BEGIN:VCALENDAR VERSION:2.0 PRODID:dev.svmoa.org BEGIN:VEVENT UID:6745e70a51bc0 DTSTART:20210903T210000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Sun Valley Stones—Oil Painting CLASS:PUBLIC DESCRIPTION:
\n

During this\ nclass\, students will select stones from the Big Wood River \nand use those stones as the subject matter for their own realist still l ife\npainting. Sarah will guide students as they look at closely observed\ ,\nintimate still life paintings from art history to inform their\ncomposi tions. Because the class focuses on such subtle subjects\, students\nwill take their time\, first making fine pencil drawings and then painting\nin oils. Using a pre-modern approach to oil painting—finishing as they\ngo —participants will learn how to understand and overcome optical\nillusio ns when seeing\, mixing\, and applying paint. Narrowing subject matter\nto stones will allow students to create elegant studies that convey form\,\n weight and texture.

\n

​​ ​This class will\nappeal to students who can or want to see and explore a whole landscape in\na few stones. A comfort with oil painti ng will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate drawing or painting each morning for the group and guide each\nstudent through their still lif e one on one. Some supplies such as painting\npanels\, mineral spirits\, p aper\, pencils\, jars and value scales will be\nprovided.

Students will receive a list of\nmaterials they should bring w ith them.

18 and\nolder\, beginners welcome!

This three-day workshop takes place\nFri–Sun\, Sep 3–5\,fro m 9am–1pm daily.
About the\nInstructor

Sarah Bir d studied oil painting at the Grand Central\nAtelier in New York\, a techn ique-based art school that seeks to revive the\nnineteenth-century art edu cation tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these skills to create s till life paintings that celebrate the\ntextures of natural objects.

< hr />
\,
\n
Supply List—Oil painting with Sarah Bird a t\nSVMoA
\,
Apply for a scholarship!
\,
\n
\n
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\n

< span>During this\nclass\, students will select stones from t he Big Wood River\nand use those stones as the subject matter for their ow n realist still life\npainting. Sarah will guide students as they look at closely observed\,\nintimate still life paintings from art history to info rm their\ncompositions. Because the class focuses on such subtle subjects\ , students\nwill take their time\, first making fine pencil drawings and t hen painting\nin oils. Using a pre-modern approach to oil painting—finis hing as they\ngo—participants will learn how to understand and overcome optical\nillusions when seeing\, mixing\, and applying paint. Narrowing su bject matter\nto stones will allow students to create elegant studies that convey form\,\nweight and texture.

\n

​ ​​This class will\nappeal to students who ca n or want to see and explore a whole landscape in\na few stones. A comfort with oil painting will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate draw ing or painting each morning for the group and guide each\nstudent through their still life one on one. Some supplies such as painting\npanels\, min eral spirits\, paper\, pencils\, jars and value scales will be\nprovided.< /span>

Students will receive a list of\nmaterials the y should bring with them.

18 and\nolder\, begin ners welcome!

This three-day workshop takes place\nFri–Sun\ , Sep 3–5\,from 9am–1pm daily.
About the\nInstructor

Sarah Bird studied oil painting at the Grand Central\nAtelier in Ne w York\, a technique-based art school that seeks to revive the\nnineteenth -century art education tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these sk ills to create still life paintings that celebrate the\ntextures of natura l objects.

\,
\n
Supply List—Oil painting w ith Sarah Bird at\nSVMoA
\,
Apply for a scholarship!
\,
\n
\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21793 DTSTART:20210904T050000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:The Mus eum SUMMARY:GALLERY WALK: Untrammeled CLASS:PUBLIC DESCRIPTION:
\n

Start your\nGaller y Walk at SVMoA!

Featuring artwork by four nationally known\nartist s including two new commissioned projects\, Untrammeled considers the\nway our understanding of the idea of wilderness has evolved since the 1964\nW ilderness Act. Working in photography\, painting\, installation and\nsculp ture\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\n to different aspects of the human relationship to the wild\, including the \nhuman-wildland interface\, wildlife\, wildfire\, and the human experienc e of\nwilderness. Can we continue to protect wilderness while still enjoyi ng it\nas a resource that is both recreational and spiritual?

< /div>\n
\,
\ n
< h5>Major\nsupport for Untrammeled comes from The Robert L ehman\nFoundation with additional support from Jane P.\nW atkins and Jennifer Wilson.
Laura\nMcPh ee's installation was made possible in part through a grant form the\nIdaho Commission on the Arts.
Sun Valley Museum\nof Art acknowledges the Shoshone and Bannock peoples and their homelands\nher e in the Wood River Valley\, as well as their use of these lands in past\, \npresent and future.
\,
\n


Part of the BIG IDEA project Untrammeled: At Wilderness’\nE dge
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\n

S tart your\nGallery Walk at SVMoA!

Featuring artwork by four nationa lly known\nartists including two new commissioned projects\, Untrammeled c onsiders the\nway our understanding of the idea of wilderness has evolved since the 1964\nWilderness Act. Working in photography\, painting\, instal lation and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Mar ie Watt respond\nto different aspects of the human relationship to the wil d\, including the\nhuman-wildland interface\, wildlife\, wildfire\, and th e human experience of\nwilderness. Can we continue to protect wilderness w hile still enjoying it\nas a resource that is both recreational and spirit ual?

