Use this\nopportun ity to hone technical drawing skills in a relaxed environment while\ndrawi ng directly from the human figure. A model will hold a variety of\nposes t hroughout the 2-hour session. All skill levels are welcome.
\nBr ing your own supplies\; drawing boards will be provided.
\nAge &\; ability: 18+\, all skill levels welcome!
\nThe class takes place from 6–8pm.
Fall 2024\nOpen Studio Sessions:
- Tue\, Oct 8\, 6-8pm
- Tue\, Nov 12\ ,\n6-8pm
- Tue\, Dec 10\, 6-8pm
(register f or\neach Open Studio session/date individually)
Participants under 18 years of age need to\n provide a Model Consent Waiver signed by their guardian:
Interested in gaining experience\nas a figure drawing model?< /h4>
To learn more\nabout the job descripti on and training\, please email us at information@svmoa.org.
\n
U se this\nopportunity to hone technical drawing skills in a relaxed environ ment while\ndrawing directly from the human figure. A model will hold a va riety of\nposes throughout the 2-hour session. All skill levels are welcom e.
\nBring your own supplies\; drawing boards will be provided.< /em>
\nAge &\; ability: 18+\, all skill levels welcome!
\nThe class takes place from 6–8pm.
Fall 2024\nOpen Studio Sessions:
- Tue\, Oct 8\, 6-8pm
- Tue\, Nov 12\,\n6-8pm
- Tue\, Dec 10\, 6-8pm
(register for\neach Open Studio session/date individually)
Participants under 18 years of age need to\nprovide a Model Consent Waiver signed by their guardian:
To learn more\nabout the job description and training\, please email us at information@svmoa.org.
\n
Join SVMoA for a session in a series of\nconversations about portraiture in the 21st century. How are\ncontemporary artists approaching the genre of portraiture in new and\ninnovative ways? How can portraits e xpress not just the identity of the\nsitter but larger ideas reflecting th e time and place in which they are\nmade?
Art Club happens\nmonthly at the Museum.
Join SVMoA for a session in a series of\nconversations about portraiture in the 21st century. How are\ncontemporary ar tists approaching the genre of portraiture in new and\ninnovative ways? Ho w can portraits express not just the identity of the\nsitter but larger id eas reflecting the time and place in which they are\nmade?
Art Club happens\nmonthly at the Museum.
Play\, create\,\nd iscover\, and have fun!
Afternoon Art is a free drop-in\nopportun ity for community members of all ages to explore concepts from the\nMuseum 's current exhibition and create works of art. Families and friends\nare e ncouraged to communicate\, reflect\, and produce as artists together.\nPer fect for art lovers\, curious minds\, and anyone seeking inspiration.\nPro jects will vary.
Age &\; Ability: all ages\, families\ne ncouraged to attend together
Hailey Afternoon Art\ nruns from 1:30–4:30pm at SVMoA's Hailey Classroom.
Afternoon Ar t\nis offered in Ketchum on the first Friday of each month and in Hailey o n\nthe second Friday from 1:30-4:30pm and are recommended for families wit h\nchildren of all ages. Please be sure to check dates and location.
< hr\n/>P lay\, create\,\ndiscover\, and have fun!
Afternoon Art is a free drop-in\nopportunity for community members of all ages to explore concepts from the\nMuseum's current exhibition and create works of art. Families a nd friends\nare encouraged to communicate\, reflect\, and produce as artis ts together.\nPerfect for art lovers\, curious minds\, and anyone seeking inspiration.\nProjects will vary.
Age &\; Ability: all a ges\, families\nencouraged to attend together
Hail ey Afternoon Art\nruns from 1:30–4:30pm at SVMoA's Hailey Classroom.
Afternoon Art\nis offered in Ketchum on the first Friday of each mont h and in Hailey on\nthe second Friday from 1:30-4:30pm and are recommended for families with\nchildren of all ages. Please be sure to check dates an d location.
Play\, create\,\nd iscover\, and have fun!
Afternoon Art is a free drop-in\nopportun ity for community members of all ages to explore concepts from the\nMuseum 's current exhibition and create works of art. Families and friends\nare e ncouraged to communicate\, reflect\, and produce as artists together.\nPer fect for art lovers\, curious minds\, and anyone seeking inspiration.\nPro jects will vary.
