,\nOprah Magazine\, Ms.\, Religion Dispatches\, Oregon ArtsWatc
 h\, and the Los\nAngeles Review of Books\, among other publications. She's
  had residencies at\nHedgebrook and Yaddo.</p> <p>She earned a bachelor's 
 degree at Yale and\nmaster's and doctoral degrees at Harvard. She is also 
 the co-founder of the\nAlliance of Idaho\, which works to protect the basi
 c human rights of\nimmigrants by engaging in education\, outreach\, and ad
 vocacy at local\,\nstate\, and national levels. At the core of her scholar
 ship\, writing\, and\nactivism is a commitment to investigating the roles 
 language\, images\, and\npractices play in oppression\, violence\, social 
 transformation\, and justice\nmovements.</p> <p>She has taught at Pacific 
 Northwest College of Art\,\nPortland State University\, California State U
 niversity Channel Islands\, and\nWillamette University\, where she was the
  Mark and Melody Teppola\nPresidential Distinguished Visiting Professor. S
 he teaches writing\nworkshops and works one-on-one with clients to help su
 pport their art\,\nwriting\, and creativity. She lives in Hailey\, Idaho.&lt;
 /p&gt; <hr /> <p>For\nadditional questions regarding this workshop\, please e
 mail Jeanne Knott\,\nVisual Arts Class Assistant at <a>jknott@svmoa.org.</a> </p> </div>\n</div> </div> &lt;
 /div&gt; \, <div> <div>\n<div> <div><p><div a ndata-embed-button="\" ndata-entity-emb> <img /></div>\n<br /></p><h5>Part of the BIG IDEA project <em>From Th
 e Colour of Its\nBloom: Camas Prairie.</em></h5> </div> </div> </div> 
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>C
 an you describe\nwhat you see? Art inspires\, captures\, escapes\, disrupt
 s\, disturbs\,\nconceals\, and reveals. It also helps us learn to look mor
 e carefully\,\nreminding us that what we think we see is not all there is.
  In this time of\nmis-seeing and misunderstanding\, careful looking is eth
 ical and urgent\nwork. Please join us for ninety minutes of generative wri
 ting exercises\nbased on the current exhibition. Experiment with new ways 
 to view art and\nplay with language. Everyone is welcome\; the workshop is
  open to all\nlevels\, from beginner to advanced.</p> <p><strong>This clas
 s takes place\nWed\, Aug 19\, from 6–7:30pm</strong></p> <p><strong>Medi
 um: writing<br />\nAge and ability: 14yrs and older\, beginners welcome</s></p> <hr />\n<h5>About the instructor: </h5> <p>Sarah Sentilles is 
 a writer\, teacher\,\ncritical theorist\, scholar of religion\, and author
  of many books\, including\n<em>Draw Your Weapons</em>\, which won the 201
 8 PEN Award for Creative\nNonfiction. Her writing has appeared in The New 
 York Times\, The New Yorker\,\nOprah Magazine\, Ms.\, Religion Dispatches\
 , Oregon ArtsWatch\, and the Los\nAngeles Review of Books\, among other pu
 blications. She's had residencies at\nHedgebrook and Yaddo.</p> <p>She ear
 ned a bachelor's degree at Yale and\nmaster's and doctoral degrees at Harv
 ard. She is also the co-founder of the\nAlliance of Idaho\, which works to
  protect the basic human rights of\nimmigrants by engaging in education\, 
 outreach\, and advocacy at local\,\nstate\, and national levels. At the co
 re of her scholarship\, writing\, and\nactivism is a commitment to investi
 gating the roles language\, images\, and\npractices play in oppression\, v
 iolence\, social transformation\, and justice\nmovements.</p> <p>She has t
 aught at Pacific Northwest College of Art\,\nPortland State University\, C
 alifornia State University Channel Islands\, and\nWillamette University\, 
 where she was the Mark and Melody Teppola\nPresidential Distinguished Visi
 ting Professor. She teaches writing\nworkshops and works one-on-one with c
 lients to help support their art\,\nwriting\, and creativity. She lives in
  Hailey\, Idaho.</p> <hr /> <p>For\nadditional questions regarding this wo
