\n ![]()
Families will\nmak e art and explore the exhibition together. Projects will change weekly\nan d always connect to the artwork in the exhibition.
Participants are encouraged to\nregister in advance \, and walk-ins will be accommodated if space\nallows.
F amilies will\nmake art and explore the exhibition together. Projects will change weekly\nand always connect to the artwork in the exhibition.
AFTERNOON ART\nPROJECT THEMES:Participants are encouraged to\nre gister in advance\, and walk-ins will be accommodated if space\nallows.
Astroph otography\, also known as astronomical\nimaging\, is photography or i maging of astronomical objects\, celestial\nevents\, and areas of the nigh t sky.
Learn how to create\nstunning images of the landscape under a night sky in the dramatic Central\nIdaho Dark Sky Reserve! This c lass will introduce participants to pre-trip\nplanning\, camera settings a nd ideal equipment\, composition\, panorama\ncreation\, and post-processin g techniques.
Participants will meet at\nthe Sun Valley Museum of A rt on Friday\, Oct 1 at 5:30pm\, arrange for\ncarpooling as needed and dep art for Little Redfish Lake by 5:45pm. Students\nwill photograph the sunse t (7:20pm)\, discuss camera settings and\ncomposition and shoot a bit of b lue hour before astronomical twilight. Once\na fully dark sky is in place\ , participants will practice creating night sky\ncompositions before headi ng back to Ketchum around 10:30pm. If the sky is\ncloudy\, alternate arran gements will be made to meet on this side of Galena\nSummit (location to b e determined). On Saturday\, students will discuss\npost-processing techni que\, including light noise reduction\, panorama\nstitching\, lens correct ions\, and image retouching. Age and\nability: 18 yrs and olde r\, beginners welcome!
With more than a decade of experience\,\nNate Lil es is a full-time photographer and videographer working primarily\nin the Western states. He is a landscape photographer at heart and is most\nat ho me under a dark sky full of stars.
Camera—ideally DSLR or Mirrorless with wide angle\nlens or selection of lenses\, Tripod\, Remote Timer\, Warm Clothing\,\nHeadlam p—ideally with red bulb\, and a basic knowledge of how to operate\nyour camera in manual mode—advanced photography skills not required!\n18 years and older\, beginners\nwelcome!
\n
Astrophotography\, also known as astronomical\nimaging\, is photography or imaging of astronomical objects\, celestial\nevents\, and areas of the night sky.
Learn how to create\nstunning images of the landscape under a night sky in the dramatic Central\nIdaho Dark Sk y Reserve! This class will introduce participants to pre-trip\nplanning\, camera settings and ideal equipment\, composition\, panorama\ncreation\, a nd post-processing techniques.
Participants will meet at\nthe Sun V alley Museum of Art on Friday\, Oct 1 at 5:30pm\, arrange for\ncarpooling as needed and depart for Little Redfish Lake by 5:45pm. Students\nwill pho tograph the sunset (7:20pm)\, discuss camera settings and\ncomposition and shoot a bit of blue hour before astronomical twilight. Once\na fully dark sky is in place\, participants will practice creating night sky\ncomposit ions before heading back to Ketchum around 10:30pm. If the sky is\ncloudy\ , alternate arrangements will be made to meet on this side of Galena\nSumm it (location to be determined). On Saturday\, students will discuss\npost- processing technique\, including light noise reduction\, panorama\nstitchi ng\, lens corrections\, and image retouching. Age and\nability : 18 yrs and older\, beginners welcome!
With more than a decade of exper ience\,\nNate Liles is a full-time photographer and videographer working p rimarily\nin the Western states. He is a landscape photographer at heart a nd is most\nat home under a dark sky full of stars.
Camera—ideally DSLR or Mirrorless with wide angle\nlens or selection of lenses\, Tripod\, Remote Timer\, Warm Cl othing\,\nHeadlamp—ideally with red bulb\, and a basic knowledge of how to operate\nyour camera in manual mode—advanced photography skills not r equired!\n18 years and older\, beginners\nwelcome!< /span>
\n
Astroph otography\, also known as astronomical\nimaging\, is photography or i maging of astronomical objects\, celestial\nevents\, and areas of the nigh t sky.
Learn how to create\nstunning images of the landscap e under a night sky in the dramatic Central\nIdaho Dark Sky Reserve! This class will introduce participants to pre-trip\nplanning\, camera settings and ideal equipment\, composition\, panorama\ncreation\, and post-processi ng techniques.
Participants will meet at\nthe Sun Valley Museum of Art on Friday\, Oct 1 at 5:30pm\, arrange for\ncarpooling as needed and de part for Little Redfish Lake by 5:45pm. Students\nwill photograph the suns et (7:20pm)\, discuss camera settings and\ncomposition and shoot a bit of blue hour before astronomical twilight. Once\na fully dark sky is in place \, participants will practice creating night sky\ncompositions before head ing back to Ketchum around 10:30pm. If the sky is\ncloudy\, alternate arra ngements will be made to meet on this side of Galena\nSummit (location to be determined). On Saturday\, students will discuss\npost-processing techn ique\, including light noise reduction\, panorama\nstitching\, lens correc tions\, and image retouching. Age and\nability: 18 yrs and old er\, beginners welcome!
With more than a decade of experience\,\nNate Li les is a full-time photographer and videographer working primarily\nin the Western states. He is a landscape photographer at heart and is most\nat h ome under a dark sky full of stars.
Camera—ideally DSLR or Mirrorless with wide angle\nlen
s or selection of lenses\, Tripod\, Remote Timer\, Warm Clothing\,\nHeadla
mp—ideally with red bulb\, and a basic knowledge of how to operate\nyour
camera in manual mode—advanced photography skills not required!\n18 years and older\, beginners\nwelcome!
\n
Astrophotography\, also known as astronomical\nimaging\, is photography or imaging of astronomical objects\, celestial\nevents\, and areas of the night sky.
Learn how to create\nstunning image s of the landscape under a night sky in the dramatic Central\nIdaho Dark S ky Reserve! This class will introduce participants to pre-trip\nplanning\, camera settings and ideal equipment\, composition\, panorama\ncreation\, and post-processing techniques.
Participants will meet at\nthe Sun Valley Museum of Art on Friday\, Oct 1 at 5:30pm\, arrange for\ncarpooling as needed and depart for Little Redfish Lake by 5:45pm. Students\nwill ph otograph the sunset (7:20pm)\, discuss camera settings and\ncomposition an d shoot a bit of blue hour before astronomical twilight. Once\na fully dar k sky is in place\, participants will practice creating night sky\ncomposi tions before heading back to Ketchum around 10:30pm. If the sky is\ncloudy \, alternate arrangements will be made to meet on this side of Galena\nSum mit (location to be determined). On Saturday\, students will discuss\npost -processing technique\, including light noise reduction\, panorama\nstitch ing\, lens corrections\, and image retouching. Age and\nabilit y: 18 yrs and older\, beginners welcome!
With more than a decade of expe rience\,\nNate Liles is a full-time photographer and videographer working primarily\nin the Western states. He is a landscape photographer at heart and is most\nat home under a dark sky full of stars.