Age &\; Ability: all ages\, families\ne ncouraged to attend together
Hailey Afternoon Art\ nruns from 1:30–4:30pm at SVMoA's Hailey Classroom.
Afternoon Ar t\nis offered in Ketchum on the first Friday of each month and in Hailey o n\nthe second Friday from 1:30-4:30pm and are recommended for families wit h\nchildren of all ages. Please be sure to check dates and location.
< hr\n/>P lay\, create\,\ndiscover\, and have fun!
Afternoon Art is a free drop-in\nopportunity for community members of all ages to explore concepts from the\nMuseum's current exhibition and create works of art. Families a nd friends\nare encouraged to communicate\, reflect\, and produce as artis ts together.\nPerfect for art lovers\, curious minds\, and anyone seeking inspiration.\nProjects will vary.
Age &\; Ability: all a ges\, families\nencouraged to attend together
Hail ey Afternoon Art\nruns from 1:30–4:30pm at SVMoA's Hailey Classroom.
Afternoon Art\nis offered in Ketchum on the first Friday of each mont h and in Hailey on\nthe second Friday from 1:30-4:30pm and are recommended for families with\nchildren of all ages. Please be sure to check dates an d location.
SVMoA Members are\ ninvited by the Museum's curators for a preview and tour of the\ nexhibitions In Conversation: Will Wilson and Portraits of t he\nShoshone-Bannock Tribes\, Past &\; Present prior to the Openi ng\nCelebration.
In Conversation: Will\
nWilson features tintype portraits Diné artist Will\nWi
lson has made as part of his ongoing project Critical Indigenous\nPhot
ographic Exchange (CIPX). A direct response to the work of\n20th-century photographer Edward Sheriff Curtis\n(1868–1952)\,
whose photographs are also included in the exhibition\,\nWilson’s C
IPX offers a critique of Curtis’s 20-volume The\nNorth American
Indian (1907-1930)\, which was created to capture the\nsupposed vani
shing race of Native Americans. Curtis’ photographs\nsimplified and rom
anticized Native American life. In contrast\, Wilson has\ncreated rich\, c
omplex portraits that center Indigenous\nperspectives.
Portraits\nof the Shoshone-Bannock Tribes\, Past &\; Present explores portraits\nof members of the Shoshone- Bannock Tribes made at the turn of the 20th\ncentury and today. In 1895\, the Danish American photographer Benedicte\nWrensted arrived in Pocatello\ , Idaho\, where she established a photography\nstudio. Among her clients w ere members of the Shoshone-Bannock Tribes whose\nportraits Wrensted took until leaving Idaho in 1912. Unlike Edward Curtis\,\nWrensted invited her sitters to present themselves as they wished\, and\nmembers of the Tribes appear in her photographs in both traditional regalia\nand settler dress. The exhibition also includes photographs made by\nphotographers for the Sh o-Ban News—Lori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at events i ncluding the annual Shoshone-Bannock Festival.
\nIn Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/Director of Fellowships &\; Research from\nCrystal Bridge s\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norgani
zed by
Crystal Bridges Museum of American Art
Support provided by Art Bridges
S VMoA Members are\ninvited by the Museum's curators for a preview and tour of the\nexhibitions In Conversation: Will Wilson and < em>Portraits of the\nShoshone-Bannock Tribes\, Past &\; Present p rior to the Opening\nCelebration.
In Co nversation: Will\nWilson features tintype portraits Din é artist Will\nWilson has made as part of his ongoing project Critica l Indigenous\nPhotographic Exchange (CIPX). A direct response to the work of\n20th-century photographer Edward Sheriff Curti s\n(1868–1952)\, whose photographs are also included in the exhibition\, \nWilson’s CIPX offers a critique of Curtis’s 20-volume T he\nNorth American Indian (1907-1930)\, which was created to capture the\nsupposed vanishing race of Native Americans. Curtis’ photographs\n simplified and romanticized Native American life. In contrast\, Wilson has \ncreated rich\, complex portraits that center Indigenous\nperspectives.