\n
\,
\n
Major\nsupport for Untrammeled comes from The Robert Lehman\nFoundation with additional support from < strong>Jane P.\nWatkins and Jennifer Wilson.
Laura\nMcPhee's installation was made possible in part through a gra nt form the\nIdaho Commission on the Arts.
Sun V alley Museum\nof Art acknowledges the Shoshone and Bannock peoples and the ir homelands\nhere in the Wood River Valley\, as well as their use of thes e lands in past\,\npresent and future.
\,
\n


Part of the BIG IDEA project Untrammeled: At Wilderness’\nEdge
CATEGORIES:Exhibition Tours & Events DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b218c1 DTSTART:20210904T210000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Sun Valley Stones—Oil Painting CLASS:PUBLIC DESCRIPTION:
\n

During this\ nclass\, students will select stones from the Big Wood River \nand use those stones as the subject matter for their own realist still l ife\npainting. Sarah will guide students as they look at closely observed\ ,\nintimate still life paintings from art history to inform their\ncomposi tions. Because the class focuses on such subtle subjects\, students\nwill take their time\, first making fine pencil drawings and then painting\nin oils. Using a pre-modern approach to oil painting—finishing as they\ngo —participants will learn how to understand and overcome optical\nillusio ns when seeing\, mixing\, and applying paint. Narrowing subject matter\nto stones will allow students to create elegant studies that convey form\,\n weight and texture.

\n

​​ ​This class will\nappeal to students who can or want to see and explore a whole landscape in\na few stones. A comfort with oil painti ng will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate drawing or painting each morning for the group and guide each\nstudent through their still lif e one on one. Some supplies such as painting\npanels\, mineral spirits\, p aper\, pencils\, jars and value scales will be\nprovided.

Students will receive a list of\nmaterials they should bring w ith them.

18 and\nolder\, beginners welcome!

This three-day workshop takes place\nFri–Sun\, Sep 3–5\,fro m 9am–1pm daily.
About the\nInstructor

Sarah Bir d studied oil painting at the Grand Central\nAtelier in New York\, a techn ique-based art school that seeks to revive the\nnineteenth-century art edu cation tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these skills to create s till life paintings that celebrate the\ntextures of natural objects.

< hr />
\, \, \,
\n
\n
X-ALT-DESC;FMTTYPE=text/html:
\n

< span>During this\nclass\, students will select stones from t he Big Wood River\nand use those stones as the subject matter for their ow n realist still life\npainting. Sarah will guide students as they look at closely observed\,\nintimate still life paintings from art history to info rm their\ncompositions. Because the class focuses on such subtle subjects\ , students\nwill take their time\, first making fine pencil drawings and t hen painting\nin oils. Using a pre-modern approach to oil painting—finis hing as they\ngo—participants will learn how to understand and overcome optical\nillusions when seeing\, mixing\, and applying paint. Narrowing su bject matter\nto stones will allow students to create elegant studies that convey form\,\nweight and texture.

\n

​ ​​This class will\nappeal to students who ca n or want to see and explore a whole landscape in\na few stones. A comfort with oil painting will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate draw ing or painting each morning for the group and guide each\nstudent through their still life one on one. Some supplies such as painting\npanels\, min eral spirits\, paper\, pencils\, jars and value scales will be\nprovided.< /span>

Students will receive a list of\nmaterials the y should bring with them.

18 and\nolder\, begin ners welcome!

This three-day workshop takes place\nFri–Sun\ , Sep 3–5\,from 9am–1pm daily.
About the\nInstructor

Sarah Bird studied oil painting at the Grand Central\nAtelier in Ne w York\, a technique-based art school that seeks to revive the\nnineteenth -century art education tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these sk ills to create still life paintings that celebrate the\ntextures of natura l objects.

\, \, \,
\n
\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b219a0 DTSTART:20210905T210000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Sun Valley Stones—Oil Painting CLASS:PUBLIC DESCRIPTION:
\n

During this\ nclass\, students will select stones from the Big Wood River \nand use those stones as the subject matter for their own realist still l ife\npainting. Sarah will guide students as they look at closely observed\ ,\nintimate still life paintings from art history to inform their\ncomposi tions. Because the class focuses on such subtle subjects\, students\nwill take their time\, first making fine pencil drawings and then painting\nin oils. Using a pre-modern approach to oil painting—finishing as they\ngo —participants will learn how to understand and overcome optical\nillusio ns when seeing\, mixing\, and applying paint. Narrowing subject matter\nto stones will allow students to create elegant studies that convey form\,\n weight and texture.

\n

​​ ​This class will\nappeal to students who can or want to see and explore a whole landscape in\na few stones. A comfort with oil painti ng will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate drawing or painting each morning for the group and guide each\nstudent through their still lif e one on one. Some supplies such as painting\npanels\, mineral spirits\, p aper\, pencils\, jars and value scales will be\nprovided.