 rkshop\, please email Jeanne Knott\,\nVisual Arts Class Assistant at <a n>jknott@svmoa.org.</a> </p> </div>
 \n</div> </div> </div> \, <div> <div>\n<div> <div><p><div nda nda> <img titl /></div>\n<br /></p><h5>Part of the BIG IDEA pr
 oject <em>From The Colour of Its\nBloom: Camas Prairie.</em></h5> </div> &lt;
 /div&gt; </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2750
DTSTART:20200821T053000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:(SESSION 2) EVENING EXHIBITION TOUR: From The Colour of Its Bloom 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p><span>Join us for\
 na glass of wine as you tour the exhibition with SVMoA’s\ncurators.</p> <p><em>From the Colour of Its Bloom: Camas\nPrairie</em> considers
  a unique landscape in Southern Idaho that is home\nto multiple ecosystems
  and social histories\, and is named for the Camas\nLily\, which blooms ea
 ch spring and has traditionally been an important food\nstaple for the Sho
 shone and Bannock peoples.</p> <p>The project will\nconsist of an exhibiti
 on including 4 commissioned bodies of work\, 1 outdoor\nsculptural install
 ation in the city of Ketchum\, a signage project in\ncollaboration with th
 e Shoshone-Bannock Tribes and a catalog. The\nexhibition will feature new 
 artwork by:</p> <ul> <li><strong>Daniel\nGordon</strong></li> <li><strong>
 MK Guth</strong></li> <li><strong>Anthony\nHernandez</strong></li> <li>Sopheap Pich</strong></li>\n<li><strong>Judith Freeman</strong></li> 
 </ul> <h4>THIS EVENT TAKES PLACE\nTHU\, AUG 20\, 5:30–6:30PM.</h4> <p>&lt;
 strong&gt;<span>FREE\, pre-registration\nrequired. Each session is limited to
 <span> </span>10\nparticipants.</span></strong></p> <hr /> <h5>GENEROUSLY
  SUPPORTED BY THE\nNATIONAL ENDOWMENT FOR THE ARTS\, THE ROBERT LEHMAN FOU
 NDATION AND NUMEROUS\nPRIVATE INDIVIDUALS.</h5> <hr /> </div> </div>  </div> \, <div>\n<div> <div nclas> <div><p>&lt;
 div alt=\"BIG IDEA project of Sun Valley Museum of Art\"\ndata-embed-butto
 n=\"file_browser\" data-entity-embed-display=\"image:image\"\ndata-entity-
 embed-display-settings=\"{&amp;quot\;image_style&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\
 ;image_link&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\;svg_render_as_image&amp;quot\;:1\,&amp;q
 uot\;svg_attributes&amp;quot\;:{&amp;quot\;width&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\;hei
 ght&amp;quot\;:&amp;quot\;&amp;quot\;}}\"\ndata-entity-type=\"file\"\ndata-entity-uuid
 =\"e40ed5ae-ad29-49f1-af52-aafbb5d7b979\" title=\"BIG IDEA\nproject of Sun
  Valley Museum of Art\" class=\"align-left embedded-entity\"\ndata-langcod
 e=\"en\"&gt; <img al /></div> <br n /></p><h5>Part of SVMoA’s BIG IDEA project <em>The 
 Colour of its Bloom:\nThe Camas Prairie</em>.</h5> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>&lt;
 span&gt;Join us for\na glass of wine as you tour the exhibition with SVMoA’
 s\ncurators.</span></p> <p><em>From the Colour of Its Bloom: Camas\nPrairi
 e</em> considers a unique landscape in Southern Idaho that is home\nto mu
 ltiple ecosystems and social histories\, and is named for the Camas\nLily\
 , which blooms each spring and has traditionally been an important food\ns
 taple for the Shoshone and Bannock peoples.</p> <p>The project will\nconsi
 st of an exhibition including 4 commissioned bodies of work\, 1 outdoor\ns
 culptural installation in the city of Ketchum\, a signage project in\ncoll
 aboration with the Shoshone-Bannock Tribes and a catalog. The\nexhibition 
 will feature new artwork by:</p> <ul> <li><strong>Daniel\nGordon</strong>&lt;
 /li&gt; <li><strong>MK Guth</strong></li> <li><strong>Anthony\nHernandez</li> <li><strong>Sopheap Pich</strong></li>\n<li><strong>Judith Freem
 an</strong></li> </ul> <h4>THIS EVENT TAKES PLACE\nTHU\, AUG 20\, 5:30–