Portraits\nof the Shoshon e-Bannock Tribes\, Past &\; Present explores portraits\nof member s of the Shoshone-Bannock Tribes made at the turn of the 20th\ncentury and today. In 1895\, the Danish American photographer Benedicte\nWrensted arr ived in Pocatello\, Idaho\, where she established a photography\nstudio. A mong her clients were members of the Shoshone-Bannock Tribes whose\nportra its Wrensted took until leaving Idaho in 1912. Unlike Edward Curtis\,\nWre nsted invited her sitters to present themselves as they wished\, and\nmemb ers of the Tribes appear in her photographs in both traditional regalia\na nd settler dress. The exhibition also includes photographs made by\nphotog raphers for the Sho-Ban News—Lori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at events including the annual Shoshone-Bannock Festival.
\nIn Conversation: Will Wilson was curated by Mindy\n Besaw\, Curator of American Art/Director of Fellowships &\; Research fr om\nCrystal Bridges\, and Ashley Holland\, Associate Curator from Art\nBri dges
In Conversation: Will Wilso
n is\norganized by
Crystal Bridges Museum of American Art Support provided by Art Bridges
<
p\nclass=\"text-align-center\">
SVMoA Members are\ ninvited by the Museum's curators for a preview and tour of the\ nexhibitions In Conversation: Will Wilson and Portraits of t he\nShoshone-Bannock Tribes\, Past &\; Present prior to the Openi ng\nCelebration.
In Conversation: Will\
nWilson features tintype portraits Diné artist Will\nWi
lson has made as part of his ongoing project Critical Indigenous\nPhot
ographic Exchange (CIPX). A direct response to the work of\n20th-century photographer Edward Sheriff Curtis\n(1868–1952)\,
whose photographs are also included in the exhibition\,\nWilson’s C
IPX offers a critique of Curtis’s 20-volume The\nNorth American
Indian (1907-1930)\, which was created to capture the\nsupposed vani
shing race of Native Americans. Curtis’ photographs\nsimplified and rom
anticized Native American life. In contrast\, Wilson has\ncreated rich\, c
omplex portraits that center Indigenous\nperspectives.
Portraits\nof the Shoshone-Bannock Tribes\, Past &\; Present explores portraits\nof members of the Shoshone- Bannock Tribes made at the turn of the 20th\ncentury and today. In 1895\, the Danish American photographer Benedicte\nWrensted arrived in Pocatello\ , Idaho\, where she established a photography\nstudio. Among her clients w ere members of the Shoshone-Bannock Tribes whose\nportraits Wrensted took until leaving Idaho in 1912. Unlike Edward Curtis\,\nWrensted invited her sitters to present themselves as they wished\, and\nmembers of the Tribes appear in her photographs in both traditional regalia\nand settler dress. The exhibition also includes photographs made by\nphotographers for the Sh o-Ban News—Lori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at events i ncluding the annual Shoshone-Bannock Festival.
\nIn Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/Director of Fellowships &\; Research from\nCrystal Bridge s\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norgani
zed by
Crystal Bridges Museum of American Art
Support provided by Art Bridges
S VMoA Members are\ninvited by the Museum's curators for a preview and tour of the\nexhibitions In Conversation: Will Wilson and < em>Portraits of the\nShoshone-Bannock Tribes\, Past &\; Present p rior to the Opening\nCelebration.
In Co nversation: Will\nWilson features tintype portraits Din é artist Will\nWilson has made as part of his ongoing project Critica l Indigenous\nPhotographic Exchange (CIPX). A direct response to the work of\n20th-century photographer Edward Sheriff Curti s\n(1868–1952)\, whose photographs are also included in the exhibition\, \nWilson’s CIPX offers a critique of Curtis’s 20-volume T he\nNorth American Indian (1907-1930)\, which was created to capture the\nsupposed vanishing race of Native Americans. Curtis’ photographs\n simplified and romanticized Native American life. In contrast\, Wilson has \ncreated rich\, complex portraits that center Indigenous\nperspectives.