Students will receive a list of\nmaterials they should bring w ith them.

18 and\nolder\, beginners welcome!

This three-day workshop takes place\nFri–Sun\, Sep 3–5\,fro m 9am–1pm daily.
About the\nInstructor

Sarah Bir d studied oil painting at the Grand Central\nAtelier in New York\, a techn ique-based art school that seeks to revive the\nnineteenth-century art edu cation tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these skills to create s till life paintings that celebrate the\ntextures of natural objects.

< hr />
\, \, \,
\n
\n
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\n

< span>During this\nclass\, students will select stones from t he Big Wood River\nand use those stones as the subject matter for their ow n realist still life\npainting. Sarah will guide students as they look at closely observed\,\nintimate still life paintings from art history to info rm their\ncompositions. Because the class focuses on such subtle subjects\ , students\nwill take their time\, first making fine pencil drawings and t hen painting\nin oils. Using a pre-modern approach to oil painting—finis hing as they\ngo—participants will learn how to understand and overcome optical\nillusions when seeing\, mixing\, and applying paint. Narrowing su bject matter\nto stones will allow students to create elegant studies that convey form\,\nweight and texture.

\n

​ ​​This class will\nappeal to students who ca n or want to see and explore a whole landscape in\na few stones. A comfort with oil painting will be an asset in this class\,\nas the techniques are advanced\, but all painters are welcome\, and everyone\ncan benefit from the concepts and process of realist painting. Sarah will\ndemonstrate draw ing or painting each morning for the group and guide each\nstudent through their still life one on one. Some supplies such as painting\npanels\, min eral spirits\, paper\, pencils\, jars and value scales will be\nprovided.< /span>

Students will receive a list of\nmaterials the y should bring with them.

18 and\nolder\, begin ners welcome!

This three-day workshop takes place\nFri–Sun\ , Sep 3–5\,from 9am–1pm daily.
About the\nInstructor

Sarah Bird studied oil painting at the Grand Central\nAtelier in Ne w York\, a technique-based art school that seeks to revive the\nnineteenth -century art education tradition. The curriculum focused on\ncreating the illusion of form through perfect value and color. Now Sarah\nuses these sk ills to create still life paintings that celebrate the\ntextures of natura l objects.

\, \, \,
\n
\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21a5c DTSTART:20210908T060000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:The C ommunity\nLibrary SUMMARY:ARTIST TALK: Jock Reynolds in Conversation CLASS:PUBLIC DESCRIPTION:
\n
Join artist\,\nc urator and scholar Jock Reynolds\, the Henry Heinz II Director of the Yale \nUniversity Art Gallery from 1998 to 2018\, for a conversation with\ninte rnationally known photographers Mark Klett and Laura McPhee. The three\nwi ll discuss the complex role of wilderness in both Klett’s and\nMcPhee’ s practices\, and will also address the commissioned projects each\nphotog rapher created for SVMoA’s Untrammeled exhibition.
\n
 
 
\,
\n


Pa rt of the BIG IDEA project Untrammeled: At Wilderness’\nEdge
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\n
Join artist\,\ncurator and scholar Jock Reynolds\, the Henry Heinz II Dir ector of the Yale\nUniversity Art Gallery from 1998 to 2018\, for a conver sation with\ninternationally known photographers Mark Klett and Laura McPh ee. The three\nwill discuss the complex role of wilderness in both Klett ’s and\nMcPhee’s practices\, and will also address the commissioned pr ojects each\nphotographer created for SVMoA’s Untrammeled exhib ition.
\n
 
 
\, < div\nclass=\"paragraph paragraph--type--wysiwyg paragraph--view-mode--defa ult\">\n


Part of the BIG IDEA project Untrammeled: At Wilderne ss’\nEdge
CATEGORIES:Lectures & Talks,Exhibition Tours & Events DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21af1 DTSTART:20210908T060000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:The C ommunity\nLibrary SUMMARY:ARTIST TALK: Jock Reynolds in Conversation CLASS:PUBLIC DESCRIPTION:
\n
Join artist\,\nc urator and scholar Jock Reynolds\, the Henry Heinz II Director of the Yale \nUniversity Art Gallery from 1998 to 2018\, for a conversation with\ninte rnationally known photographers Mark Klett and Laura McPhee. The three\nwi ll discuss the complex role of wilderness in both Klett’s and\nMcPhee’ s practices\, and will also address the commissioned projects each\nphotog rapher created for SVMoA’s Untrammeled exhibition.
\n
 
 
\,
\n


Pa rt of the BIG IDEA project Untrammeled: At Wilderness’\nEdge
X-ALT-DESC;FMTTYPE=text/html:
\n
Join artist\,\ncurator and scholar Jock Reynolds\, the Henry Heinz II Dir ector of the Yale\nUniversity Art Gallery from 1998 to 2018\, for a conver sation with\ninternationally known photographers Mark Klett and Laura McPh ee. The three\nwill discuss the complex role of wilderness in both Klett ’s and\nMcPhee’s practices\, and will also address the commissioned pr ojects each\nphotographer created for SVMoA’s Untrammeled exhib ition.
\n
 