Camera—ideally DSLR or Mirrorless wit h wide angle\nlens or selection of lenses\, Tripod\, Remote Timer\, Warm C lothing\,\nHeadlamp—ideally with red bulb\, and a basic knowledge of how to operate\nyour camera in manual mode—advanced photography skills not required!\n18 years and older\, beginners\nwelcome!
\n
A modern-day Mr.\n Rogers with hipster appeal\, Joshua Holden and his puppet sidekick\, Mr.\n Nicholas\, bring their award-winning production The Joshua Show across the \nglobe. When Mr. Nichols makes a self-discovery that causes him to spiral \ndown a path of loneliness and hopeless despair\, it's up to Joshua and h is\ncast of characters\, including Larry the Lint and the Wonderbook\, to show\nhis best friend the joy in being yourself.
With live music\, tap\ndancing\, physical comedy and multiple styles of puppetry\, this whim sical\nfamily show is sure to bring out everyone's joyful side. Come disco ver why\nJoshua Holden (who in addition to his solo shows is a freelancer for The\nJim Henson Company as a fabricator) was named one of \"20 Theatre Workers\nYou Should Know\" by \"American Theatre\" magazine. Do NOT be di ssuaded by the\nfact this is a family show\, it is for all ages and stages and is guaranteed\nto put a smile on your face—and on the faces of litt ler ones too. See you\nand your smile there.
If you
’d like to attend\, but\ncost is an issue\, we have a limited quantity o
f free tickets available.
Please call us to inquire in advance!
For 25 years\, SVMoA has been\nbringing professional musicians\, authors\, and artists into Blaine County\nSchools to work with and perform for local st udents. All of the performers\nin the 2021/2022 Performing Arts Residency &\; Concert Series will be\nsharing their talents with students through our Residency Program.\nCLICK\nHERE to learn more.
SVMoA will\ nrequire all participants\, staff and volunteers to wear face masks\nregar dless of vaccination status. In addition\, all participants over the\nage of 12 must show proof of vaccination against Covid-19 or a negative\nCovid -19 test\, taken within 72 hours of showtime. Thank you for helping us\nke ep our community healthy.
< /p>\n
A modern-day Mr.\nRogers with hipster appeal\, Joshua Holden and his puppet sidekick\, Mr.\nNicholas\, bring their award-winning production The Joshu a Show across the\nglobe. When Mr. Nichols makes a self-discovery that cau ses him to spiral\ndown a path of loneliness and hopeless despair\, it's u p to Joshua and his\ncast of characters\, including Larry the Lint and the Wonderbook\, to show\nhis best friend the joy in being yourself.
W ith live music\, tap\ndancing\, physical comedy and multiple styles of pup petry\, this whimsical\nfamily show is sure to bring out everyone's joyful side. Come discover why\nJoshua Holden (who in addition to his solo shows is a freelancer for The\nJim Henson Company as a fabricator) was named on e of \"20 Theatre Workers\nYou Should Know\" by \"American Theatre\" magaz ine. Do NOT be dissuaded by the\nfact this is a family show\, it is for al l ages and stages and is guaranteed\nto put a smile on your face—and on the faces of littler ones too. See you\nand your smile there.
For 25 years\, SVMoA has been\nbringing professional musicians \, authors\, and artists into Blaine County\nSchools to work with and perf orm for local students. All of the performers\nin the 2021/2022 Performing Arts Residency &\; Concert Series will be\nsharing their talents with students through our Residency Program.\nCLICK\nHERE to learn more.
SVMoA will\nrequire all participants\, staff and volunteers to wear f ace masks\nregardless of vaccination status. In addition\, all participant s over the\nage of 12 must show proof of vaccination against Covid-19 or a negative\nCovid-19 test\, taken within 72 hours of showtime. Thank you fo r helping us\nkeep our community healthy.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Join artist Marie\ nWatt and author Sarah Sentilles for a conversation about their shared\nin terest in responding to the natural world in their respective practices.\n The two will discuss their explorations of \"companion species\" (the titl e\nWatt gave to a large body of work)\, and their expansive thinking about what\ncounts as family and about kinship as a practice. As Sentilles asks \, \"What\nwould the world look like if we lived as if we were all related ?\"
SVMoA will require all\nparticipants\, staf f and volunteers to wear face masks regardless of\nvaccination status. In addition\, all attendees to the in-person talk must\nshow proof of vaccina tion against Covid-19. While attending SVMoA events\,\nparticipants must f ollow all posted or spoken instructions regarding health\nand safety.
A citizen of the Seneca Nation\, Marie Watt is a nationally\nknown\, multidisciplinary artist whose work explores the intersection of\nhistory\, storytelling and community. Working with textil es (particularly\nblankets)\, wood\, metal and other materials\, Watt has made numerous bodies\nof work that consider the human relationship to natu re. This exhibition\nfeatures work from her ongoing project “Companion S pecies\,” which\ninvestigates the contradictions between the human relat ionship to wildlife\nand the stories that we tell about creatures who live in the wilderness. Of\n“Companion Species: Underbelly\,” the 3\,800 l b. cedar sculpture in this\nexhibition\, she writes\, “I am interested i n how an underbelly is both the\nsoft fleshy vulnerable part of a body\, b ut also how it is associated with\ndark hidden areas. Lately\, I have been reflecting on dogs—canis\nfamiliaris—as pets\, mythological guides\, and first teachers. ‘Companion\nSpecies’ addresses the reciprocal rela tionship humans have with canines\nthroughout history\, this story is one of ignorance\, stewardship and\nreciprocity.”
Watt holds an MFA i n painting and printmaking from\nYale University. She attended Willamette University and the Institute of\nAmerican Indian Arts\, and in 2016 she wa s awarded an honorary doctorate\nfrom Willamette University. She has atten ded residencies at the Skowhegan\nSchool of Painting and Sculpture and the Vermont Studio Center\, and she has\nreceived fellowships and awards from the Joan Mitchell Foundation\,\nAnonymous Was a Woman and the Ford Family Foundation. Selected collections\ninclude the Seattle Art Museum\, the Wh itney Museum of American Art\, the\nAlbright-Knox Art Gallery\, Yale Unive rsity Art Gallery\, Crystal Bridges\nMuseum of American Art\, National Gal lery of Canada\, the Smithsonian\nInstitution’s National Museum of the A merican Indian and Renwick Gallery\,\nthe Tacoma Art Museum\, the Fabric W orkshop and Museum\, the Denver Art\nMuseum\, the Portland Art Museum and the Library of Congress. Watt has\nreceived public art commissions from th e Tacoma Art Museum\, the Bill and\nMelinda Gates Foundation\, the Denver Art Museum and the United States\nEmbassy in Islamabad\, Pakistan\, throug h the U.S. State Department’s Art\nin Embassies program. Recent exhibiti ons include “Making Knowing: Craft\nin Art\, 1950–2019” at the Whitn ey Museum of American Art and “Place\,\nNations\, Generations\, Beings: 200 Years of Indigenous North American Art”\nat Yale University Art Gall ery.
Sarah\nSentilles’ most recent
book\, “Stranger Care: A Memoir of Loving What\nIsn’t Ours\,” was p
ublished by Random House in May 2021. The story of\nSentilles’ and her h
usband’s experience as parents in the foster care\nsystem\, the book is
an invitation to reimagine the idea of family and what\nit means to love.