Portraits\nof the Shoshon e-Bannock Tribes\, Past &\; Present explores portraits\nof member s of the Shoshone-Bannock Tribes made at the turn of the 20th\ncentury and today. In 1895\, the Danish American photographer Benedicte\nWrensted arr ived in Pocatello\, Idaho\, where she established a photography\nstudio. A mong her clients were members of the Shoshone-Bannock Tribes whose\nportra its Wrensted took until leaving Idaho in 1912. Unlike Edward Curtis\,\nWre nsted invited her sitters to present themselves as they wished\, and\nmemb ers of the Tribes appear in her photographs in both traditional regalia\na nd settler dress. The exhibition also includes photographs made by\nphotog raphers for the Sho-Ban News—Lori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at events including the annual Shoshone-Bannock Festival.
\nIn Conversation: Will Wilson was curated by Mindy\n Besaw\, Curator of American Art/Director of Fellowships &\; Research fr om\nCrystal Bridges\, and Ashley Holland\, Associate Curator from Art\nBri dges
In Conversation: Will Wilso
n is\norganized by
Crystal Bridges Museum of American Art Support provided by Art Bridges
<
p\nclass=\"text-align-center\">
Join us as we\ncel ebrate the opening of two exhibitions: In Conversation: Will Wilson\n and Portraits of the Shoshone-Bannock Tribes\, Past &\;\nPres ent.
In Conversation: Will\nWilson features tintype portraits Diné artist Will\nWilson ha s made as part of his ongoing project Critical Indigenous\nPhotographi c Exchange (CIPX). A direct response to the work of\n20th-century photographer Edward Sheriff Curtis\n(1868–1952)\, whose photographs are also included in the exhibition\,\nWilson’s CIPX offers a critique of Curtis’s 20-volume The\nNorth American Indian (1907-1930)\, which was created to capture the\nsupposed vanishing r ace of Native Americans. Curtis’ photographs\nsimplified and romanticiz ed Native American life. In contrast\, Wilson has\ncreated rich\, complex portraits that center Indigenous\nperspectives.
\nPortraits of the Sh oshone-Bannock\nTribes\, Past &\;\nPresent explores portraits of\nmembers of the Shoshone-Bannock Tribes made at the turn of the 20th century\nand today. In 1895\, the Danish Ame rican photographer Benedicte Wrensted\narrived in Pocatello\, Idaho\, wher e she established a photography studio.\nAmong her clients were members of the Shoshone-Bannock Tribes whose\nportraits Wrensted took until leaving Idaho in 1912. Unlike Edward Curtis\,\nWrensted invited her sitters to pre sent themselves as they wished\, and\nmembers of the Tribes appear in her photographs in both traditional regalia\nand settler dress. The exhibition also includes photographs made by\nphotographers for the Sho-Ban News—L ori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at events including the a nnual Shoshone-Bannock Festival.
\nIn Conversatio n: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/ Director of Fellowships &\; Research from\nCrystal Bridges\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norganized by
C
rystal Bridges Museum of American Art
Support provided by Art Bridges
J oin us as we\ncelebrate the opening of two exhibitions: In Conversati on: Will Wilson\nand Portraits of the Shoshone-Bannock Tribes\, Past &\;\nPresent.
In Conversat ion: Will\nWilson features tintype portraits Diné artis t Will\nWilson has made as part of his ongoing project Critical Indige nous\nPhotographic Exchange (CIPX). A direct response to the work of\ n20th-century photographer Edward Sheriff Curtis\n(1868 –1952)\, whose photographs are also included in the exhibition\,\nWilson ’s CIPX offers a critique of Curtis’s 20-volume The\nNort h American Indian (1907-1930)\, which was created to capture the\nsup posed vanishing race of Native Americans. Curtis’ photographs\nsimplifi ed and romanticized Native American life. In contrast\, Wilson has\ncreate d rich\, complex portraits that center Indigenous\nperspectives.
\nPo rtraits of the Shoshone-Bannock\nTribes\, Past &\;\nPresent explores portraits of\nmembers of the Shosho ne-Bannock Tribes made at the turn of the 20th century\nand today. In 1895 \, the Danish American photographer Benedicte Wrensted\narrived in Pocatel lo\, Idaho\, where she established a photography studio.\nAmong her client s were members of the Shoshone-Bannock Tribes whose\nportraits Wrensted to ok until leaving Idaho in 1912. Unlike Edward Curtis\,\nWrensted invited h er sitters to present themselves as they wished\, and\nmembers of the Trib es appear in her photographs in both traditional regalia\nand settler dres s. The exhibition also includes photographs made by\nphotographers for the Sho-Ban News—Lori Edmo\, Roselynn Yazzie\, and\nJeremy Shay—at event s including the annual Shoshone-Bannock Festival.