 6:30PM.</h4> <p><strong><span>FREE\, pre-registration\nrequired. Each sess
 ion is limited to<span> </span>10\nparticipants.</span></strong></p> <hr /> <h5>GENEROUSLY SUPPORTED BY THE\nNATIONAL ENDOWMENT FOR THE ARTS\, THE 
 ROBERT LEHMAN FOUNDATION AND NUMEROUS\nPRIVATE INDIVIDUALS.</h5> <hr /> &lt;
 /div&gt; </div> </div> </div> \, <div>\n<div> <div> <div><p><div> <img c /></div> <br n /></p><h5>Part of SVMoA’s BIG IDEA
  project <em>The Colour of its Bloom:\nThe Camas Prairie</em>.</h5> </div>
  </div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events,Lectures &amp; Talks
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2824
DTSTART:20200821T053000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:(SESSION 2) EVENING EXHIBITION TOUR: From The Colour of Its Bloom 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p><span>Join us for\
 na glass of wine as you tour the exhibition with SVMoA’s\ncurators.</p> <p><em>From the Colour of Its Bloom: Camas\nPrairie</em> considers
  a unique landscape in Southern Idaho that is home\nto multiple ecosystems
  and social histories\, and is named for the Camas\nLily\, which blooms ea
 ch spring and has traditionally been an important food\nstaple for the Sho
 shone and Bannock peoples.</p> <p>The project will\nconsist of an exhibiti
 on including 4 commissioned bodies of work\, 1 outdoor\nsculptural install
 ation in the city of Ketchum\, a signage project in\ncollaboration with th
 e Shoshone-Bannock Tribes and a catalog. The\nexhibition will feature new 
 artwork by:</p> <ul> <li><strong>Daniel\nGordon</strong></li> <li><strong>
 MK Guth</strong></li> <li><strong>Anthony\nHernandez</strong></li> <li>Sopheap Pich</strong></li>\n<li><strong>Judith Freeman</strong></li> 
 </ul> <h4>THIS EVENT TAKES PLACE\nTHU\, AUG 20\, 5:30–6:30PM.</h4> <p>&lt;
 strong&gt;<span>FREE\, pre-registration\nrequired. Each session is limited to
 <span> </span>10\nparticipants.</span></strong></p> <hr /> <h5>GENEROUSLY
  SUPPORTED BY THE\nNATIONAL ENDOWMENT FOR THE ARTS\, THE ROBERT LEHMAN FOU
 NDATION AND NUMEROUS\nPRIVATE INDIVIDUALS.</h5> <hr /> </div> </div>  </div> \, <div>\n<div> <div nclas> <div><p>&lt;
 div alt=\"BIG IDEA project of Sun Valley Museum of Art\"\ndata-embed-butto
 n=\"file_browser\" data-entity-embed-display=\"image:image\"\ndata-entity-
 embed-display-settings=\"{&amp;quot\;image_style&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\
 ;image_link&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\;svg_render_as_image&amp;quot\;:1\,&amp;q
 uot\;svg_attributes&amp;quot\;:{&amp;quot\;width&amp;quot\;:&amp;quot\;&amp;quot\;\,&amp;quot\;hei
 ght&amp;quot\;:&amp;quot\;&amp;quot\;}}\"\ndata-entity-type=\"file\"\ndata-entity-uuid
 =\"e40ed5ae-ad29-49f1-af52-aafbb5d7b979\" title=\"BIG IDEA\nproject of Sun
  Valley Museum of Art\" class=\"align-left embedded-entity\"\ndata-langcod
 e=\"en\"&gt; <img al /></div> <br n /></p><h5>Part of SVMoA’s BIG IDEA project <em>The 
 Colour of its Bloom:\nThe Camas Prairie</em>.</h5> </div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>&lt;
 span&gt;Join us for\na glass of wine as you tour the exhibition with SVMoA’
 s\ncurators.</span></p> <p><em>From the Colour of Its Bloom: Camas\nPrairi
 e</em> considers a unique landscape in Southern Idaho that is home\nto mu
 ltiple ecosystems and social histories\, and is named for the Camas\nLily\
 , which blooms each spring and has traditionally been an important food\ns
 taple for the Shoshone and Bannock peoples.</p> <p>The project will\nconsi
 st of an exhibition including 4 commissioned bodies of work\, 1 outdoor\ns
 culptural installation in the city of Ketchum\, a signage project in\ncoll
 aboration with the Shoshone-Bannock Tribes and a catalog. The\nexhibition 
 will feature new artwork by:</p> <ul> <li><strong>Daniel\nGordon</strong>&lt;