Throughout the book\, Sentilles offers readers glimpses of\nkinship and fa
mily structures in the natural world\, among trees\, birds\,\nfish and mor
e\, creating opportunities for rethinking the human act of\nkinship.
Sentilles is a writer\, teacher\, critical theorist\, scholar\nof religio
n and author of many books\, including “Draw Your Weapons\,”\nwhich wo
n the 2018 PEN Award for Creative Nonfiction. Her writing has\nappeared in
The New York Times\, The New Yorker\, Oprah Magazine\, Ms.\,\nReligion Di
spatches\, Oregon ArtsWatch and the Los Angeles Review of Books\,\namong o
ther publications. She’s had residencies at Hedgebrook and Yaddo.\nShe e
arned a bachelor's degree at Yale and master's and doctoral degrees at\nHa
rvard. She is the co-founder of the Alliance of Idaho\, which works to\npr
otect the human rights of immigrants by engaging in education\, outreach\n
and advocacy at local\, state and national levels.
At the core of h er\nscholarship\, writing and activism is a commitment to investigating th e\nroles language\, images and practices play in oppression\, violence\, s ocial\ntransformation and justice movements. She has taught at Pacific Nor thwest\nCollege of Art\, Portland State University\, California State Univ ersity\nChannel Islands and Willamette University\, where she was the Mark and\nMelody Teppola Presidential Distinguished Visiting Professor. She te aches\nwriting workshops and works one-on-one with clients to help support their\nart\, writing and creativity.
J oin artist Marie\nWatt and author Sarah Sentilles for a conversation about their shared\ninterest in responding to the natural world in their respec tive practices.\nThe two will discuss their explorations of \"companion sp ecies\" (the title\nWatt gave to a large body of work)\, and their expansi ve thinking about what\ncounts as family and about kinship as a practice. As Sentilles asks\, \"What\nwould the world look like if we lived as if we were all related?\"
SVMoA will require all\npa rticipants\, staff and volunteers to wear face masks regardless of\nvaccin ation status. In addition\, all attendees to the in-person talk must\nshow proof of vaccination against Covid-19. While attending SVMoA events\,\npa rticipants must follow all posted or spoken instructions regarding health\ nand safety.
A citizen of the Seneca Nat ion\, Marie Watt is a nationally\nknown\, multidisciplinary artist whose w ork explores the intersection of\nhistory\, storytelling and community. Wo rking with textiles (particularly\nblankets)\, wood\, metal and other mate rials\, Watt has made numerous bodies\nof work that consider the human rel ationship to nature. This exhibition\nfeatures work from her ongoing proje ct “Companion Species\,” which\ninvestigates the contradictions betwee n the human relationship to wildlife\nand the stories that we tell about c reatures who live in the wilderness. Of\n“Companion Species: Underbelly\ ,” the 3\,800 lb. cedar sculpture in this\nexhibition\, she writes\, “ I am interested in how an underbelly is both the\nsoft fleshy vulnerable p art of a body\, but also how it is associated with\ndark hidden areas. Lat ely\, I have been reflecting on dogs—canis\nfamiliaris—as pets\, mytho logical guides\, and first teachers. ‘Companion\nSpecies’ addresses th e reciprocal relationship humans have with canines\nthroughout history\, t his story is one of ignorance\, stewardship and\nreciprocity.”
Wa tt holds an MFA in painting and printmaking from\nYale University. She att ended Willamette University and the Institute of\nAmerican Indian Arts\, a nd in 2016 she was awarded an honorary doctorate\nfrom Willamette Universi ty. She has attended residencies at the Skowhegan\nSchool of Painting and Sculpture and the Vermont Studio Center\, and she has\nreceived fellowship s and awards from the Joan Mitchell Foundation\,\nAnonymous Was a Woman an d the Ford Family Foundation. Selected collections\ninclude the Seattle Ar t Museum\, the Whitney Museum of American Art\, the\nAlbright-Knox Art Gal lery\, Yale University Art Gallery\, Crystal Bridges\nMuseum of American A rt\, National Gallery of Canada\, the Smithsonian\nInstitution’s Nationa l Museum of the American Indian and Renwick Gallery\,\nthe Tacoma Art Muse um\, the Fabric Workshop and Museum\, the Denver Art\nMuseum\, the Portlan d Art Museum and the Library of Congress. Watt has\nreceived public art co mmissions from the Tacoma Art Museum\, the Bill and\nMelinda Gates Foundat ion\, the Denver Art Museum and the United States\nEmbassy in Islamabad\, Pakistan\, through the U.S. State Department’s Art\nin Embassies program . Recent exhibitions include “Making Knowing: Craft\nin Art\, 1950–201 9” at the Whitney Museum of American Art and “Place\,\nNations\, Gener ations\, Beings: 200 Years of Indigenous North American Art”\nat Yale Un iversity Art Gallery.
Sarah\nSentill
es’ most recent book\, “Stranger Care: A Memoir of Loving What\nIsn’
t Ours\,” was published by Random House in May 2021. The story of\nSenti
lles’ and her husband’s experience as parents in the foster care\nsyst
em\, the book is an invitation to reimagine the idea of family and what\ni
t means to love. Throughout the book\, Sentilles offers readers glimpses o
f\nkinship and family structures in the natural world\, among trees\, bird
s\,\nfish and more\, creating opportunities for rethinking the human act o
f\nkinship.
Sentilles is a writer\, teacher\, critical theorist\, sc
holar\nof religion and author of many books\, including “Draw Your Weapo
ns\,”\nwhich won the 2018 PEN Award for Creative Nonfiction. Her writing
has\nappeared in The New York Times\, The New Yorker\, Oprah Magazine\, M
s.\,\nReligion Dispatches\, Oregon ArtsWatch and the Los Angeles Review of
Books\,\namong other publications. She’s had residencies at Hedgebrook
and Yaddo.\nShe earned a bachelor's degree at Yale and master's and doctor
al degrees at\nHarvard. She is the co-founder of the Alliance of Idaho\, w
hich works to\nprotect the human rights of immigrants by engaging in educa
tion\, outreach\nand advocacy at local\, state and national levels.
At the core of her\nscholarship\, writing and activism is a commitment to investigating the\nroles language\, images and practices play in oppressi on\, violence\, social\ntransformation and justice movements. She has taug ht at Pacific Northwest\nCollege of Art\, Portland State University\, Cali fornia State University\nChannel Islands and Willamette University\, where she was the Mark and\nMelody Teppola Presidential Distinguished Visiting Professor. She teaches\nwriting workshops and works one-on-one with client s to help support their\nart\, writing and creativity.
Join artist Marie\ nWatt and author Sarah Sentilles for a conversation about their shared\nin terest in responding to the natural world in their respective practices.\n The two will discuss their explorations of \"companion species\" (the titl e\nWatt gave to a large body of work)\, and their expansive thinking about what\ncounts as family and about kinship as a practice. As Sentilles asks \, \"What\nwould the world look like if we lived as if we were all related ?\"
SVMoA will require all\nparticipants\, staf f and volunteers to wear face masks regardless of\nvaccination status. In addition\, all attendees to the in-person talk must\nshow proof of vaccina tion against Covid-19. While attending SVMoA events\,\nparticipants must f ollow all posted or spoken instructions regarding health\nand safety.