\n< em>In Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/Director of Fellowships &\; Research from\nCrystal Bri dges\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norg
anized by
Crystal Bridges Museum of American Art
Support provided by Art Bridges
The stems\,\nleave s\, and flowers of plants are essential to their functions: making\ntheir own food and providing it to other living things\, building healthy\nsoil\ , cleaning and filtering water\, and providing shade. They also create\nbe autiful shapes\, lines\, and patterns. Participants will apply ink to\nnat ive plants gathered from the Sawtooth NRA\, lay paper over the plants\,\na nd use pressure to make beautiful botanical monotype prints. All materials \nare provided but participants are welcome to bring their own native\npla nts.
Age &\; ability: all ages and levels\; beginners\nw elcome!
This workshop takes place from 2–4pm at\ nthe Museum in Ketchum
About the Instructor
Rebecc a\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residen ce.\nSchultz creates mixed media works–including paintings\, prints\,\ni nstallations\, and public art–that cultivate a sense of wonder for the\n complex ecosystems surrounding us and reflect on humanity’s precarious\n relationship with the more-than-human world.
T he stems\,\nleaves\, and flowers of plants are essential to their function s: making\ntheir own food and providing it to other living things\, buildi ng healthy\nsoil\, cleaning and filtering water\, and providing shade. The y also create\nbeautiful shapes\, lines\, and patterns. Participants will apply ink to\nnative plants gathered from the Sawtooth NRA\, lay paper ove r the plants\,\nand use pressure to make beautiful botanical monotype prin ts. All materials\nare provided but participants are welcome to bring thei r own native\nplants.
Age &\; ability: all ages and leve ls\; beginners\nwelcome!
This workshop takes place from 2–4pm at\nthe Museum in Ketchum
About the Instruct or
Rebecca\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residence.\nSchultz creates mixed media works–including painti ngs\, prints\,\ninstallations\, and public art–that cultivate a sense of wonder for the\ncomplex ecosystems surrounding us and reflect on humanity ’s precarious\nrelationship with the more-than-human world.
< p>
The stems\,\nleave s\, and flowers of plants are essential to their functions: making\ntheir own food and providing it to other living things\, building healthy\nsoil\ , cleaning and filtering water\, and providing shade. They also create\nbe autiful shapes\, lines\, and patterns. Participants will apply ink to\nnat ive plants gathered from the Sawtooth NRA\, lay paper over the plants\,\na nd use pressure to make beautiful botanical monotype prints. All materials \nare provided but participants are welcome to bring their own native\npla nts.
Age &\; ability: all ages and levels\; beginners\nw elcome!
This workshop takes place from 2–4pm at\ nthe Museum in Ketchum
About the Instructor
Rebecc a\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residen ce.\nSchultz creates mixed media works–including paintings\, prints\,\ni nstallations\, and public art–that cultivate a sense of wonder for the\n complex ecosystems surrounding us and reflect on humanity’s precarious\n relationship with the more-than-human world.
T he stems\,\nleaves\, and flowers of plants are essential to their function s: making\ntheir own food and providing it to other living things\, buildi ng healthy\nsoil\, cleaning and filtering water\, and providing shade. The y also create\nbeautiful shapes\, lines\, and patterns. Participants will apply ink to\nnative plants gathered from the Sawtooth NRA\, lay paper ove r the plants\,\nand use pressure to make beautiful botanical monotype prin ts. All materials\nare provided but participants are welcome to bring thei r own native\nplants.
Age &\; ability: all ages and leve ls\; beginners\nwelcome!
This workshop takes place from 2–4pm at\nthe Museum in Ketchum
About the Instruct or
Rebecca\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residence.\nSchultz creates mixed media works–including painti ngs\, prints\,\ninstallations\, and public art–that cultivate a sense of wonder for the\ncomplex ecosystems surrounding us and reflect on humanity ’s precarious\nrelationship with the more-than-human world.