 /li&gt; <li><strong>MK Guth</strong></li> <li><strong>Anthony\nHernandez</li> <li><strong>Sopheap Pich</strong></li>\n<li><strong>Judith Freem
 an</strong></li> </ul> <h4>THIS EVENT TAKES PLACE\nTHU\, AUG 20\, 5:30–
 6:30PM.</h4> <p><strong><span>FREE\, pre-registration\nrequired. Each sess
 ion is limited to<span> </span>10\nparticipants.</span></strong></p> <hr /> <h5>GENEROUSLY SUPPORTED BY THE\nNATIONAL ENDOWMENT FOR THE ARTS\, THE 
 ROBERT LEHMAN FOUNDATION AND NUMEROUS\nPRIVATE INDIVIDUALS.</h5> <hr /> &lt;
 /div&gt; </div> </div> </div> \, <div>\n<div> <div> <div><p><div> <img c /></div> <br n /></p><h5>Part of SVMoA’s BIG IDEA
  project <em>The Colour of its Bloom:\nThe Camas Prairie</em>.</h5> </div>
  </div> </div> </div>
CATEGORIES:Exhibition Tours &amp; Events,Lectures &amp; Talks
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd28e8
DTSTART:20200821T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Woven Baskets
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Basket making is\n
 a meditation as well as an art form. Basketry is one of the oldest known\n
 crafts dating back to more than ten thousand years. The weaving techniques
 \nhaven’t changed and the evidence is found everywhere there is\nciviliz
 ation.</p> <p>In this class\, you will learn and use the twining\ntechniqu
 e to make either a 2” diameter plate or a little round box\, just\nthe r
 ight size for a ring. A lid can be made out of class. The material we\nuse
  will be 4 and 7 ply waxed linen\, in a multitude of beautiful colors.\nOn
 e of the joys of crafting with this material is watching its\ntransformati
 on from natural substance to art piece.</p> <h4>This class\ntakes place Fr
 i–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div> <div>\n<p><span><span><span>Medium: Fiber\n</span></span></span></strong></p>  <div>\n<p><strong><span><span><span>Age and ability: 16 yrs. and older\
 , beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span><span><span>A mast
 er in fine arts\,\nSally has been drawn to basketry for its quiet contempl
 ative quality as\nwell as a myriad of colors and patterns\, and organic sh
 apes. She has won\nnumerous awards for her work\, as well as having her ba
 skets published in\nsix books on basketry. She gets enormous joy from teac
 hing others this\ncraft.</span></span></span></p> </div> </div> </div>  </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>B
 asket making is\na meditation as well as an art form. Basketry is one of t
 he oldest known\ncrafts dating back to more than ten thousand years. The w
 eaving techniques\nhaven’t changed and the evidence is found everywhere 
 there is\ncivilization.</p> <p>In this class\, you will learn and use the 
 twining\ntechnique to make either a 2” diameter plate or a little round 
 box\, just\nthe right size for a ring. A lid can be made out of class. The
  material we\nuse will be 4 and 7 ply waxed linen\, in a multitude of beau
 tiful colors.\nOne of the joys of crafting with this material is watching 
 its\ntransformation from natural substance to art piece.</p> <h4>This clas
 s\ntakes place Fri–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div>
  <div>\n<p><strong><span><span><span>Medium: Fiber\n</span></span></span>&lt;
 /strong&gt;</p> </div> <div>\n<p><strong><span><span><span>Age and ability: 1
 6 yrs. and older\, beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span>&lt;
 span&gt;<span>A master in fine arts\,\nSally has been drawn to basketry for i
 ts quiet contemplative quality as\nwell as a myriad of colors and patterns
 \, and organic shapes. She has won\nnumerous awards for her work\, as well
  as having her baskets published in\nsix books on basketry. She gets enorm
 ous joy from teaching others this\ncraft.</span></span></span></p> </div> 