A citizen of the Seneca Nation\, Marie Watt is a nationally\nknown\, multidisciplinary artist whose work explores the intersection of\nhistory\, storytelling and community. Working with textil es (particularly\nblankets)\, wood\, metal and other materials\, Watt has made numerous bodies\nof work that consider the human relationship to natu re. This exhibition\nfeatures work from her ongoing project “Companion S pecies\,” which\ninvestigates the contradictions between the human relat ionship to wildlife\nand the stories that we tell about creatures who live in the wilderness. Of\n“Companion Species: Underbelly\,” the 3\,800 l b. cedar sculpture in this\nexhibition\, she writes\, “I am interested i n how an underbelly is both the\nsoft fleshy vulnerable part of a body\, b ut also how it is associated with\ndark hidden areas. Lately\, I have been reflecting on dogs—canis\nfamiliaris—as pets\, mythological guides\, and first teachers. ‘Companion\nSpecies’ addresses the reciprocal rela tionship humans have with canines\nthroughout history\, this story is one of ignorance\, stewardship and\nreciprocity.”
Watt holds an MFA i n painting and printmaking from\nYale University. She attended Willamette University and the Institute of\nAmerican Indian Arts\, and in 2016 she wa s awarded an honorary doctorate\nfrom Willamette University. She has atten ded residencies at the Skowhegan\nSchool of Painting and Sculpture and the Vermont Studio Center\, and she has\nreceived fellowships and awards from the Joan Mitchell Foundation\,\nAnonymous Was a Woman and the Ford Family Foundation. Selected collections\ninclude the Seattle Art Museum\, the Wh itney Museum of American Art\, the\nAlbright-Knox Art Gallery\, Yale Unive rsity Art Gallery\, Crystal Bridges\nMuseum of American Art\, National Gal lery of Canada\, the Smithsonian\nInstitution’s National Museum of the A merican Indian and Renwick Gallery\,\nthe Tacoma Art Museum\, the Fabric W orkshop and Museum\, the Denver Art\nMuseum\, the Portland Art Museum and the Library of Congress. Watt has\nreceived public art commissions from th e Tacoma Art Museum\, the Bill and\nMelinda Gates Foundation\, the Denver Art Museum and the United States\nEmbassy in Islamabad\, Pakistan\, throug h the U.S. State Department’s Art\nin Embassies program. Recent exhibiti ons include “Making Knowing: Craft\nin Art\, 1950–2019” at the Whitn ey Museum of American Art and “Place\,\nNations\, Generations\, Beings: 200 Years of Indigenous North American Art”\nat Yale University Art Gall ery.
Sarah\nSentilles’ most recent
book\, “Stranger Care: A Memoir of Loving What\nIsn’t Ours\,” was p
ublished by Random House in May 2021. The story of\nSentilles’ and her h
usband’s experience as parents in the foster care\nsystem\, the book is
an invitation to reimagine the idea of family and what\nit means to love.
Throughout the book\, Sentilles offers readers glimpses of\nkinship and fa
mily structures in the natural world\, among trees\, birds\,\nfish and mor
e\, creating opportunities for rethinking the human act of\nkinship.
Sentilles is a writer\, teacher\, critical theorist\, scholar\nof religio
n and author of many books\, including “Draw Your Weapons\,”\nwhich wo
n the 2018 PEN Award for Creative Nonfiction. Her writing has\nappeared in
The New York Times\, The New Yorker\, Oprah Magazine\, Ms.\,\nReligion Di
spatches\, Oregon ArtsWatch and the Los Angeles Review of Books\,\namong o
ther publications. She’s had residencies at Hedgebrook and Yaddo.\nShe e
arned a bachelor's degree at Yale and master's and doctoral degrees at\nHa
rvard. She is the co-founder of the Alliance of Idaho\, which works to\npr
otect the human rights of immigrants by engaging in education\, outreach\n
and advocacy at local\, state and national levels.
At the core of h er\nscholarship\, writing and activism is a commitment to investigating th e\nroles language\, images and practices play in oppression\, violence\, s ocial\ntransformation and justice movements. She has taught at Pacific Nor thwest\nCollege of Art\, Portland State University\, California State Univ ersity\nChannel Islands and Willamette University\, where she was the Mark and\nMelody Teppola Presidential Distinguished Visiting Professor. She te aches\nwriting workshops and works one-on-one with clients to help support their\nart\, writing and creativity.
J oin artist Marie\nWatt and author Sarah Sentilles for a conversation about their shared\ninterest in responding to the natural world in their respec tive practices.\nThe two will discuss their explorations of \"companion sp ecies\" (the title\nWatt gave to a large body of work)\, and their expansi ve thinking about what\ncounts as family and about kinship as a practice. As Sentilles asks\, \"What\nwould the world look like if we lived as if we were all related?\"
SVMoA will require all\npa rticipants\, staff and volunteers to wear face masks regardless of\nvaccin ation status. In addition\, all attendees to the in-person talk must\nshow proof of vaccination against Covid-19. While attending SVMoA events\,\npa rticipants must follow all posted or spoken instructions regarding health\ nand safety.
A citizen of the Seneca Nat ion\, Marie Watt is a nationally\nknown\, multidisciplinary artist whose w ork explores the intersection of\nhistory\, storytelling and community. Wo rking with textiles (particularly\nblankets)\, wood\, metal and other mate rials\, Watt has made numerous bodies\nof work that consider the human rel ationship to nature. This exhibition\nfeatures work from her ongoing proje ct “Companion Species\,” which\ninvestigates the contradictions betwee n the human relationship to wildlife\nand the stories that we tell about c reatures who live in the wilderness. Of\n“Companion Species: Underbelly\ ,” the 3\,800 lb. cedar sculpture in this\nexhibition\, she writes\, “ I am interested in how an underbelly is both the\nsoft fleshy vulnerable p art of a body\, but also how it is associated with\ndark hidden areas. Lat ely\, I have been reflecting on dogs—canis\nfamiliaris—as pets\, mytho logical guides\, and first teachers. ‘Companion\nSpecies’ addresses th e reciprocal relationship humans have with canines\nthroughout history\, t his story is one of ignorance\, stewardship and\nreciprocity.”
Wa tt holds an MFA in painting and printmaking from\nYale University. She att ended Willamette University and the Institute of\nAmerican Indian Arts\, a nd in 2016 she was awarded an honorary doctorate\nfrom Willamette Universi ty. She has attended residencies at the Skowhegan\nSchool of Painting and Sculpture and the Vermont Studio Center\, and she has\nreceived fellowship s and awards from the Joan Mitchell Foundation\,\nAnonymous Was a Woman an d the Ford Family Foundation. Selected collections\ninclude the Seattle Ar t Museum\, the Whitney Museum of American Art\, the\nAlbright-Knox Art Gal lery\, Yale University Art Gallery\, Crystal Bridges\nMuseum of American A rt\, National Gallery of Canada\, the Smithsonian\nInstitution’s Nationa l Museum of the American Indian and Renwick Gallery\,\nthe Tacoma Art Muse um\, the Fabric Workshop and Museum\, the Denver Art\nMuseum\, the Portlan d Art Museum and the Library of Congress. Watt has\nreceived public art co mmissions from the Tacoma Art Museum\, the Bill and\nMelinda Gates Foundat ion\, the Denver Art Museum and the United States\nEmbassy in Islamabad\, Pakistan\, through the U.S. State Department’s Art\nin Embassies program . Recent exhibitions include “Making Knowing: Craft\nin Art\, 1950–201 9” at the Whitney Museum of American Art and “Place\,\nNations\, Gener ations\, Beings: 200 Years of Indigenous North American Art”\nat Yale Un iversity Art Gallery.