< p>
The stems\,\nleave s\, and flowers of plants are essential to their functions: making\ntheir own food and providing it to other living things\, building healthy\nsoil\ , cleaning and filtering water\, and providing shade. They also create\nbe autiful shapes\, lines\, and patterns. Participants will apply ink to\nnat ive plants gathered from the Sawtooth NRA\, lay paper over the plants\,\na nd use pressure to make beautiful botanical monotype prints. All materials \nare provided but participants are welcome to bring their own native\npla nts.
Age &\; ability: all ages and levels\; beginners\nw elcome!
This workshop takes place from 2–4pm at\ nthe Museum in Ketchum
About the Instructor
Rebecc a\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residen ce.\nSchultz creates mixed media works–including paintings\, prints\,\ni nstallations\, and public art–that cultivate a sense of wonder for the\n complex ecosystems surrounding us and reflect on humanity’s precarious\n relationship with the more-than-human world.
T he stems\,\nleaves\, and flowers of plants are essential to their function s: making\ntheir own food and providing it to other living things\, buildi ng healthy\nsoil\, cleaning and filtering water\, and providing shade. The y also create\nbeautiful shapes\, lines\, and patterns. Participants will apply ink to\nnative plants gathered from the Sawtooth NRA\, lay paper ove r the plants\,\nand use pressure to make beautiful botanical monotype prin ts. All materials\nare provided but participants are welcome to bring thei r own native\nplants.
Age &\; ability: all ages and leve ls\; beginners\nwelcome!
This workshop takes place from 2–4pm at\nthe Museum in Ketchum
About the Instruct or
Rebecca\nSchultz is the 2024 Sawtooth National Recreation Area Artist-in-Residence.\nSchultz creates mixed media works–including painti ngs\, prints\,\ninstallations\, and public art–that cultivate a sense of wonder for the\ncomplex ecosystems surrounding us and reflect on humanity ’s precarious\nrelationship with the more-than-human world.
< p>
Join Louise Dixey\, Cultural\nResources Director at the Shoshone-Ba nnock Tribes\, and Velda Racehorse\,\nArchivist at the Shoshone-Bannock Tr ibes\, for a conversation on Danish\nAmerican photographer Benedicte Wrens ted\, who made portraits of many\nmembers of the Shoshone-Bannock Tribes i n her photography studio in\nPocatello\, Idaho\, at the turn of the 20th century.\n
This\nLecture is part of SVMoA’s Portraits of the Shoshone-Bannock Tribes\,\nPast &\; Present Exhibition.
Join Louise Dixey\, Cultural\nResources Director a t the Shoshone-Bannock Tribes\, and Velda Racehorse\,\nArchivist at the Sh oshone-Bannock Tribes\, for a conversation on Danish\nAmerican photographe r Benedicte Wrensted\, who made portraits of many\nmembers of the Shoshone -Bannock Tribes in her photography studio in\nPocatello\, Idaho\, at the t urn of the 20th century.\n
This\nLecture is part of SVMoA’s Portraits of the Shoshone-Bannock Tribes\,\nPast &\; Present Exhibition .
Join the Sun Valley Museum of Art\, the\nHunger Coalition\, and Community Partners for a Día de los Muertos\nCelebration! Music by Mariachi Tleyot ltzin\, dance performance by SVMoA's\nMexican Folkloric Dance students\, 2 -2:30pm. Free workshop on portraiture\nand self-representation\, 1-3pm. Mu sic\, food\, crafts\, and altars on view\nfrom 1-3pm.
Celebración comunitaria gratis: Día de\nl os Muertos con musica de Mariachi Tleyotltzin
\n< p>¡Únase al Museo de Arte de Sun Valley\, la Coalició n\ncontra el Hambre y los socios comunitarios para la celebración del Dí a de\nlos Muertos! Música del Mariachi Tleyotltzin\, presentación de dan za de\nlos estudiantes de Danza Folclórica Mexicana del SVMoA\, 2-2:30 pm . Taller\ngratuito sobre retrato y autorrepresentación\, de 13 a 15 horas . Música\,\ncomida\, artesanías y altares a la vista de 1 a 3 p.\nm.Join the Sun Valley Museum of Art\, the\nHunger Coalitio n\, and Community Partners for a Día de los Muertos\nCelebration! Music b y Mariachi Tleyotltzin\, dance performance by SVMoA's\nMexican Folkloric D ance students\, 2-2:30pm. Free workshop on portraiture\nand self-represent ation\, 1-3pm. Music\, food\, crafts\, and altars on view\nfrom 1-3pm.