 </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2985
DTSTART:20200822T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Woven Baskets
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Basket making is\n
 a meditation as well as an art form. Basketry is one of the oldest known\n
 crafts dating back to more than ten thousand years. The weaving techniques
 \nhaven’t changed and the evidence is found everywhere there is\nciviliz
 ation.</p> <p>In this class\, you will learn and use the twining\ntechniqu
 e to make either a 2” diameter plate or a little round box\, just\nthe r
 ight size for a ring. A lid can be made out of class. The material we\nuse
  will be 4 and 7 ply waxed linen\, in a multitude of beautiful colors.\nOn
 e of the joys of crafting with this material is watching its\ntransformati
 on from natural substance to art piece.</p> <h4>This class\ntakes place Fr
 i–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div> <div>\n<p><span><span><span>Medium: Fiber\n</span></span></span></strong></p>  <div>\n<p><strong><span><span><span>Age and ability: 16 yrs. and older\
 , beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span><span><span>A mast
 er in fine arts\,\nSally has been drawn to basketry for its quiet contempl
 ative quality as\nwell as a myriad of colors and patterns\, and organic sh
 apes. She has won\nnumerous awards for her work\, as well as having her ba
 skets published in\nsix books on basketry. She gets enormous joy from teac
 hing others this\ncraft.</span></span></span></p> </div> </div> </div>  </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>B
 asket making is\na meditation as well as an art form. Basketry is one of t
 he oldest known\ncrafts dating back to more than ten thousand years. The w
 eaving techniques\nhaven’t changed and the evidence is found everywhere 
 there is\ncivilization.</p> <p>In this class\, you will learn and use the 
 twining\ntechnique to make either a 2” diameter plate or a little round 
 box\, just\nthe right size for a ring. A lid can be made out of class. The
  material we\nuse will be 4 and 7 ply waxed linen\, in a multitude of beau
 tiful colors.\nOne of the joys of crafting with this material is watching 
 its\ntransformation from natural substance to art piece.</p> <h4>This clas
 s\ntakes place Fri–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div>
  <div>\n<p><strong><span><span><span>Medium: Fiber\n</span></span></span>&lt;
 /strong&gt;</p> </div> <div>\n<p><strong><span><span><span>Age and ability: 1
 6 yrs. and older\, beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span>&lt;
 span&gt;<span>A master in fine arts\,\nSally has been drawn to basketry for i
 ts quiet contemplative quality as\nwell as a myriad of colors and patterns
 \, and organic shapes. She has won\nnumerous awards for her work\, as well
  as having her baskets published in\nsix books on basketry. She gets enorm
 ous joy from teaching others this\ncraft.</span></span></span></p> </div> 
 </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2a16
DTSTART:20200823T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CREATIVE JUMP-IN: Woven Baskets
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><p>Basket making is\n
 a meditation as well as an art form. Basketry is one of the oldest known\n
 crafts dating back to more than ten thousand years. The weaving techniques
 \nhaven’t changed and the evidence is found everywhere there is\nciviliz
 ation.</p> <p>In this class\, you will learn and use the twining\ntechniqu
 e to make either a 2” diameter plate or a little round box\, just\nthe r
 ight size for a ring. A lid can be made out of class. The material we\nuse
  will be 4 and 7 ply waxed linen\, in a multitude of beautiful colors.\nOn
 e of the joys of crafting with this material is watching its\ntransformati