Sarah\nSentill
es’ most recent book\, “Stranger Care: A Memoir of Loving What\nIsn’
t Ours\,” was published by Random House in May 2021. The story of\nSenti
lles’ and her husband’s experience as parents in the foster care\nsyst
em\, the book is an invitation to reimagine the idea of family and what\ni
t means to love. Throughout the book\, Sentilles offers readers glimpses o
f\nkinship and family structures in the natural world\, among trees\, bird
s\,\nfish and more\, creating opportunities for rethinking the human act o
f\nkinship.
Sentilles is a writer\, teacher\, critical theorist\, sc
holar\nof religion and author of many books\, including “Draw Your Weapo
ns\,”\nwhich won the 2018 PEN Award for Creative Nonfiction. Her writing
has\nappeared in The New York Times\, The New Yorker\, Oprah Magazine\, M
s.\,\nReligion Dispatches\, Oregon ArtsWatch and the Los Angeles Review of
Books\,\namong other publications. She’s had residencies at Hedgebrook
and Yaddo.\nShe earned a bachelor's degree at Yale and master's and doctor
al degrees at\nHarvard. She is the co-founder of the Alliance of Idaho\, w
hich works to\nprotect the human rights of immigrants by engaging in educa
tion\, outreach\nand advocacy at local\, state and national levels.
At the core of her\nscholarship\, writing and activism is a commitment to investigating the\nroles language\, images and practices play in oppressi on\, violence\, social\ntransformation and justice movements. She has taug ht at Pacific Northwest\nCollege of Art\, Portland State University\, Cali fornia State University\nChannel Islands and Willamette University\, where she was the Mark and\nMelody Teppola Presidential Distinguished Visiting Professor. She teaches\nwriting workshops and works one-on-one with client s to help support their\nart\, writing and creativity.
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Use this\nopportun ity to hone technical drawing skills in a relaxed environment while\ndrawi ng directly from the human figure. A model will hold a variety of\nposes t hroughout the 2-hour session. For all skill levels.
Bring\nyour own supplies\, drawing boards provided.18 yrs and older\, beginners\nwelc ome!
U se this\nopportunity to hone technical drawing skills in a relaxed environ ment while\ndrawing directly from the human figure. A model will hold a va riety of\nposes throughout the 2-hour session. For all skill levels.
< p>Bring\nyour own supplies\, drawing boards provided.18 yrs and older\ , beginners\nwelcome!The Lost\nLeon ardo is the inside story behind the Salvator Mundi\, the most\nexpens ive painting ever sold at $450 million. From the moment the painting\nis b ought for $1175 at a shady New Orleans auction house\, and the restorer\nd iscovers masterful Renaissance brushstrokes under the heavy varnish of its \ncheap restoration\, the Salvator Mundi’s fate is determined by an\nins atiable quest for fame\, money and power. As its price soars\, so do\nques tions about its authenticity: is this painting really by Leonardo da\nVinc i?
Unravelling the hidden agendas of the richest men and most\npowe rful art institutions in the world\, The Lost Leonardo reveals how\nvested interests in the Salvator Mundi are of such tremendous power that\ntruth becomes secondary.
\n
< em>The Lost\nLeonardo is the inside story behind the Salvator Mundi\, the most\nexpensive painting ever sold at $450 million. From the moment t he painting\nis bought for $1175 at a shady New Orleans auction house\, an d the restorer\ndiscovers masterful Renaissance brushstrokes under the hea vy varnish of its\ncheap restoration\, the Salvator Mundi’s fate is dete rmined by an\ninsatiable quest for fame\, money and power. As its price so ars\, so do\nquestions about its authenticity: is this painting really by Leonardo da\nVinci?
Unravelling the hidden agendas of the richest m en and most\npowerful art institutions in the world\, The Lost Leonardo re veals how\nvested interests in the Salvator Mundi are of such tremendous p ower that\ntruth becomes secondary.
\n
The Lost\nLeon ardo is the inside story behind the Salvator Mundi\, the most\nexpens ive painting ever sold at $450 million. From the moment the painting\nis b ought for $1175 at a shady New Orleans auction house\, and the restorer\nd iscovers masterful Renaissance brushstrokes under the heavy varnish of its \ncheap restoration\, the Salvator Mundi’s fate is determined by an\nins atiable quest for fame\, money and power. As its price soars\, so do\nques tions about its authenticity: is this painting really by Leonardo da\nVinc i?
Unravelling the hidden agendas of the richest men and most\npowe rful art institutions in the world\, The Lost Leonardo reveals how\nvested interests in the Salvator Mundi are of such tremendous power that\ntruth becomes secondary.
\n
< em>The Lost\nLeonardo is the inside story behind the Salvator Mundi\, the most\nexpensive painting ever sold at $450 million. From the moment t he painting\nis bought for $1175 at a shady New Orleans auction house\, an d the restorer\ndiscovers masterful Renaissance brushstrokes under the hea vy varnish of its\ncheap restoration\, the Salvator Mundi’s fate is dete rmined by an\ninsatiable quest for fame\, money and power. As its price so ars\, so do\nquestions about its authenticity: is this painting really by Leonardo da\nVinci?
Unravelling the hidden agendas of the richest m en and most\npowerful art institutions in the world\, The Lost Leonardo re veals how\nvested interests in the Salvator Mundi are of such tremendous p ower that\ntruth becomes secondary.
\n
Join us for a fun morning workshop of sketching nature in\nthe field. S
tudents will learn anatomy of birds\, wildflowers\, and bugs\, as\nwell as
basic drawing skills\, before heading outside to draw directly from\nnatu
re.
Poo Wright-Pulliam’s art is inspired by nature\,\nesp
ecially birds. Her preferred mediums are pencil\, ink\, and watercolor.\nS
he has won numerous awards for her art and also has been selected to be\nt
he Artist-in-Residence for Craters of the Moon National Monument\, and Cit
y\nof the Rocks National Reserve.
Join us for a fun morning workshop of sketching nature
in\nthe field. Students will learn anatomy of birds\, wildflowers\, and b
ugs\, as\nwell as basic drawing skills\, before heading outside to draw di
rectly from\nnature.
Poo Wright-Pulliam’s art is inspired
by nature\,\nespecially birds. Her preferred mediums are pencil\, ink\, a
nd watercolor.\nShe has won numerous awards for her art and also has been
selected to be\nthe Artist-in-Residence for Craters of the Moon National M
onument\, and City\nof the Rocks National Reserve.
<
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Families will\nmak e art and explore the exhibition together. Projects will change weekly\nan d always connect to the artwork in the exhibition.
Participants are encouraged t o\nregister in advance\, and walk-ins will be accommodated if space\nallow s.
F amilies will\nmake art and explore the exhibition together. Projects will change weekly\nand always connect to the artwork in the exhibition.
AFTERNOON ART\nPROJECT THEMES:Participants are encouraged to\nregister in advance\, and walk-ins will be accommodate d if space\nallows.