Celebración comunitaria g ratis: Día de\nlos Muertos con musica de Mariachi Tleyotltzin
\n¡Únase al Museo de Arte de Sun Vall ey\, la Coalición\ncontra el Hambre y los socios comunitarios para la cel ebración del Día de\nlos Muertos! Música del Mariachi Tleyotltzin\, pre sentación de danza de\nlos estudiantes de Danza Folclórica Mexicana del SVMoA\, 2-2:30 pm. Taller\ngratuito sobre retrato y autorrepresentación\, de 13 a 15 horas. Música\,\ncomida\, artesanías y altares a la vista de 1 a 3 p.\nm.
Join the Sun Valley Museum of Art\, the\nHunger Coalition\, and Community Partners for a Día de los Muertos\nCelebration! Music by Mariachi Tleyot ltzin\, dance performance by SVMoA's\nMexican Folkloric Dance students\, 2 -2:30pm. Free workshop on portraiture\nand self-representation\, 1-3pm. Mu sic\, food\, crafts\, and altars on view\nfrom 1-3pm.
Celebración comunitaria gratis: Día de\nl os Muertos con musica de Mariachi Tleyotltzin
\n< p>¡Únase al Museo de Arte de Sun Valley\, la Coalició n\ncontra el Hambre y los socios comunitarios para la celebración del Dí a de\nlos Muertos! Música del Mariachi Tleyotltzin\, presentación de dan za de\nlos estudiantes de Danza Folclórica Mexicana del SVMoA\, 2-2:30 pm . Taller\ngratuito sobre retrato y autorrepresentación\, de 13 a 15 horas . Música\,\ncomida\, artesanías y altares a la vista de 1 a 3 p.\nm.Join the Sun Valley Museum of Art\, the\nHunger Coalitio n\, and Community Partners for a Día de los Muertos\nCelebration! Music b y Mariachi Tleyotltzin\, dance performance by SVMoA's\nMexican Folkloric D ance students\, 2-2:30pm. Free workshop on portraiture\nand self-represent ation\, 1-3pm. Music\, food\, crafts\, and altars on view\nfrom 1-3pm.
Celebración comunitaria g ratis: Día de\nlos Muertos con musica de Mariachi Tleyotltzin
\n¡Únase al Museo de Arte de Sun Vall ey\, la Coalición\ncontra el Hambre y los socios comunitarios para la cel ebración del Día de\nlos Muertos! Música del Mariachi Tleyotltzin\, pre sentación de danza de\nlos estudiantes de Danza Folclórica Mexicana del SVMoA\, 2-2:30 pm. Taller\ngratuito sobre retrato y autorrepresentación\, de 13 a 15 horas. Música\,\ncomida\, artesanías y altares a la vista de 1 a 3 p.\nm.
Join SVMoA's\ncura tors for a tour of In Conversation: Will\nWilson and Portra its of the Shoshone-Bannock Tribes\, Past &\;\nPresent.
This event takes place from\n5:30–6:30pm.
Part of S VMoA’s exhibitions In\nConversation: Will Wilson and Portraits of the\nShoshone-Bannock Tribes\, Past &\; Present
\n
In Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/Di rector of Fellowships &\; Research from\nCrystal Bridges\, and Ashley H olland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norganized by
Cry
stal Bridges Museum of American Art
Support provided by Art Bridges
< /p>
J oin SVMoA's\ncurators for a tour of In Conversation: Will\nWilson and Portraits of the Shoshone-Bannock Tribes\, Past &\;\nPresent .
This event takes place from\n5:30–6:30pm.