 
\, < div\nclass=\"paragraph paragraph--type--wysiwyg paragraph--view-mode--defa ult\">\n


Part of the BIG IDEA project Untrammeled: At Wilderne ss’\nEdge
CATEGORIES:Lectures & Talks,Exhibition Tours & Events DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21b75 DTSTART:20210915T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Tuesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
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\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \, \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21c1d DTSTART:20210916T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Wednesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \ , \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21cbd DTSTART:20210916T220000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Building Layers with Oil and Cold Wax CLASS:PUBLIC DESCRIPTION:
\n

In this workshop\, \nstudents will explore the basics of mixed media with oil using Williamsb urg\nHandmade Oil Paint\, cold wax\, powdered pigments and other materials .\nParticipants will create abstract layers through textures\, line and co lored\nfields that they can then mine through the development of their own mark\nmaking. This rich medium helps generate a space for the artist to c reate\nintentional layers and discover unintentional layers of abstraction . In\nthis workshop\, students will explore technique\, discuss concept an d\ncomposition\, and also reserve time to work. While some painting experi ence\nis preferred\, the workshop is open to all levels. Students will cre ate\nmultiple works on paper and wood panels.

This 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4pm daily.

Age\n18 and older\, beginners welcome!

About the\n Instructor

Stacy Phillips was born in Northern California and then \nmoved with her family across the United States for the next twenty years .\nShe landed in Utah after studying fine art in the Northeast. After\ngra duating with a fine arts and business degree from Keene State College\,\nS tacy owned and operated the Flat Rabbit Gallery in Park City\, Utah\, for\ nnine years. Since selling the gallery to pursue her own studio practice i n\n1993\, she has been a full-time working artist. Represented across the\ ncountry\, she has had several solo and group gallery exhibitions in New\n York\, Uta\, and California. Stacy currently lives in Salt Lake City and i s\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nas sistant coach on the Art2life Creative Visionary program for Nicholas\nWil ton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake .

\,
\n
\, \,

 

\n
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\n

I n this workshop\,\nstudents will explore the basics of mixed media with oi l using Williamsburg\nHandmade Oil Paint\, cold wax\, powdered pigments an d other materials.\nParticipants will create abstract layers through textu res\, line and colored\nfields that they can then mine through the develop ment of their own mark\nmaking. This rich medium helps generate a space fo r the artist to create\nintentional layers and discover unintentional laye rs of abstraction. In\nthis workshop\, students will explore technique\, d iscuss concept and\ncomposition\, and also reserve time to work. While som e painting experience\nis preferred\, the workshop is open to all levels. Students will create\nmultiple works on paper and wood panels.

Thi s 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4p m daily.

Age\n18 and older\, beginners welcome!

About the\nInstructor

Stacy Phillips was born in Northern Ca lifornia and then\nmoved with her family across the United States for the next twenty years.\nShe landed in Utah after studying fine art in the Nort heast. After\ngraduating with a fine arts and business degree from Keene S tate College\,\nStacy owned and operated the Flat Rabbit Gallery in Park C ity\, Utah\, for\nnine years. Since selling the gallery to pursue her own studio practice in\n1993\, she has been a full-time working artist. Repres ented across the\ncountry\, she has had several solo and group gallery exh ibitions in New\nYork\, Uta\, and California. Stacy currently lives in Sal t Lake City and is\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nassistant coach on the Art2life Creative Visionary program for Nicholas\nWilton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake.

\,
\n
\,
\,

 

\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21e01 DTSTART:20210917T063000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Church of the Big\nWood SUMMARY:FEATURED SPEAKER: Kevin Fedarko CLASS:PUBLIC DESCRIPTION:
\n

Fedarko’s first\ nbook\, The Emerald Mile: The Epic Story of the Fastest Ride in Histor y\nThrough the Heart of the Grand Canyon\, won the National Outdoor B ook\nAward and the Reading the West Award\, and was a New York Times\nbestseller. This story chronicles an adventure on the Colorado River ’s\nflood waters to beat records for the fastest boat ever propelled thr ough\none of the West’s most famous desert wildernesses\, the Grand Cany on.\nKevin Fedarko has written for National Geographic\, The New\nYork Times\, Esquire\, Outside\, and other\npu blications. He studied political science at Columbia University and\nRussi an history at Oxford before joining the staff at Time\nmagazine\, where he worked primarily on the foreign affairs desk. He lives\nand work s in Flagstaff.

This\nlecture h as been generously sponsored by Jane P. Watkins
\n
\,
\n


Part of the BIG IDEA project Untram meled: At Wilderness’\nEdge
\,

Celebrating 50 Years of Creativity\, Community\n&amp\; Connection

Support the arts in\nyour community—< br />Become a Member Today\n

\, \,\n
\n

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

F edarko’s first\nbook\, The Emerald Mile: The Epic Story of the Faste st Ride in History\nThrough the Heart of the Grand Canyon\, won the N ational Outdoor Book\nAward and the Reading the West Award\, and was a New York Times\nbestseller. This story chronicles an adventure on th e Colorado River’s\nflood waters to beat records for the fastest boat ev er propelled through\none of the West’s most famous desert wildernesses\ , the Grand Canyon.\nKevin Fedarko has written for National Geographic \, The New\nYork Times\, Esquire\, Outside \, and other\npublications. He studied political science at Columbia Unive rsity and\nRussian history at Oxford before joining the staff at Time< /em>\nmagazine\, where he worked primarily on the foreign affairs desk. He lives\nand works in Flagstaff.