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Join us for a JPC\ nafternoon hike* in Adams Gulch followed by an Exhibition Tour of\nUnt rammeled: At Wilderness' Edge with complimentary libations!
\nThis special event is presented by SVMoA’s J unior\nPatrons Circle (JPC)\, a group of young(ish) adults dedicated to fo stering\npassion for arts and culture in our community. By hosting events and\neducational activities and informing other young adults and their fam ilies\nabout SVMoA\, the JPC involves the next generation in the museum’ s\nprograms and develops future arts advocates. JPC members also enjoy man y\nbenefits\, including invitations to all JPC events\, discounts on class es and\ntickets of certain program events\, and advance purchase of concer t series\ntickets.
J oin us for a JPC\nafternoon hike* in Adams Gulch followed by an Exhibition Tour of\nUntrammeled: At Wilderness' Edge with complimentary lib ations!
\nThis special event is present ed by SVMoA’s Junior\nPatrons Circle (JPC)\, a group of young(ish) adult s dedicated to fostering\npassion for arts and culture in our community. B y hosting events and\neducational activities and informing other young adu lts and their families\nabout SVMoA\, the JPC involves the next generation in the museum’s\nprograms and develops future arts advocates. JPC membe rs also enjoy many\nbenefits\, including invitations to all JPC events\, d iscounts on classes and\ntickets of certain program events\, and advance p urchase of concert series\ntickets.
Join us for a JPC\ nafternoon hike* in Adams Gulch followed by an Exhibition Tour of\nUnt rammeled: At Wilderness' Edge with complimentary libations!
\nThis special event is presented by SVMoA’s J unior\nPatrons Circle (JPC)\, a group of young(ish) adults dedicated to fo stering\npassion for arts and culture in our community. By hosting events and\neducational activities and informing other young adults and their fam ilies\nabout SVMoA\, the JPC involves the next generation in the museum’ s\nprograms and develops future arts advocates. JPC members also enjoy man y\nbenefits\, including invitations to all JPC events\, discounts on class es and\ntickets of certain program events\, and advance purchase of concer t series\ntickets.
J oin us for a JPC\nafternoon hike* in Adams Gulch followed by an Exhibition Tour of\nUntrammeled: At Wilderness' Edge with complimentary lib ations!
\nThis special event is present ed by SVMoA’s Junior\nPatrons Circle (JPC)\, a group of young(ish) adult s dedicated to fostering\npassion for arts and culture in our community. B y hosting events and\neducational activities and informing other young adu lts and their families\nabout SVMoA\, the JPC involves the next generation in the museum’s\nprograms and develops future arts advocates. JPC membe rs also enjoy many\nbenefits\, including invitations to all JPC events\, d iscounts on classes and\ntickets of certain program events\, and advance p urchase of concert series\ntickets.
Families will\nmak e art and explore the exhibition together. Projects will change weekly\nan d always connect to the artwork in the exhibition.
Particip ants are encouraged to register in advance\, and walk-ins\nwill be accommo dated if space allows.
F amilies will\nmake art and explore the exhibition together. Projects will change weekly\nand always connect to the artwork in the exhibition.
AFTERNOON ART\nPROJECT THEME:Participants are encouraged to register in advance\, and walk-ins \nwill be accommodated if space allows.
In this class\, participants will make a vessel from dyed wool. Beginning \nwith soft fabric\, participants will then layer wool over a pattern and add\ndecorative elements. Finally\, participants will felt their work usin g some\ngood old \"elbow grease\" to shape it into a vessel.
Ag e and\nability: 15 and older\, beginners welcome!
Betty Hayzlett has been working with fiber ever si nce\nshe was a little girl. Today she combines the making of handmade felt (made\nfrom raw\, dyed wool) with weaving and other materials to make her art. She\nloves to play with visual contrast\, and focuses on using rich colors and\ncombining different techniques to create richly textured and c olored\nsurfaces on flat and three-dimensional forms.
In this class\, participants will make a vessel from dye d wool. Beginning\nwith soft fabric\, participants will then layer wool ov er a pattern and add\ndecorative elements. Finally\, participants will fel t their work using some\ngood old \"elbow grease\" to shape it into a vess el.
Age and\nability: 15 and older\, beginners welcome!
Betty Hayzlett has been working w ith fiber ever since\nshe was a little girl. Today she combines the making of handmade felt (made\nfrom raw\, dyed wool) with weaving and other mate rials to make her art. She\nloves to play with visual contrast\, and focus es on using rich colors and\ncombining different techniques to create rich ly textured and colored\nsurfaces on flat and three-dimensional forms.
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities an d care for students in grades 4 &\; 5\, offers opportunities\nto explor e a variety of art forms\, engaging students through creative\nproblem sol ving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivities one day a we ek\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Come play with art! Smart Art\, a weekly afternoon of\nactivities and care for students in grades 4 &\; 5\, offers opportu nities\nto explore a variety of art forms\, engaging students through crea tive\nproblem solving\, self-expression and confidence building.
SVMoA will be offering after-school care and\nactivi ties one day a week\, either Tuesday or Wednesday\, from\n2:30–5:30pm.
\n
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.\nArt ist Laura McPhee will join us to discuss her new installation\nwork in per son at both sessions!
Featuring artwork by four\nnationall y known artists including two new commissioned projects\,\nUntrammeled considers the way our understanding of the idea of\nwilderness has e volved since the 1964 Wilderness Act. Working in\nphotography\, painting\, installation and sculpture\, Mark Klett\, James\nLavadour\, Laura McPhee and Marie Watt respond to different aspects of the\nhuman relationship to the wild\, including the human-wildland interface\,\nwildlife\, wildfire\, and the human experience of wilderness. Can we continue\nto protect wilde rness while still enjoying it as a resource that is both\nrecreational and spiritual?
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.\nArtist Laura McPhee will join us to discuss her new installa tion\nwork in person at both sessions!
Featuring artwork b y four\nnationally known artists including two new commissioned projects\, \nUntrammeled considers the way our understanding of the idea of\ nwilderness has evolved since the 1964 Wilderness Act. Working in\nphotogr aphy\, painting\, installation and sculpture\, Mark Klett\, James\nLavadou r\, Laura McPhee and Marie Watt respond to different aspects of the\nhuman relationship to the wild\, including the human-wildland interface\,\nwild life\, wildfire\, and the human experience of wilderness. Can we continue\ nto protect wilderness while still enjoying it as a resource that is both\ nrecreational and spiritual?
Enjoy a glass of\n wine as you tour the exhibition with The Museum’s curators.\nArt ist Laura McPhee will join us to discuss her new installation\nwork in per son at both sessions!
Featuring artwork by four\nnationall y known artists including two new commissioned projects\,\nUntrammeled considers the way our understanding of the idea of\nwilderness has e volved since the 1964 Wilderness Act. Working in\nphotography\, painting\, installation and sculpture\, Mark Klett\, James\nLavadour\, Laura McPhee and Marie Watt respond to different aspects of the\nhuman relationship to the wild\, including the human-wildland interface\,\nwildlife\, wildfire\, and the human experience of wilderness. Can we continue\nto protect wilde rness while still enjoying it as a resource that is both\nrecreational and spiritual?