Part of SVMoA’s exhibitions In\nConversation: Will W ilson and Portraits of the\nShoshone-Bannock Tri bes\, Past &\; Present
\n
In Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator o f American Art/Director of Fellowships &\; Research from\nCrystal Bridg es\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norgan
ized by
Crystal Bridges Museum of American Art
Support provided by Art Bridges
Join SVMoA's\ncura tors for a tour of In Conversation: Will\nWilson and Portra its of the Shoshone-Bannock Tribes\, Past &\;\nPresent.
This event takes place from\n5:30–6:30pm.
Part of S VMoA’s exhibitions In\nConversation: Will Wilson and Portraits of the\nShoshone-Bannock Tribes\, Past &\; Present
\n
In Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator of American Art/Di rector of Fellowships &\; Research from\nCrystal Bridges\, and Ashley H olland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norganized by
Cry
stal Bridges Museum of American Art
Support provided by Art Bridges
< /p>
J oin SVMoA's\ncurators for a tour of In Conversation: Will\nWilson and Portraits of the Shoshone-Bannock Tribes\, Past &\;\nPresent .
This event takes place from\n5:30–6:30pm.
Part of SVMoA’s exhibitions In\nConversation: Will W ilson and Portraits of the\nShoshone-Bannock Tri bes\, Past &\; Present
\n
In Conversation: Will Wilson was curated by Mindy\nBesaw\, Curator o f American Art/Director of Fellowships &\; Research from\nCrystal Bridg es\, and Ashley Holland\, Associate Curator from Art\nBridges
In Conversation: Will Wilson is\norgan
ized by
Crystal Bridges Museum of American Art
Support provided by Art Bridges
In this introductory three-hour leather\nworkshop\, participants will le arn to make their own hand-cut leather\ntassels. Participants will make 2- 3 tassels each to keep or share. All\nmaterials are provided.
\nAge &\; A bility: 16+\, beginners\nwelcome!
< h5>This workshop takes\nplace from 6-9pm at the Hailey Classroom.
About the\nInstructor
Morgan Buckert bui lds custom cowboy\nboots in her Hailey\, Idaho workshop. Using traditional techniques and\nvintage machinery\, Morgan builds cowboy boots and leathe r goods meant to\nlast a lifetime
In this introductory three-hour leather\nworkshop\, par ticipants will learn to make their own hand-cut leather\ntassels. Particip ants will make 2-3 tassels each to keep or share. All\nmaterials are prov ided.
\n< span>Age &\; Ability: 16+\, beginners\nwelcome!< /em>
This workshop takes\nplace from 6-9pm at the Hailey Cl assroom.
About the\nInstructor
M organ Buckert builds custom cowboy\nboots in her Hailey\, Idaho workshop. Using traditional techniques and\nvintage machinery\, Morgan builds cowboy boots and leather goods meant to\nlast a lifetime
Try your hand at\n printmaking using a press. Cut a 4x6 linoleum block and do a simple\none-c olor print. Work from images provided in the Open Studio\, or bring in\nyo ur own images to work from. Caty Kendall will be assisting everyone with\n using the press and learning some of the basics of the printmaking\nproces s.
All printmaking materials provided at the Open Studio.
\n< strong>Ages 16+\; all levels\, beginners welcome
This\nop en studio takes place from 6–8:30pm.
About the\nInstruct or
Caty Kendall has an MFA from Pratt Institute and has\nbeen teac hing all ges for more than twenty years. Her work has been\npresented in m ultiple galleries on the East Coast and is in the permanent\nprintmaking c ollections of the New York Public Library and the University\nof Georgia.< /p>
T ry your hand at\nprintmaking using a press. Cut a 4x6 linoleum block and d o a simple\none-color print. Work from images provided in the Open Studio\ , or bring in\nyour own images to work from. Caty Kendall will be assistin g everyone with\nusing the press and learning some of the basics of the pr intmaking\nprocess.
All printmaking materials provided at the Open Studio.
\nAges 16+\; all levels\, beginners welcome
This\nopen studio takes place from 6–8:30pm.
Ab out the\nInstructor
Caty Kendall has an MFA from Pratt Institute a nd has\nbeen teaching all ges for more than twenty years. Her work has bee n\npresented in multiple galleries on the East Coast and is in the permane nt\nprintmaking collections of the New York Public Library and the Univers ity\nof Georgia.