This\nlecture has been generously sponsored by Jane P. Watkins
\n
\,
\n


Part of the BIG IDEA pr oject Untrammeled: At Wilderness’\nEdge
\,

Celebrating 50 Years of Creativity\, Community\n&amp \; Connection

Support the arts in\nyo ur community—
Become a Member Today\n

\, \,\n
\n

 

\n
CATEGORIES:Lectures & Talks DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b21ff7 DTSTART:20210917T220000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Building Layers with Oil and Cold Wax CLASS:PUBLIC DESCRIPTION:
\n

In this workshop\, \nstudents will explore the basics of mixed media with oil using Williamsb urg\nHandmade Oil Paint\, cold wax\, powdered pigments and other materials .\nParticipants will create abstract layers through textures\, line and co lored\nfields that they can then mine through the development of their own mark\nmaking. This rich medium helps generate a space for the artist to c reate\nintentional layers and discover unintentional layers of abstraction . In\nthis workshop\, students will explore technique\, discuss concept an d\ncomposition\, and also reserve time to work. While some painting experi ence\nis preferred\, the workshop is open to all levels. Students will cre ate\nmultiple works on paper and wood panels.

This 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4pm daily.

Age\n18 and older\, beginners welcome!

About the\n Instructor

Stacy Phillips was born in Northern California and then \nmoved with her family across the United States for the next twenty years .\nShe landed in Utah after studying fine art in the Northeast. After\ngra duating with a fine arts and business degree from Keene State College\,\nS tacy owned and operated the Flat Rabbit Gallery in Park City\, Utah\, for\ nnine years. Since selling the gallery to pursue her own studio practice i n\n1993\, she has been a full-time working artist. Represented across the\ ncountry\, she has had several solo and group gallery exhibitions in New\n York\, Uta\, and California. Stacy currently lives in Salt Lake City and i s\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nas sistant coach on the Art2life Creative Visionary program for Nicholas\nWil ton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake .

\,
\n
\, \,

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

I n this workshop\,\nstudents will explore the basics of mixed media with oi l using Williamsburg\nHandmade Oil Paint\, cold wax\, powdered pigments an d other materials.\nParticipants will create abstract layers through textu res\, line and colored\nfields that they can then mine through the develop ment of their own mark\nmaking. This rich medium helps generate a space fo r the artist to create\nintentional layers and discover unintentional laye rs of abstraction. In\nthis workshop\, students will explore technique\, d iscuss concept and\ncomposition\, and also reserve time to work. While som e painting experience\nis preferred\, the workshop is open to all levels. Students will create\nmultiple works on paper and wood panels.

Thi s 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4p m daily.

Age\n18 and older\, beginners welcome!

About the\nInstructor

Stacy Phillips was born in Northern Ca lifornia and then\nmoved with her family across the United States for the next twenty years.\nShe landed in Utah after studying fine art in the Nort heast. After\ngraduating with a fine arts and business degree from Keene S tate College\,\nStacy owned and operated the Flat Rabbit Gallery in Park C ity\, Utah\, for\nnine years. Since selling the gallery to pursue her own studio practice in\n1993\, she has been a full-time working artist. Repres ented across the\ncountry\, she has had several solo and group gallery exh ibitions in New\nYork\, Uta\, and California. Stacy currently lives in Sal t Lake City and is\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nassistant coach on the Art2life Creative Visionary program for Nicholas\nWilton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake.

\,
\n
\,
\,

 

\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b220f1 DTSTART:20210918T220000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Building Layers with Oil and Cold Wax CLASS:PUBLIC DESCRIPTION:
\n

In this workshop\, \nstudents will explore the basics of mixed media with oil using Williamsb urg\nHandmade Oil Paint\, cold wax\, powdered pigments and other materials .\nParticipants will create abstract layers through textures\, line and co lored\nfields that they can then mine through the development of their own mark\nmaking. This rich medium helps generate a space for the artist to c reate\nintentional layers and discover unintentional layers of abstraction . In\nthis workshop\, students will explore technique\, discuss concept an d\ncomposition\, and also reserve time to work. While some painting experi ence\nis preferred\, the workshop is open to all levels. Students will cre ate\nmultiple works on paper and wood panels.

This 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4pm daily.

Age\n18 and older\, beginners welcome!