E njoy a glass of\nwine as you tour the exhibition with The Museum’s curat ors.\nArtist Laura McPhee will join us to discuss her new installa tion\nwork in person at both sessions!
Featuring artwork b y four\nnationally known artists including two new commissioned projects\, \nUntrammeled considers the way our understanding of the idea of\ nwilderness has evolved since the 1964 Wilderness Act. Working in\nphotogr aphy\, painting\, installation and sculpture\, Mark Klett\, James\nLavadou r\, Laura McPhee and Marie Watt respond to different aspects of the\nhuman relationship to the wild\, including the human-wildland interface\,\nwild life\, wildfire\, and the human experience of wilderness. Can we continue\ nto protect wilderness while still enjoying it as a resource that is both\ nrecreational and spiritual?
Today\, despite\ns upport from voters across the political spectrum\, the United States’\np ublic lands face unprecedented threats from extractive industries and the\ npoliticians in their pockets. Part love letter\, part political exposé\, \nPublic Trust\, from executive producers Robert Redford and Yvon Chouinar d\,\ninvestigates how this country has arrived at this precarious moment t hrough\nthree heated conflicts—a national monument in the Utah desert\, a mine in\nthe Boundary Waters and oil drilling in the Arctic National Wil dlife\nRefuge—and makes a case for their continued protection.
\nT oday\, despite\nsupport from voters across the political spectrum\, the Un ited States’\npublic lands face unprecedented threats from extractive in dustries and the\npoliticians in their pockets. Part love letter\, part po litical exposé\,\nPublic Trust\, from executive producers Robert Redford and Yvon Chouinard\,\ninvestigates how this country has arrived at this pr ecarious moment through\nthree heated conflicts—a national monument in t he Utah desert\, a mine in\nthe Boundary Waters and oil drilling in the Ar ctic National Wildlife\nRefuge—and makes a case for their continued prot ection.
\nToday\, despite\ns upport from voters across the political spectrum\, the United States’\np ublic lands face unprecedented threats from extractive industries and the\ npoliticians in their pockets. Part love letter\, part political exposé\, \nPublic Trust\, from executive producers Robert Redford and Yvon Chouinar d\,\ninvestigates how this country has arrived at this precarious moment t hrough\nthree heated conflicts—a national monument in the Utah desert\, a mine in\nthe Boundary Waters and oil drilling in the Arctic National Wil dlife\nRefuge—and makes a case for their continued protection.
\nT oday\, despite\nsupport from voters across the political spectrum\, the Un ited States’\npublic lands face unprecedented threats from extractive in dustries and the\npoliticians in their pockets. Part love letter\, part po litical exposé\,\nPublic Trust\, from executive producers Robert Redford and Yvon Chouinard\,\ninvestigates how this country has arrived at this pr ecarious moment through\nthree heated conflicts—a national monument in t he Utah desert\, a mine in\nthe Boundary Waters and oil drilling in the Ar ctic National Wildlife\nRefuge—and makes a case for their continued prot ection.
\nParticipants will\ ncreate their very own woven wall hanging! During this workshop\, we’ll\ ncover the basics of tapestry design\, weaving with texture and finishing\ nstitches. By the end of our time together\, everyone will have created a\ nsampler of stitches and weaves and a one-of-a-kind wall hanging suitable\ nfor display\, along with the knowledge and confidence to continue\nweavin g.
Age and ability: 14 and older\, beginners\nwelcome!
Rachael Mayer\nis a fiber artist ba sed out of Boise\, Idaho. With a BA in Anthropology\n&\; Ethnic Studies and an MFA in Studio Art\, Rachael bridges her two\nareas of study by mak ing work about communities\, social networks and\nsystems. She moved frequ ently as a child and young adult and uses her\nexperiences traveling acros s the country with her family to contextualize\nsocial constructions withi n landscape and topography. She has interned at\nArrowmont School of Arts &\; Crafts\, has exhibited her work across the\nUnited States and has b een published in the Surface Design Journal. Rachael\ngrew up with a mothe r who quilted and uses sewing as a metaphor for\nconnecting to community a nd the landscape around us. She has a MFA with an\ninterest in fiber and p aper sculptures.
P articipants will\ncreate their very own woven wall hanging! During this wo rkshop\, we’ll\ncover the basics of tapestry design\, weaving with textu re and finishing\nstitches. By the end of our time together\, everyone wil l have created a\nsampler of stitches and weaves and a one-of-a-kind wall hanging suitable\nfor display\, along with the knowledge and confidence to continue\nweaving.
Age and ability: 14 and older\, beginners\n welcome!
Rachael Mayer\nis a fiber artist based out of Boise\, Idaho. With a BA in Anthropology\n& \; Ethnic Studies and an MFA in Studio Art\, Rachael bridges her two\narea s of study by making work about communities\, social networks and\nsystems . She moved frequently as a child and young adult and uses her\nexperience s traveling across the country with her family to contextualize\nsocial co nstructions within landscape and topography. She has interned at\nArrowmon t School of Arts &\; Crafts\, has exhibited her work across the\nUnited States and has been published in the Surface Design Journal. Rachael\ngre w up with a mother who quilted and uses sewing as a metaphor for\nconnecti ng to community and the landscape around us. She has a MFA with an\nintere st in fiber and paper sculptures.
Luca Stricagnoli\, \nborn and raised in Italy\, is an acoustic guitarist known for his unique \nstyle and innovative playing techniques. His original approach to music has\nled to a variety of successes from obtaining over 100 million views o n his\nmusic videos to having the opportunity to perform all around the gl obe.\nUsing up to five guitars in the same piece\, Luca continually leaves his\naudiences in awe and wondering what’s next for the up-and-coming\n guitarist. In addition to his musical abilities\, Luca brings an\nenthusia stic energy to the stage that attracts concert requests from every\ncorner of the world.
An “alum” of performing in Sun Valley with\nInte rnational Guitar Night\, Luca returns to play a full-length show and to\nw ork with students in schools.
For 25 years\, SVMoA has been bringing professional\nmusician s\, authors\, and artists into Blaine County Schools to work with and\nper form for local students. All of the performers in the 2021/2022\nPerformin g Arts Residency &\; Concert Series will be sharing their\ntalents with students through our Residency Program. CLICK\nHERE to learn more.
SVMoA will\nre quire all participants\, staff and volunteers to wear face masks\nregardle ss of vaccination status. In addition\, all participants over the\nage of 12 must show proof of vaccination against Covid-19 or a negative\nCovid-19 test\, taken within 72 hours of showtime. Thank you for helping us\nkeep our community healthy.
\ n
L uca Stricagnoli\,\nborn and raised in Italy\, is an acoustic guitarist kno wn for his unique\nstyle and innovative playing techniques. His original a pproach to music has\nled to a variety of successes from obtaining over 10 0 million views on his\nmusic videos to having the opportunity to perform all around the globe.\nUsing up to five guitars in the same piece\, Luca c ontinually leaves his\naudiences in awe and wondering what’s next for th e up-and-coming\nguitarist. In addition to his musical abilities\, Luca br ings an\nenthusiastic energy to the stage that attracts concert requests f rom every\ncorner of the world.
An “alum” of performing in Sun Valley with\nInternational Guitar Night\, Luca returns to play a full-leng th show and to\nwork with students in schools.