 on from natural substance to art piece.</p> <h4>This class\ntakes place Fr
 i–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div> <div>\n<p><span><span><span>Medium: Fiber\n</span></span></span></strong></p>  <div>\n<p><strong><span><span><span>Age and ability: 16 yrs. and older\
 , beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span><span><span>A mast
 er in fine arts\,\nSally has been drawn to basketry for its quiet contempl
 ative quality as\nwell as a myriad of colors and patterns\, and organic sh
 apes. She has won\nnumerous awards for her work\, as well as having her ba
 skets published in\nsix books on basketry. She gets enormous joy from teac
 hing others this\ncraft.</span></span></span></p> </div> </div> </div>  </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><p>B
 asket making is\na meditation as well as an art form. Basketry is one of t
 he oldest known\ncrafts dating back to more than ten thousand years. The w
 eaving techniques\nhaven’t changed and the evidence is found everywhere 
 there is\ncivilization.</p> <p>In this class\, you will learn and use the 
 twining\ntechnique to make either a 2” diameter plate or a little round 
 box\, just\nthe right size for a ring. A lid can be made out of class. The
  material we\nuse will be 4 and 7 ply waxed linen\, in a multitude of beau
 tiful colors.\nOne of the joys of crafting with this material is watching 
 its\ntransformation from natural substance to art piece.</p> <h4>This clas
 s\ntakes place Fri–Sun\, Aug 21–23\, from 10am–3pm.</h4> <div> <div>
  <div>\n<p><strong><span><span><span>Medium: Fiber\n</span></span></span>&lt;
 /strong&gt;</p> </div> <div>\n<p><strong><span><span><span>Age and ability: 1
 6 yrs. and older\, beginners\nwelcome</span></span></span></strong></p> </div> </div> </div> <div> <hr />\n<h5>About the Instructor:</h5> <p><span>&lt;
 span&gt;<span>A master in fine arts\,\nSally has been drawn to basketry for i
 ts quiet contemplative quality as\nwell as a myriad of colors and patterns
 \, and organic shapes. She has won\nnumerous awards for her work\, as well
  as having her baskets published in\nsix books on basketry. She gets enorm
 ous joy from teaching others this\ncraft.</span></span></span></p> </div> 
 </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2aa7
DTSTART:20200825T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>Haile
 y\nClassroom</a>
SUMMARY:CANCELLED: CREATIVE JUMP-IN: Abstracting from Reality 
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><div> <p>Using\nphoto
 s of our beautiful Gem State for inspiration\, participants will work\nthr
 ough several exercises on paper that explore design elements and\nprincipl
 es such as line\, shape\, repetition and value. The focus of this\nprocess
  is to learn different approaches of abstracting from reality that\ncan be
  used in designing future artworks. Participants will leave with a\nwork o
 f art made of either fused fabrics or collaged papers.</p> <h4>Class\ntake
 s place Tue &amp;amp\; Wed\, Aug 25 &amp;amp\; 26 from 10am–4pm.</h4> </div>\n<p><strong><span><span><span>Medium: Mixed Media\nCollage</span></span></strong></p> <p><strong>Age and ability: 16\nyrs. and older\, beginners
  welcome</strong></p> <div> <hr /> <h5>About the\ninstructor:</h5> <p><span><span>Boise artist\, Lisa Flowers Ross\,\ncreates abstract textile
  art that reduces core elements into basic shapes\nand organic forms. Her 
 hand dyed colors and distinct edges create a graphic\nquality\, while adde
 d stitching enhances the tactile nature of the fabric.\nIn her body of wor
 k\, nature and daily observation are her main\ninspirations. Flowers Ross
 ’ artwork has been exhibited in solo\, group and\njuried exhibitions nat
 ionally and internationally\, and are included in\nprivate\, public and co
 rporate collections. </span></span></span></p>\n<p><span><span><span>The a