About the\n Instructor

Stacy Phillips was born in Northern California and then \nmoved with her family across the United States for the next twenty years .\nShe landed in Utah after studying fine art in the Northeast. After\ngra duating with a fine arts and business degree from Keene State College\,\nS tacy owned and operated the Flat Rabbit Gallery in Park City\, Utah\, for\ nnine years. Since selling the gallery to pursue her own studio practice i n\n1993\, she has been a full-time working artist. Represented across the\ ncountry\, she has had several solo and group gallery exhibitions in New\n York\, Uta\, and California. Stacy currently lives in Salt Lake City and i s\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nas sistant coach on the Art2life Creative Visionary program for Nicholas\nWil ton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake .

\,
\n
\, \,

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

I n this workshop\,\nstudents will explore the basics of mixed media with oi l using Williamsburg\nHandmade Oil Paint\, cold wax\, powdered pigments an d other materials.\nParticipants will create abstract layers through textu res\, line and colored\nfields that they can then mine through the develop ment of their own mark\nmaking. This rich medium helps generate a space fo r the artist to create\nintentional layers and discover unintentional laye rs of abstraction. In\nthis workshop\, students will explore technique\, d iscuss concept and\ncomposition\, and also reserve time to work. While som e painting experience\nis preferred\, the workshop is open to all levels. Students will create\nmultiple works on paper and wood panels.

Thi s 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4p m daily.

Age\n18 and older\, beginners welcome!

About the\nInstructor

Stacy Phillips was born in Northern Ca lifornia and then\nmoved with her family across the United States for the next twenty years.\nShe landed in Utah after studying fine art in the Nort heast. After\ngraduating with a fine arts and business degree from Keene S tate College\,\nStacy owned and operated the Flat Rabbit Gallery in Park C ity\, Utah\, for\nnine years. Since selling the gallery to pursue her own studio practice in\n1993\, she has been a full-time working artist. Repres ented across the\ncountry\, she has had several solo and group gallery exh ibitions in New\nYork\, Uta\, and California. Stacy currently lives in Sal t Lake City and is\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nassistant coach on the Art2life Creative Visionary program for Nicholas\nWilton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake.

\,
\n
\,
\,

 

\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b221ff DTSTART:20210919T220000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:CREATIVE JUMP-IN: Building Layers with Oil and Cold Wax CLASS:PUBLIC DESCRIPTION:
\n

In this workshop\, \nstudents will explore the basics of mixed media with oil using Williamsb urg\nHandmade Oil Paint\, cold wax\, powdered pigments and other materials .\nParticipants will create abstract layers through textures\, line and co lored\nfields that they can then mine through the development of their own mark\nmaking. This rich medium helps generate a space for the artist to c reate\nintentional layers and discover unintentional layers of abstraction . In\nthis workshop\, students will explore technique\, discuss concept an d\ncomposition\, and also reserve time to work. While some painting experi ence\nis preferred\, the workshop is open to all levels. Students will cre ate\nmultiple works on paper and wood panels.

This 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4pm daily.

Age\n18 and older\, beginners welcome!

About the\n Instructor

Stacy Phillips was born in Northern California and then \nmoved with her family across the United States for the next twenty years .\nShe landed in Utah after studying fine art in the Northeast. After\ngra duating with a fine arts and business degree from Keene State College\,\nS tacy owned and operated the Flat Rabbit Gallery in Park City\, Utah\, for\ nnine years. Since selling the gallery to pursue her own studio practice i n\n1993\, she has been a full-time working artist. Represented across the\ ncountry\, she has had several solo and group gallery exhibitions in New\n York\, Uta\, and California. Stacy currently lives in Salt Lake City and i s\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nas sistant coach on the Art2life Creative Visionary program for Nicholas\nWil ton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake .

\,
\n
\, \,

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

I n this workshop\,\nstudents will explore the basics of mixed media with oi l using Williamsburg\nHandmade Oil Paint\, cold wax\, powdered pigments an d other materials.\nParticipants will create abstract layers through textu res\, line and colored\nfields that they can then mine through the develop ment of their own mark\nmaking. This rich medium helps generate a space fo r the artist to create\nintentional layers and discover unintentional laye rs of abstraction. In\nthis workshop\, students will explore technique\, d iscuss concept and\ncomposition\, and also reserve time to work. While som e painting experience\nis preferred\, the workshop is open to all levels. Students will create\nmultiple works on paper and wood panels.

Thi s 4-day workshop will\ntake place Thu–Sun\, Sep 16–19\, from 10am–4p m daily.

Age\n18 and older\, beginners welcome!

About the\nInstructor

Stacy Phillips was born in Northern Ca lifornia and then\nmoved with her family across the United States for the next twenty years.\nShe landed in Utah after studying fine art in the Nort heast. After\ngraduating with a fine arts and business degree from Keene S tate College\,\nStacy owned and operated the Flat Rabbit Gallery in Park C ity\, Utah\, for\nnine years. Since selling the gallery to pursue her own studio practice in\n1993\, she has been a full-time working artist. Repres ented across the\ncountry\, she has had several solo and group gallery exh ibitions in New\nYork\, Uta\, and California. Stacy currently lives in Sal t Lake City and is\nthe Working Artist of Utah for Golden Paints. Stacy is presently an\nassistant coach on the Art2life Creative Visionary program for Nicholas\nWilton. She maintains a studio at the Poor Yorick Studios in South Salt\nLake.