For 25 years\, SVMoA has been bringing profe ssional\nmusicians\, authors\, and artists into Blaine County Schools to w ork with and\nperform for local students. All of the performers in the 202 1/2022\nPerforming Arts Residency &\; Concert Series will be sharing th eir\ntalents with students through our Residency Program. CLICK\nHERE to learn more.
SVMoA will\nrequire all participants\, staff and volunteers to wear fac e masks\nregardless of vaccination status. In addition\, all participants over the\nage of 12 must show proof of vaccination against Covid-19 or a n egative\nCovid-19 test\, taken within 72 hours of showtime. Thank you for helping us\nkeep our community healthy.
\n
Use this\nopportun ity to hone technical drawing skills in a relaxed environment while\ndrawi ng directly from the human figure. A model will hold a variety of\nposes t hroughout the 2-hour session. For all skill levels.
Bring\nyour own supplies\, drawing boards provided.18 yrs and older\, beginners\nwelc ome!
U se this\nopportunity to hone technical drawing skills in a relaxed environ ment while\ndrawing directly from the human figure. A model will hold a va riety of\nposes throughout the 2-hour session. For all skill levels.
< p>Bring\nyour own supplies\, drawing boards provided.18 yrs and older\ , beginners\nwelcome!Join artist\nRebec ca Campbell for a conversation about the paintings\, sculptures and\ninsta llations that are part of Two-Year Supply. Campbell will\ndiscuss her project The Potato Eaters within the context of her\nfamily ’s history in Rupert\, Idaho\, where both her parents grew up on\npotato farms. She took the title for The Potato Eaters from the\nVincen t Van Gogh painting of the same name\, and drew inspiration for the\nartwo rks in it from family photographs and stories\, her own travels\nthroughou t southern Idaho\, and an interest in engaging in dialogue with the\nwork of 20th-century artists such as Donald Judd and Robert Smithson. Born\nand raised in Salt Lake City\, Campbell is now based in Los Angeles\, and is\ nrepresented by L.A. Louver.
SVMoA requires all\nparticipants\, staff and volunteers to we ar face masks regardless of\nvaccination status. Additionally\, for the in -person Art Talk—all\nattendees over 12 years old will require proof of vaccination against\nCovid-19 or a negative Covid test for entry. While at tending SVMoA events\,\nparticipants must follow all posted or spoken inst ructions regarding health\nand safety.
J oin artist\nRebecca Campbell for a conversation about the paintings\, scul ptures and\ninstallations that are part of Two-Year Supply. Campb ell will\ndiscuss her project The Potato Eaters within the contex t of her\nfamily’s history in Rupert\, Idaho\, where both her parents gr ew up on\npotato farms. She took the title for The Potato Eaters from the\nVincent Van Gogh painting of the same name\, and drew inspiratio n for the\nartworks in it from family photographs and stories\, her own tr avels\nthroughout southern Idaho\, and an interest in engaging in dialogue with the\nwork of 20th-century artists such as Donald Judd and Robert Smi thson. Born\nand raised in Salt Lake City\, Campbell is now based in Los A ngeles\, and is\nrepresented by L.A. Louver.
SVMoA requires all\nparticipants\, staff and volunteers to wear face masks regardless of\nvaccination status. Additiona lly\, for the in-person Art Talk—all\nattendees over 12 years old will r equire proof of vaccination against\nCovid-19 or a negative Covid test for entry. While attending SVMoA events\,\nparticipants must follow all poste d or spoken instructions regarding health\nand safety.
Join artist\nRebec ca Campbell for a conversation about the paintings\, sculptures and\ninsta llations that are part of Two-Year Supply. Campbell will\ndiscuss her project The Potato Eaters within the context of her\nfamily ’s history in Rupert\, Idaho\, where both her parents grew up on\npotato farms. She took the title for The Potato Eaters from the\nVincen t Van Gogh painting of the same name\, and drew inspiration for the\nartwo rks in it from family photographs and stories\, her own travels\nthroughou t southern Idaho\, and an interest in engaging in dialogue with the\nwork of 20th-century artists such as Donald Judd and Robert Smithson. Born\nand raised in Salt Lake City\, Campbell is now based in Los Angeles\, and is\ nrepresented by L.A. Louver.
SVMoA requires all\nparticipants\, staff and volunteers to we ar face masks regardless of\nvaccination status. Additionally\, for the in -person Art Talk—all\nattendees over 12 years old will require proof of vaccination against\nCovid-19 or a negative Covid test for entry. While at tending SVMoA events\,\nparticipants must follow all posted or spoken inst ructions regarding health\nand safety.
J oin artist\nRebecca Campbell for a conversation about the paintings\, scul ptures and\ninstallations that are part of Two-Year Supply. Campb ell will\ndiscuss her project The Potato Eaters within the contex t of her\nfamily’s history in Rupert\, Idaho\, where both her parents gr ew up on\npotato farms. She took the title for The Potato Eaters from the\nVincent Van Gogh painting of the same name\, and drew inspiratio n for the\nartworks in it from family photographs and stories\, her own tr avels\nthroughout southern Idaho\, and an interest in engaging in dialogue with the\nwork of 20th-century artists such as Donald Judd and Robert Smi thson. Born\nand raised in Salt Lake City\, Campbell is now based in Los A ngeles\, and is\nrepresented by L.A. Louver.
SVMoA requires all\nparticipants\, staff and volunteers to wear face masks regardless of\nvaccination status. Additiona lly\, for the in-person Art Talk—all\nattendees over 12 years old will r equire proof of vaccination against\nCovid-19 or a negative Covid test for entry. While attending SVMoA events\,\nparticipants must follow all poste d or spoken instructions regarding health\nand safety.
Join SVMoA in a\nc ommunity-wide celebration of Día de los Muertos traditions. View altars\n or ofrendas created especially for this event by community members and\nen joy traditional food and music of Mexican Día de los Muertos\ncelebration s.
The altars also will be open for public viewing Monday\, Nov 1 and\nTuesday\, Nov 2 from 2:30–6pm.
Únase a SV MoA en\nuna celebración comunitaria de las tradiciones del Día de los Mu ertos.\nVea altares o ofrendas creados especialmente para este evento por miembros\nde la comunidad y disfrute de la comida y la música tradicional es de las\ncelebraciones del Día de los Muertos en México. Miembros del público\ntambién pueden visitar las ofrendas lunes\, el 1 de noviembre\, y martes\, el\n2 de noviembre\, de las 2:30 hasta las 6 de la tarde\,
J oin SVMoA in a\ncommunity-wide celebration of Día de los Muertos traditio ns. View altars\nor ofrendas created especially for this event by communit y members and\nenjoy traditional food and music of Mexican Día de los Mue rtos\ncelebrations.
The altars also will be open for public viewing Monday\, Nov 1 and\nTuesday\, Nov 2 from 2:30–6pm.
Únase a SVMoA en\nuna celebración comunitaria de las tradiciones d el Día de los Muertos.\nVea altares o ofrendas creados especialmente para este evento por miembros\nde la comunidad y disfrute de la comida y la m úsica tradicionales de las\ncelebraciones del Día de los Muertos en Méx ico. Miembros del público\ntambién pueden visitar las ofrendas lunes\, e l 1 de noviembre\, y martes\, el\n2 de noviembre\, de las 2:30 hasta las 6 de la tarde\,