 rtist has created several public artworks\,\nreceived grants from the Idah
 o Commission on the Arts and Alexa Rose\nFoundation and has been an artist
 -in-residence in Oregon\, Idaho and\nWyoming. Flowers Ross holds a Bachelo
 r of Arts degree in Studio Art\n(drawing)\, as well as a degree in Busines
 s. She is a juried artist member\nof the professional groups\, Northwest D
 esigner Craftsmen and Boise Open\nStudio Collective Organization.</span></span></span></p> <hr />\n<h5>Cancellation <span><span><span><span>reimbur
 sement\n</span></span></span></span><span><span><span>deadline: August 11\
 ,\n2020</span></span></span></h5> <p>For additional questions regarding th
 is\nworkshop\, please email  Jeanne Knott\, Visual Arts Class Assistant a
 t <a>jknott@svmoa.org.</a> </p>
  </div>\n</div> </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><div> <p>Using\nphotos of our beautiful Gem State for inspiration\, participan
 ts will work\nthrough several exercises on paper that explore design eleme
 nts and\nprinciples such as line\, shape\, repetition and value. The focus
  of this\nprocess is to learn different approaches of abstracting from rea
 lity that\ncan be used in designing future artworks. Participants will lea
 ve with a\nwork of art made of either fused fabrics or collaged papers.</p> <h4>Class\ntakes place Tue &amp;amp\; Wed\, Aug 25 &amp;amp\; 26 from 10am–4pm
 .</h4> </div>\n<p><strong><span><span><span>Medium: Mixed Media\nCollage</span></span></span></strong></p> <p><strong>Age and ability: 16\nyrs. and 
 older\, beginners welcome</strong></p> <div> <hr /> <h5>About the\ninstruc
 tor:</h5> <p><span><span><span>Boise artist\, Lisa Flowers Ross\,\ncreates
  abstract textile art that reduces core elements into basic shapes\nand or
 ganic forms. Her hand dyed colors and distinct edges create a graphic\nqua
 lity\, while added stitching enhances the tactile nature of the fabric.\nI
 n her body of work\, nature and daily observation are her main\ninspiratio
 ns. Flowers Ross’ artwork has been exhibited in solo\, group and\njuried
  exhibitions nationally and internationally\, and are included in\nprivate
 \, public and corporate collections. </span></span></span></p>\n<p><span>&lt;
 span&gt;<span>The artist has created several public artworks\,\nreceived gran
 ts from the Idaho Commission on the Arts and Alexa Rose\nFoundation and ha
 s been an artist-in-residence in Oregon\, Idaho and\nWyoming. Flowers Ross
  holds a Bachelor of Arts degree in Studio Art\n(drawing)\, as well as a d
 egree in Business. She is a juried artist member\nof the professional grou
 ps\, Northwest Designer Craftsmen and Boise Open\nStudio Collective Organi
 zation.</span></span></span></p> <hr />\n<h5>Cancellation <span><span><span>reimbursement\n</span></span></span></span><span><span><span>dead
 line: August 11\,\n2020</span></span></span></h5> <p>For additional questi
 ons regarding this\nworkshop\, please email  Jeanne Knott\, Visual Arts C
 lass Assistant at <a>jknott@svmo
 a.org.</a> </p> </div>\n</div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
BEGIN:VEVENT
UID:67474c7bd2b50
DTSTART:20200829T220000Z
SEQUENCE:0
TRANSP:OPAQUE
LOCATION:<a>The Mus
 eum</a>
SUMMARY:CANCELLED: CREATIVE JUMP-IN: Drawing from our Mining Heritage
CLASS:PUBLIC
DESCRIPTION:<div> <div>\n<div class="\"> <div><div>\n<p><strong><span><span>Meet at The Museum\, Ketchum and caravan up to\nYankee Fork
 \, and the ghost town of Custer\nCity.</span></span></span></strong></p> &lt;
 p&gt;Whether you believe the richness\nof our state lies in its vast beauty o
 r the lure of fortunes found in\nmineral deposits\, this field trip is mea
 nt to inspire your inner\nartist.</p> <p>Join us while we take an artistic
  look at Idaho’s mining\nheritage. We’ll start with a beautiful drive 