\,
\n
\,
\,

 

\n
CATEGORIES:Adult Classes DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b2230c DTSTART:20210922T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Tuesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
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\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \, \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b223e2 DTSTART:20210923T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Wednesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \, \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b224b8 DTSTART:20210924T040000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Magic Lantern\nCinemas SUMMARY:FILM: Manhattan SHORT Film Fest (First Screening) CLASS:PUBLIC DESCRIPTION:
\n

For the 4th year\, \nSun Valley Museum of Art presents the Manhattan SHORT Film Festival. Eve ry\nyear\, this Festival curates a wide variety of films from around the w orld\nand the jury is YOU\, the audience! Voting cards will be given to ea ch\nattendee and every year\, the Wood River Valley audience’s pick has turned\nout to be the winner. This year the festival includes 10 films fro m\nAfghanistan\, Canada\, France\, Italy\, Norway\, Northern Ireland\, the UK\, and\nUS. These films always present a wide variety of views and mood s and we\npredict that this year will be no different. 

Thi s film\nscreening takes place at the Magic Lantern Cinemas\, Ketchum at\n4 pm.
\,

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

F or the 4th year\,\nSun Valley Museum of Art presents the Manhattan SHORT F ilm Festival. Every\nyear\, this Festival curates a wide variety of films from around the world\nand the jury is YOU\, the audience! Voting cards wi ll be given to each\nattendee and every year\, the Wood River Valley audie nce’s pick has turned\nout to be the winner. This year the festival incl udes 10 films from\nAfghanistan\, Canada\, France\, Italy\, Norway\, North ern Ireland\, the UK\, and\nUS. These films always present a wide variety of views and moods and we\npredict that this year will be no different. < /p>

This film\nscreening takes place at the Magic Lantern Cinema s\, Ketchum at\n4pm.
\,

 

\n
CATEGORIES:Film DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b22566 DTSTART:20210924T070000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Magic Lantern\nCinemas SUMMARY:FILM: Manhattan SHORT Film Fest (Second Screening) CLASS:PUBLIC DESCRIPTION:
\n

For the 4th year\, \nSun Valley Museum of Art presents the Manhattan SHORT Film Festival. Eve ry\nyear\, this Festival curates a wide variety of films from around the w orld\nand the jury is YOU\, the audience! Voting cards will be given to ea ch\nattendee and every year\, the Wood River Valley audience’s pick has turned\nout to be the winner. This year the festival includes 10 films fro m\nAfghanistan\, Canada\, France\, Italy\, Norway\, Northern Ireland\, the UK\, and\nUS. These films always present a wide variety of views and mood s and we\npredict that this year will be no different. 

Thi s film\nscreening takes place at the Magic Lantern Cinemas\, Ketchum at\n7 pm.
\,

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

F or the 4th year\,\nSun Valley Museum of Art presents the Manhattan SHORT F ilm Festival. Every\nyear\, this Festival curates a wide variety of films from around the world\nand the jury is YOU\, the audience! Voting cards wi ll be given to each\nattendee and every year\, the Wood River Valley audie nce’s pick has turned\nout to be the winner. This year the festival incl udes 10 films from\nAfghanistan\, Canada\, France\, Italy\, Norway\, North ern Ireland\, the UK\, and\nUS. These films always present a wide variety of views and moods and we\npredict that this year will be no different. < /p>

This film\nscreening takes place at the Magic Lantern Cinema s\, Ketchum at\n7pm.
\,

 

\n
CATEGORIES:Film DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b225f5 DTSTART:20210929T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Tuesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \, \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b226db DTSTART:20210930T023000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:Haile y\nClassroom SUMMARY:YOUTH PROGRAM: Smart Art Fall 2021 (Wednesdays) CLASS:PUBLIC DESCRIPTION:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &amp\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tue sday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\, Oct 6\, 13 &amp \; 20

\,
\n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with support\nthrough
Lisa Stelck and William Boeger.
\n
\, \, \, \,
\n

 

\n
X-ALT-DESC;FMTTYPE=text/html:
\n

Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &amp\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.

SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.

Tuesday Class Dates:
Sep 14\, 21 &amp\;\n28\, Oct 5\, 12 &amp\; 19

Wednesday Class Dates:
Sep 15\, 22\n&amp\; 29\ , Oct 6\, 13 &amp\; 20

\,
\ n
Smart Art is generously\nsupported by The Dawson Family.
Scholarships are available in part with suppor t\nthrough
Lisa Stelck and William Boeger.
\n
\,
\, \, \,
\n

 

\n
CATEGORIES:Youth & Families DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b227d8 DTSTART:20211001T053000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:The Mus eum SUMMARY:(SESSION 2) EVENING EXHIBITION TOUR: Untrammeled CLASS:PUBLIC DESCRIPTION:
\n

Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.

\n

Feat uring artwork by four nationally known artists including two new\ncommissi oned projects\, Untrammeled considers the way our\nunderstanding of the idea of wilderness has evolved since the 1964\nWilderness Act. Work ing in photography\, painting\, installation and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspect s of the human relationship to the wild\, including the\nhuman-wildland in terface\, wildlife\, wildfire\, and the human experience of\nwilderness. C an we continue to protect wilderness while still enjoying it\nas a resourc e that is both recreational and spiritual?

This\nevent take s place Thu\, Sep 30\, from 5:30–6:20pm.
\n
\,
\n
Major\ns upport for Untrammeled comes from The Robert Lehman\nFoun dation with additional support from Jane P.\nWatkins and Jennifer Wilson.
Laura\nMcPhee's instal lation was made possible in part through a grant form the\nIdaho C ommission on the Arts.
Sun Valley Museum\nof Art acknowl edges the Shoshone and Bannock peoples and their homelands\nhere in the Wo od River Valley\, as well as their use of these lands in past\,\npresent a nd future.
\,
\n


Pa rt of the BIG IDEA project Untrammeled: At Wilderness’\nEdge
X-ALT-DESC;FMTTYPE=text/html:
\n

E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.

\n

Featuring artwork by four nationally known artists including two new\ncommissioned projects\, Untrammeled considers the way ou r\nunderstanding of the idea of wilderness has evolved since the 1964\nWil derness Act. Working in photography\, painting\, installation and\nsculptu re\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\, including the\n human-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness while still enjoying it\nas a resource that is both recreational and spiritual?

This\nevent takes place Thu\, Sep 30\, from 5:30–6:20pm.
\n
\,
\n
Major\nsupport for Untrammeled comes from The Ro bert Lehman\nFoundation with additional support from Jane P.\nWatkins and Jennifer Wilson.
Laura \nMcPhee's installation was made possible in part through a grant form the \nIdaho Commission on the Arts.
Sun Valley Museu m\nof Art acknowledges the Shoshone and Bannock peoples and their homeland s\nhere in the Wood River Valley\, as well as their use of these lands in past\,\npresent and future.
\, \n


Part of the BIG IDEA project Untrammeled: At Wilderness ’\nEdge
CATEGORIES:Exhibition Tours & Events,Lectures & Talks DTSTAMP:20241126T081939Z END:VEVENT BEGIN:VEVENT UID:6745e70b228d4 DTSTART:20211001T053000Z SEQUENCE:0 TRANSP:OPAQUE LOCATION:The Mus eum SUMMARY:(SESSION 2) EVENING EXHIBITION TOUR: Untrammeled CLASS:PUBLIC DESCRIPTION:
\n

Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.

\n

Feat uring artwork by four nationally known artists including two new\ncommissi oned projects\, Untrammeled considers the way our\nunderstanding of the idea of wilderness has evolved since the 1964\nWilderness Act. Work ing in photography\, painting\, installation and\nsculpture\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspect s of the human relationship to the wild\, including the\nhuman-wildland in terface\, wildlife\, wildfire\, and the human experience of\nwilderness. C an we continue to protect wilderness while still enjoying it\nas a resourc e that is both recreational and spiritual?

This\nevent take s place Thu\, Sep 30\, from 5:30–6:20pm.
\n
\,
\n
Major\ns upport for Untrammeled comes from The Robert Lehman\nFoun dation with additional support from Jane P.\nWatkins and Jennifer Wilson.
Laura\nMcPhee's instal lation was made possible in part through a grant form the\nIdaho C ommission on the Arts.
Sun Valley Museum\nof Art acknowl edges the Shoshone and Bannock peoples and their homelands\nhere in the Wo od River Valley\, as well as their use of these lands in past\,\npresent a nd future.
\,
\n


Pa rt of the BIG IDEA project Untrammeled: At Wilderness’\nEdge
X-ALT-DESC;FMTTYPE=text/html:
\n

E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.

\n

Featuring artwork by four nationally known artists including two new\ncommissioned projects\, Untrammeled considers the way ou r\nunderstanding of the idea of wilderness has evolved since the 1964\nWil derness Act. Working in photography\, painting\, installation and\nsculptu re\, Mark Klett\, James Lavadour\, Laura McPhee and Marie Watt respond\nto different aspects of the human relationship to the wild\, including the\n human-wildland interface\, wildlife\, wildfire\, and the human experience of\nwilderness. Can we continue to protect wilderness while still enjoying it\nas a resource that is both recreational and spiritual?

This\nevent takes place Thu\, Sep 30\, from 5:30–6:20pm.
\n
\,
\n
Major\nsupport for Untrammeled comes from The Ro bert Lehman\nFoundation with additional support from Jane P.\nWatkins and Jennifer Wilson.
Laura \nMcPhee's installation was made possible in part through a grant form the \nIdaho Commission on the Arts.
Sun Valley Museu m\nof Art acknowledges the Shoshone and Bannock peoples and their homeland s\nhere in the Wood River Valley\, as well as their use of these lands in past\,\npresent and future.
\, \n


Part of the BIG IDEA project Untrammeled: At Wilderness ’\nEdge
CATEGORIES:Exhibition Tours & Events,Lectures & Talks DTSTAMP:20241126T081939Z END:VEVENT END:VCALENDAR