 over Galena Summit and into\nthe Stanley Basin taking a brief tour of the 
 Stanley Museum\, then exploring\nthe Yankee Fork Gold Dredge and delve int
 o Idaho’s past with a walk\naround the ghost town of Custer. We will spe
 nd the afternoon drawing sites\nthat inspire us. </p> <h4>Class takes pla
 ce Sat\, Aug 29 from\n10am–5pm.</h4> </div> <div> <p><strong><span><span><span>Medium: Drawing\n</span></span></span></strong></p> <p><strong><span><span>Age and\nability: 16 yrs. and older\, beginners\nwelcome</span></span></strong></p> </div> <div> <hr /> <h5>About the\nInstruct
 or:</h5> </div> <div> <div> <p><span><span><span><span>Bob Dix\nearned a B
 A at San Francisco State University and an MFA at the New York\nState Coll
 ege of Ceramics at Alfred University. He has exhibited his work\nwidely in
  California\, Nevada and Idaho at institutions including the\nHeadlands Ce
 nter for the Arts\, San Francisco Artspace\, the San Francisco\nArt Instit
 ute\, the Richmond Art Center\, the San Jose Museum of Art and the\nSan Fr
 ancisco Museum of Modern Art.</span></span></span></span></p> <hr />\n<h5>
 <span><span><span><span>Cancellation reimbursement </span>deadline:\nAugus
 t 15\, 2020</span></span></span></h5> <p>For additional questions\nregardi
 ng this workshop\, please email  Jeanne Knott\, Visual Arts Class\nAssist
 ant at <a>jknott@svmoa.org.</a>&lt;
 /p&gt; </div>\n</div> </div> </div> </div> </div> \, <div> <div> <div> <div><p><div> <img typ /></div>\n</p><p> </p> <h5>Pa
 rt of SVMoA’s BIG IDEA project <em>The Gem\nState</em>.</h5> <p> </p> &lt;
 /div&gt; </div> </div> </div>
X-ALT-DESC;FMTTYPE=text/html:<div> <div>\n<div> <div><div>\n<p><strong><span><span><span>Meet at The Museum\, Ketchum and caravan u
 p to\nYankee Fork\, and the ghost town of Custer\nCity.</span></span></strong></p> <p>Whether you believe the richness\nof our state lies in 
 its vast beauty or the lure of fortunes found in\nmineral deposits\, this 
 field trip is meant to inspire your inner\nartist.</p> <p>Join us while we
  take an artistic look at Idaho’s mining\nheritage. We’ll start with a
  beautiful drive over Galena Summit and into\nthe Stanley Basin taking a b
 rief tour of the Stanley Museum\, then exploring\nthe Yankee Fork Gold Dre
 dge and delve into Idaho’s past with a walk\naround the ghost town of Cu
 ster. We will spend the afternoon drawing sites\nthat inspire us. </p> Class takes place Sat\, Aug 29 from\n10am–5pm.</h4> </div> <div> <p><s trong><span><span><span>Medium: Drawing\n</span></span></span></strong></p> <p><strong><span><span><span>Age and\nability: 16 yrs. and older\, begin
 ners\nwelcome</span></span></span></strong></p> </div> <div> <hr /> <h5>Ab
 out the\nInstructor:</h5> </div> <div> <div> <p><span><span><span><span>Bo
 b Dix\nearned a BA at San Francisco State University and an MFA at the New
  York\nState College of Ceramics at Alfred University. He has exhibited hi
 s work\nwidely in California\, Nevada and Idaho at institutions including 
 the\nHeadlands Center for the Arts\, San Francisco Artspace\, the San Fran
 cisco\nArt Institute\, the Richmond Art Center\, the San Jose Museum of Ar
 t and the\nSan Francisco Museum of Modern Art.</span></span></span></span>
 </p> <hr />\n<h5><span><span><span><span>Cancellation reimbursement </span>deadline:\nAugust 15\, 2020</span></span></span></h5> <p>For additional q
 uestions\nregarding this workshop\, please email  Jeanne Knott\, Visual A
 rts Class\nAssistant at <a>jknot
 t@svmoa.org.</a></p> </div>\n</div> </div> </div> </div> </div> \, <div cl>
  <div> <div>
  <div><p><div ndata-entity-embe ndata> <img /></div>\n</p><p> </p> <h5>Part of SVMoA’s BIG IDEA project <em>The Gem\nState</em>.
 </h5> <p> </p> </div> </div> </div> </div>
CATEGORIES:Adult Classes
DTSTAMP:20241127T094443Z
END:VEVENT
END:VCALENDAR